1850.  In 1850, in consequence of a memorial to the General Board of Health, established under the (1848) Public Health Act, Mr. Lee, a civil engineer and government inspector, came to Norwich and commenced an inquiry respecting the sanitary state of the city.  The inquiry lasted a fortnight, and Mr. Lee heard evidence given by all the officials and other parties.  He afterwards prepared a very elaborate report, showing that the supply of water was insufficient, that the drainage was defective, and that many causes of preventible disease existed.  He advised the application of the Public Health Act, which was ultimately done.  A company had been previously formed with a large capital, and had constructed works for the supply of water from the river Wensum to all parts of the city.  The abundant supply of pure water proved very beneficial to the health of the inhabitants, and entirely relieved the Local Board of Health from all trouble on that point, and they had only to contract for the supply of water to water the roads and streets during the summer months.

In January of this year Jenny Lind gave two concerts in St. Andrew’s Hall, which was quite filled, at high prices, by fashionable audiences, more than 2000 being present at each concert.  The proceeds, amounting to £1253, were generously given by the celebrated songstress for the foundation of the Jenny Lind Infirmary for Children in Pottergate Street.  It was established in 1853, and visited by the Queen of Song in 1856, when she was so much pleased with the management that she added £50 to her former gifts.

 

1851.  The Great Exhibition of 1851, which was opened in May, attracted thousands of the citizens to London, where many of them spent weeks in viewing the wonders at the Crystal Palace.  Norwich manufacturers sent many specimens of their shawls and textile fabrics.  Amongst the exhibitors were Messrs C. and F. Bolingbroke and Jones; Messrs. Middleton and Answorth; Messrs. Towler, Rowling, and Allen; Messrs. Willett and Nephew; Messrs. Clabburn, Sons, and Crisp; and Messrs. Grout and Co.; all of whose productions were much admired and commended.  A very large number of our operatives were conveyed by special train free to London to see the Exhibition, where they had an opportunity of inspecting the best productions of art of the whole world.  This wonderful exhibition was supposed to be the harbinger of universal peace, but it was soon followed by the Russian war, which greatly depressed the trade of the city and of the whole country.  It cost about a hundred millions of money, destroyed thousands of brave soldiers, and spread a general gloom over the minds of men.  It ended in the fall of Sebastopol, and the triumph of the allied armies.  Russian aggression was stopped for a time; but was the rotten Turkish empire worth the waste of men and money?

The census, which was taken in this year, showed that the population of Norwich had increased to 68,713 persons who were in a comparatively prosperous condition, for trade was good and provisions were cheap.

 

1853.  On November 1st, S. Bignold, Esq., was elected mayor of Norwich for the third time, and he filled the office with great approbation throughout the year.  He lent the money required in the first instance for the new building erected for the Free Library and the School of Art, and which afforded additional accommodation for the Museum and Literary Institution.

 

1854.  At a meeting of the corporation held on May 4th, the mayor, S. Bignold, Esq., in the chair, he announced that Her Majesty had been graciously pleased on the previous day to confer the honour of knighthood upon him, on the occasion of his presenting the addresses, voted by the council on the 20th of April last, pledging their loyalty to the Queen when Her Majesty declared war against Russia.  It was thereupon resolved unanimously, on the motion of A. A. H. Beckwith, Esq.

“That this council beg to offer their hearty congratulations to Sir S. Bignold, the mayor of Norwich, on his accession to the dignity which Her Majesty has graciously bestowed upon him, and wish him many years to enjoy the honour so worthily conferred.”

 

1856.  The New Cemetery was opened by the Board of Health, and the east side of it was consecrated by the bishop.  The other side was assigned to the Nonconformists.  Since then about 20,000 bodies have been interred in the spacious area of thirty-five acres next the Earlham Road.  The grounds have been well laid out and planted with trees and shrubs.

 

1857.  The Yare Preservation and Anglers’ Society was founded, for the improvement of the angling in the rivers Wensum and Yare.  This society has done good service for the lovers of angling on the two rivers, which formerly abounded with fish near Norwich.  But on account of the pollution of the stream, anglers are obliged to go down as far as Coldham Hall or Cantley to fish with any prospect of success.

The Russian war having been brought to a close, peace was celebrated here with great rejoicings and illuminations.  Major General Windham, “the hero of the Redan,” visited the city, and a grand banquet was given to him in St. Andrew’s Hall, where he delivered an eloquent address on the events of the war and its successful termination.

In August the annual congress of the British Archæological Association met in Norwich.  Meetings were held in the Guildhall, St. Andrew’s Hall, the Public Library, and other buildings.  Addresses were delivered by Professor Willis, Mr. Britton, and many other gentlemen.  The members and friends visited the Cathedral, where Professor Willis gave a description of the edifice.  They also made excursions to Ely, Dereham, Binham, Walsingham, and other places of interest.  On their return to Norwich they dined together at the Swan Inn.

 

1858.  The Local Government Act came into operation, and gave the corporation full power to carry out all necessary improvements.

 

1859.  On November 19th, the Norwich Battalion of Volunteers was formally enrolled, 300 strong, in three companies, under the command of Colonel Brett, a highly-esteemed officer.  The other officers were, Capt. Middleton of the first company, Capt. H. S. Patteson of the second company, and Captain Hay Gurney of the third company.  The force gradually increased in number till the battalion became 530 strong, in six companies.  Colonel Brett resigned on account of ill health, and Colonel Black was appointed to the chief command; next to him Major Patteson; Capt. Henry Morgan first company, Capt. John Steward second, Capt. Peter Hansell third, Capt. Charles Foster fourth, Capt. J. B. Morgan fifth, Capt. E. Field sixth; Lieut. H. Pulley, Quarter Master; John Friar Clarke, Quarter Master Sergeant; T. W. Crosse, Surgeon; Rev. F. Meyrick, Chaplain.  The corporation subsequently granted a piece of land at the north-west corner of Chapel Field, and a company of shareholders built the Drill Hall for the use of the members of the corps, which has the reputation of being very efficient.

 

1861.  A meeting was held on January 10th to consider the best means of relieving the distress which had for some time prevailed, owing to the depression of trade; and within a month, more than £4,000 were raised for the relief of the poor.  Since then the weavers have gradually found employment in some other branches of industry, especially the boot and shoe manufacture, which has greatly increased.  Hundreds of operatives are also employed in iron manufactures, and in making machines for agricultural and horticultural purposes.

This year a census of the population was taken, showing a great increase, the total number being 74,891 persons, viz., males, 33,863; females, 41,028.  Inhabited houses, 17,112; uninhabited houses, 739; building, 103.

The parishes within the city, together with their respective population in 1861 and their real property in 1860, were as follows:—

All Saints

667

£2,280

St. Andrew

978

7,828

St. Augustine

1,890

4,281

St. Benedict

1,381

1,869

St. Clement

3,961

7,554

Earlham

195

1,845

Eaton St. Andrew

930

8,759

St. Edmund

753

1,706

St. Etheldred

614

1,559

St. George Colegate

1,607

4,983

St. George Tombland

687

4,865

St. Giles

1,586

6,391

St. Gregory

934

4,936

Heigham

13,894

36,799

St. Helen

507

901

St. James

3,408

5,384

St. John’s Maddermarket

537

4,959

St. John Sepulchre

2,219

4,452

St. John Timberhill

1,302

2,496

St. Julian

1,361

3,142

Lakenham

4,866

15,745

St. Lawrence

877

2,421

St. Margaret

664

1,608

St. Martin at Oak

2,546

3,789

St. Martin at Palace

1,085

3,267

St. Mary Coslany

1,498

3,081

St. Mary in the Marsh

451

4,289

St. Michael Coslany

1,365

3,052

St. Michael at Plea

379

3,504

St. Michael at Thorn

2,121

4,617

St. Paul

2,907

4,391

St. Peter Hungate

399

1,105

St. Peter Mancroft

2,575

22,615

St. Peter Mountergate

2,868

7,567

St. Peter Southgate

457

3,337

St. Saviour

1,532

3,805

St. Simon and St. Jude

283

1,221

St. Stephen

4,191

15,321

St. Swithin

699

2,174

There are also within the city jurisdiction the hamlet of Hellesdon, population 393, belonging to Hellesdon parish; Thorpe hamlet, population 2,388, belonging to the parish of Thorpe St. Andrew; Trowse Millgate, Carrow, and Bracondale, population 687, belonging to Trowse parish; population 249, extra parochial.  The population in 1861 and the real property in 1860 of all Hellesdon were 496, £3,376; of all Thorpe St. Andrew 3,841, £9,003; of all Trowse, 1,404, £3,534.

 

1862.  In 1862 the Great Exhibition in London afforded some of our city manufacturers another opportunity of exhibiting their productions, and making known the skill of our artisans.  Messrs. Clabburn, Son, and Crisp won the gold medal for their superfine fillover shawls, which are made by a patented process, so as to display a perfect design on each side.  Messrs. C. and F. Bolingbroke and Jones gained a medal for their poplins and poplinettes.  The shawls of Messrs. Towler, Rowling, and Allen obtained honourable mention.  So much for what are usually regarded as the staple products of Norwich.  But Norwich won for itself the admiration of the world in some other matters.  Messrs. Barnard and Bishop, for instance, were spoken of far and wide for their splendid park gates in ornamental wrought iron, which were subsequently purchased and presented to the Prince of Wales, and now adorn one of the entrances to His Royal Highness’s park at Sandringham.  Of course also Messrs. Colman took high prizes for their world-renowned mustard and starch—the medal given them for mustard being the only medal granted in the United Kingdom for this article of commerce.  As publishers, Messrs. Jarrold and Sons received honourable mention for their educational works, and publications of high moral excellence.

 

1863.  H. S. Patteson, Esq., was mayor in 1863, when on March 10th the citizens again displayed their enthusiastic loyalty by processions, illuminations, balls, &c., on the occasion of the marriage of the Prince and Princess of Wales.  Their Royal Highnesses have made themselves very popular in this county, by living part of the year at Sandringham, and participating in all the festivities and amusements of the gentry and inhabitants.  On the occasion of the marriage of their Royal Highnesses, seven of the principal manufacturing firms presented, through the corporation to the Princess Alexandra, specimens of the elegant fabrics for which Norwich has so long been famous.

Norwich Union.

In this year the Court of Guardians of this city obtained a new act of parliament for an improved management of the poor, and repealing all former acts.  Under the new act the present Board of Guardians is constituted with a reduced number of guardians, and the whole management is more in accordance with the New Poor Law system.  Norwich is now a union of parishes, divided into districts, each having medical attendants.  By this new act all former acts, including the Norwich Small Tenements Act of 1847, were repealed, and the city was brought under the operation of the General Poor Law, and all other statute and laws from time to time in force with respect to the poor in England.  The union is now divided into sixteen districts, viz.:—

1.  St. Peter Mountergate, St. George of Tombland.

2.  St. Mary in the Marsh, St. Martin at Palace, St. Helen, St. Michael at Plea.

3.  St. Peter Hungate, St. Simon and Jude, St. Andrew.

4.  St. John Maddermarket, St. Gregory, St. Lawrence.

5.  St. Margaret, St. Swithin, St. Benedict, St. Giles.

6.  South Heigham. 7.  North Heigham.

8.  St. Peter Mancroft.

9.  St. Stephen and the Town Close.

10.  Eaton, Earlham, and Hellesdon.

11.  St. John Sepulchre, St. Michael at Thorn, St. John Timberhill, and All Saints.

12.  Trowse, Carrow, Bracondale, St. Peter Southgate, St. Julian, and St. Etheldred.

13.  Lakenham.

14.  Thorpe, Pockthorpe, St. Paul, and St. James.

15.  St. Saviour, St. Clement, St. Edmund, St. George.

16.  St. Michael at Coslany, St. Mary at Coslany, St. Martin at Oak, St. Augustine.

The board consists of forty-two guardians, elected for the sixteen districts as follows:—

For each of the first, second, third, fourth, fifth, eleventh, and twelfth districts, two guardians; for each of the sixth, seventh, ninth, thirteenth, fourteenth, and sixteenth districts, three guardians; for the eighth district five guardians.  For the purpose of this act with respect to the limits of the palace of the bishop of Norwich, the same are deemed to be locally situated within the parish of St. Mary in the Marsh.

The following are the qualifications for voting in the election of guardians:—

A.  Occupiers of rateable property who respectively are rated in respect thereof on a gross assessment of ten pounds and upwards.

B.  Owners of rateable property, who respectively are rated in respect thereof on a net assessment of ten pounds or upwards.  Provided, that where two or more persons are jointly rated, one only of them shall be entitled to vote, and in every case the rating shall have been in the last two rates, each made at least two months before the day of election, and in respect of property in the district in which the person votes, and the rates shall have been paid at least fourteen days before the day of election.

At every election of guardians the rate-payers voting have votes in accordance with the following scale:—

A.  If rated at £10 and under £25, one vote.

B.  If rated at £25 and under £50, two votes.

C.  If rated at £50 and under £75, three votes.

D.  If rated at £75 and under £100, four votes.

E.  If rated at £100 and under £150, five votes.

F.  If rated at £150 or upwards, six votes.

And no rate-payer at any election of guardians for any one and the same district have more than six votes.

All the compounding provisions of the act were abolished by the Reform Act of 1867.

The old court of guardians had the management of lunatic paupers, who were maintained in an asylum in St. Augustine’s.  Great care appears to have been taken of them, and many of them were cured, more in proportion than in any other town.  Nevertheless, the lunacy commissioners who visited the asylum reported that the place was unhealthy and unfit for lunatics, and recommended, or rather demanded that a new asylum should be built in a more healthy situation.  This the old court of guardians considered to be quite unnecessary, and the whole matter was transferred to the council under the Lunatic Asylums Act of 1853, that body having the option of taking the matter in hand.  The council, already over-loaded with municipal business, Board of Health business, drainage, paving, lighting, watering the roads, &c., actually undertook the management of the lunatic paupers, in 1863.  After many discussions a majority of the members decided that a new asylum was unnecessary, and refused to build one.  The Lunacy Commissioners, however, made a strong report to the Secretary of State on the subject, who sent down an order to the council to build an asylum.  Since then land has been purchased for its site, which is likely to cost from £30,000 to £40,000!

 

1864.  In 1864 the operatives made a very laudable effort to improve their depressed condition by establishing an “Industrial Weavers’ Co-operative Society,” and held many meetings to promote that object.  The Rev. C. Caldwell, and other gentlemen, advocated their cause.  The society was supported by donations, and J. H. Gurney, Esq., advanced a sum which had been left by his father for the benefit of the weavers, the principal with interest amounting to £1100.

 

1865.  The Norfolk Chamber of Agriculture was instituted, and frequent meetings of the members have been held at the Norfolk Hotel, Norwich.  The objects of the chamber are to watch over all measures affecting agriculture both in and out of parliament, to co-operate with the General Chamber thereon, and to take such action as may be for the benefit of agriculturists.  At the meetings of the members interesting questions have been discussed, and C. S. Read, Esq., M.P. for East Norfolk, has generally presided, and given much valuable information.

The most important event in this diocese of late years was the holding of a Church Congress in Norwich.  A preliminary meeting to consider the proposal was held in the Clerical Rooms on Saturday, December 10th, 1864.  When this was announced there was no little apprehension in Low Church circles, but the proposal was approved by most of the clergy, and they requested the Lord Bishop to preside over the Congress, which was held in October, 1865.  After some delay his lordship reluctantly consented, and never before was there such a gathering of clergy in the city.  St. Andrew’s Hall was filled every day for a week in October, 1865.  High churchmen throughout the country made it a point of duty to attend the congress; and the proceedings at the daily meetings were of a very interesting character to churchmen generally.  Addresses were delivered every day on very important subjects; and the bible history was ably vindicated against the objections of geologists and freethinkers.  The church as an establishment was well defended by her champions.  Three local newspapers were published daily, containing full reports of the proceedings.  Dr. Pusey read a discourse of great interest in defence of the Old Testament narratives.

 

1866.
The Royal Visit to Norwich.

In November the Prince and Princess of Wales travelled from their seat at Sandringham to Cossey on a visit to Lord and Lady Stafford, who entertained their Royal Highnesses in a princely style.  Their Royal Highnesses, during their sojourn at Cossey, visited this city, entering by way of the Dereham Road and St. Giles’ Road, and passing under triumphal arches amid the acclamations of thousands of the citizens, it being a general holiday.  They stopped at the Guildhall and received an address from the corporation.  Then they proceeded to St. Andrew’s Hall and attended a morning concert of the musical festival.  Their Royal Highnesses, on leaving the hall, rode along the principal streets, through the Market Place, and up St. Stephen’s to the Chapel Field, where they were joyously received by the Manchester Unity of Odd Fellows, and where they planted two trees in memory of their visit.  Their Royal Highnesses thence proceeded to the new Drill Hall, which the Prince of Wales formally opened.  After this ceremony their Royal Highnesses returned to Cossey Hall.  They were accompanied by the Queen of Denmark (mother of the Princess of Wales), and by Prince Alfred (the Duke of Edinburgh).  In the evening the city was brilliantly illuminated.

 

1867.  The Norwich Industrial Exhibition was held for six weeks, from August 15th till October 20th, 1867, in St. Andrew’s Hall.  About 1000 exhibitors sent specimens of works of art and useful articles, which quite filled the hall.  Hundreds of splendid paintings were lent for the occasion, and the show attracted many thousands of visitors.  The industrial part of the exhibition was most creditable to the working men of Norwich, many of whom gained medals and money prizes for the best specimens of useful and ornamental articles.  The mayor, F. E. Watson, Esq., distributed the prizes on November 5th.

 

1868.  The great event of the year 1868 was the meeting of the British Association for the Advancement of Science in the city.  It commenced on August 19th and continued till the 26th.  The old city was filled with distinguished visitors from all parts of Europe; and the hotels, inns, and lodging houses were crowded with strangers.  Norwich gave a hospitable welcome to the Society.  Dr. Hooker, who by association and descent is a Norfolk man, delivered the inaugural address.  The various scientific sections held daily meetings at different public places.  The proceedings were reported in daily issues of the Norfolk News and the Norfolk Chronicle, and also in the regular issues of the Norwich Mercury.

On November the 9th, J. J. Colman, Esq., retired from the office of mayor, and E. K. Harvey, Esq., was elected as his successor; John Robison, Esq., was at the same time chosen as sheriff, as successor to Robert Fitch, Esq.  As this is the last act of the council which we shall have to chronicle, we take the opportunity of adding a few words on the present state of the corporation.  By the Municipal Reform Act all previous charters remain in force, except so far as they are rendered inconsistent with the provisions of that act, and the city is now divided into eight wards, and incorporated under the style or title of the “Mayor, Aldermen, and Burgesses of the city and borough of Norwich.”  The corporate body consists of sixteen aldermen and forty-eight councillors.  The mayor is chosen annually on the 9th of November from the members of the council, who also on the same day choose the sheriff from the same body, or from persons qualified to vote for councillors, and who are eligible to the office of councillor.  The members of the council are chosen annually on November 1st by the inhabitant householders of three years’ successive occupation, the freemen having been disfranchised for municipal purposes.  The aldermen are elected by the council, and go out of office every three years.  Committees of the council are appointed for conducting the business of the corporate body.  The corporation is possessed of various estates, tolls, and dues, the profits and proceeds of which are placed to the Borough Fund, under the act, and are applied towards the reduction of the rates levied on the citizens.  Several large estates which were in the hands of the corporation for charitable purposes are now vested in charity trustees.  The corporation still pay fee farm rents to the crown, over £100 yearly.  There is in trust of the corporation an estate of 112 acres, situated outside of St. Stephen’s Gate, called the “Town Close,” on which the burgesses had the right of commonage formerly, but in lieu of which right the freemen receive a few shillings yearly.  The meetings of the corporation are held in the Council Chamber in the Guildhall almost every fortnight for the despatch of business, and meetings of the committees are held almost daily.  The body corporate, as a Council and Board of Health, levies rates as we have already said to the amount of £45,000 yearly.  The Board of Guardians sits in the same room, and raises by poor rates about £30,000 yearly, making the local taxation amount to £75,000 per annum.  The City Police and Fire Brigade, under direction of Mr. R. Hitchman, the chief constable, occupy the basement of the Guildhall.  The force, comprising nearly a hundred men, is considered to be very efficient.

This year an extensive scheme was begun for an effective drainage of the city.  We subjoin a brief history of the proceedings which led to this movement, and take the opportunity at the same time of giving some details as to the general operations of the Local Board of Health.

The New Drainage Scheme.

So long ago as 1862, complaints were made of the impurity of the river in consequence of all the sewage of the city and of all the water closets being poured into the stream.  In 1863, many inhabitants of Thorpe became urgent in their demands that some immediate steps should be taken to divert the sewage from the river, but this was more easily asked than done.  The Board of Health, however, requested their then surveyor (Mr. Barry) to report on the subject; and subsequently Mr. Bazalgette visited Norwich and surveyed the stream.

In the autumn of 1865 Mr. Bazalgette’s report was received.  It recommended a plan of conveying the sewage through main drains to Crown Point to irrigate the land there.  The board discussed the report and appointed a sewerage committee, who entered into negotiations with R. J. H. Harvey, Esq., M.P., for irrigating part of his estate at Crown Point.  Mr. Harvey was to pay the cost of preparing the land for irrigation, and the annual cost of pumping; but after a preliminary notice had been given of the intention of the board to apply for an act of parliament, the board determined not to proceed at that time with the application for the act.

The board subsequently entered into contract with Mr. Hope, of London, to sell him the sewage for thirty years; and the necessary works were ordered to be commenced on March 20th, 1866.  The board, however, being pressed by a strong opposition to the scheme, in a few days afterwards rescinded the contract.  In consequence of this, proceedings in chancery were commenced, and an injunction was ultimately obtained.

On May 31st, 1866, the board resolved, “That it is absolutely needful at once to take measures to divert the sewage from the river.”  Negotiations were entered into for the hire of part of the Crown Point estate, the agreement for which was confirmed by the board on July 10th, 1866.  By this agreement the board took on lease 1290 acres of land at Crown Point, at £3 5s. per acre, for thirty years—the whole sewage of the city to be conveyed to Trowse and pumped over the land.  Many objections were made to this measure, that the rent was too high, and that the experiment would prove a failure.  Pursuant, however, to a resolution of the board, passed on October 9th, in the same year, the committee took the necessary steps to obtain an act of parliament, and did obtain it in June, 1867.

After the act was obtained, Mr. Morant, the city engineer, by direction of the committee, proceeded with the preparation of the necessary drawings and specifications for the drainage works, and by order of the board the following contracts were entered into, namely:—

 

 

£

1.

For the steam engines (with Mr. John Clayton of Preston)

6435

2.

For iron pipes (the Staveley Coal and Iron Company)

3500

3.

For laying such pipes (Mr. John Downing of Norwich)

549

4.

For the erection of engine houses (Mr. Daniel Balls of Norwich)

6988

5.

For the construction of the main intercepting sewers (Mr. Thomas Wainwright of London)

28,830

6.

The ground for the pumping works was purchased for

2000

 

 

£48,302

Other sums are required for constructing drains, sewers, penstock chamber, and other subsidiary works, and the entire scheme is proposed to be carried out under the sanction of the act of Parliament, at the estimated cost of £60,000.

A very powerful opposition was raised against the scheme.  A memorial, very numerously signed, was presented to the board of health against it.  Public meetings were held at which the whole thing was condemned as unnecessary, expensive, and likely to be a failure.  Eventually, after much discussion, with a large minority against it, and in opposition to the opinions of the citizens expressed in common hall, the board resolved to carry out the scheme, and the works are now in progress.  The general plan is to construct two main drains, one on each side of the river Wensum, to intercept the sewage and to carry it to Trowse, where a pumping station has been erected, and engines will be set to work to pump all the sewage over the land hired at Crown Point estate.

The drainage expenditure, though so enormous, has been only a part of the expenditure of the board, upon which the duty falls of repairing all the streets and roads, lighting, watering, &c.  In the first half year of 1867, the estimated expenditure was as follows:—

 

£

s.

d.

Repairs to streets and roads

2008

7

0

Lighting the same

1776

11

9

Salaries

442

1

5

Sundries

475

5

6

Interest on loans

1336

16

0

Interest on bonds

372

0

0

 

£6411

1

8

Twice that sum would be £12,822 3s. 4d. for the year, quite irrespective of the drainage works.

The annual abstract of the accounts of the board issued in 1867, shows the receipts and payments from September 1st, 1866, to September 1st, 1867.  The receipts amounted to £15,873 3s. 6d., the payments to £15,323 18s. 2d., which sum included £1204 16s. 7d. sewage expenses, (chiefly law charges).  Of course the receipts were derived almost entirely from the half-yearly rates.  The expenditure included £3314 9s. 8d. for interest, the rest being for repairs to streets and roads, paving, lighting, sewerage works, salaries, &c.

Mr. Morant, the present able engineer to the Board of Health, made his first annual report in May, 1867, and showed the expenditure in his department for the year preceding April 5th, 1867, to be as follows:—

 

£

s.

d.

Repairs to roads

2192

4

11

Paving

870

0

0

Sewers

576

2

2

Urinals

86

13

0

 

£3725

0

1

The engineer’s next report was for the year ending April 5th, 1868, and was divided into three heads.  Repairs to roads; repairs to paving; and repairs to sewers.  First with respect to roads.  The cost of the macadamised roads had been £2329 12s. 7d., being an increase of £137 7s. 8d.  Some new roads had been taken by the board, and were repaired and cleansed, and all the roads were stated to be in good order.  Second, with respect to paving.  The expenditure had been £1088 8s. 10d., being an increase of £218 13s., but a part of the Market Place had been newly paved with granite at a cost of £216.  Third, with respect to the sewers.  The cost of repairs, &c., had been £546 5s. 5d., being a decrease of £29 16s. 9d.

Since 1850 the annals of the city consist chiefly of proceedings of the corporation as a council or Board of Health.  Meetings have been held almost every fortnight for the transaction of public business, which has been largely increased.  The proceedings of one single year, even if summarised, would fill a volume.  The corporation has levied rates to the amount of £45,000 yearly! and the expenditure has been of equal amount.  This has been caused by many public improvements, by widening old streets and opening new ones, and by the extension of the area of the Cattle Market.

Mr. Morant gives the following account of the drainage works:

“The drainage of the city of Norwich flows into the river at numerous places, as is commonly the case; it is the object of the new works now in progress to intercept all the old sewers, to prevent the sewage flowing into the river, and to convey it to one point.  For this purpose several deep sewers are being constructed, varying in size from 18 inches in diameter to 6 feet high by 4 feet wide, of oval shape.

“The point selected for the pumping station is between the railway at Trowse Station and the river Yare; and a large piece of garden ground has been purchased, and engine and boilerhouses, workshops, &c., have been erected.  Adjoining the engine-well are the grating tank and penstock chamber, and with these the principal main sewer communicates.  This sewer, which is 6 ft by 4 ft., is intended to be carried under the bottom of Bracondale, Carrow Hill, and along King Street to near Messrs. Morgan’s brewery, where it will receive the high-level sewer.  This sewer will be from 30 ft. to 80 ft. below the surface of the ground.  From this point it will be 5 ft. 3 in. by 3 ft. 6 in., and will be continued along King Street to the top of Rose Lane; here one branch will turn off to the right under Rose Lane, beneath the bottom of the river near Foundry Bridge, under the towing path, to beyond Bishopgate Bridge, where it will unite with the present outfall sewer, and receive the whole of the drainage of the northern portion of the city.  From Rose Lane the main will continue to Tombland, where a branch will extend to Bishopgate Bridge, with subsidiary branches to Quay Side, &c.; it will then turn to the left under Prince’s Street, St. Andrews Broad Street, Charing Cross, and Lower Westwick Street, and will unite with the present sewer emptying itself at the New Mills.

“From the end of the principal main near Messrs. Morgan’s in King Street the high-level sewer will commence with a flight of granite steps, about 30 feet in height, and continue 4 ft. 6 in. by 3 ft., gradually reducing, and carried under King Street to Rose Lane, across the Bull Ring, where it will be about 44 feet below the surface, under Opie Street, Bedford Street, Pottergate Street, West Pottergate Street, Mill Hill, Rose Valley, Mount Pleasant, Town Close Road to Ipswich Road, and will provide for the sewage of a very large district hitherto entirely undrained.

“Self-acting Storm Overflows are provided at several convenient points, and also numerous shafts for access to, and ventilation of, the sewers.  At the pumping station at Trowse the sewage, after passing through gratings to prevent sticks and other substances from choking the pump valves, will pass into the engine-well, from whence it will be pumped through cast-iron pipes 20 inches in diameter, laid under the Kirby Road to near the cross road leading to the Bungay Road, and then be led in a main conduit across the centre of the land hired by the Board, and by means of small feeders to every part of the farm.

“The steam engines will be three in number, and of the kind known as condensing rotative beam engines, with steam cylinders of 35 in. diameter and 6 ft. stroke.  Each engine will be provided with a high lift pump connected with the pumping main, and also with a low lift pump; the object of the low lift pumps is to enable the rain water to be pumped into the overflow sewer in time of heavy storms, when the sewage is so greatly diluted as to be little more than soiled water; the first scouring of the sewers will be pumped by the high lift pumps on to the land.

“Four boilers, each 27 ft. 6 in. long and 7 ft. diameter, with two flues, are provided to produce the steam necessary for working the engines, and the chimney shaft to remove the smoke is 140 feet in height.

“The foundation of the engine had to be carried down 29 feet below the surface, and much difficulty was found in getting in the walls on account of the force of the springs, the bottom being 22 feet below the water level in the adjoining river, and from the same cause considerable difficulty is met with in driving the tunnels for the sewers.  In Trowse for example, the soil proved to be running sand and mud, which was very troublesome to overcome; the same soil exists under Rose Lane, Foundry Bridge, and Bishopgate Street, but nearly everywhere else the tunnels will be in the chalk.

“Irrigation by sewage is no doubt quite in its infancy, but from the very satisfactory results arrived at at Barking, Croydon, Norwood, Edinburgh, Banbury, Rugby, and other places, there is good reason to hope that eventually the Board’s Sewage Farm at Crown Point will prove a success.”

CHAPTER XXII.
Norwich Musical Festivals.

Since the year 1824, musical festivals have been held in this city triennially, for the benefit, originally, of the hospitals, and lately of various other charities also, and for the promotion of musical science.  These celebrations have been so successful on the whole that the total surplus receipts over the expenditure have amounted to more than £10,000.  Works of the greatest composers have been well performed by the most eminent instrumentalists and vocalists of the day, and thereby a taste for music has been diffused throughout the city and county.

The patrons of the festivals have included the Queen, the late Prince Consort, the Prince and Princess of Wales, the Duchess of Kent, the Duchess of Cambridge, the Duke of Cambridge, the Princess Mary of Cambridge, the Duke of Wellington, the Marquis of Lothian, the Earl of Roseberry, the Earl of Gosford, the Earl of Orford, Lord W. Powlett, Lord Stanley, Lord Walsingham, Lord Wodehouse, and many others of the nobility.  The committee of management have included the Lord Lieutenant of the county, the Earl of Albemarle, Lord Ranelagh, Lord Sondes, Lord Hastings, Lord Stafford, Lord Suffield, Lord Bayning, Hon. W. C. W. Coke, Hon. H. Walpole, Hon. W. Jerningham, Sir J. P. Boileau, Bart., Sir W. Foster, Bart., Sir S. Bignold, and others.

The first musical performance for charitable purposes is said to have been on the anniversary of the Sons of the Clergy, in 1709; some fifteen years after which period, the meeting of the three choirs of Gloucester, Hereford, and Worcester, was instituted, those cathedral cities sending their choristers to each place in alternate years.  These early music meetings, however, were held in the evening, and seem to have been limited to the performance of Anthems and the Te Deum.  The first occasion of an Oratorio having been performed in the morning appears to have been at Hereford in 1759, when the Messiah was given.

The Birmingham Triennial Festival was instituted about the year 1778, and that of Norwich, as now held in St. Andrew’s Hall, in 1824, previously to which the Norwich festival consisted of the yearly performance of an Oratorio in the cathedral for the benefit of the Norfolk and Norwich Hospital.  The performances of later years have been on a much grander scale.  The festivals at Birmingham and Norwich now stand pre-eminent among provincial musical meetings, both for the excellence of the performances, and for the special interest given to the programmes by the first production of new or little-known works.  Among other claims to honourable distinction in this respect, it is the chief and will be the lasting honour to Norwich that Dr. Spohr’s sacred Oratorios were first performed here, his earliest production being conducted by himself in person before a large audience.

The selection of works and music to be performed has always occupied a great deal of the time and attention of the committees, who have made it an object to bring out some new work at every festival.  Most of Handel’s best Oratorios have also been performed, including, of course, the “Messiah,” which is never omitted from the programme.  Haydn’s “Creation” and “Seasons” have also been frequently given, while Dr. Spohr’s “Calvary,” “Fall of Babylon,” and “The Last Judgment.”  Dr. Bexfield’s “Israel Restored,” Pierson’s “Jerusalem,” and Molique’s “Abraham” were first performed in this city.  The programmes have also included Sterndale Bennett’s “May Queen,” which won all hearts; Benedict’s brilliant “Undine,” and many other approved compositions.

The committees, acting on the principle of securing the highest talent, have generally engaged the best vocal performers whose services were available.  In proof of this we need only mention the names of the following female vocalists:—Madame Viardot Garcia, Madame Caradori Allan, Madame Clara Novello, Madame Sainton-Dolby, Madame Alboni, Madame Malibran, Madlle. Tietjens, Madame Patti, Madame Lemmens-Sherrington, Madame Rudersdorf, Miss Louisa Pyne, Madame Grisi; and among the male vocal performers may be mentioned Signor Lablache, Herr Formes, Mr. Weiss, Signor Rubini, Signor Belletti, Signor Morini, Mr. Santley, Mr. Sims Reeves, Mr. Cummings, Signor Gassier, Signor Giuglini, Signor Mario, Mr. Phillips, Mr. Lockey, &c. &c.

The Norwich Choral Society, comprising 300 members having good voices, altos, tenors, and basses, has contributed greatly to the success of the festivals by the excellence of the choral performances, especially in grand Oratorios.  The Choral Society was established in 1824, and had its origin in the establishment of the musical festivals, Professor Taylor being its chief promoter.  In 1825 the Professor removed to London, and the direction of the society was confided to the Rev. R. F. Elwin.  The management of affairs was entrusted to a committee of twelve, who were annually elected by ballot at a general meeting.  The practice was held in the Old Library Room or in St. Andrew’s Hall.  The society has undergone many changes, but has always maintained its high reputation for choral performances.  A memoir of the late Professor Taylor, which appeared in the Norfolk News, contained some information as to the part he took in promoting the festivals.  We give the following extracts:—

“We learn from the Quarterly Musical Review, which was edited by the late Mr. R. M. Bacon, that at the Festival of 1824, ‘Mr. Bacon, Mr. Taylor (late Professor Taylor), and Mr. Athow, were nominated as a committee for the entire conduct of the musical department.’  Vol. VI. p. 434.  The same authority says a little further on, ‘Mr. Taylor undertook the formation of a Choral Society, which he accomplished with a degree of knowledge, skill, and perseverance, that cannot be too highly praised.’  Again ‘The musical committee then decided on the following vocalists and instrumentalists, &c.’  From all which it seems that the triumvirate managed the musical department.

“Mr. Fitch once wrote to Mr. E. Taylor requesting him to state what share he had in the management of the first festival.  The following was Mr. Taylor’s reply, dated March 25th, 1847.  ‘When the Norwich Festival was resolved on in 1823, I made the entire selection (morning and evening).  I engaged every performer; I selected the entire band, and I formed and trained the Choral Society.  I have done the same for every subsequent festival (until the last, 1845,) with the exception of having nothing to do with the Choral Society, or any of the country performers.  Every Oratorio brought out (and a new one was always brought out) was translated and prepared for performance by me.’  These were the following performed for the first time here.  ‘The Last Judgment,’ Spohr; ‘The Crucifixion,’ Spohr; ‘The Fall of Babylon,’ Spohr; ‘The Deluge,’ Schneider; ‘Redemption,’ Mozart; ‘The Death of Christ,’ Graun; ‘The Christian’s Prayer,’ Spohr.

“It will be seen by the above how little Mr. E. Taylor left for anybody else to do.  Mr. Taylor’s two associates, like the wings on a stage sylph, were more for ornament than use.  His statement is confirmed by the Musical Review, which says, ‘The Hospital Board presented to Mr. Taylor a piece of plate, of fifty guineas value, for his services in raising and instructing the Choral Society, and for his general assistance.’”

The memoir before mentioned further states:—

“At the Norwich Festival of 1830, Mr. Taylor introduced Spohr’s Oratorio of ‘The Last Judgment’ for the first time into this country, the words being translated and adapted to the music by Mr. Taylor himself.  This was followed at subsequent festivals by other oratorios of the same composer, which for originality, richness, and beauty, are unrivalled in their way.  After the performance of ‘The Last Judgment,’ Mr. Taylor became personally acquainted with Spohr, and one day, getting an invitation from Mendelssohn to visit him and his family at Dusseldorf on the Rhine, where Spohr then was, the invitation was accepted, and thus Mr. Taylor first became known to the illustrious composer, with whom he formed a friendship which lasted as long as they both lived.

“At the Norwich Festival of 1836, the expenses exceeded the receipts by £231 5s. 10d.  We give an extract from a letter, written in the following year by Mr. Taylor to Mr. Henry Browne, which will be read with pain, because it shows that Mr. Taylor received far other treatment than he deserved at the hands of the committee of management.  Mr. Taylor said, ‘I hear of the discord engendered by the winding up of the Festival with much concern, and which seems to threaten the existence of future ones.  How it happened that the last terminated so unprofitably has always been a mystery to me.  I think it ought not.’”

And Mr. Taylor goes on to state the amount of work which he himself did for nothing.

All the festivals had been hitherto successful.  The first, in 1824, produced a surplus of £2399 to the Norfolk and Norwich Hospital.  The second, in 1827, afforded that institution £1672; the third, in 1830, yielded £535 to the hospital; the fourth, in 1833, was also successful; but in 1836 the expenses of the Festival, as has been shown, exceeded the receipts by £231, and a general board of the hospital resolved that no part of the funds belonging to the institution should be used for any purpose connected with the Festival.

At the Sixth Musical Festival, held on the 17th, 18th, 19th, and 20th September, 1839, Dr. Spohr conducted his own new Oratorio of “Calvary,” before a very large audience, in St. Andrew’s Hall.  The performance was very grand, and produced a thrilling effect on the audience.  The selection of such a subject as the Crucifixion for an Oratorio drew forth a good deal of criticism, but there could be no doubt of the musical merits of the composition.

After the performance of “The Crucifixion,” Spohr and Mr. Taylor were travelling outside the coach to London, when the former expressed a wish to write another oratorio for Norwich, but said that he was at a loss for a subject.  Mr. Taylor then suggested The Fall of Babylon.  This led to a chat about the effects which might be introduced in the way of contrast, &c., and ultimately Spohr promised to write the oratorio if Taylor on his part would write the words.  The bargain was struck, and the result was a work which will live to the end of time.

The Festival of 1842 was by far the most brilliant that had been held.  Of course Dr. Spohr’s “Fall of Babylon” was the chief attraction.  It was performed in the presence of the largest and most fashionable audience ever seen in St. Andrew’s Hall.  Numbers of the gentry could not obtain admission.  People stood under the long galleries, and along the passages, and in every corner of the building.  The performance was a splendid success, and greatly added to the fame of the composer.  Professor Taylor translated the Libretto, and was the conductor of the Oratorio.  On the following day he conducted the performance of Handel’s Oratorio of “Samson,” to which he added selections from Handel’s works.  This caused a good deal of adverse criticism, but it was not without precedent.  On Friday morning the Professor conducted a performance of Handel’s “Messiah.”

The Festival of 1845 commenced on Tuesday evening, September 16th, and continued on the 17th, 18th, and 19th.  The programme included miscellaneous concerts on Tuesday, Wednesday, and Thursday evenings; a selection of sacred music, and Haydn’s Oratorio “The Seasons,” on Wednesday morning; another selection of sacred music, and Spohr’s Oratorio “Calvary,” on Thursday morning; and Handel’s sacred Oratorio “Messiah,” with additional accompaniments by Mozart, on Friday morning.  All the concerts were well attended.  The principal vocalists were Madame Grisi, Miss Dolby, Madame Caradori Allan, Miss Poole, Signor Mario, Signor F. Lablache, Mr. Hobbs, Mr. Machin, Mr. Hawkins, Mr. Bradbury, and Herr Staudigl.  Mr. Benedict was conductor; Mr. J. Hill, chorus master; Mr. F. Cooke, leader of the band; Mr. Turle, organist.  The chorus comprised the usual number of voices.  The band included the best instrumentalists in England, and the festival was very successful.

The Festival of 1848 commenced on Tuesday, September 12th, with a miscellaneous concert, followed by similar concerts on Wednesday and Thursday evenings.  On Wednesday morning the programme comprised a sacred Cantata, by L. Spohr, “The Christian’s Prayer,” and Haydn’s Oratorio “Creation.”  On Thursday morning Mendelssohn’s Oratorio of “Elijah” was performed.  On Friday morning “David Penitent,” a sacred Cantata by Mozart, was given, followed by Handel’s “Israel in Egypt,” one of the best of his numerous productions.  The principal vocalists were Madame Castellan, Madame Alboni, Madame Viardot Garcia, Miss A. Williams, Miss M. Williams; Signor Lablache, basso; Mr. Sims Reeves, tenor; Mr. H. Phillips, basso; Mr. Whitworth, tenor; Mr. Lockey, tenor.  Mr. Benedict was conductor; Mr. H. Blagrove, leader of the band; Mr. Harcourt, organist.  Professor Taylor translated “The Christian’s Prayer” for this occasion.  Mr. J. F. Hill was chorus master.

In September, 1852, the Festival again comprised grand miscellaneous concerts on the Tuesday, Wednesday, and Thursday evenings, which concerts were well attended.  On the first evening, Mrs. Fanny Kemble read the “Midsummer’s Night’s Dream,” but the reading was a failure, as she could only be heard a short distance from the orchestra.  On the Wednesday morning a new Oratorio, “Israel Restored,” by Dr. Bexfield, was performed for the first time at a festival.  On Thursday morning Mr. H. H. Pierson’s Oratorio, “Jerusalem,” was performed for the first time, and occupied nearly four hours.  On Friday morning the “Messiah” was performed as usual.  The principal vocalists were Miss Louisa Pyne, Miss Alleyne, Miss Dolby, Madame Viardot Garcia, Madame Fiorentini, Signor Gardoni, Signor Belletti, Mr. Weiss, Mr. Lockey, Herr Formes, Mr. Sims Reeves.  Mr. Benedict was conductor; Mr. H. Blagrove, leader of the band in the morning performances, and Mons. Sainton in the evening performances; Mr. J. F. Hill, chorus master.  At the close of the performance on the Wednesday morning (September 22nd), a short selection from Handel’s Oratorio of “Samson” was given as a tribute of respect to the memory of the late Duke of Wellington.  Madame V. Garcia sung the solo—

“Ye sons of Israel, now lament,
Your spear is broke, your bow unbent,
      Your glory’s fled.
      Among the dead,
Our hero lies,
For ever closed his eyes.”

The “Dead March” was played and the chorus sung—

“Glorious hero, may thy grave
Peace and honour ever have;
After all thy pains and woes,
Rest eternal, sweet repose.”

The Festival in September, 1854, again comprised miscellaneous concerts in the evenings, and Oratorios in the mornings.  On Tuesday morning, September 12th, the programme included Rossini’s “Stabat Mater,” Meyerbeer’s “91st Psalm,” and a selection of sacred music.  On Wednesday morning Beethoven’s Service in C, and Haydn’s “Creation” were brilliantly performed.  On Thursday morning Mendelssohn’s “Elijah” attracted a very large audience.  On Friday morning the “Messiah” was given, with the additional accompaniments by Mozart.  The principal vocalists were Madame Clara Novello, Madame Angelina Bosio, Madame Castellan, Madame Weiss, Miss Dolby, Mr. Sims Reeves, Signor Gardoni, Herr Reichardt, Signor Lablache, Signor Belletti, and Mr. Weiss.  Mr. Benedict was conductor; Mons. Sainton and Mr. H. Blagrove, instrumental solo performers; Herr Hausman, violoncello; Mr. J. F. Hill, chorus master.  On Tuesday evening the concert included a descriptive and characteristic Cantata, called “Tam o’ Shanter,” the words by Burns and the music by Macfarren.  It consisted of a solo and chorus, which were sung with great applause.  Indeed, nothing so comic and lively had ever been heard before at any festival.

Notwithstanding all the attractions of this festival it proved a failure in a financial point of view, and it was feared that these triennial musical meetings would no longer answer, but their promoters determined not to give them up.  A committee was appointed; efforts were made to secure by all proper means success in future; and several of the county nobility joined as members of the committee.  That this determination was made on good grounds, was fully proved by the success of the three subsequent festivals of 1857, 1860, and 1863, the surplus from which was, in round numbers, severally, £425, £916, and £1221.  From these sums no less than £2000 were distributed amongst the charities.

The Festival of 1857 commenced on Tuesday evening, September 15th, with a miscellaneous concert, and similar concerts were given on Wednesday and Thursday evenings.  On Wednesday morning the programme comprised a sacred Cantata by Louis Spohr, “God Thou art Great,” a Hymn of Praise (Lobgesang) by Mendelssohn, and the “Requiem” of Mozart, his latest work.  On Thursday morning Beethoven’s Sacred Cantata, “The Mount of Olives,” and Haydn’s Oratorio, “The Seasons” were performed.  The “Messiah” was given on Friday morning, and concluded the festival.  The principal vocalists were Madame Clara Novello, Madlle. Leonhardi, Madame Weiss, Mrs. Lockey, Madlle. Piccolomini, Signor Gardoni, Signor Giuglini, Signor Belletti, Mr. Lockey, Mr. Miranda, and Mr. Weiss.  Mr. Benedict was conductor; Mons. Sainton, H. Blagrove, and Herr Hausman, were instrumental solo performers; Mr. J. F. Hill was chorus master.

The Festival of 1860 was under very distinguished patronage and eminently successful.  The programme included Haydn’s “Creation,” Handel’s “Messiah,” Dr. Spohr’s “Last Judgment,” Herr Molique’s “Abraham,” and Handel’s “Dettingen Te Deum,” all sacred music of the highest class, assigned to the morning performances.  The evening concerts comprised Glück’s “Armida,” Professor Sterndale Bennett’s Pastoral, “The May Queen,” Benedict’s Cantata, “Undine,” besides selections from the most popular operas, part songs, madrigals, symphonies, and overtures, all of which were admirably rendered and highly applauded.

The choice of so large a work as Hadyn’s “Creation,” one of the finest of his productions, on the first evening, was considered desirable, as it gave full employment at once for the principal vocalists, the chorus, and the band.  As many persons could not attend in the morning, an oratorio in the evening gave them an opportunity of hearing a great work well performed, and the lovers of sacred music readily seized the opportunity presented to them of attending the performance, which was never more perfect.  No band could have possibly played it more exquisitely, no chorus could have sung it more honestly or earnestly, and the solos were beyond all praise.

Wednesday morning was assigned to performances of a sacred and very solemn character; Handel’s “Dettingen Te Deum,” and Spohr’s “Last Judgment.”  Handel composed five Te Deums, but the finest is that written in 1743, in celebration of the victory at Dettingen, then thought a great event.  The victory was rather unexpected, and as George II. commanded in person, the rejoicings in England were very general.  Horace Walpole wrote, “We are all mad; drums, trumpets, bumpers, bonfires!  The mob are wild, and cry ‘Long live King George and the Duke of Cumberland!’”  After the “Te Deum,” there was a short interval preceding the performance of Dr. Spohr’s great work “Die Letzten Dinge” (The Last Things), the earliest of the composer’s three oratorios.  In 1825 it was brought over from Germany by Professor Taylor, and it was first performed before an English audience at the Norwich Festival on September 24th, 1830, under the title of “The Last Judgment,” which does not convey a very correct idea of the work.  It was received with the greatest possible favour, like all other works of the same master, in this city.  The grand theme is set forth in a series of paraphrases of scripture texts referring to the final consummation of all things.

The novelties at this festival were Professor Sterndale Bennett’s Pastoral “The May Queen,” and Benedict’s brilliant Cantata, “Undine,” both of which were performed with great success.  The Pastoral was produced with complete success at the Leeds Musical Festival, in September, 1858.  Mr. Chorley composed the poem, and he deserves some credit for the verses, as well as for the dramatic character of the piece.  The overture is a beautiful composition, and the whole work displays a marvellous combination of simplicity and ingenuity.  Herr Molique’s new Oratorio, “Abraham,” was performed here for the first time, and conducted by the composer, who at the close was greatly applauded.  The words are taken from the Old Testament, and the characters personated are Abraham, Sarah, Hagar, Isaac, Angel, and Messenger, who in turn depict the different scenes in the life of the patriarch.  He is exhibited as a saint, as a warrior, and as a great sufferer.  Full scope is given for the display of human passion in almost every phase, from triumphant joy to a sorrow that borders on despair.  The incidents are picturesque, striking, and varied, calling all the powers of the orchestra into play.  The principal vocalists were Madame Clara Novello, (her last appearance in Norwich,) Madame Weiss, Miss Palmer, Madame Borghi Mamo, Madlle. Tietjens, Signor Giuglini, Signor Belletti, Mr. Sims Reeves, Mr. Wilbye Cooper, Mr. Santley, Mr. Weiss.  Instrumental solo performers, Miss Arabella Goddard, piano; Mr. Sainton, Mr. H. Blagrove, Signor Piatti, violoncello; Mr. Benedict, conductor; Mr. J. F. Hill, chorus master.

The Festival of 1863 commenced on Monday evening, September 14th, with a performance of Handel’s grand Oratorio, “Judas Maccabæus,” which was eminently successful.  The large audience seemed to be carried away by the martial music.  On the Tuesday, Wednesday, and Thursday evenings, miscellaneous concerts were given.  On Wednesday morning Mr. Silas conducted a performance of his own sacred drama, “Joash,” with success.  This was followed by a “Scene at the Gates of Nain,” from the Oratorio “Immanuel,” by Henry Leslie; also selections from the Stabat Maters of Haydn, Pergolesi, and Rossini, and a selection of sacred music.  “Elijah” was performed on Thursday morning, and the “Messiah” on Friday morning.  Another novelty at this festival was a Cantata, entitled “Richard Cœur De Leon,” composed expressly for the occasion, and performed on Thursday evening with immense applause.  This Cantata embodied the romantic story of the warrior king in captivity, being discovered by the minstrel Blondel, who at last caused the liberation of the monarch.  The principal vocalists were Madlle. Tietjens, Madame Lemmens Sherrington, Madame Weiss, Miss Wilkinson, Miss Palmer, Madlle. Trebelli, (her first appearance in Norwich,) Mr. Sims Reeves, Mr. Montem Smith, Mr. Santley, Mr. Weiss, Signor Bettini, (his first appearance here,) Signor Bossi, (his first appearance here).  Mr. Benedict was conductor.  Instrumental soloists, M. Paque, violoncello; Mr. H. Blagrove and Mr. Sainton, violins.  Mr. J. F. Hill, chorus master.

The Festival of 1866 was deferred till November, very unwisely, in anticipation of a visit of the Prince and Princess of Wales on the occasion.  This caused a larger attendance on the day their Royal Highnesses were expected, and a smaller on all the other days.  The arrangements for the visit were also injudicious, to say the least.  Their Royal Highnesses should at once have proceeded to the Wednesday morning’s performance, but they were detained at the Guildhall to hear an address from the corporation, and then they were allowed to go to St. Andrew’s Hall in the middle of a performance, which was greatly interrupted.  Their Royal Highnesses, therefore, could not possibly have appreciated Costa’s Oratorio from hearing only half of it.  The festivals have been always patronized by royalty, and by the nobility, gentry, and clergy, and have never failed to attract the county families; but this year (1866) was the first in which members of the royal family were actually present.

The general programme for 1866 when issued, presented some points of peculiar attraction, including “Israel in Egypt,” by Handel, on Monday evening; an Anthem by Dr. Spohr, and the Oratorio of “Naaman,” by Costa, on Wednesday morning; “St. Cecilia,” a new Cantata by Benedict, selections from the Passion Music of Handel, and first and second parts of the “Creation,” by Haydn, on Thursday morning; and the “Messiah” on Friday morning.  Most lovers of sacred music would have preferred Haydn’s entire Oratorio to the sombre Passion Music.  The committee, acting on the principle of securing the highest talent, made engagements with Madlle. Tietjens, Madame Rudersdorff, Miss Edith Wynne, Madame De Meric Lablache, Madlle. Anna Drasdil, three of them appearing for the first time in this city; also with Mr. Sims Reeves, Mr. Cummings, Signor Morini, Mr. Santley, Mr. Weiss, and Signor Gassier, all well-known vocalists.  The instrumentalists were all first-class performers.  The choral body was much improved and strengthened, and included 62 of the best trebles ever selected, 24 contraltos, 35 altos, 59 tenors, and 67 basses.

Handel’s Oratorio, “Israel in Egypt,” was splendidly performed on the Monday evening; the solos were in the hands of first-class vocalists, but the absence of Mr. Sims Reeves was a disappointment.  Mr. George Macfarren had improved the instrumentation by the addition of parts to the original score.  He had no occasion to apologize for doing for “Israel,” what many musicians have done for other productions.  It is not presumptuous to have recourse to the resources of more modern instrumentation, so long as the character of the work is not altered.

On Wednesday morning, as we have said, the Prince and Princess of Wales were present.  The performances commenced with Dr. Spohr’s Anthem “O blessed, for ever blessed, are they,” the first time of performance, and it was admirably rendered.  Mr. Costa then conducted a splendid performance of his own Oratorio of “Naaman,” founded on a part of Old Testament history, relating to the restoration from death of the son of the Shunamite by the prophet Elisha; a subject not very well adapted for musical purposes.  All Oratorios are cast more or less in the Handelian mould, but Mr. Costa has introduced more of the secular clement than usual.

On Thursday morning the hall was well filled by a large audience desirous of hearing a performance of Handel’s Passion Music, and Mr. Benedict’s new work, “St. Cecilia.”  As to the former, we may state that there are two works of Handel entitled “Passion Music,” one produced, it is believed, in 1704, the other in 1716.  Dr. Chrysander caused the publication of both these works by the Leipzig Handel Society in 1860 and 1863.  It is strange that these two productions should have slumbered so long unheard and unknown till the selection was performed in Norwich.  Interesting as the Passion Music might be, the all-important event of this morning’s concert was, the production of Mr. Benedict’s new Cantata.  “St. Cecilia” has long been a favourite subject with both poets and composers.  Among the former, Fletcher, Dryden, Pope, Addison, Congreve, and a host of versifiers, have contributed Odes in honour of the patroness of music.  Many of these Odes are still in existence, with their accompanying music, of various degrees of merit; the principal being those by Purcell and Handel.  These are great names, but the construction of the older works is entirely different from the Cantata now performed for the first time with great applause.  After a short interval the concert was continued with the “Creation,” which could not have been better performed or with a stronger cast.