The plan on the opposite page shows the ruins in their actual state, according to Mr Stephens' survey, together with a restoration to what seems to have been something like their original condition. The union of the two effects in one plate is, I believe, a sufficient reason for indulging to this extent in a fancy for restoration, justly condemned by antiquarians as a rule.[III-17]

Returning then to the limits of the plan, we find portions of a wall, a, a, a, which when entire, as indicated by the dotted lines, seems to have enclosed a nearly rectangular area, measuring in general terms 900 by 1600 feet. Whatever treasures of antiquity may be hid in the depths of the forest, there can be but little doubt that this enclosure embraced the leading structures or sacred edifices of the ancient town. These walls would seem at least twenty-five feet thick at the base, and are built, like all the Copan structures, of large blocks of cut stone, of varying but not expressly stated dimensions. They are built, in parts at least, in terraces or steps, and painted. Only one authority speaks of the use of mortar.[III-18]

THE GREAT TEMPLE.

In the north-west corner of the enclosure, nearly filling its northern half, is the chief structure which has been called the Temple. Its dimensions are 624 feet north and south by 809 feet east and west.[III-19] From the remains the Temple in its original state is seen to have been an immense terrace, with sides sloped toward the land but perpendicular on the river, on the platform of which were both pyramidal elevations and sunken courts of regular rectangular outlines. The river wall, b, c, rises perpendicularly to a height, in its present ruined state, of from sixty to ninety feet, and the annexed cut gives its appearance from the opposite side of the river; but the original elevation of the terrace overlooking the river, judging from portions still intact, was about a hundred feet, some twenty-five or thirty feet of this elevation, at least at the northern end, being, however, the height of the original bank above the water; so that the terrace-platform of the whole Temple, d, d, d, must have been about seventy feet above the surface of the ground. The whole is built of cut stone in blocks a foot and a half wide by three to six feet long, and, without taking into account the excess of superimposed pyramids over sunken courts, must have required in round numbers over twenty-six million cubic feet of stone in its construction.[III-20]

The land sides on the north, east, and south, slope by steps of about eighteen inches each to a height of from thirty to 140 feet according as they are more or less fallen, extending also in some parts to the general level of the terrace-platform, and in others reaching in one incline to the top of the upper pyramids, E, E.[III-21] On the main platform are two sunken rectangular courts, marked on the plan A and B, whose floors or pavements seem to be about forty feet above the surface of the ground, and thirty feet below the level of the terrace. The court A is ninety by 144 feet, and ascends on all sides in regular steps like a Roman amphitheatre. The west side ascends in two flights each of fifteen steps, separated by a terrace twelve feet wide, to the platform overlooking the river, on which, at i, are the ruins of what were apparently two circular towers. From a point half-way up the steps a passage or gallery m, n, just large enough to afford passage to a crawling man, leads horizontally through to the face of the river-wall, the opening in which, visible from the opposite bank, has given to the ruins the name among the natives of Las Ventanas. Just below the entrance to this gallery, at o, is a pit five feet square, and seventeen feet deep, from the bottom of which a passage leads into a vault five feet wide, ten feet long, and four feet high, which, according to Col. Galindo's measurement, is twelve feet below the pavement of the court; the opening into this pit, at o, seems however to have been made by Galindo by excavation. The entrance to the court A is by the passage-way, C, C, from the north, the floor of which is on a level with that of the court. Similar steps lead up to the river-terrace on the west, while the pyramid D on the east rises to a height of 122 feet on the slope in steps or stages each six feet high and nine feet wide. The passage-way is thirty feet wide and over 300 feet long, and it seems probable that a flight of steps originally led up to the level of its entrance at p. The Court B is larger, but its steps are nearly all fallen, and it is now only remarkable for its altar, which will be described elsewhere.[III-22]

As I have said, all the steps and sides bear evident traces of having been originally painted. The whole structure is enveloped in a dense growth of shrubs and trees, which have been the chief agents in its ruin, penetrating every crevice with their roots and thus forcing apart the carefully laid superficial stones. Two immense ceiba-trees over six feet in diameter, with roots spreading from fifty to one hundred feet, are found on the summit of the lofty pyramid D.

PYRAMIDS AT COPAN.

Besides the temple, there are three small detached pyramids, I, F, G, the former fifty feet square and thirty feet high, between the last two of which there seems to have been a gateway, or entrance, to the enclosure. There are moreover the terraced walls v, v, of the plan, which require no additional description, but which extend for an unknown distance eastward into the forest. There are also shapeless heaps of fallen ruins scattered in every direction.[III-23]

Next to the ruined Temple in importance, or even before it as an indication of the artistic skill of its builders, are the carved obelisks, statues, or idols, which are peculiar to this region, but remarkably similar to each other. Fourteen of these are more or less fully described, most of them standing and in good preservation, but several of this number, and probably many besides, fallen and broken. Their positions are shown on the plan by the numbers 1 to 14. It will be noticed that only one is actually within the structure known as the Temple, three standing at the foot of its outer terrace within the quadrangle H, and the remainder in a group at the southern part of the enclosure, two of the latter being at the foot of terraced walls. These statues are remarkable for their size and for their complicated and well-executed sculpture. Of the eight whose dimensions are given, the smallest, No. 13, is eleven feet eight inches high, three feet four inches wide and thick; and the largest, Nos. 2 and 3, are thirteen feet high, four feet wide, and three feet thick. The material is the same soft stone taken from the quarry which furnished the blocks for building the walls. As to their position, Nos. 3, 11, and 13 face toward the east; Nos. 1, 5, and 9, toward the west; and No. 10 toward the north; the others are either fallen or their position is not given. No. 1 is smaller at the bottom than at the top, and Col. Galindo mentions two others, on hills east and west of the city, which have a similar form; all the rest are of nearly uniform dimensions throughout their length. Several rest on pedestals from six to seven feet square, and No. 13 has also a circular stone foundation sixteen feet in diameter. In each a human face occupies a central position on the front, having in some instances something that may be intended to represent a beard and moustache. The faces are remarkably uniform in the expression of their features, generally calm and pleasant; but in the case of No. 11 the partially open lips, and eye-balls starting from their sockets, indicate a design on the part of the artist to inspire terror in the beholder of his work. The hands rest in nearly every instance back to back on the breast. The dress and decoration seem to indicate that some were intended for males, others for females; this and the presence or absence of beard are the only indications of sex observable. The feet are mostly dressed in sandals, as shown clearly in the cut from No. 7. Above and round the head is a complicated mass of the most elaborate ornamentation, which utterly defies verbal description. Mr Stephens notes something like an elephant's trunk among the decorations of No. 8. The sides and usually the backs are covered with hieroglyphics arranged in square tablets, which probably contain, as all observers are impelled to believe, the names, titles, and perhaps history of the beings whose images in stone they serve to decorate. The backs of several, however, have other figures in addition to the supposed hieroglyphics, as in No. 8, where is a human form sitting cross-legged; and in No. 10, in which the characters seem to be human in a variety of strange contortions, although arranged in tablets like the rest; and No. 13 has a human face in the centre of the back as well as front. The sculpture is all in high relief, and was originally painted red, traces of the color being well preserved in places protected from the action of the weather. I give cuts of two of these carved obelisks, Nos. 3, and 6, to illustrate as fully as possible the general appearance of these most wonderful creations of American art, the details and full beauties of which can only be appreciated in the large and finely engraved plates of Catherwood.

Standing from six to twelve feet in front of nine of the fourteen statues, and probably of all in their primitive state, are found blocks of stone which, apparently, can only have been employed for making offerings or sacrifices in honor of the statues, whose use as idols is rendered nearly certain by the uniform proximity of the altars. The altars are six or seven feet square and four feet high, taking a variety of forms, and being covered with sculpture somewhat less elaborate than the statues themselves, often buried and much defaced. Two of them, belonging to Nos. 10 and 7, are shown in the accompanying cuts. The former is five and a half feet in diameter, and three feet high, with two grooves in the top; the latter seven feet square and four feet high, supposed to represent a death's head. The top of the altar accompanying No. 9 is carved to represent the back of a tortoise; that of No. 13 consists of three heads strangely grouped. The grooves cut in the altars' upper surface are strongly suggestive of flowing blood, and of slaughtered victims.[III-24]

I will next mention the miscellaneous relics found in connection with the ruins, beginning with the court A. The vault already spoken of, whose entrance is at o, was undoubtedly intended for burial purposes. Both on the floor of the vault and in two small niches at its sides were found human bones, chiefly in vessels of red pottery, which were over fifty in number. Lime was found spread over the floor and mixed with human remains in the burial vases; also scattered on the floor were oyster and periwinkle shells, cave stalactites, sharp-edged and pointed knives of chaya stone, and three heads, one of them "apparently representing death, its eyes being nearly shut, and the lower features distorted; the back of the head symmetrically perforated by holes; the whole of most exquisite workmanship, and cut out or cast from a fine stone covered with green enamel." Another head, very likely one of the other two found in this vault, its locality, not, however, being specified, is two inches high, cut from green and white jade, hollow behind, and pierced in several places, probably for the introduction of a cord for its suspension. Its individual character and artistic workmanship created in Col. Galindo's mind the impression that it was customary with this people to wear as ornaments the portraits of deceased friends.[III-25]

Two thirds of the distance up the eastern steps at u, is the colossal head of the cut, which is about six feet high. Two other immense heads are overturned at the foot of the same slope; another is half-way up the southern steps at w; while numerous fragments of sculpture are scattered over the steps and pavement in every direction. There are no idols or altars here, but six circular stones from one foot and a half to three feet in diameter, found at the foot of the western stairway of the passage C, C, may have supported idols or columns originally.[III-26]

ALTAR OF THE TEMPLE.

In the court B, the only relic beside the statue No. 1 is a remarkable stone monument, generally termed an altar, at x. This is a solid block of stone six feet square and four feet high, resting on four globular stones, one under each corner. On the sides are carved sixteen human figures in profile, four on each side. Each figure is seated cross-legged on a kind of cushion which is apparently a hieroglyphic, among whose characters in two or three cases the serpent is observable. Each wears a breastplate, a head-dress like a turban,—no two being, however, exactly alike—and holds in one hand some object of unknown significance. The cut shows the north front of the altar. The two central figures on this side sit facing each other, with a tablet of hieroglyphics between them, and may readily be imagined to represent two kings or chiefs engaged in a consultation on important matters of state. According to Mr Stephens' text the other fourteen figures are divided into two equal parties, each following its leader. But the plates represent all those on the east and west as facing the south, while those on the south look toward the west. The top is covered with hieroglyphics in thirty-six squares, as shown the cut on the preceding page. A peculiarity of this altar is that its sculpture, unlike that of all the other monuments of Copan, is in low relief.[III-27]

The head shown in the cut is one of the fragments lying on the ground at the foot of the terraces that inclose the quadrangle H. On the slopes of these terraces, particularly of the eastern slope of the pyramid e, half-way from top to bottom, are rows of death's heads in stone. It is suggested that they represent the skulls of apes rather than of human beings, and that this animal, abundant in the country, may have been an object of veneration among the ancient people. One of the skulls is shown in the cut. The next cut pictures the head of an alligator carved in stone, found among the group of idols towards the south. Another is mentioned by Col. Galindo, as holding in its open jaws a figure, half human, half beast. A gigantic toad, standing erect, with human arms and tiger's claws, was another of the relics discovered by the same explorer, together with round plain stones pierced by a hole in the centre. Mr Davis talks of an architrave of black granite finely cut; and M. Waldeck corrects a statement, in a work by Balbi, that marble beds are to be found here. The portrait in the cut is from the fragments found at the north-west corner of the temple near b.[III-28]

GENERAL CONCLUSIONS.

Most of the general reflections and speculations on Copan indulged in by observers and students refer to other ruined cities in connection with this, and will be noted in a future chapter. It is to be remarked that besides pyramids and terraced walls, no traces whatever of buildings, public or private, remain to guide us in determining the material or style of architecture affected by the former people of this region. The absence of all traces of private dwellings we shall find universal throughout America, such structures having evidently been constructed of perishable materials; but among the more notable ruins of the Pacific States, Copan stands almost alone in its total lack of covered edifices. There would seem to be much reason for the belief that here grand temples of wood once covered these mighty mounds, which, decaying, have left no trace of their former grandeur.

Col. Galindo states that the method of forming a roof here was by means of large inclined stones. If this be a fact, it must have been ascertained from the sepulchral vault in the temple court, concerning the construction of which both he and Stephens are silent. The top of the gallery leading through the river-wall would indicate a method of construction by means of over-lapping blocks, which we shall find employed exclusively in Yucatan and Chiapas. No article of any metal whatever has been found; yet as only one burial deposit has been opened, it is by no means certain that gold or copper ornaments were not employed. That iron and steel were not used for cutting implements, is clearly proved by the fact that hard flinty spots in the soft stone of the statues are left uncut, in some instances where they interfere with the details of the sculpture. Indeed, the chay-stone points found among the ruins are sufficiently hard to work the soft material, and although in some cases they seem to have required the use of metal in their own making, yet when we consider the well-known skill of even the most savage tribes in the manufacture of flint weapons and implements, the difficulty becomes of little weight. How the immense blocks of stone of which the obelisks were formed, were transported from the quarry, several miles distant, without the mechanical aids that would not be likely to exist prior to the use of iron, can only be conjectured.

The absence of all implements of a warlike nature, extending even to the sculptured decorations of idol and altar, would seem to indicate a population quiet and peaceable rather than warlike and aggressive; for though it has been suggested that implements of war are not found here simply because it is a place sacred to religion, yet it does not appear that any ancient people has ever drawn so closely the line between the gods of war and the other divinities of the pantheon.[III-29]

Of the great artistic merit of the sculpture, particularly if executed without tools of metal, there can be no question. Mr Stephens, well qualified by personal observation to make the comparison, pronounces some of the specimens "equal to the finest Egyptian sculpture."[III-30] Mr Foster believes the flattened forehead of the human profile on the altar-sides to indicate a similar cranial conformation in the builders of the city.[III-31]

With respect to the hieroglyphics all that can be said is mere conjecture, since no living person even claims the ability to decipher their meaning. They have nothing in common with the Aztec picture-writing, which, consequently, affords no aid in their study. The characters do, however, appear similar to, if not identical with, some of those found at Palenque, in Yucatan, in the Dresden Codex, and in the Manuscript Troano. When the disciples of Brasseur de Bourbourg shall succeed in realizing his expectations respecting the latter document, by means of the Landa alphabet, we may expect the mystery to be partially lifted from Copan. It is hard to resist the belief that these tablets hold locked up in their mystic characters the history of the ruined city and its people, or the hope that the key to their significance may yet be brought to light; still, in the absence of a contemporary written language, the hope must be allowed to rest on a very unsubstantial basis.[III-32]

ORIGIN OF THE RUINS.

Concerning the age and origin of the Copan monuments, as distinguished from other American antiquities, there are few or no facts on which to base an opinion. The growth of trees on the works, and the accumulation of vegetable material can in this tropical climate yield but very unsatisfactory results in this direction. Copan is, however, generally considered the oldest of American cities; but I leave for the present the matter of comparison with more northern relics. Palacio claims to have found among the people a tradition of a great lord who came from Yucatan, built the city of Copan, and after some years returned and left the newly built town desolate; a tradition which he inclines to believe, because he says the same language is understood in both regions, and he had heard of similar monuments in Yucatan and Tabasco. Among the inhabitants of the region in later times, there is no difference of opinion whatever with respect to the origin of the ruins or their builders; they are unanimous in their adherence to the 'quien sabe' theory.

CHAPTER IV.
ANTIQUITIES OF GUATEMALA AND BELIZE.

The State of Guatemala—a Land of Mystery—Wonderful Reports—Discoveries Comparatively Unimportant—Ruins of Quirigua—History and Bibliography—Pyramid, Altars, and Statues—Comparison with Copan—Pyramid of Chapulco—Relics at Chinamita—Temples of Micla—Cinaca-Mecallo—Cave of Peñol—Cyclopean Débris at Carrizal—Copper Medals at Guatemala—Esquimatha—Fortification of Mixco—Pancacoya Columns—Cave of Santa María—Mammoth Bones at Petapa—Rosario Aqueduct—Ruins of Patinamit, or Tecpan Guatemala—Quezaltenango, or Xelahuh—Utatlan, near Santa Cruz del Quiché—Zakuléu near Huehuetenango—Cakchiquel Ruins in the Region of Rabinal—Cawinal—Marvelous Ruins Reported—Stephens' Inhabited City—Antiquities of Peten—Flores—San José—Casas Grandes—Tower of Yaxhaa—Tikal Palaces and Statues—Dolores—Antiquities Of Belize.

GUATEMALA.

Above the isthmus of Honduras the continent widens abruptly, forming between the Rio Motagua and Laguna de Terminos on the Atlantic, the Rio Paza and bar of Ayutla on the Pacific, a territory which stretches some five hundred and fifty miles from north to south, with a nearly uniform width of two hundred miles from east to west. Dividing this territory into two nearly equal portions by a line drawn near the eighteenth parallel of latitude, the northern part, between the bay of Chetumal and Laguna de Terminos, is the peninsula of Yucatan; while that portion lying south of the dividing line constitutes the republic of Guatemala and the English province of Belize, which latter occupies a strip along the Atlantic from the gulf of Amatique northward. The Pacific coast of Guatemala for an average width of seventy miles is low and unhealthy, with few inhabitants in modern, as, judging from the absence of material relics, in ancient times. Then comes a highland tract which contains the chief towns and most of the white population of the modern republic; succeeded by the yet wilder and more mountainous regions of Totonicapan and Vera Paz, chiefly inhabited by comparatively savage and unsubdued aboriginal tribes; from which we descend, still going northward towards Yucatan, into the little-explored lake region of Peten. At the time of its conquest by the Spaniards, Guatemala was the seat of several powerful aboriginal kingdoms, chief among which were those of the Quichés and Cakchiquels. They fought long and desperately in defence of their homes and liberty, and when forced to yield before Spanish discipline and arms, the few survivors of the struggle either retired to the inaccessible fastnesses of the northern highlands, or remained in sullen forced submission to their conquerors in the homes of their past greatness—the aboriginal spirit still unbroken, and the native superstitious faith yielding only nominally to Catholic power and persuasion. Here and in the adjoining state of Chiapas the natives probably retain to the present day their original character with fewer modifications than elsewhere in the Pacific States.

By reason of the peculiar nature of the country, the grandeur of its mountain scenery, the existence of large tracts almost unknown to white men, the desperate struggles of its people for independence, their wild and haughty disposition, and their strange and superstitious traditions, Guatemala has always been a land of mystery, particularly to those who delight in antiquarian speculations. A residence at Rabinal in close contact with the native character in its purest state first started in the mind of the Abbé Brasseur de Bourbourg the train of thought that has since developed into his most startling and complicated theories respecting American antiquity; and Guatemala has furnished also many of the documents on which these theories rest. Few visitors have resisted the temptation to indulge in speculative fancies or to frame far-reaching theories respecting ancient ruins or possibly flourishing cities hidden from the explorer's gaze in the depths of Guatemalan forests and mountains.

And yet this mysterious land, promising so much, has yielded to actual exploration only comparatively trifling results in the form of material relics of antiquity. The ruins scattered throughout the country are indeed numerous, but with very few exceptions, besides being in an advanced state of dilapidation, they are manifestly the remains of structures destroyed during the Spanish conquest. Important as proving the accuracy of the reported power and civilization of the Quichés and Cakchiquels, and indirectly of the Aztecs in Anáhuac, where few traces of aboriginal structures remain for our study, they are still unsatisfactory to the student who desires to push his researches back into the more remote American past.

RUINS OF QUIRIGUA.

Beginning with the province of Chiquimula, bordering on Honduras and composed for the most part of the valley of the Motagua and its tributaries, the first ruin of importance, one of the exceptions noted above to the general character of Guatemalan antiquities, is found at Quirigua, fifty miles north-east of Copan, on the north side of the Motagua, about sixty miles above its mouth, and ten miles below Encuentros where the royal road, so called, from Yzabal to Guatemala crosses the river. The stream is navigable for small boats to a point opposite the ruins, which are in a cedar-forest on low moist ground nearly a mile from the bank.[IV-1] Our only knowledge respecting this ancient city comes through Mr Catherwood and Dr Scherzer. The former, traveling with Mr Stephens, visited the locality in 1840 in company with the Señores Payes, proprietors of the estate on which the ruins stand, and by his description Quirigua first was made known to the world. Mr Stephens, on hearing Catherwood's report, entered into negotiations with the owners of the land for its purchase, with a view to shipping the monuments to New York, their location on the banks of a navigable stream being favorable for the execution of such a purpose; but the interference of a European official so raised the market value of ancient real estate that it was found necessary to abandon the scheme. Dr Karl Scherzer's visit was in 1854, and his account, published in the Transactions of the Royal Austrian Academy of Science, and also reprinted in pamphlet form, is the most extensive and complete extant.[IV-2] Nothing like a thorough exploration has been made even in comparison with those of Copan and other Central American ruins; but monuments and fragments thus far brought to light are found scattered over a space of some three thousand square feet, on the banks of a small creek which empties into the Motagua. The site is only very slightly elevated above the level of the river, and is consequently often flooded in times of high water; indeed, during a more than ordinary freshet in 1852, after Mr Catherwood's visit, several idols were undermined and overthrown. No aboriginal name is known for the locality, Quirigua being merely that of a small village at the foot of Mount Mico, not far distant. There being no plan extant by which to locate the different objects to be mentioned in this old centre of civilization, I will give the slight descriptions obtainable, with very slight reference to their arrangement, beginning with the pyramid which seems to occupy a somewhat central position round which the other relics are grouped. Catherwood's description of this structure is limited to the statement that it is "like those at Copan, with the steps in some places perfect," and twenty-five feet high. Scherzer's account only adds that it is constructed of neatly cut sandstone in regular oblong blocks, and is very much ruined, hardly more, in fact, than a confused mass of fragments, among which were found some pieces of fine white marble. But under this structure there is, it seems, a foundation, an artificial hill, or mound, of rough stones without mortar. The base is an irregular square, the dimensions of which are not stated, with a spur extending toward the south. The steps which lead up the sides to the super-imposed structure are only eight or nine inches high and six or seven inches in width, remaining intact only at a few points. In the upper part of the mound are two or three terraces, on the first of which several recesses, or niches, of no great extent are noticed; they are lined with small rough stones, plastered, and in a good state of preservation, details which indicated to the observer that these niches may be of more modern origin than the rest of the ruin. There are no traces of openings to show that the hill contained underground apartments; neither are there any sculptures on the hewn stones of the pyramid itself, nor any idols or carved fragments found on the surface of the mound.

Very near the foot of the mound Mr Catherwood found a moss-covered colossal head six feet in diameter, and a large altar, both relics being within an enclosure.[IV-3] Scherzer also describes several monuments near the pyramid, some of which may be identical with the ones mentioned by Catherwood, although he says nothing of an enclosure. The first is a stone of a long oval form like a human head, six feet high and thirty-five feet in circumference, the surface being covered with carved figures in demi-relief, which for some reason have been better preserved and present clearer outlines than other carvings at Quirigua. One of the most clearly defined of these sculptures represents a sitting female, whose legs and hands are wanting, but whose arms hang down to the ground. A prominent feature is her head-dress, sixteen inches high, the upper part of which is an idol's head crowned with a diadem. The forehead is described as narrow, depressed above and projecting below. The features are indistinct, but the form of the head is of what Scherzer terms the Indian type. On the south side of this block, or altar, is the rude figure of a turtle five feet high. The top is covered with ornamental figures representing plants and fruits, all the varieties there delineated being such as still flourish in this region. The sides bear also faint indications of hieroglyphics. Dr Scherzer believes that the stone used in the construction of this altar must have been found on the spot, since by reason of its great size it could not have been brought from a distance with the aid of any mechanical appliances known to native art.[IV-4] The second of these monuments is like a mill-stone, four feet in diameter and two feet thick, cut from harder material than the other objects. A tiger's head nearly covers one side of the disk, and the rest of the surface, including the rim, is covered with hieroglyphics, several of these mysterious signs appearing on the animal's forehead. The third of the relics found near the pyramid is a fragment eighteen feet long and five feet wide, the upper portion having disappeared. The human face appears at different points among its hieroglyphics and ornaments.

STATUES OF QUIRIGUA.

Three or four hundred yards northward from the mound, and at the foot of a 'pyramidal wall,' concerning which we have no information beyond the mention of its existence, is a group of sculptured idols, pillars, or obelisks, standing in the forest like those in the sacred enclosure at Copan. Indeed, they bear a strong resemblance to the latter, except in their greater height and less elaborate sculpture, which is also in lower relief. Twelve of them are definitely mentioned, the smallest of which is nine feet high, and the largest twenty-six feet above ground, increasing in size toward the top, leaning twelve feet out of the perpendicular, and requiring, of course, some six or eight feet below the surface to sustain its weight in such a position.[IV-5] They are from two to three feet thick and four to six feet wide. In most instances a human face, male or female, appears on the front or back or both; while the sides are covered for the most part with hieroglyphics, which are also seen on various parts of the dress and ornaments. One statue is, however, mentioned, which, although crowded with ornaments, has no character, apparently, of hieroglyphic nature. One of the idols, twenty-three feet high, stands on a stone foundation projecting some fifteen feet; and another, circular instead of rectangular in form, rests on a small mound, within a wall of stones enclosing a small circular area.[IV-6] In one the human figure has a head-dress of which an animal's head forms a prominent part, while in yet another the head is half human and half animal. In both cases the aim of the artist would seem to have been to inspire terror, as in the case of some Nicaraguan idols already noticed. Mr Catherwood made sketches of two of the obelisks, including the leaning one, the largest of all; but as he could not clean them of moss in the limited time at his disposal, he makes no attempt to give the details of sculpture, and a reproduction of the plates is therefore not deemed necessary. The two monuments sketched by him could not be found at all by Dr Scherzer. The Quirigua idols have not, like those at Copan, altars in front of them, but several altars, or apparently such, were found buried in moss and earth, and not carefully examined by either of the explorers. They are usually of round or oval form, with hieroglyphically inscribed sides; and one of them, within the circular wall with steps, already mentioned as enclosing one of the statues,[IV-7] is described as supported by two colossal heads. Many fragments were noticed which are not described; and here as elsewhere monuments superior to any seen were reported to exist by enthusiastic guides and natives; in which latter class of antiquities are eleven square columns higher than those mentioned, and also a female holding a child, and an alligator's head in stone.[IV-8] The material of all the stone work of Quirigua is a soft coarse-grained sandstone, not differing materially, so far as I can judge, from that employed at Copan. It is the prevalent formation at both localities, and may be quarried readily at almost any point in the vicinity.

Absolutely no traditions have been preserved respecting Quirigua in the days when its monuments were yet intact, when a large town, which has left no traces, must have stood in the immediate vicinity.[IV-9] The idols scattered over the surface of the ground, instead of being located on the pyramids, may indicate here as at Copan that the elevations served as seats for spectators during the religious ceremonies, rather than as temples or altars on which sacrifice was made. Both observers agree on the general similarity between the monuments of Quirigua and Copan,[IV-10] and the hieroglyphics are pronounced identical. Indeed, it seems altogether probable that they owe their existence to the same era and the same people. Mr Stephens notes, besides the greater size and lower relief of the Quirigua monuments, that they are "less rich in design, and more faded and worn, probably being of a much older date." Dr Scherzer speaks of the greater plumpness of the sculptured figures, and has no faith in their great antiquity, believing that the low-relief carvings on so soft a material, would, when exposed in an atmosphere so moist, have been utterly obliterated in a thousand years.[IV-11]

CHAPULCO AND CHINAMITA.

At Chapulco, a few leagues below Quirigua, on the opposite side of the Motagua, one traveler speaks of a quadrilateral pyramid with terraced sides, up which steps lead to the summit platform, where débris of hewn stone are enveloped in a dense vegetation. Also at Chinamita, some sixteen miles above Quirigua on the same side of the river, the same authority reports a large area covered with aboriginal relics, in the form of ruined stone structures, vases and idols of burned clay, and monoliths buried for the most part in the earth. Of course, with this meagre information, it is impossible to form any definite idea of what these ruins really are, and whether they should be classed with Quirigua and Copan, or with a more modern class of Guatemalan antiquities. The same remark will apply also to many of the localities of this state, of whose relics we have no description in detail.[IV-12]

At Micla, or Mimilla, some three leagues north of lake Guijar, or Uxaca, which is on the boundary between Guatemala and Salvador, traces of a sacred town with its cues and temples are spoken of as visible in 1576. They are represented as of the class erected by the Pipiles who occupied the region at the time of the conquest.[IV-13]

CINACA-MECALLO.

Still farther south-west towards the coast, a few miles south, of Comapa, are the ruins of Cinaca-Mecallo, a name said to mean 'knotted rope.' The Rio Paza here forms the boundary line between the two states, and from its northern bank rises abruptly a mountain chain. On the summit, at a point commanding a broad view over a large portion of Salvador, is a plain of considerable extent, watered by several small mountain streams, which unite and fall over a precipice on the way to the river below. On the highest portion of this summit plain interesting works of the former inhabitants have been discovered by D. José Antonio Urrutia, padre in charge of the church at Jutiapa.[IV-14] The remains of Cinaca-Mecallo cover an oval area formerly surrounded by a wall, of which fragments yet remain sufficient to mark the line originally followed. Within this space are vestiges of streets, ruined buildings, and subterranean passages. Padre Urrutia makes special mention of four monuments. The first is what he terms a temple of the sun, an excavation in the solid rock opening towards the rising sun, and having at its entrance an archway known to the natives as 'stone of the sun,' formed of stone slabs closely joined. On these slabs are carved in low relief figures of the sun and moon, to which are added hieroglyphics painted on the stone with a very durable kind of red varnish. There are also some sculptured hieroglyphic signs on the interior walls of this artificial cavern. The second monument is a great slab covered with carved inscriptions, among which were noted a tree and a skull, emblematic, according to the padre's views, of life and death. Next is mentioned the representation of a tiger or other wild animal cut on the side of a large rock. This monument is, it appears, some distance from the other ruins, and is conjectured by Urrutia to be a commemoration of some historical event, from the fact that the natives still celebrate past deeds of valor by dances, or scenic representations, in which they dress in imitation of different animals. Mr Squier suggests farther that the event thus commemorated may have been a conflict between the Pipiles and the Cakchiquels, in which the latter were driven permanently from this district. The fourth and last of these monuments is one of the subterranean passages which the explorer penetrated until he reached a kind of chamber where were some sculptured blocks. This underground apartment is celebrated among the natives as having been in modern times the resort of a famous robber chief, who was at last brought to bay and captured here in his stronghold. The material employed in all the Cinaca-Mecallo structures is a slate-like stone in thin blocks, joined by a cement which resembles in color and consistence molten lead. Some of the carved blocks were sent by the discoverer as specimens to the city of Guatemala. Outside the walls are tumuli of earth and small stones, with no sculptured fragments. These are supposed to be burial mounds, and to vary in size according to the rank and importance of the personages whose resting-places they mark.

Proceeding now north-eastward to the region lying within a circle of fifty miles about the city of Guatemala as a centre, we have a reported cave on the hacienda of Peñol, perhaps twenty-five miles east of Guatemala, which is said to have been explored for at least a distance of one mile, and is believed by the credulous natives to extend eleven leagues through the mountain to the Rio de los Esclavos. In this cavern, or at least on the same hacienda, if we may credit Fuentes, human bones of extraordinary size were found, including shin-bones about five feet in length. These human relics crumbled on being touched, but fragments were carefully gathered up and sent to Guatemala, since which time nothing is known of them.[IV-15] On the hacienda of Carrizal, some twenty miles north of Guatemala, we hear of cyclopean débris, or masses of great unhewn stones heaped one on another without cement, and forming gigantic walls, which cover a considerable extent of territory on the lofty heights that guard the approaches to the Motagua Valley.[IV-16]