“Oft in danger, yet alive,
We are come to thirty-five;
Long may better years arrive,
Better years than thirty-five.
Could philosophers contrive
Life to stop at thirty-five,
Time his hours should never drive
O’er the bounds of thirty-five.
High to soar, and deep to dive,
Nature gives at thirty-five.
Ladies, stock and tend your hive,
Trifle not at thirty-five;
For howe’er we boast and strive,
Life declines from thirty-five;
He that ever hopes to thrive
Must begin by thirty-five;
And all who wisely wish to wive
Must look on Thrale at thirty-five,”—

adding, as he concluded, “And now, my dear, you see what it is to come for poetry to a dictionary-maker. You may observe that the rhymes run in alphabetical order exactly.”

But life is not all cakes and ale. Mr. Thrale’s ample income was constantly in jeopardy from his business speculations. He was led by a charlatan to spend a fortune in the endeavor to brew without hops; this failing, he sought to recoup himself by over-brewing, despite the protests of his wife, seconded by Dr. Johnson, who was becoming an excellent man of affairs. Listen to the man whose boast was that he was bred in idleness and the pride of literature. “The brewhouse must be the scene of action.... The first consequence of our late trouble ought to be an endeavor to brew at a cheaper rate, an endeavor not violent and transient, but steady and continual, prosecuted with total contempt of censure or wonder, and animated by resolution not to stop while more can be done. Unless this can be done, nothing can help us; and if this is done we shall not want help. Surely there is something to be saved; there is to be saved whatever is the difference between vigilance and neglect, between parsimony and profusion.”

It is proper to observe that it is Dr. Johnson, and not Andrew Carnegie, who is speaking, and in Mrs. Thrale’s copy of the Dictionary, which I happen to own, his gift to her, there is pasted in the book a letter in Dr. Johnson’s autograph written about this time, one paragraph of which reads, “I think it very probably in your power to lay up eight thousand pounds a year for every year to come, increasing all the time, what needs not be increased, the splendour of all external appearance; and surely such a state is not to be put in yearly hazard for the pleasure of keeping the house full, or the ambition of outbrewing Whitbread. Stop now and you are safe—stop a few years and you may go safely on thereafter, if to go on shall seem worth the while.”

Meanwhile, Mr. Thrale was quietly digging his grave with his teeth. Warned by his physician and his friends that he must exercise more and eat less, he snapped his fingers at them, I was going to say; but he did nothing so violent. He simply disregarded their advice and gave orders that the best and earliest of everything should be placed upon his table in profusion. His death was the result, and at forty Mrs. Thrale found herself a widow, wealthy, and with her daughters amply provided for. She, with Dr. Johnson and several others, was an executor of the estate, and promptly began to grapple with the problems of managing a great business. Not long after Thrale’s death we find this entry in her journal: “I have now appointed three days a week to attend at the counting-house. If an angel from Heaven had told me twenty years ago that the man I knew by the name of Dictionary Johnson should one day become partner with me in a great trade, and that we should jointly or separately sign notes, drafts, etc., for three or four thousand pounds, of a morning, how unlikely it would have seemed ever to happen! Unlikely is not the word, it would have seemed incredible, neither of us then being worth a groat, and both as immeasurably removed from commerce as birth, literature, and inclination could get us.

The opinion was general that Mrs. Thrale had been a mere sleeping partner, and her friends were amazed at the insight the sparkling little lady showed in the management of a great business. “Such,” says Mrs. Montagu, “is the dignity of Mrs. Thrale’s virtue, and such her superiority in all situations of life, that nothing now is wanting but an earthquake to show how she will behave on that occasion.”

But this state of things was not long to continue. A knot of rich Quakers came along, and purchased the enterprise for a hundred and thirty-five thousand pounds. Dr. Johnson was not quite clear that the property ought to be sold; but when the sale was finally decided upon, he did his share toward securing a good price. Capitalization of earning power has never been more succinctly described than when, in going over the great establishment with the intending purchasers, he made his famous remark, “We are not here to sell a parcel of boilers and vats, but the potentiality of growing rich beyond the dreams of avarice.”

For Mrs. Thrale and her daughters the affair was a matter of great moment; excitement ran high. Fanny Burney was staying at Streatham while the business was pending, and it was arranged that on the day the transaction was to be consummated, if all went well, Mrs. Thrale would, on her return from town, wave a white pocket-handkerchief out of the coach window. Dinner was at four; no Mrs. Thrale. Five came, and no Mrs. Thrale. At last the coach appeared and out of the window fluttered a handkerchief.



THE BEST-KNOWN PORTRAIT OF DR. JOHNSON, BY SIR JOSHUA REYNOLDS. ORIGINALLY IN THE LIBRARY AT STREATHAM. SOLD IN 1816 FOR £378. PASSED EVENTUALLY INTO THE NATIONAL GALLERY. Engraved by Doughty

THE BEST-KNOWN PORTRAIT OF DR. JOHNSON, BY SIR JOSHUA REYNOLDS. ORIGINALLY IN THE LIBRARY AT STREATHAM. SOLD IN 1816 FOR £378. PASSED EVENTUALLY INTO THE NATIONAL GALLERY.

Engraved by Doughty

Mrs. Thrale’s own notes are amusing. She was glad to bid adieu to the brewhouse and to the Borough—the business had been a great burden. Her daughters were provided for, and she did not much care for money for herself. By the bargain she had purchased peace, and, as she said, “restoration to her original rank in life”; recording in her journal, “Now that it is all over I’ll go to church and give God thanks and forget the frauds, follies and inconveniences of commercial life; as for Dr. Johnson, his honest heart was cured of its incipient passion for trade by letting him into some and only some of its mysteries.”

A final word on the subject of the Thrale brewhouse, which still exists. A year or two ago I spent a morning looking for Deadman’s Place, which has disappeared, but the great enterprise dominates the whole district, which is redolent with the odor of malt and hops. Johnson’s connection with the business is immortalized by his portrait—the famous one so generally known—being used as its trademark. The original picture is in the National Gallery, but an excellent copy hangs in the directors’ room of the brewery. The furnishings of this room are of the simplest. I doubt if they would fetch at auction a five-pound note, were it not for the fact that Johnson’s chair and desk are among them. In this room a business running annually into millions is transacted. The English love to leave old things as they are. With them history is always in the making.



MS. Inscriptions by Mrs. Thrale

Not many Sundays after Mrs. Thrale’s thanksgiving she had a visitor at Streatham—a visitor who, when he left, carried with him as a token of her regard two little calf-bound volumes, in one of which was the inscription, “These books written by Dr. Samuel Johnson were presented to Mr. Gabbrielle Piozzi by Hester-Lynch Thrale. Streatham, Sunday 10 June, 1781”; with a further note in an equally clear and flowing hand: “And Twenty Eight Years after that Time presented again to his Nephew John Piozzi Salusbury by Hester Lynch Piozzi. Brynbella 1st August, 1809.”



Title of “The Prince of Abissinia” (“Rasselas”). First Edition

I am able to be exact in this small matter, for the volumes in question were given me not long ago by a friend who understands my passion for such things. The book was the first edition of the “Prince of Abissinia” (it was not known as “Rasselas” until after Dr. Johnson’s death), and Mrs. Thrale at the time did not know Piozzi sufficiently well to spell his name correctly; but she was soon to learn, and to learn, too, that she was in love with him and he with her.

She had first met Piozzi about a year before, at a musicale at the house of Dr. Burney, Fanny’s father. On this occasion she had taken advantage of his back being turned to mimic him as he sat at the piano. For this she was reprimanded by Dr. Burney, and she must have felt that she deserved the correction, for she took it in good part and behaved with great decorum during the rest of the evening.

After a year in her widow’s weeds,—which must have tormented Johnson, for he hated the thought of death and liked to see ladies dressed in gay colors,—she laid aside her severe black and began to resume her place in society. The newspapers marked the change, and every man who entered her house was referred to as a possible husband for the rich and attractive widow. Finally she was obliged to write to the papers and ask that they would let the subject alone.

But it soon became evident to Johnson and to the rest of the world that Piozzi was successfully laying siege to the lady; as why should he not? The fact that he was a Catholic, an Italian, and a musician could hardly have appeared to him as reasons why he should not court a woman of rare charm and distinction, with whom he had been on terms of friendship for several years; a woman who was of suitable age, the mistress of a fine estate and three thousand pounds a year, and whose children were no longer children but young ladies of independent fortune. That she should marry some one seemed certain. Why not Piozzi? Her daughters protested that their mother was disgracing herself and them, and the world held up its hands in horror at the thought; the co-executors of the estate became actually insulting, and Fanny Burney was so shocked at the idea that she finally gave up visiting Streatham altogether. Society ranged itself for and against the lady—few for, many against.

There were other troubles, too: a lawsuit involving a large sum was decided against her, and Johnson, ill, querulous, and exacting, behaved as an irritable old man would who felt his influence in the family waning. I am a Johnsonian,—Tinker has called me so and Tinker may be depended upon to know a Johnsonian when he sees one,—but I am bound to admit that Johnson had behaved badly and was to behave worse. Johnson was very human and the lady was very human, too. They had come to a parting of the ways.

It was inevitable that the life at Streatham must be terminated. Its glory had departed, and the expense of its upkeep was too great for the lady; so a tenant was secured and Mrs. Thrale and Dr. Johnson prepared to leave the house in which so many happy years had been spent. Dr. Johnson was once more to make his lodgings in Bolt Court, and Mrs. Thrale, after a visit to Brighton, was to go to Bath to repose her purse. The engagement, or understanding, or whatever it was, with Piozzi was broken off, and Italy was proposed as a place of residence for him. Broken hearts there were in plenty.

Life for Mrs. Thrale at Bath proved to be impossible. If concealment did not feed on the damask of her cheek, love did, and at last it became evident, even to the young ladies, that their mother was pining away for Piozzi, and they gave their consent that he be recalled.

He came at once. Mrs. Thrale, on his departure, had sent him a poem which reached him at Dover. She now sent him another which was designed to reach him on his return, at Calais.

Over mountains, rivers, vallies,
See my love returns to Calais,
After all their taunts and malice,
Ent’ring safe the gates of Calais.
While Delay’d by winds he dallies,
Fretting to be kept at Calais,
Muse, prepare some sprightly sallies
To divert my dear at Calais;
Say how every rogue who rallies
Envies him who waits at Calais
For her that would disdain a Palace
Compar’d to Piozzi, Love and Calais.

Pretty poor poetry those who know tell me; but if Piozzi liked it, it served its purpose. And now Mrs. Thrale announced her engagement in a circular letter to her co-executors under the Thrale will, sending, in addition, to Johnson a letter in which she says, “The dread of your disapprobation has given me some anxious moments, and I feel as if acting without a parent’s consent till you write kindly to me.

Johnson’s reply is historic:—

Madam,—If I interpret your letter right, you are ignominiously married: if it is yet undone, let us once more talk together. If you have abandoned your children and your religion, God forgive your wickedness; if you have forfeited your fame and your country, may your folly do no further mischief. If the last act is yet to do, I who have loved you, esteemed you, reverenced you, and served you, I who long thought you the first of womankind, entreat that, before your fate is irrevocable, I may once more see you. I was, I once was, Madam, most truly yours,

Sam Johnson.

July 2, 1784.

It was a smashing letter, and showed that the mind which had composed the famous letter to Chesterfield and another, equally forceful, to Macpherson had not lost its vigor. But those letters had brought no reply. His letter to Mrs. Thrale did, and one at once dignified and respectful. The little lady was no novice in letter-writing, and I can imagine that upon the arrival of her letter the weary, heartsick old man wept. Remember that his emotions were seldom completely under his control, and that he had nothing of the bear about him but its skin.

Sir [she wrote]; I have this morning received from you so rough a letter in reply to one which was both tenderly and respectfully written, that I am forced to desire the conclusion of a correspondence which I can bear to continue no longer. The birth of my second husband is not meaner than that of my first; his sentiments are not meaner; his profession is not meaner; and his superiority in what he professes acknowledged by all mankind. Is it want of fortune, then, that is ignominious? The character of the man I have chosen has no other claim to such an epithet. The religion to which he has been always a zealous adherent will, I hope, teach him to forgive insults he has not deserved; mine will, I hope, enable me to bear them at once with dignity and patience. To hear that I have forfeited my fame is indeed the greatest insult I ever yet received. My fame is as unsullied as snow, or I should think it unworthy of him who must henceforth protect it.

Johnson, she says, wrote once more, but the letter has never come to light; the correspondence, which had continued over a period of twenty years, was at an end. An interesting letter of Thomas Hardy on this subject came into my possession recently. In it he says, “I am in full sympathy with Mrs. Thrale under the painful opposition to her marriage with Piozzi. The single excuse for Johnson’s letter to her on that occasion would be that he was her lover himself, and hoped to win her, otherwise it was simply brutal.” I do not think that Johnson was her lover, and I am afraid I must agree that Johnson was brutal. In extenuation I urge that he was a very weary, sick old man.

At the time Mrs. Thrale’s detractors were many and her defenders few. Two dates were given as to the time of her marriage, which started some wandering lies, much to her disadvantage. The fact is that both dates were correct, for she was married to Piozzi once by a Catholic and several weeks later by a Church of England ceremony. In her journal she writes under date of July 25, 1784, “I am now the wife of my faithful Piozzi ... he loves me and will be mine forever.... The whole Christian Church, Catholic and Protestant, all are witnesses.”

For two years they traveled on the continent. No marriage could have been happier. Piozzi, by comparison with his wife, is a rather shadowy person. He is described as being a handsome man, a few months older than she, with gentle, pleasant, unaffected manners, very eminent in his profession; nor was he, as was so frequently stated, a man without a fortune. The difference in their religious views was the cause of no difficulty. Each respected the religion of the other and kept his or her own. “I would preserve my religious opinions inviolate at Milan as my husband did his at London,” is an entry in her journal.

She was staying at Milan when tidings of Johnson’s death reached her. All of her correspondents hastened to apprize her of the news. I have a long letter to her from one Henry Johnson,—who he was, I am unable to determine,—written one day after the funeral, describing the procession forming in Bolt Court; the taking of mourning coaches in Fleet Street and “proceeding to Westminster Abbey where the corpse was laid close to the remains of David Garrick, Esquire.”

That Madam Piozzi, as we must now call her, was deeply affected, we cannot doubt. Only a few days before the news of his death reached her, we find her writing to a friend, urging him not to neglect Dr. Johnson, saying, “You will never see any other mortal so wise or so good. I keep his picture constantly before me.” Before long she heard, too, that several of her old friends had engaged to write his life, and Piozzi urged her to be one of the number. The result was the “Anecdotes of the late Samuel Johnson during the last Twenty Years of his Life.” It is not a great work, but considering the circumstances under which it was written, her journals being locked up in England while she was writing at Florence, greater faults than were found in it could have been overlooked. It provided Boswell with some good anecdotes for his great book, and it antedated Hawkins’s “Life of Johnson” by about a year.

The public appetite was whetted by the earlier publication of Boswell’s “Journal of a Tour of the Hebrides,” in which he had given a taste of his quality, and the “Anecdotes” appeared at a time when everything which related to Johnson had a great vogue. The book was published by Cadell, and so great was the demand, that the first edition was exhausted on the day of publication; so that, when the King sent for a copy in the evening, on the day of its publication, the publisher had to beg for one from a friend.

Bozzy and Piozzi thus became rival biographers in the opinion of the public, and the public got what pleasure it could out of numerous caricatures and satires with which the bookshops abounded, many of these being amusing and some simply scurrilous, after the fashion of the time.

Meanwhile, the Piozzis had become tired of travel and wished again to enjoy the luxury of a home. “Prevail on Mr. Piozzi to settle in England,” had been Dr. Johnson’s parting advice. It was not difficult to do so, and on their return, after a short stay in London, they took up residence in Bath.

Here Madam Piozzi, encouraged by the success of the “Anecdotes,” devoted herself to the publication of two volumes of “Letters to and from the late Samuel Johnson.” Their preparation for the press was somewhat crude: it consisted largely in making omissions here and there, and substituting asterisks for proper names; but the copyright was sold for five hundred pounds, and the letters showed, if indeed it was necessary to show, how intimate had been the relationship between the Doctor and herself.

As time went on, there awakened in Madam Piozzi a longing for the larger life of Streatham, and her husband, always anxious to accomplish her wishes, decided that she should return to the scene of her former triumphs; but Dr. Johnson, the keystone of her social arch, was gone, and there was no one to take his place. Her husband was a cultured gentleman, but he was not to the English manner born.

The attempt was made, however, and on the seventh anniversary of their wedding day Streatham was thrown open. Seventy people sat down to dinner, the house and grounds were illuminated, and the villagers were made welcome. A thousand people thronged through the estate. One might have supposed that a young lord had come into his own.

It was a brave effort, but it was soon seen to be unavailing. A man’s fame may be like a shuttle-cock, having constantly to be struck to prevent its falling; but not a woman’s. She had lost caste by her marriage. It was not forgotten that her husband was “a foreigner,” that he had been a “fiddler”; while his wife had been the object of too much ridicule, the subject of too many lampoons.

But the lady had resources within herself; she was an inveterate reader and she had tasted the joys of authorship. She now published a volume of travels and busied herself with several other works, the very names of which are forgotten except by the curious in such matters.

While she was thus engaged a bitter and scandalous attack was made upon her by Baretti. Now, Baretti was a liar, and in proof of her good sense and forgiving disposition, I offer in evidence the entry that she made in her journal when she heard of his death. “Baretti is dead. Poor Baretti!... he died as he lived, less like a Christian than a philosopher, leaving no debts (but those of gratitude) undischarged and expressing neither regret for the past nor fear for the future.... A wit rather than a scholar, strong in his prejudices, haughty in spirit, cruel in anger. He is dead! So is my enmity.”

On another occasion she contrived to quiet a hostile critic who had ridiculed her in verse; much damage may be done by a couplet, as she well knew, and the lines,—

See Thrale’s grey widow with a satchel roam
And bring in pomp laborious nothings home,—

were not nice, however true they might be. Madam Piozzi determined to take him in hand. She contrived at the house of a friend to get herself placed opposite to him at a supper-table, and after observing his perplexity with amusement for a time, she raised her wine-glass to him and proposed the toast, “Good fellowship for the future.” The critic was glad to avail himself of the dainty means of escape from an awkward situation.

However, it was evident that life at Streatham could not be continued on the old scale. Funds were not as plentiful as in the days of the great brewmaster; so after a few years, when her husband suggested their retiring to her native Wales, she was glad to fall in with the idea. A charming site was selected, and a villa built in the Italian style after her husband’s design. It was called “Brynbella,” meaning beautiful brow; half Welsh and half Italian, like its owners. I fancy their lives were happier here than they had been elsewhere, for they built upon their own foundation. Piozzi had his piano and his violin, and the lady busied herself with her books; while the monotony of existence was pleasantly broken by occasional visits to Bath, where they had many friends.

And during these years, letters and notes, comment and criticism, dropped from her pen like leaves from a tree in autumn. She lived over again in memory her life in London, reading industriously, and busy in the pleasant and largely profitless way which tends to make days pass into months and months into years and leave no trace of their passing. She must always have had a pen in her hand: it goes without saying that she had kept a diary; in those days everyone did, and most had less than she to record. It was Dr. Johnson who suggested that she get a little book and write in it all the anecdotes she might hear, observations she might make, or verse that might otherwise be lost. These instructions were followed literally, but no little book sufficed. She filled many large quarto volumes, six of which, entitled “Thraliana,” passed through the London auction rooms in 1908, bringing £2050. One volume, which perhaps does not belong to the series, but which in every way accords with Dr. Johnson’s suggestion, formed part of the late A. M. Broadley’s collection until, at his death, it passed with several other items, into that of the writer.



FACSIMILE, MUCH REDUCED IN SIZE, OF THE LAST PAGE OF MRS. THRALE’S “JOURNAL OF A TOUR IN WALES,” UNDERTAKEN IN THE COMPANY OF DR. JOHNSON IN THE SUMMER OF 1774.

FACSIMILE, MUCH REDUCED IN SIZE, OF THE LAST PAGE OF MRS. THRALE’S “JOURNAL OF A TOUR IN WALES,” UNDERTAKEN IN THE COMPANY OF DR. JOHNSON IN THE SUMMER OF 1774.

Mr. Broadley took an ardent interest in everything that related to Mrs. Thrale, and published, a few years ago, her “Journal of the Welsh Tour,” undertaken in the summer of 1774. Dr. Johnson also kept a diary on this journey, but his is bald and fragmentary, while that of the lady is an intimate and consecutive narrative. The original manuscript volume, in its original dark, limp leather binding is before me. It comprises ninety-seven pages in Mrs. Thrale’s beautiful hand, beginning, “On Tuesday, 5th July, 1774, I began my journey through Wales. We set out from Streatham in our coach and four post horses, accompanied by Dr. Johnson and our eldest daughter. Baretti went with us as far as London, where we left him and hiring fresh horses they carried us to the Mitre at Barnet”; and so on throughout the whole tour, until she made this, her final entry:—

September 30th. When I rose Mr. Thrale informed me that the Parliament was suddenly dissolved and that all the world was bustle; that we were to go to Southwark, not to Streatham, and canvass away. I heard the first part of this report with pleasure, the latter with pain; nothing but a real misfortune could, I think, affect me so much as the thoughts of going to Town thus to settle for the Winter before I have had any enjoyment of Streatham at all; and so all my hopes of pleasure blow away. I thought to have lived in Streatham in quiet and comfort, have kissed my children and cuffed them by turns, and had a place always for them to play in; and here I must be shut up in that odious dungeon, where nobody will come near me, the children are to be sick for want of air, and I am never to see a face but Mr. Johnson’s. Oh, what a life that is! and how truly do I abhor it! At noon however I saw my Girls and thought Susan vastly improved. At evening I saw my Boys and liked them very well too. How much is there always to thank God for! But I dare not enjoy poor Streatham lest I should be forced to quit it.

I value this little volume highly, as who, interested in the lady, would not? It is an unaffected record of a journey, of interesting people who met interesting people wherever they went, and its publication by Broadley was a pious act. But that the Broadley volume, published a few years ago, gets its chief value from the sympathetic introduction by Thomas Seccombe, must, I think, be admitted.

It is no longer the fashion to “blush as well as weep for Mrs. Thrale.” This silly phrase is Macaulay’s. Rather, as Sir Walter Raleigh remarked to me in going over some of her papers in my library, “What a dear, delightful person she was! I have always wanted to meet her.” In the future, what may be written of Mrs. Thrale will be written in better taste. At this time of day why should she be attacked because she married a man who did not speak English as his mother tongue, and who was a musician rather than a brewer? One may be an enthusiastic admirer of Dr. Johnson—I confess I am—and yet keep a warm place in one’s heart for the kindly and charming little woman. Admit that she was not the scholar she thought she was, that she was “inaccurate in narration”: what matters it? She was a woman of character, too. She was not overpowered by Dr. Johnson, as was Fanny Burney, to such a degree that at last she came to write like him, only more so. Mrs. Thrale, by her own crisp, vigorous English, influenced the Doctor finally to write as he talked, naturally, without that undue elaboration which was characteristic of his earlier style.

If Johnson mellowed under the benign influence of the lady, she was the gainer in knowledge, especially in such knowledge as comes from books. It was Mrs. Thrale rather than her husband who formed the Streatham library. Her taste was robust, she baulked at no foreign language, but set about to study it. I have never seen a book from her library—and I have seen many—which was not filled with notes written in her clear and beautiful hand. These volumes, like the books which Lamb lent Coleridge, and which he returned with annotations tripling their value, are occasionally offered for sale in those old book-shops where our resolutions not to be tempted are writ in so much water; or they turn up at auction sales and astonish the uninitiated by the prices they bring.

Several of these volumes are in the collection of the writer: her Dictionary, the gift of Dr. Johnson, for instance, and a “Life of Psalmanazar,” another gift from the same source; but the book which, above all others, every Johnsonian would wish to own is the property of Miss Amy Lowell of Boston, a poet of rare distinction, a critic, and America’s most distinguished woman collector. Who does not envy her the possession of the first edition of Boswell’s “Life of Johnson,” filled with the marginalia of the one person in the world whose knowledge of the old man rivaled that of the great biographer himself? And to hear Miss Lowell quote these notes in a manner suggestive of the charm of Madam Piozzi herself, is a delight never to be forgotten.



MISS AMY LOWELL, OF BOSTON, POET, CRITIC, AND AMERICA’S MOST DISTINGUISHED WOMAN COLLECTOR

MISS AMY LOWELL, OF BOSTON, POET, CRITIC, AND AMERICA’S MOST DISTINGUISHED WOMAN COLLECTOR

About the time of the Piozzis’ removal to Wales, they decided to adopt a nephew, the son of Piozzi’s brother, who had met with financial reverses in Italy. The boy had been christened John Salusbury in honor of Mrs. Piozzi, and she became greatly attached to the lad and decided to leave him her entire fortune. He was brought up as an English boy, and his education was a matter which gave her serious concern.

Meanwhile, the years that had touched the lady so lightly had left their impress upon her husband, who does not seem to have been strong. He was a great sufferer from gout, and finally died, and was buried in the parish church of Tremeirchion, which years before he had caused to be repaired, and had built there a burial vault in which his remains were placed. They had lived in perfect harmony for twenty-five years, thus effectually overturning the prophecies of their friends. She continued to reside at Brynbella until the marriage of her adopted son, when she generously gave him the estate and removed to Bath, that lovely little city where so many celebrities have gone to pass the closing years of eventful lives.

As a “Bath cat” she continued her interest in men, women, and books until the end. Having outlived all her old friends, she proceeded to make new; and when nearly eighty astonished everyone by showing great partiality for a young and handsome actor,—and, if reports be true, a very bad actor,—named Conway. There was much smoke and doubtless some fire in the affair: letters purporting to be hers to him were published after her death. They may not be genuine, and if they are they show simply, as Leslie Stephen says, that at a very advanced age she became silly.

On her eightieth birthday she gave a ball to six or seven hundred people in the Assembly Rooms at Bath, and led the dancing herself with her adopted son (who by this time was Sir John Salusbury Piozzi), very much to her satisfaction.

A year later she met with an accident, from the effects of which she died. She was buried in Tremeirchion Church beside her husband. A few years ago, on the two hundredth anniversary of the birth of Johnson, a memorial tablet was erected in the quaint old church, reading,—

Near this place are interred the remains of
HESTER LYNCH PIOZZI
Dr. Johnson’s Mrs. Thrale
Born 1741, died 1821

Mrs. Piozzi’s life is her most enduring work. Trifles were her serious business, and she was never idle. Always a great letter-writer, she set in motion a correspondence which would have taxed the capacity of a secretary with a typewriter. To the last she was a great reader, and observing a remark in Boswell on the irksomeness of books to people of advanced age, she wrote on the margin, “Not to me, at eighty.” Her wonderful memory remained unimpaired until the last. She knew English literature well. She spoke French and Italian fluently. Latin she transcribed with ease and grace; of Greek she had a smattering, and she is said to have had a working knowledge of Hebrew; but I suspect that her Hebrew would have set a scholar’s hair on end. With all these accomplishments, she was not a pedant, or, properly speaking, a Blue-Stocking, or if she was, it was of a very light shade of blue. She told a capital story, omitted everything irrelevant and came to the point at once; in brief, she was a man’s woman.

And to end the argument where it began,—for arguments always end where they begin,—I came across a remark the other day which sums up my contention. It was to the effect that, in whatever company Mrs. Piozzi found herself, others found her the most charming person in the room.



Samuel Johnson

VIII

A RIDICULOUS PHILOSOPHER

I AM not sure that I know what philosophy is; a philosopher is one who practices it, and we have it on high authority that “there was never yet philosopher that could endure the toothache patiently.”

There is an old man in Wilkie Collins’s novel, “The Moonstone,” the best novel of its kind in the language, who, when in doubt, reads “Robinson Crusoe.” In like manner I, when in doubt, turn to Boswell’s “Life of Johnson,” and there I read that the fine, crusty old doctor was hailed in the Strand one day by a man who half a century before had been at Pembroke College with him. It is not surprising that Johnson did not at first remember his former friend, and he was none too well pleased to be reminded that they were both “old men now.” “We are, sir,” said Dr. Johnson, “but do not let us discourage one another”; and they began to talk over old times and compare notes as to where they stood in the world.

Edwards, his friend, had practiced law and had made money, but had spent or given away much of it. “I shall not die rich,” said he. “But, sir,” said Johnson, “it is better to live rich than to die rich.” And now comes Edwards’s immortal remark, “You are a philosopher, Dr. Johnson. I have tried, too, in my time to be a philosopher; but, I don’t know how, cheerfulness was always breaking in.”



William Godwin, the Ridiculous Philosopher

The Ridiculous Philosopher
From a drawing by Maclise

With the word “cheerfulness,” Edwards had demolished the scheme of life of most of our professed philosophers, who have no place in their systems for the attribute that goes furthest toward making life worth while to the average man.

Cheerfulness is a much rarer quality than is generally supposed, especially among the rich. It was not common even before we learned that, in spite of Browning, though God may be in his heaven, nevertheless, all is wrong with the world.

If “most men lead lives of quiet desperation,” as Thoreau says they do, it is, I suspect, because they will not allow cheerfulness to break in upon them when it will. A good disposition is worth a fortune. Give cheerfulness a chance and let the professed philosopher go hang.

But it is high time for me to turn my attention, and yours, if I may, to the particular philosopher through whom I wish to stick my pen, and whom, thus impaled, I wish to present for your edification—say, rather, amusement. His name was William Godwin; he was the husband of Mary Wollstonecraft and the father-in-law of Shelley.

Godwin was born in Cambridgeshire in 1756, and came of preaching stock. It is related that, when only a lad, he used to steal away, not to go in swimming or to rob an orchard, but to a meeting-house to preach; this at the age of ten. The boy was father to the man: to the end of his life he never did anything else. He first preached orthodoxy, later heterodoxy, but he was always a preacher. I do not like the tribe. I am using the word as indicating one who elects to teach by word rather than by example.

When a boy he had an attack of smallpox. Religious scruples prevented him from submitting to vaccination, for he said he had no wish to run counter to the will of God. In this frame of mind he did not long remain. He seems to have been a hard student—what we would call a grind. He read enormously, and by twenty he considered that he was fully equipped for his life’s work. He was as ready to preach as an Irishman is to fight, for the love of it; but he was quarrelsome as well as pious, and, falling out with his congregation, he dropped the title of Reverend and betook himself to literature and London.

At this time the French Revolution was raging, and the mental churning which it occasioned had its effect upon sounder minds than his. Godwin soon became intimate with Tom Paine and others of like opinions. Wherever political heresy and schism was talked, there Godwin was to be found. He stood for everything which was “advanced” in thought and conduct; he joined the school which was to write God with a small g. All the radical visionaries in London were attracted to him, and he to them. He thought and dreamed and talked, and finally grew to feel the need of a larger audience. The result was “An Enquiry Concerning Political Justice,” a book which created a tremendous sensation in its day. It seemed the one thing needed to bring political dissent and dissatisfaction to a head.

Much was wrong at the time, much is still wrong, and doubtless reformers of Godwin’s type do a certain amount of good. They call attention to abuses, and eventually the world sets about to remedy them. A “movement” is in the air; it centres in some man who voices and directs it. For the moment the man and the movement seem to be one. Ultimately the movement becomes diffused, its character changes; frequently the man originally identified with it is forgotten—so it was with Godwin.

“Political Justice” was published in 1793. In it Godwin fell foul of everything. He assailed all forms of government. The common idea that blood is thicker than water, is wrong: all men are brothers; one should do for a stranger as for a brother. The distribution of property is absurd. A man’s needs are to be taken as the standard of what he should receive. He that needs most is to be given most—by whom, Godwin did not say.

Marriage is a law and the worst of all laws: it is an affair of property, and like property must be abolished. The intercourse of the sexes is to be like any other species of friendship. If two men happen to feel a preference for the same woman, let them both enjoy her conversation and be wise enough to consider sexual intercourse “a very trivial object indeed.”

I have a copy of “Political Justice,” before me, with Tom Paine’s signature on the title-page. What a whirlwind all this once created, especially with the young! Its author became one of the most-talked-of men of his time, and Godwin’s estimate of himself could not have been higher than that his disciples set upon him. Compared with him, “Paine was nowhere and Burke a flashy sophist.” He gloried in the reputation his book gave him, and he profited by it to the extent of a thousand pounds; to him it was a fortune.

Pitt, who was then Prime Minister, when his attention was called to the book, wisely remarked, “It is not worth while to prosecute the author of a three-guinea book, because at such a price very little harm can be done to those who have not three shillings to spare.”

The following year Godwin published his one other book that has escaped the rubbish heap of time—“The Adventures of Caleb Williams,” a novel. It is the best of what might be called “The Nightmare Series,” which would begin with “The Castle of Otranto,” include his own daughter’s “Frankenstein,” and end, for the moment, with Bram Stoker’s “Dracula.” “Caleb Williams” has genuine merit; that it is horrible and unnatural may be at once admitted, but there is a vitality about it which holds your interest to the last; unrelieved by any flash of sentiment or humor, it is still as entirely readable as it was once immensely popular. Colman, the younger, dramatized it under the name of “The Iron Chest,” and several generations of playgoers have shuddered at the character of Falkland, the murderer, who, and not Caleb Williams, is the chief character. His other novels are soup made out of the same stock, as a chef would say, with a dash of the supernatural added.

Godwin had now written all that he was ever to write on which the dust of years has not settled, to be disturbed only by some curious student of a forgotten literature; yet he supposed that he was writing for posterity!

Meanwhile he, who had been living with his head in the clouds, became aware of the existence of “females.” It was an important, if belated, discovery. He was always an inveterate letter-writer, and his curious letters to a number of women have been preserved. He seems to have had more than a passing fancy for Amelia Alderson, afterward Mrs. Opie, the wife of the artist. He was intimate with Mrs. Robinson, the “Perdita” of the period, in which part she attracted the attention of the Prince of Wales. Mrs. Inchbald and Mrs. Reveley were also friends, with whom he had frequent misunderstandings. His views on the subject of marriage being well known, perhaps these ladies, merely to test the philosopher, sought to overcome his objection to “that worst of institutions.” If so, their efforts were unsuccessful.

Godwin, however, seems to have exerted a peculiar fascination over the fair sex, and he finally met one with whom, as he says, “friendship melted into love.” Godwin, saying he would ne’er consent, consented. Mary Wollstonecraft, the author of the “Rights of Woman,” now calling herself Mrs. Imlay, triumphed. Her period of romance, followed fast by tragedy, was for a brief time renewed with Godwin. She had had one experience, the result of which was a fatherless infant daughter, Fanny; and some time after she took up with Godwin, she urged upon him the desirability of “marriage lines.”

Godwin demurred for a time; but when Mary confided to him that she was about to become a mother, a private wedding in St. Pancras Church took place. Separate residence was attempted, in order to conform to Godwin’s theory that too close familiarity might result in mutual weariness; but Godwin was not destined to become bored by his wife. She had intelligence and beauty; indeed, it seems likely that he loved her as devotedly as it was possible for one of his frog-like nature to do. Shortly after the marriage a daughter was born, and christened Mary; and a few days later the remains of Mary Wollstonecraft Godwin were interred in the old graveyard of St. Pancras, close by the church which she had recently left as a bride.

No sketch of Godwin’s life would be complete without the well-known story of the expiring wife’s exclamation: “I am in heaven”; to which Godwin replied, “No, my dear, you only mean that your physical sensations are somewhat easier.”

Thus, by that “divinity that shapes our ends rough,” Godwin, who did not approve of marriage and who had no place in his philosophy for the domestic virtues, became within a few months a husband, a widower, a stepfather, and a father. Probably no man was less well equipped than he for his immediate responsibilities. He had been living in one house and his wife in another, to save his face, as it were, and also to avoid interruptions; but this scheme of life was no longer possible. A household must be established; some sort of a family nurse became an immediate necessity. One was secured, who tried to marry Godwin out of hand. To escape her attentions he fled to Bath.

But his objections to marriage as an institution were waning, and when he met Harriet Lee, the daughter of an actor, and herself a writer of some small distinction, they were laid aside altogether. His courtship of Miss Lee took the form of interminable letters. He writes her: “It is not what you are but what you might be that charms me”; and he chides her for not being prepared faithfully to discharge the duties of a wife and mother. Few women have been in this humor won; Miss Lee was not among them.

Godwin finally returned to London. He was now a man approaching middle age, cold, methodical, dogmatic, and quick to take offense. He began to live on borrowed money. The story of his life at this time is largely a story of his squabbles. A more industrious man at picking a quarrel one must go far to find; and that the record might remain, he wrote letters—not short, angry letters, but long, serious, disputatious epistles, such as no one likes to receive, and which seem to demand and usually get an immediate answer.

Ritson writes him: “I wish you would make it convenient to return to me the thirty pounds I loaned you. My circumstances are by no means what they were at the time I advanced it, nor did I, in fact, imagine you would have retained it so long.” And again: “Though you have not the ability to repay the money I loaned you, you might have integrity enough to return the books you borrowed. I do not wish to bring against you a railing accusation, but am compelled, nevertheless, to feel that you have not acted the part of an honest man.”

Godwin seems to have known his weakness, for he writes of himself: “I am feeble of tact and liable to the grossest mistakes respecting theory, taste, and character.” And again: “No domestic connection is fit for me but that of a person who should habitually study my gratification and happiness.” This sounds ominous from one who was constantly looking for a “female companion”; and it was to prove so.

 

It is with a feeling of relief that we turn, for a moment, from the sordid life of Godwin the philosopher to Godwin the dramatist. He was sadly in need of funds, and, following the usual custom of an author in distress, had written a tragedy, for which Charles Lamb had provided the epilogue.

John Philip Kemble, seduced by Godwin’s flattery and insistence, had finally been prevailed upon to put it on the stage. Kemble had made up his mind that all the good tragedies that could be written had been written, and had not his objections been overruled, the tragedy, “Antonio,” would never have been produced, and one of Lamb’s most delightful essays, in consequence, never written.

With the usual preliminaries, and after much correspondence and discussion, the night of the play came. It was produced at the Theatre Royal, Drury Lane—what a ring it has! Lamb was there in a box next to the author, who was cheerful and confident.

It is a pity to mutilate Lamb’s account of it, but it is too long to quote except in fragments.