At length, dear friend, your letter has reached me, and the messenger-paper has brought me your words—brought me them from the western shore of Chester's Dee, where with prone stream it seeks the Vergivian wave. Much, believe me, it delights me that foreign lands have nurtured a heart so loving of ours, and a head so faithfully mine; and that a distant part of the country now owes me my sprightly companion, whence, however, it means soon, on being summoned, to send him back. Me at present that city contains which the Thames washes with its ebbing wave; and me, not unwilling, my father's house now possesses. At present it is not my care to revisit the reedy Cam; nor does the love of my forbidden rooms yet cause me grief (nec dudum vetiti me laris angit amor). Nor do naked fields please me, where soft shades are not to be had. How ill that place suits the votaries of Apollo! Nor am I in the humour still to bear the threats of a harsh master (duri minas perferre magistri), and other things not to be submitted to by my genius (cæteraque ingenio non subeunda meo). If this be exile (si sit hoc exilium), to have gone to my father's house, and, free from cares, to be pursuing agreeable relaxations, then certainly I refuse neither the name nor the lot of a fugitive (non ego vel profugi nomen sortemque recuso), and gladly I enjoy the condition of exile (lætus et exilii conditione fruor). Oh that that poet, the tearful exile in the Pontic territory had never endured worse things! Then had he nothing yielded to Ionian Homer, nor would the supreme reputation of having surpassed him be yours, O Maro! For it is in my power to give my leisure up to the placid Muses; and books, which are my life, have me all to themselves. When I am wearied, the pomp of the winding theatre takes me hence, and the garrulous stage calls me to its noisy applauses—whether it be the wary old gentleman that is heard, or the prodigal heir; whether the wooer, or the soldier with his helmet doffed, is on the boards, or the lawyer, prosperous with a ten years' lawsuit, is mouthing forth his gibberish to the unlearned forum. Often the wily servant is abetting the lover-son, and at every turn cheating the very nose of the stiff father; often there the maiden, wondering at her new sensations, knows not what love is, and, while she knows not, loves. Or, again, furious Tragedy shakes her bloody sceptre and rolls her eyes, with dishevelled locks, and it is a pain to look, and yet it is a pleasure to have looked and been pained; for sometimes there is a sweet bitterness in tears. Or the unhappy boy leaves his untasted joys, and falls off, a pitiful object, from his broken love; or the fierce avenger of crime recrosses the Styx from the shades, perturbing guilty souls with his funeral torch. Or the house of Pelops or that of noble Ilium is in grief, or the palace of Creon expiates its incestuous ancestry. But not always within doors, nor even in the city, do we mope; nor does the season of spring pass by unused by us. The grove also planted with thick elms, has our company, and the noble shade of a suburban neighborhood. Very often here, as stars breathing forth mild flames, you may see troops of maidens passing by. Ah! how often have I seen the wonders of a worthy form, which might even repair the old age of Jove! Ah! how often have I seen eyes surpassing all gems and whatever lights revolve round either pole; and necks twice whiter than the arms of living Pelops, and than the way which flows tinged with pure nectar; and the exquisite grace of the forehead; and the trembling hair which cheating love spreads as his golden nets; and the inviting cheeks, compared with which hyacinthine purple is poor, and the very blush, Adonis, of thy own flower! . . . But for me, while the forbearance of the blind boy allows it, I prepare as soon as possible to leave these happy walls, and, using the help of divine all-heal, to flee far from the infamous dwellings of the sorceress Circe. It is fixed that I do go back to the rushy marshes of Cam, and once more approach the murmur of the hoarse-murmuring school. Meanwhile accept the little gift of your faithful friend, and these few words forced into alternate measures.

To Alexander Gill, Jr. (Familiar Letters, No. III.)

. . . Indeed, every time I recollect your almost constant conversations with me (which even in this Athens, the University itself, I long after and miss), I think immediately, and not without grief, what a quantity of benefit my absence from you has cheated me of,—me who never left your company without a manifest increase and ἐπίδοσις of literary knowledge, just as if I had been to some emporium of learning. Truly, amongst us here, as far as I know, there are hardly one or two that do not fly off unfeathered to Theology while all but rude and uninitiated in either Philology or Philosophy,—content also with the slightest possible touch of Theology itself, just as much as may suffice for sticking together a little sermon anyhow, and stitching it over with worn patches obtained promiscuously: a fact giving reason for the dread that by degrees there may break in among our clergy the priestly ignorance of a former age. For myself, finding almost no real companions in study here, I should certainly be looking straight back to London, were I not meditating a retirement during this summer vacation into a deep literary leisure and a period of hiding, so to speak, in the bowers of the Muses. But, as this is your own daily practice, I think it almost a crime to interrupt you longer with my din at present. Farewell.

To Thomas Young. (Familiar Letters, No. IV.)

. . . Having been invited to your part of the country, as soon as spring is a little advanced, I will gladly come, to enjoy the delights of the season, and not less of your conversation, and will withdraw myself from the din of town for a while to your Stoa of the Iceni, as to that most celebrated Porch of Zeno or the Tusculan Villa of Cicero, where you, with moderate means but regal spirit, like some Serranus or Curius, placidly reign in your little farm, and, contemning fortune, hold, as it were, a triumph over riches, ambition, pomp, luxury, and whatever the herd of men admire and are marked by. . . .

To Charles Diodati,

making a stay in the country, who, having written to the author on the 13th of December, and asked him to excuse his verses, if they were less good than usual, on the ground that, in the midst of the festivities with which he had been received by his friends, he was unable to give a sufficiently prosperous attention to the Muses, had the following reply:

. . . You seem to be enjoying yourself rarely. How well you describe the feasts, and the merry December and preparations for Christmas, and the cups of French wine round the gay hearth! Why do you complain that poesy is absent from these festivities? Festivity and poetry are surely not incompatible. . . . One sees the triple influence of Bacchus, Apollo, and Ceres, in the verses you have sent me. And, then, have you not music—the harp lightly touched by nimble hands, and the lute giving time to the fair ones as they dance in the old tapestried room? Believe me, where the ivory keys leap, and the accompanying dance goes round the perfumed hall, there will the Song-god be. But let me not go too far. Light Elegy is the care of many gods, and calls any one of them by turns to her assistance—Bacchus, Erato, Ceres, Venus, and little Cupid besides. To poets of this order, therefore, conviviality is allowable; and they may often indulge in draughts of good old wine. But the man who speaks of high matters—the heaven of the full-grown Jove, and pious heroes, and demigod leaders of men, the man who now sings the holy counsels of the gods above, and now the subterranean realms guarded by the fierce dog—let him live sparely, after the manner of the Samian master; let herbs afford him his innocent diet, let clear water in a beechen cup stand near him, and let him drink sober draughts from a pure fountain! To this be there added a youth chaste and free from guilt, and rigid morals, and hands without stain. Being such, thou shalt rise up, glittering in sacred raiment and purified by lustral waters, an augur about to go into the presence of the unoffended gods. So is wise Tiresias said to have lived, after he had been deprived of his sight; and Theban Linus; and Calchas the exile; and old Orpheus. So did the scantily-eating, water-drinking Homer carry his hero Ulysses through the monster-teeming hall of Circe, and the straits insidious with the voices of the Syrens, and through thy courts, too, O infernal King, where he is said to have held the troops of shades enthralled by libations of black blood. For the poet is sacred and the priest of the gods; and his breast and his mouth breathe the indwelling Jove.

And now, if you will know what I am myself doing (if indeed you think it is of so much consequence to know if I am doing anything), here is the fact: we are engaged in singing the heavenly birth of the King of Peace, and the happy age promised by the holy books, and the infant cries and cradling in a manger under a poor roof of that God who rules, with his Father, the Kingdom of Heaven, and the sky with the new-sprung star in it, and the ethereal choirs of hymning angels, and the gods of the heathen suddenly fleeing to their endangered fanes. This is the gift which we have presented to Christ's natal day. On that very morning, at daybreak, it was first conceived. The verses, which are composed in the vernacular, await you in close keeping; you shall be the judge to whom I shall recite them.

Prolusiones quædam Oratoriæ

Some University Latin Oratorical Exercises, seven in number, first published in 1674, the year of Milton's death, along with his Familiar Letters (Epistolæ Familiares), 'as a make-weight to counterbalance the paucity of the Letters,' have an autobiographic value; but, with the exception of a small bit, space does not allow the admission of them here. 'They throw light,' says Masson, 'upon Milton's career at Cambridge. They illustrate the extent and nature of his reading, his habits and tastes as a student, the relation in which he stood to the University system of his time, and to the new intellectual tendencies which were gradually affecting that system. They also settle in the most conclusive manner the fact that Milton passed through two stages in his career at the University,—a stage of decided unpopularity, in his own College at least, which lasted till about 1628, and a final stage of triumph, when his powers were recognized.'

Masson characterizes the seventh oratorical exercise as 'one of the finest pieces of Latin prose ever penned by an Englishman.'

The following is a passage, in Masson's close translation, from this exercise, which exhibits what continued to be Milton's attitude through life:

'I regard it, my hearers, as known and accepted by all, that the great Maker of the Universe, when he had constituted all things else as fleeting and corruptible, did mingle up with Man, in addition to that of him which is mortal, a certain divine breath, as it were part of Himself, immortal, indestructible, free from death and extinction; which, after it had sojourned purely and holily for some time in the earth as a heavenly guest, should flutter aloft to its native heaven, and return to its proper home and fatherland: accordingly, that nothing can deservedly be taken into account as among the causes of our happiness that does not somehow or other regard both that everlasting life and this civil life below.'

'When his earlier writings,' says Masson, 'are compared with those of his coevals at the University, what strikes one most, next to their vastly greater merit altogether, is their more ideal tone. As, more than any of them, he was conscious of the os magna soniturum, the mouth formed for great utterances, so all that he does utter has a certain character and form of magnitude.'

Milton's Latin poem, 'Ad Patrem' (To Father), was occasioned, as may be seen in the poem, by an expressed dissatisfaction on the part of his father with his continued devotion, after leaving the University, to his favorite studies and the Muses, to the exclusion of all consideration of a profession. He had, while yet at the University, fully decided that the Church, for which he was destined by his parents, was not for him, bowing, as it was, beneath the galling 'yoke of prelaty'; and to the legal profession he must have been equally, if not more, averse.

Such a tribute of filial affection and gratitude, as is this poem, certainly overcame all objections the father may have expressed in regard to his course of life at the time.

We learn from this poem, which was no doubt composed soon after Milton's final return to his father's house at Horton, in 1632, he being then in his twenty-fourth year, that, along with the Latin and the Greek, he had acquired, and by his father's advice, a knowledge of the French, Italian, and Hebrew. We also learn of the father's musical genius, both instrumental and vocal, and of the son's lofty estimate of the power of poesy. He ascribes to it a divine nature which evidences man's heavenly origin, and bespeaks him illuminated from above.

I give the translation by the poet Cowper, which, while being somewhat free, is, I think, altogether the best and most poetical that has been made. That by Masson, in hexameters, is closer to the original, but has in it a dactylic dance which is not so much in harmony with the tone of the original as is Cowper's blank-verse translation.

To Father

Oh, that Pieria's spring would thro' my breast
Pour its inspiring influence, and rush
No rill, but rather an o'erflowing flood!
That, for my venerable father's sake,
All meaner themes renounced, my muse, on wings   5
Of duty borne, might reach a loftier strain.
For thee, my father! howsoe'er it please,
She frames this slender work, nor know I aught
That may thy gifts more suitably requite;
Though to requite them suitably would ask   10
Returns much nobler, and surpassing far
The meagre stores of verbal gratitude;
But, such as I possess, I send thee all.
This page presents thee in their full amount
With thy son's treasures, and the sum is nought;   15
Nought, save the riches that from airy dream
In secret grottos and in laurel bowers
I have, by golden Clio's gift, acquired.
Verse is a work divine; despise not thou
Man's heavenly source, and which, retaining still
Some scintillations of Promethean fire,
Bespeaks him animated from above.
The gods love verse; the infernal Powers themselves
Confess the influence of verse, which stirs   25
The lowest deep, and binds in triple chains
Of adamant both Pluto and the Shades.
In verse the Delphic priestess, and the pale
Tremulous Sibyl make the future known;
And he who sacrifices, on the shrine   30
Hangs verse, both when he smites the threatening bull,
And when he spreads his reeking entrails wide
To scrutinize the Fates enveloped there.
We, too, ourselves, what time we seek again
Our native skies, and one eternal now   35
Shall be the only measure of our being,
Crowned all with gold, and chaunting to the lyre
Harmonious verse, shall range the courts above,
And make the starry firmament resound;
That wheels yon circling orbs, directs, himself,
Their mazy dance with melody of verse
Unutterable, immortal, hearing which
Huge Ophiuchus holds his hiss suppressed,
Orion, softened, drops his ardent blade,   45
And Atlas stands unconscious of his load.
Verse graced of old the feasts of kings ere yet
Luxurious dainties, destined to the gulph
Immense of gluttony, were known, and ere
Then sat the bard a customary guest
To share the banquet, and, his length of locks
With beechen honours bound, proposed in verse
The characters of heroes, and their deeds
Of nature's birth, of gods that crept in search
Of acorns fallen, and of the thunder bolt
Not yet produced from Etna's fiery cave.
And what avails, at last, tune without voice,
Devoid of matter? Such may suit perhaps   60
The rural dance, but such was ne'er the song
Of Orpheus, whom the streams stood still to hear
And the oaks followed. Not by chords alone
Well touched, but by resistless accents more
To sympathetic tears the ghosts themselves   65
He moved; these praises to his verse he owes.
Nor thou persist, I pray thee, still to slight
The sacred Nine, and to imagine vain
And useless, powers by whom inspired thyself
Art skilful to associate verse with airs   70
Harmonious, and to give the human voice
A thousand modulations, heir by right
Indisputable of Arion's fame.
Now say, what wonder is it if a son
Of thine delight in verse, if so conjoined   75
In close affinity, we sympathize
In social arts and kindred studies sweet?
Such distribution of himself to us
Was Phœbus' choice; thou hast thy gift and I
Mine also; and between us we receive,   80
Father and son, the whole inspiring god.
No! howsoe'er the semblance thou assume
Of hate, thou hatest not the gentle Muse,
My Father! for thou never bad'st me tread
The beaten path and broad that leads right on   85
To opulence, nor didst condemn thy son
To the insipid clamours of the bar,
To laws voluminous and ill observed;
But, wishing to enrich me more, to fill
My mind with treasure, ledst me far away   90
From city din to deep retreats, to banks
And streams Aonian, and, with free consent,
Didst place me happy at Apollo's side.
I speak not now, on more important themes
Intent, of common benefits and such   95
As nature bids, but of thy larger gifts,
My Father! who, when I had opened once
The stores of Roman rhetoric, and learned
The full-toned language of the eloquent Greeks,
Whose lofty music graced the lips of Jove,   100
Thyself didst counsel me to add the flowers
That Gallia boasts, those, too, with which the smooth
Italian his degenerate speech adorns,
That witnesses his mixture with the Goth;
And Palestine's prophetic songs divine.   105
To sum the whole, whate'er the heaven contains,
The earth beneath it, and the air between,
The rivers and the restless deep, may all
Prove intellectual gain to me, my wish
Concurring with thy will; Science herself,   110
All cloud removed, inclines her beauteous head,
And offers me the lip, if, dull of heart,
I shrink not and decline her gracious boon.
Go now and gather dross, ye sordid minds
That covet it; what could my Father more?   115
What more could Jove himself, unless he gave
His own abode, the heaven, in which he reigns?
More eligible gifts than these were not
Apollo's to his son, had they been safe,
As they were insecure, who made the boy   120
The world's vice-luminary, bade him rule
The radiant chariot of the day, and bind
To his young brows his own all-dazzling wreath.
I, therefore, although last and least, my place
Among the learned in the laurel grove   125
Will hold, and where the conqueror's ivy twines,
Henceforth exempt from the unlettered throng
Profane, nor even to be seen by such.
Away then, sleepless Care, Complaint away,
And Envy, with thy 'jealous leer malign!'   130
Nor let the monster Calumny shoot forth
Her venomed tongue at me. Detested foes!
Ye all are impotent against my peace,
For I am privileged, and bear my breast
Safe, and too high for your viperean wound.   135
But thou, my Father! since to render thanks
Equivalent, and to requite by deeds
Thy liberality, exceeds my power,
Suffice it that I thus record thy gifts,
Ye, too, the favourite pastime of my youth
My voluntary numbers, if ye dare
To hope longevity, and to survive
Your master's funeral, not soon absorbed
In the oblivious Lethæan gulph   145
Shall to futurity perhaps convey
This theme, and by these praises of my sire
Improve the Fathers of a distant age!

An English letter to a friend (unknown), who, it appears, had been calling him to account for his apparent indifference as to his work in life

This letter has an exceptional autobiographic value. The sonnet, which is inserted, appears to have been independently written some time before, and was originally published in 1645, with the heading 'On his having arrived at the age of twenty-three.'

'Sir,—Besides that in sundry respects I must acknowledge me to profit by you whenever we meet, you are often to me, and were yesterday especially, as a good watchman to admonish that the hours of the night pass on (for so I call my life, as yet obscure and unserviceable to mankind), and that the day with me is at hand, wherein Christ commands all to labor, while there is light. Which, because I am persuaded you do to no other purpose than out of a true desire that God should be honoured in every one, I therefore think myself bound, though unasked, to give you an account, as oft as occasion is, of this my tardy moving, according to the precept of my conscience, which I firmly trust is not without God. Yet now I will not strain for any set apology, but only refer myself to what my mind shall have at any time to declare herself at her best ease.

But if you think, as you said, that too much love of learning is in fault, and that I have given up myself to dream away my years in the arms of studious retirement, like Endymion with the moon, as the tale of Latmus goes, yet consider that, if it were no more but the mere love of learning, whether it proceed from a principle bad, good, or natural, it could not have held out thus long against so strong opposition on the other side of every kind. For, if it be bad, why should not all the fond hopes that forward youth and vanity are fledge with, together with gain, pride, and ambition, call me forward more powerfully than a poor, regardless, and unprofitable sin of curiosity should be able to withhold me; whereby a man cuts himself off from all action, and becomes the most helpless, pusillanimous, and unweaponed creature in the world, the most unfit and unable to do that which all mortals most aspire to, either to be useful to his friends or to offend his enemies? Or, if it be to be thought a natural proneness, there is against that a much more potent inclination inbred, which about this time of a man's life solicits most—the desire of house and family of his own; to which nothing is esteemed more helpful than the early entering into credible employment, and nothing hindering than this affected solitariness. And, though this were enough, yet there is another act, if not of pure, yet of refined nature, no less available to dissuade prolonged obscurity—a desire of honour and repute and immortal fame, seated in the breast of every true scholar; which all make haste to by the readiest ways of publishing and divulging conceived merits—as well those that shall, as those that never shall, obtain it. Nature, therefore, would presently work the more prevalent way, if there were nothing but this inferior bent of herself to restrain her. Lastly, the love of learning, as it is the pursuit of something good, it would sooner follow the more excellent and supreme good known and presented, and so be quickly diverted from the empty and fantastic chase of shadows and notions, to the solid good flowing from due and timely obedience to that command in the Gospel set out by the terrible feasing of him that hid the talent.

It is more probable, therefore, that not the endless delight of speculation, but this very consideration of that great commandment, does not press forward, as soon as many do, to undergo, but keeps off, with a sacred reverence and religious advisement how best to undergo, not taking thought of being late, so it give advantage to be more fit; for those that were latest lost nothing when the master of the vineyard came to give each one his hire. And here I am come to a streamhead, copious enough to disburden itself, like Nilus, at seven mouths into an ocean. But then I should also run into a reciprocal contradiction of ebbing and flowing at once, and do that which I excuse myself for not doing—preach and not preach. Yet, that you may see that I am something suspicious of myself, and do take notice of a certain belatedness in me, I am the bolder to send you some of my nightward thoughts some while since, because they come in not altogether unfitly, made up in a Petrarchian stanza, which I told you of:

How soon hath Time, the subtle thief of youth,
Stolen on his wing my three-and-twentieth year!
My hasting days fly on with full career;
But my late spring no bud or blossom shew'th.
Perhaps my semblance might deceive the truth   5
That I to manhood am arrived so near;
And inward ripeness doth much less appear,
That some more timely-happy spirits indu'th.
Yet be it less or more, or soon or slow,
To that same lot, however mean or high,
Toward which Time leads me, and the will of Heaven.
All is, if I have grace to use it so,
As ever in my great Task-Master's eye.

By this I believe you may well repent of having made mention at all of this matter; for, if I have not all this while won you to this, I have certainly wearied you of it. This, therefore, alone may be a sufficient reason for me to keep me as I am, lest, having thus tired you singly, I should deal worse with a whole congregation and spoil all the patience of a parish; for I myself do not only see my own tediousness, but now grow offended with it, that has hindered me thus long from coming to the last and best period of my letter, and that which must now chiefly work my pardon,—that I am

Your true and unfeigned friend, etc.'

To Alexander Gill, Jr. (Familiar Letters, No. V.)

If you had presented to me a gift of gold, or of preciously embossed vases, or whatever of that sort mortals admire, it were certainly to my shame not to have some time or other made you a remuneration in return, as far as my faculties might serve. Your gift of the day before yesterday, however, having been such a sprightly and elegant set of Hendecasyllabics, you have, just in proportion to the superiority of that gift to anything in the form of gold, made us the more anxious to find some dainty means by which to repay the kindness of so pleasant a favour. We had, indeed, at hand some things of our own of this same kind, but such as I could nowise deem fit to be sent in contest of equality of gift with yours. I send, therefore, what is not exactly mine, but belongs also to the truly divine poet, this ode of whom, only last week, with no deliberate intention certainly, but from I know not what sudden impulse before daybreak, I adapted, almost in bed, to the rule of Greek heroic verse: with the effect, it seems, that, relying on this coadjutor, who surpasses you no less in his subject than you surpass me in art, I should have something that might have a resemblance of approach to a balancing of accounts. Should anything meet you in it not coming up to your usual opinion of our productions, understand that, since I left your school, this is the first and only thing I have composed in Greek,—employing myself, as you know, more willingly in Latin and English matters; inasmuch as whoever spends study and pains in this age on Greek composition runs a risk of singing mostly to the deaf. . . .

To Charles Diodati. (Familiar Letters, No. VI.)

Now at length I see plainly that what you are driving at is to vanquish me sometimes in the art of obstinate silence; and, if it is so, bravo! have that little glory over us, for behold! we write first. All the same, if ever the question should come into contention why neither has written to the other for so long, do not think but that I shall stand by many degrees the more excused of the two,—manifestly so indeed, as being one by nature slow and lazy to write, as you well know; while you, on the other hand, whether by nature or by habit, are wont without difficulty to be drawn into epistolary correspondence of this sort. It makes also for my favour that I know your method of studying to be so arranged that you frequently take breath in the middle, visit your friends, write much, sometimes make a journey, whereas my genius is such that no delay, no rest, no care or thought almost of anything, holds me aside until I reach the end I am making for, and round off, as it were, some great period of my studies. . . .

To Charles Diodati. (Familiar Letters, No. VII.)

. . . What besides God has resolved concerning me I know not, but this at least: He has instilled into me, if into any one, a vehement love of the beautiful. Not with so much labour, as the fables have it, is Ceres said to have sought her daughter Proserpina as it is my habit day and night to seek for this idea of the beautiful, as for a certain image of supreme beauty, through all the forms and faces of things (for many are the shapes of things divine), and to follow it as it leads me on by some sure traces which I seem to recognize. Hence it is that, when any one scorns what the vulgar opine in their depraved estimation of things, and dares to feel and speak and be that which the highest wisdom throughout all ages has taught to be best, to that man I attach myself forthwith by a kind of real necessity, wherever I find him. If, whether by nature or by my fate, I am so circumstanced that by no effort or labour of mine can I myself rise to such an honour and elevation, yet that I should always worship and look up to those who have attained that glory, or happily aspire to it, neither gods nor men, I reckon, have bidden nay.

But now I know you wish to have your curiosity satisfied. You make many anxious inquiries, even as to what I am at present thinking of. Hearken, Theodotus, but let it be in your private ear, lest I blush; and allow me for a little to use big language with you. You ask what I am thinking of? So may the good Deity help me, of immortality! And what am I doing? Growing my wings and meditating flight; but as yet our Pegasus raises himself on very tender pinions. Let us be lowly wise!

       *       *       *       *       *       *       *       *       *

I have by continuous reading brought down the affairs of the Greeks as far as the time when they ceased to be Greeks. I have been long engaged in the obscure business of the state of Italians under the Longobards, the Franks, and the Germans, down to the time when liberty was granted them by Rodolph, King of Germany: from that period it will be better to read separately what each City did by its own wars. . . .

To Benedetto Bonmattei of Florence. (Familiar Letters, No. VIII.)

. . . I, certainly, who have not wet merely the tips of my lips with both those tongues, but have, as much as any, to the full allowance of my years, drained their deeper draughts, can yet sometimes willingly and eagerly go for a feast to that Dante of yours, and to Petrarch, and a good few more; nor has Attic Athens herself, with her pellucid Ilissus, nor that old Rome with her bank of the Tiber, been able so to hold me but that I love often to visit your Arno and these hills of Fæsule. See now, I entreat, whether it has not been with enough of providential cause that I have been given to you for these few days, as your latest guest from the ocean, who am so great a lover of your nation that, as I think, there is no other more so. . . .

Mansus

Milton's Latin poem addressed to Manso, Marquis of Villa, in grateful acknowledgment of the distinguished attention which had been shown him by the aged Marquis, during his stay in Naples, contains the first intimation in his writings of his contemplating an epic poem to be based on the legendary or mythical history of Britain, with King Arthur for its hero.

The following is Masson's quite literal prose translation of vv. 70-100:

. . . 'Oh that my lot might yield me such a friend, one who should know as well how to decorate Apollo's children, if perchance I shall ever call back into verse our native kings, and Arthur stirring wars even under the earth that hides him, or speak of the great-souled heroes, the knights of the unconquered Table, bound in confederate brotherhood, and (Oh may the spirit be present to me!) break the Saxon phalanxes under the British Mars. Then, when, having measured out the period of a not silent life, and full of years, I shall leave the dust its due, he would stand by my bed with wet eyes; it would be enough if I said to him standing by "Let me be thy charge;" he would see that my limbs, slacked in livid death, were softly laid in the narrow coffin; perchance he would bring out from the marble our features, wreathing the hair either with the leaf of Paphian myrtle or with that of Parnassian laurel; but I should repose in secure peace. Then, too, if faith is aught, if there are assured rewards of the good, I myself, withdrawn into the ether of the heaven-housed gods, whither labour and the pure mind and the fire of virtue carry us, shall behold these things from some part of the unseen world, as far as the fates allow, and, smiling serene, with soul entire, shall feel my face suffused with the purple light, and applaud myself the while in the joy of ethereal Olympus.'

From the 'Areopagitica: a speech for the liberty of unlicensed printing. To the Parliament of England'

And lest some should persuade ye, lords and commons, that these arguments of learned men's discouragement at this your order are mere flourishes, and not real, I could recount what I have seen and heard in other countries, where this kind of inquisition tyrannizes; when I have sat among their learned men, (for that honour I had,) and been counted happy to be born in such a place of philosophic freedom, as they supposed England was, while themselves did nothing but bemoan the servile condition into which learning amongst them was brought; that this was it which had damped the glory of Italian wits; that nothing had been there written now these many years but flattery and fustian. There it was that I found and visited the famous Galileo, grown old, a prisoner to the Inquisition, for thinking in astronomy otherwise than the Franciscan and Dominican licensers thought. And though I knew that England then was groaning loudest under the prelatical yoke, nevertheless I took it as a pledge of future happiness, that other nations were so persuaded of her liberty.

Yet was it beyond my hope, that those worthies were then breathing in her air, who should be her leaders to such a deliverance, as shall never be forgotten by any revolution of time that this world hath to finish. When that was once begun, it was as little in my fear, that what words of complaint I heard among learned men of other parts uttered against the Inquisition, the same I should hear, by as learned men at home, uttered in time of parliament against an order of licensing; and that so generally, that when I had disclosed myself a companion of their discontent, I might say, if without envy, that he whom an honest quæstorship had endeared to the Sicilians, was not more by them importuned against Verres, than the favourable opinion which I had among many who honour ye, and are known and respected by ye, loaded me with entreaties and persuasions, that I would not despair to lay together that which just reason should bring into my mind, towards the removal of an undeserved thraldom upon learning.

To Lucas Holstenius in the Vatican at Rome. (Familiar Letters, No. IX.)

Although I both can and often do remember many courteous and most friendly acts done me by many in this my passage through Italy, yet, for so brief an acquaintance, I do not know whether I can justly say that from any one I have had greater proofs of goodwill than those which have come to me from you. For, when I went up to the Vatican for the purpose of meeting you, though a total stranger to you,—unless perchance anything had been previously said about me to you by Alexander Cherubini,—you received me with the utmost courtesy. Admitted at once with politeness into the Museum, I was allowed to behold the superb collection of books, and also very many manuscript Greek authors set forth with your explanations,—some of whom, not yet seen in our age, seemed now, in their array, like Virgil's

penitus convalle virenti
Inclusæ animæ superumque ad lumen ituræ, (vi. 679)

to demand the active hands of the printer, and a delivery into the world, while others, already edited by your care, are eagerly received everywhere by scholars:—dismissed, too, richer than I came, with two copies of one of these last presented to me by yourself. Then, I could not but believe that it was in consequence of the mention you made of me to the most excellent Cardinal Francesco Barberini that, when he, a few days after, gave that public musical entertainment with truly Roman magnificence (ἀκρόαμα illud musicum magnificentiâ vere Romanâ publice exhiberet), he himself, waiting at the doors, and seeking me out in so great a crowd, almost seizing me by the hand, indeed, admitted me within in a truly most honourable manner. Further, when, on this account, I went to pay my respects to him next day, you again were the person that both made access for me and obtained me an opportunity of leisurely conversation with him—an opportunity such as, with so great a man,—than whom, on the topmost summit of dignity, nothing more kind, nothing more courteous,—was truly, place and time considered, too ample rather than too sparing. . . .

Epitaphium Damonis

The 'Epitaphium Damonis' is a pastoral elegy, occasioned by the death of Charles Diodati, which occurred in the summer or autumn of 1638, while Milton was on his continental tour. As an expression of the poet's grief for the loss of his boyhood's and early manhood's dearest, most intimate, and sympathetic friend, it has a general autobiographic character; but it contains one passage (vv. 161-178), having a special interest of the kind, in which he again alludes to his contemplated epic poem, to be based on the legendary history of Britain.

The following is Masson's translation of the Argument and of vv. 161-178:

'Thyrsis and Damon, shepherds of the same neighbourhood, following the same pursuits, were friends from their boyhood, in the highest degree of mutual attachment. Thyrsis, having set out to travel for mental improvement, received news when abroad of Damon's death. Afterwards at length returning, and finding the matter to be so, he deplores himself and his solitary condition in the following poem. Under the guise of Damon, however, is here understood Charles Diodati, tracing his descent on the father's side from the Tuscan city of Lucca, but otherwise English—a youth remarkable, while he lived, for his genius, his learning, and other most shining virtues.'