COMUS

A Masque presented at Ludlow Castle, 1634, before the Earl of Bridgewater, then President of Wales

Masques, in the reigns of Elizabeth, James I., and Charles I., were generally written for the entertainment of royalty and nobility. They were, besides, in most cases, presented by royal and noble persons. In their setting, they were in strong contrast to the public drama of the day, got up, as they were, with great magnificence of architecture, scenery, and 'appareling' (Ben Jonson's word for the apparatus of the scene), and frequently at an enormous expense. They were generally offset by grotesque and comic antimasques, which were played by common actors, dancers, and buffoons, from the public theatres. Shakespeare's 'A Midsummer Night's Dream' was probably not written as a regular drama for the public stage, but as a masque, on the occasion of some noble marriage. 'The most lamentable comedy and most cruel death of Pyramus and Thisbe' presented by the 'rude mechanicals,' 'hard-handed men,' in the fifth act, is the antimasque. It offsets the Masque in a special way. The Masque makes great demands on the imagination in its presentation of the fairy world; the antimasque is absurdly realistic—nothing is left by the 'rude mechanicals' to the imagination.

The Masque of 'Comus' is the last notable, if not entirely the last, composition of the kind in English literature, and the loftiest and loveliest. It is a glorification of the power of purity and chastity over the impure and the unchaste; and the poet no doubt meant it as a reflection upon the license and excesses and revelries (of which Comus is a personification) of the profligate and extravagant court of the time, imported from 'Celtic and Iberian fields.' The now obvious attitude of the composition was perhaps not at all suspected when it was performed at Ludlow Castle.

There is nothing in the Masque of 'Comus' that is even suggestive of the antimasque of the earlier masques, unless it be where the Country Dancers come in before the entrance of the Attendant Spirit with the two Brothers and the Lady, who catch the dancers at their sport. The Attendant Spirit addresses them in the song (vv. 958-965):

'Back, shepherds, back! Enough your play
Till next sunshine holiday.
Here be, without duck or nod,
Other trippings to be trod
Of lighter toes,' etc.

The subject of 'Comus' was too serious to be offset or parodied in any way by an antimasque; and, furthermore, Milton was not the man for anything of the kind. His theme excluded all humor, even if he had had any to expend upon it. Its seriousness must have been deepened for him by what he no doubt already felt in regard to the Court and the Church, that both were corrupt, and that both were leagued in their despotic tendencies, or rather in their actual despotic characters.

The traditional story that the two sons of the Earl of Bridgewater, the Lord Brackley and Mr. Thomas Egerton, and their sister, the Lady Alice Egerton, were lost in Haywood Forest on their way to Ludlow Castle from Herefordshire, where they had been visiting their relatives, the Egertons, and that the Lady Alice was for a time separated from her brothers, they having gone to discover the right path, may have had its origin in the Masque. This seems more likely than that the Masque had its origin in the story.

In the talk of the two Brothers in regard to their lost sister, the idea of the Masque is explicitly presented by the elder Brother. He had said:

'My sister is not so defenceless left
As you imagine; she has a hidden strength
Which you remember not.'

The second Brother replies:

'What hidden strength,
Unless the strength of Heaven, if you mean that?'

And then the elder Brother gives expression, in a long speech, the gem of the Masque (vv. 418-475), to the power of chastity and purity over the unchaste and the impure.

In the service of this idea, the poet started, no doubt, with Comus, the personification of unchaste and impure revelry (κῶμος), and therefrom constructed his plot, in which a pure maiden is brought within range of the wiles and temptations of the enchanter. And as the daughter of the noble family for which the Masque was written was to play the part of the tempted maiden, in the presentation of the Masque, the incident of her being temporarily and necessarily left alone by her brothers in the forest, would be readily suggested to the poet. It afforded him, too, an opportunity of paying a high compliment to the children of the Earl of Bridgewater.

The traditional story may therefore be safely regarded as a figment.

Henry Lawes, the most prominent music teacher of the time, in noble and wealthy families, and with a high reputation as a musical composer, furnished the music for the Masque, and took the part of the Attendant Spirit, first appearing as such, and afterward in the guise of the old and faithful shepherd Thyrsis. It is not known by whom the parts of Comus and Sabrina were taken.

Lawes had been one of Milton's musical friends from early boyhood.

Milton addressed the following sonnet to him, which was prefixed to 'Choice Psalmes . . . by Henry and William Lawes, brothers, 1648.' In Milton's volume of poems published in 1645, Lawes is represented as 'Gentleman of the king's chapel and one of His Majesty's private music.'

To Mr. H. Lawes, on his Airs (1646)

THE PERSONS

The Chief Persons which presented were:

The First Scene discovers a Wild Wood.

The Attendant Spirit descends or enters.

Before the starry threshold of Jove's court
My mansion is, where those immortal shapes
Of bright aerial spirits live insphered
In regions mild of calm and serene air,
Which men call Earth, and, with low-thoughted care,
Confined and pestered in this pinfold here,
Strive to keep up a frail and feverish being,
Unmindful of the crown that virtue gives,
Amongst the enthronèd Gods on sainted seats.
Yet some there be that by due steps aspire
To lay their just hands on that golden key
That opes the palace of eternity.
I would not soil these pure ambrosial weeds
With the rank vapours of this sin-worn mould.
But to my task. Neptune, besides the sway
Of every salt flood and each ebbing stream,
Imperial rule of all the sea-girt isles
That, like to rich and various gems, inlay
The unadornèd bosom of the deep;
Which he, to grace his tributary gods,
And gives them leave to wear their sapphire crowns
And wield their little tridents. But this Isle,
The greatest and the best of all the main,
He quarters to his blue-haired deities;
And all this tract that fronts the falling sun   30
A noble Peer of mickle trust and power
Has in his charge, with tempered awe to guide
An old and haughty nation proud in arms:
Where his fair offspring, nursed in princely lore,
And new-intrusted sceptre. But their way
Lies through the perplexed paths of this drear wood,
The nodding horror of whose shady brows
Threats the forlorn and wandering passenger;
And here their tender age might suffer peril,   40
But that, by quick command from sovran Jove,
I was despatched for their defence and guard.
And listen why; for I will tell you now
What never yet was heard in tale or song,
Bacchus, that first from out the purple grape
Crushed the sweet poison of misusèd wine,
After the Tuscan mariners transformed,
Coasting the Tyrrhene shore, as the winds listed,
The daughter of the Sun, whose charmed cup
Whoever tasted lost his upright shape,
And downward fell into a grovelling swine?)
This Nymph, that gazed upon his clustering locks,
Had by him, ere he parted thence, a son
Much like his father, but his mother more,
Whom therefore she brought up, and Comus named:
Who, ripe, and frolic of his full-grown age,
At last betakes him to this ominous wood,
And, in thick shelter of black shades imbowered,
Excels his mother at her mighty art,
Offering to every weary traveller
His orient liquor in a crystal glass,   65
To quench the drouth of Phœbus; which as they taste
(For most do taste through fond intemperate thirst),
Soon as the potion works, their human count'nance,
The express resemblance of the gods, is changed
Into some brutish form of wolf or bear,   70
Or ounce, or tiger, hog, or bearded goat,
All other parts remaining as they were.
And they, so perfect is their misery,
Not once perceive their foul disfigurement,
But boast themselves more comely than before,   75
And all their friends and native home forget,
To roll with pleasure in a sensual sty.
Therefore, when any favoured of high Jove
Chances to pass through this adventurous glade,
Swift as the sparkle of a glancing star   80
I shoot from heaven, to give him safe convoy,
As now I do. But first I must put off
These my sky robes, spun out of Iris' woof,
And take the weeds and likeness of a swain
Who, with his soft pipe, and smooth-dittied song,
Well knows to still the wild winds when they roar,
And hush the waving woods; nor of less faith,
And in this office of his mountain watch
Of this occasion. But I hear the tread
Of hateful steps; I must be viewless now.

Comus enters, with a charming rod in one hand, his glass in the other; with him a rout of monsters, headed like sundry sorts of wild beasts, but otherwise like men and women, their apparel glistering. They come in making a riotous and unruly noise, with torches in their hands.

Comus. The star that bids the shepherd fold
Now the top of heaven doth hold;
And the gilded car of day   95
His glowing axle doth allay
In the steep Atlantic stream;
And the slope sun his upward beam
Shoots against the dusky pole,
Pacing toward the other goal   100
Of his chamber in the east.
Meanwhile, welcome joy and feast,
Midnight shout and revelry,
Tipsy dance and jollity.
Braid your locks with rosy twine,   105
Dropping odours, dropping wine.
Rigour now is gone to bed;
And Advice with scrupulous head,
Strict Age, and sour Severity,
We, that are of purer fire,
Imitate the starry quire,
Who, in their nightly watchful spheres,
Lead in swift round the months and years.
Now to the moon in wavering morrice move;
And on the tawny sands and shelves
Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,   120
Their merry wakes and pastimes keep;
What hath night to do with sleep?
Night hath better sweets to prove;
Venus now wakes, and wakens Love.
Come, let us our rites begin,   125
—'Tis only daylight that makes sin—
Which these dun shades will ne'er report.
Hail, goddess of nocturnal sport,
Dark-veiled Cotytto, to whom the secret flame
That ne'er art called but when the dragon womb
Of Stygian darkness spets her thickest gloom,
And makes one blot of all the air!
Stay thy cloudy ebon chair,
Us thy vowed priests, till utmost end
Of all thy dues be done, and none left out;
Ere the blabbing eastern scout,
The nice Morn on the Indian steep,
And to the tell-tale Sun descry
Our concealed solemnity.
Come, knit hands, and beat the ground
In a light fantastic round.

The Measure.

The Lady enters.

Lady. This way the noise was, if mine ear be true,   170
My best guide now. Methought it was the sound
Of riot and ill-managed merriment,
Such as the jocund flute or gamesome pipe
Stirs up among the loose unlettered hinds,
In wanton dance they praise the bounteous Pan,
And thank the gods amiss. I should be loth
To meet the rudeness and swilled insolence
Of such late wassailers; yet, oh! where else
Shall I inform my unacquainted feet   180
In the blind mazes of this tangled wood?
My brothers, when they saw me wearied out
With this long way, resolving here to lodge
Under the spreading favour of these pines,
Stepped, as they said, to the next thicket-side   185
To bring me berries, or such cooling fruit
As the kind hospitable woods provide.
They left me then when the gray-hooded Even,
Like a sad votarist in palmer's weed,
Rose from the hindmost wheels of Phœbus' wain.   190
But where they are, and why they came not back,
Is now the labour of my thoughts. 'Tis likeliest
They had engaged their wandering steps too far;
And envious darkness, ere they could return,
Had stole them from me. Else, O thievish Night,   195
Why shouldst thou, but for some felonious end,
In thy dark lantern thus close up the stars
That Nature hung in heaven, and filled their lamps
With everlasting oil to give due light
This is the place, as well as I may guess,
Whence even now the tumult of loud mirth
Was rife, and perfect in my listening ear;
Yet nought but single darkness do I find.
What might this be? A thousand fantasies   205
Begin to throng into my memory,
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men's names
On sands and shores and desert wildernesses.
The virtuous mind, that ever walks attended
By a strong siding champion, Conscience.
O, welcome, pure-eyed Faith, white-handed Hope,
Thou hovering angel girt with golden wings,
And thou unblemished form of Chastity!   215
I see ye visibly, and now believe
That He, the Supreme Good, to whom all things ill
Are but as slavish officers of vengeance,
Would send a glistering guardian, if need were,
To keep my life and honour unassailed. . . .   220
Was I deceived, or did a sable cloud
Turn forth her silver lining on the night?
I did not err: there does a sable cloud
Turn forth her silver lining on the night,
And casts a gleam over this tufted grove.   225
I cannot hallo to my brothers, but
Such noise as I can make to be heard farthest
I'll venture; for my new enlivened spirits
Prompt me, and they perhaps are not far off.

Song.

Comus. What chance, good Lady, hath bereft you thus?
Lady. Dim darkness and this leavy labyrinth.
Comus. Could that divide you from near-ushering guides?
Lady. They left me weary on a grassy turf.   280
Comus. By falsehood, or discourtesy, or why?
Lady. To seek i' the valley some cool friendly spring.
Comus. And left your fair side all unguarded, Lady?
Lady. They were but twain, and purposed quick return.
Lady. How easy my misfortune is to hit!
Comus. Imports their loss, beside the present need?
Lady. No less than if I should my brothers lose.
Comus. Were they of manly prime, or youthful bloom?
Lady. Gentle villager,
What readiest way would bring me to that place?   305
Comus. Due west it rises from this shrubby point.
Lady. To find out that, good shepherd, I suppose,
In such a scant allowance of star-light,
Would overtask the best land-pilot's art,
Without the sure guess of well-practised feet.   310

Enter the Two Brothers.

Sec. Bro. What hidden strength,
Unless the strength of Heaven, if you mean that?
Eld. Bro. I mean that too, but yet a hidden strength,
Which, if Heaven gave it, may be termed her own.
She that has that, is clad in complete steel,
And, like a quivered nymph with arrows keen,
May trace huge forests, and unharboured heaths,
Infámous hills, and sandy perilous wilds;
Where, through the sacred rays of chastity,   425
No savage fierce, bandite, or mountaineer,
Will dare to soil her virgin purity.
Yea, there where very desolation dwells,
By grots and caverns shagged with horrid shades,
She may pass on with unblenched majesty,   430
Be it not done in pride, or in presumption.
Some say no evil thing that walks by night,
In fog or fire, by lake or moorish fen,
Blue meagre hag, or stubborn unlaid ghost,
That breaks his magic chains at curfew time,   435
No goblin or swart faery of the mine,
Hath hurtful power o'er true virginity.
Do ye believe me yet, or shall I call
Antiquity from the old schools of Greece
To testify the arms of chastity?   440
Hence had the huntress Dian her dread bow,
Fair silver-shafted queen for ever chaste,
Wherewith she tamed the brinded lioness
And spotted mountain-pard, but set at nought
The frivolous bolt of Cupid; gods and men   445
Feared her stern frown, and she was queen o' the woods.
What was that snaky-headed Gorgon shield
That wise Minerva wore, unconquered virgin,
Wherewith she freezed her foes to congealed stone,
But rigid looks of chaste austerity,   450
And noble grace that dashed brute violence
With sudden adoration and blank awe?
So dear to Heaven is saintly chastity
That, when a soul is found sincerely so,
Driving far off each thing of sin and guilt,
And in clear dream and solemn vision
Tell her of things that no gross ear can hear;
Till oft converse with heavenly habitants
Begin to cast a beam on the outward shape,   460
The unpolluted temple of the mind,
And turns it by degrees to the soul's essence,
Till all be made immortal. But, when lust,
By unchaste looks, loose gestures, and foul talk,
But most by lewd and lavish act of sin,   465
Lets in defilement to the inward parts,
The soul grows clotted by contagion,
Imbodies, and imbrutes, till she quite lose
The divine property of her first being.
Such are those thick and gloomy shadows damp   470
Oft seen in charnel-vaults and sepulchres,
Lingering and sitting by a new-made grave,
As loth to leave the body that it loved,
And linked itself by carnal sensuality
To a degenerate and degraded state.   475
Sec. Bro. How charming is divine Philosophy!
Not harsh and crabbed, as dull fools suppose,
But musical as is Apollo's lute,
And a perpetual feast of nectared sweets,
Where no crude surfeit reigns.
Eld. Bro. List! list! I hear   480
Some far-off hallo break the silent air.
Sec. Bro. Methought so too; what should it be?
Eld. Bro. For certain,
Either some one, like us, night-foundered here,
Or else some neighbour woodman, or, at worst,
Some roving robber calling to his fellows.   485
Sec. Bro. Heaven keep my sister! Again, again, and near!
Best draw, and stand upon our guard.
Eld. Bro. I'll hallo.
If he be friendly, he comes well: if not,
Defence is a good cause, and Heaven be for us!

Enter the Attendant Spirit, habited like a shepherd.

That hallo I should know. What are you? Speak!   490
Come not too near; you fall on iron stakes else.
Spir. What voice is that? my young Lord? speak again.
Sec. Bro. O brother, 'tis my father's shepherd, sure.
Eld. Bro. To tell thee sadly, Shepherd, without blame
Or our neglect, we lost her as we came.   510
Spir. Ay me unhappy! then my fears are true.
Eld. Bro. What fears, good Thyrsis? Prithee briefly shew.
Spir. I'll tell ye. 'Tis not vain or fabulous
(Though so esteemed by shallow ignorance)
Storied of old in high immortal verse,
Of dire Chimeras and enchanted isles,
And rifted rocks whose entrance leads to Hell;
For such there be, but unbelief is blind.
Within the navel of this hideous wood,   520
Immured in cypress shades, a sorcerer dwells,
Of Bacchus and of Circe born, great Comus,
Deep skilled in all his mother's witcheries,
And here to every thirsty wanderer
With many murmurs mixed, whose pleasing poison
The visage quite transforms of him that drinks,
And the inglorious likeness of a beast
Fixes instead, unmoulding reason's mintage
Tending my flocks hard by i' the hilly crofts
That brow this bottom-glade; whence, night by night,
He and his monstrous rout are heard to howl
Like stabled wolves, or tigers at their prey,
In their obscurèd haunts of inmost bowers.
Yet have they many baits and guileful spells
To inveigle and invite the unwary sense
Of them that pass unweeting by the way.
Had ta'en their supper on the savoury herb
Of knot-grass dew-besprent, and were in fold,
I sat me down to watch upon a bank
With ivy canopied, and interwove
Wrapt in a pleasing fit of melancholy,
To meditate my rural minstrelsy,
Till fancy had her fill. But ere a close,
The wonted roar was up amidst the woods,
At which I ceased, and listened them a while,
Till an unusual stop of sudden silence
Gave respite to the drowsy-flighted steeds
That draw the litter of close-curtained Sleep.
At last a soft and solemn-breathing sound   555
Rose like a steam of rich distilled perfumes,
And stole upon the air, that even Silence
Was took ere she was ware, and wished she might
Deny her nature, and be never more,
And took in strains that might create a soul
Under the ribs of Death. But, oh! ere long
Too well I did perceive it was the voice
Of my most honoured Lady, your dear sister.
Amazed I stood, harrowed with grief and fear;   565
And "O poor hapless nightingale," thought I,
"How sweet thou sing'st, how near the deadly snare!"
Then down the lawns I ran with headlong haste,
Through paths and turnings often trod by day,
Till, guided by mine ear, I found the place   570
Where that damned wizard, hid in sly disguise
(For so by certain signs I knew), had met
Already, ere my best speed could prevent,
The aidless innocent lady, his wished prey,
Who gently asked if he had seen such two,   575
Supposing him some neighbour villager.
Longer I durst not stay, but soon I guessed
Ye were the two she meant; with that I sprung
Into swift flight, till I had found you here,
But further know I not.
Sec. Bro. O night and shades,   580
How are ye joined with Hell in triple knot
Against the unarmed weakness of one virgin,
Alone and helpless! Is this the confidence
You gave me, brother?
Spir. Care and utmost shifts
How to secure the Lady from surprisal
Brought to my mind a certain shepherd-lad,
In every virtuous plant and healing herb
That spreads her verdant leaf to the morning ray.
He loved me well, and oft would beg me sing;
Which when I did, he on the tender grass
And in requital ope his leathern scrip,
And show me simples of a thousand names,
Telling their strange and vigorous faculties.
Amongst the rest a small unsightly root,
The leaf was darkish, and had prickles on it,
But in another country, as he said,
Bore a bright golden flower, but not in this soil,
Unknown, and like esteemed, and the dull swain
And yet more med'cinal is it than that Moly
That Hermes once to wise Ulysses gave.
He called it Hæmony, and gave it me,
And bade me keep it as of sovereign use
Or ghastly Furies' apparitiön.
I pursed it up, but little reckoning made,
Till now that this extremity compelled.
But now I find it true; for by this means
Entered the very lime-twigs of his spells,
And yet came off. If you have this about you
(As I will give you when we go), you may
Boldly assault the necromancer's hall;
Where if he be, with dauntless hardihood   650
And brandished blade rush on him, break his glass,
And shed the luscious liquor on the ground;
But seize his wand. Though he and his curst crew
Fierce sign of battle make, and menace high,
Or, like the sons of Vulcan, vomit smoke,   655
Yet will they soon retire, if he but shrink.
Eld. Bro. Thyrsis, lead on apace; I'll follow thee;
And some good angel bear a shield before us!

The Scene changes to a stately palace, set out with all manner of deliciousness: soft music, tables spread with all dainties. Comus appears with his rabble, and the Lady set in an enchanted chair, to whom he offers his glass, which she puts by, and goes about to rise.

Comus. Nay, Lady, sit. If I but wave this wand,
Your nerves are all chained up in alabaster,   660
And you a statue, or as Daphne was,
Root-bound, that fled Apollo.
Lady. Fool, do not boast.
Thou canst not touch the freedom of my mind
With all thy charms, although this corporal rind
Thou hast immanacled, while Heaven sees good.   665
Comus. O foolishness of men! that lend their ears
To those budge doctors of the Stoic fur,
And fetch their precepts from the Cynic tub,
Praising the lean and sallow Abstinence!
With such a full and unwithdrawing hand,
Covering the earth with odours, fruits, and flocks,
Thronging the seas with spawn innumerable,
But all to please and sate the curious taste?
That in their green shops weave the smooth-haired silk,
To deck her sons; and that no corner might
Be vacant of her plenty, in her own loins
She hutched the all-worshiped ore and precious gems,
Should, in a pet of temperance, feed on pulse,
Drink the clear stream, and nothing wear but frieze,
The All-giver would be unthanked, would be unpraised,
Not half his riches known, and yet despised;
And we should serve him as a grudging master,   725
As a penurious niggard of his wealth,
And live like Nature's bastards, not her sons,
Who would be quite surcharged with her own weight,
And strangled with her waste fertility;
The earth cumbered, and the winged air darked with plumes,   730
The herds would over-multitude their lords;
The sea o'erfraught would swell, and the unsought diamonds
Would so emblaze the forehead of the deep,
And so bestud with stars, that they below
Would grow inured to light, and come at last   735
To gaze upon the sun with shameless brows.
List, Lady; be not coy, and be not cozened
With that same vaunted name, Virginity.
Beauty is Nature's coin; must not be hoarded,
But must be current; and the good thereof   740
Consists in mutual and partaken bliss,
Unsavoury in the enjoyment of itself.
If you let slip time, like a neglected rose
It withers on the stalk with languished head.
Beauty is Nature's brag, and must be shown   745
In courts, at feasts, and high solemnities,
Where most may wonder at the workmanship.
It is for homely features to keep home;
They had their name thence; coarse complexions
The sampler, and to tease the huswife's wool.
What need a vermeil-tinctured lip for that,
Love-darting eyes, or tresses like the morn?
There was another meaning in these gifts;
Lady. I had not thought to have unlocked my lips
In this unhallowed air, but that this juggler
Would think to charm my judgment, as mine eyes,
Obtruding false rules pranked in reason's garb.
And virtue has no tongue to check her pride.
Impostor! do not charge most innocent Nature,
As if she would her children should be riotous
With her abundance. She, good cateress,
Means her provision only to the good,   765
That live according to her sober laws,
And holy dictate of spare Temperance.
If every just man, that now pines with want,
Had but a moderate and beseeming share
Of that which lewdly-pampered Luxury   770
Now heaps upon some few with vast excess,
Nature's full blessings would be well dispensed
In unsuperfluous even proportiön,
And she no whit encumbered with her store;
And then the Giver would be better thanked,   775
His praise due paid: for swinish Gluttony
Ne'er looks to Heaven amidst his gorgeous feast,
But with besotted base ingratitude
Crams, and blasphemes his Feeder. Shall I go on?
Or have I said enow? To him that dares   780
Arm his profane tongue with contemptuous words
Against the sun-clad power of Chastity,
Fain would I something say;—yet to what end?
Thou hast nor ear, nor soul, to apprehend
That must be uttered to unfold the sage
And serious doctrine of Virginity;
And thou art worthy that thou shouldst not know
More happiness than this thy present lot.
That hath so well been taught her dazzling fence;
Thou art not fit to hear thyself convinced.
Yet should I try, the uncontrollèd worth
Of this pure cause would kindle my rapt spirits
That dumb things would be moved to sympathize,
And the brute Earth would lend her nerves, and shake,
Till all thy magic structures, reared so high,
Were shattered into heaps o'er thy false head.
Her words set off by some superior power;
And, though not mortal, yet a cold shuddering dew
Dips me all o'er, as when the wrath of Jove
Speaks thunder and the chains of Erebus
To some of Saturn's crew. I must dissemble,   805
And try her yet more strongly.—Come, no more!
This is mere moral babble, and direct
Against the canon-laws of our foundation.
I must not suffer this; yet 'tis but the lees
And settlings of a melancholy blood.   810
But this will cure all straight; one sip of this
Will bathe the drooping spirits in delight
Beyond the bliss of dreams. Be wise, and taste.

The Brothers rush in with swords drawn, wrest his glass out of his hand, and break it against the ground; his rout make sign of resistance, but are all driven in. The Attendant Spirit comes in.

Spir. What! have you let the false enchanter scape?
Oh, ye mistook; ye should have snatched his wand,   815
And bound him fast. Without his rod reversed,
And backward mutters of dissevering power,
We cannot free the Lady that sits here
In stony fetters fixed, and motionless.
Some other means I have which may be used,
Which once of Melibœus old I learnt,
The soothest shepherd that e'er piped on plains.
There is a gentle nymph not far from hence,
Sabrina is her name: a virgin pure;
Whilom she was the daughter of Locrine,
That had the sceptre from his father Brute.
She, guiltless damsel, flying the mad pursuit
Of her enragèd stepdame, Guendolen,   830
Commended her fair innocence to the flood,
That stayed her flight with his cross-flowing course.
The water-nymphs, that in the bottom played,
Held up their pearlèd wrists, and took her in,
Bearing her straight to aged Nereus' hall;   835
Who, piteous of her woes, reared her lank head,
And gave her to his daughters to imbathe
In nectared lavers strewed with asphodil,
And through the porch and inlet of each sense
Dropt in ambrosial oils, till she revived,   840
And underwent a quick immortal change,
Made Goddess of the river. Still she retains
Her maiden gentleness, and oft at eve
Visits the herds along the twilight meadows,
Helping all urchin blasts, and ill-luck signs   845
That the shrewd meddling elf delights to make,
Which she with precious vialed liquors heals;
For which the shepherds at their festivals
Carol her goodness loud in rustic lays,
Of pansies, pinks, and gaudy daffodils.
And, as the old swain said, she can unlock
The clasping charm, and thaw the numbing spell,
If she be right invoked in warbled song;
For maidenhood she loves, and will be swift   855
To aid a virgin, such as was herself,
In hard-besetting need. This will I try,
And add the power of some adjuring verse.

Song.

Sabrina rises, attended by water-nymphs, and sings.

By the rushy-fringèd bank,   890
Where grows the willow and the osier dank,
My sliding chariot stays,
Thick set with agate, and the azurn sheen
Of turkis blue, and emerald green,
That in the channel strays;   895
Whilst, from off the waters fleet,
Thus I set my printless feet
O'er the cowslip's velvet head,
That bends not as I tread.
Gentle swain, at thy request   900
I am here!
Spir. Goddess dear,
We implore thy powerful hand
To undo the charmèd band
Of true virgin here distrest   905
Through the force and through the wile
Of unblest enchanter vile.

Sabrina descends, and the Lady rises out of her seat.

The Scene changes, presenting Ludlow town and the President's castle; then come in country dancers; after them the Attendant Spirit, with the Two Brothers and the Lady.

Song.

Spir. Back, shepherds, back! enough your play,
Till next sunshine holiday.
Here be, without duck or nod,   960
Other trippings to be trod
Of lighter toes, and such court-guise
As Mercury did first devise
With the mincing Dryades

This second Song presents them to their Father and Mother.

The dances ended, the Spirit epiloguizes.