A formal notification from the earl, addressed to the Countess of Fleetwood in the third person, that Esslemont stood ready to receive her, autocratically concealed her lord’s impatience to have her there; and by the careful precision with which the stages of her journey were marked, as places where the servants despatched to convey their lady would find preparations for her comfort, again alarmed the disordered mother’s mind on behalf of the child she deemed an object of the father’s hatred, second to his hatred of the mother. But the mother could defend herself, the child was prey the child of a detested wife was heir to his title and estates. His look at the child, his hasty one look down at her innocent, was conjured before her as resembling a kick at a stone in his path. His indifference to the child’s Christian names pointed darkly over its future.
The distempered wilfulness of a bruised young woman directed her thoughts. She spoke them in the tone of reason to her invalid friend Rebecca Wythan, who saw with her, felt with her, yearned to retain her till breath was gone. Owain Wythan had his doubts of the tyrant guilty of maltreating this woman of women. ‘But when you do leave Wales,’ he said, ‘you shall be guarded up to your haven.’
Carinthia was not awake to his meaning then. She sent a short letter of reply, imitating the style of her lord; very baldly stating, that she was unable to leave Wales because of her friend’s illness and her part as nurse. Regrets were unmentioned.
Meanwhile Rebecca Wythan was passing to death. Not cheerlessly, more and more faintly, her thread of life ran to pause, resembling a rill of the drought; and the thinner-it grew, the shrewder were her murmurs for Carinthia’s ears in commending ‘the most real of husbands of an unreal wife’ to her friendly care of him when he would no longer see the shadow he had wedded. She had the privilege of a soul beyond our minor rules and restrainings to speak her wishes to the true wife of a mock husband-no husband; less a husband than this shadow of a woman a wife, she said; and spoke them without adjuring the bowed head beside her to record a promise or seem to show the far willingness, but merely that the wishes should be heard on earth in her last breath, for a good man’s remaining one chance of happiness. On the theme touching her husband Owain, it was verily to hear a soul speak, and have knowledge of the broader range, the rich interflowings of the tuned discords, a spirit past the flesh can find. Her mind was at the same time alive to our worldly conventions when other people came under its light; she sketched them and their views in her brief words between the gasps, with perspicuous, humorous bluntness, as vividly as her twitched eyebrows indicated the laugh. Gower Woodseer she read startlingly, if correctly.
Carinthia could not leave her. Attendance upon this dying woman was a drinking at the springs of life.
Rebecca Wythan under earth, the earl was briefly informed of Lady Fleetwood’s consent to quit Wales, obedient to a summons two months old,—and that she would be properly escorted; for the which her lord had made provision. Consequently the tyrant swallowed his wrath, little conceiving the monstrous blow she was about to strike.
In peril of fresh floods from our Dame, who should be satisfied with the inspiring of these pages, it is owned that her story of ‘the four and twenty squires of Glamorgan and Caermarthen in their brass-buttoned green coats and buckskins, mounted and armed, an escort of the Countess of Fleetwood across the swollen Severn, along midwinter roads, up to the Kentish gates of Esslemont,’ has a foundation, though the story is not the more credible for her flourish of documentary old ballad-sheets, printed when London’s wags had ears on cock to any whisper of the doings. of their favourite Whitechapel Countess; and indeed hardly depended on whispers.
Enthusiasm sufficient to troop forth four and twenty and more hundreds of Cambrian gentlemen, and still more of the common folk, as far as they could journey afoot, was over the two halves of the Principality, to give the countess a reputable and gallant body-guard. London had intimations of kindling circumstances concerning her, and magnified them in the interests of the national humour: which is the English way of exalting to criticize, criticizing to depreciate, and depreciating to restore, ultimately to cherish, in reward for the amusement furnished by an eccentric person, not devoid of merit.
These little tales of her, pricking cool blood to some activity, were furze-fires among the Welsh. But where the latter heard Bardic strings inviting a chorus, the former as unanimously obeyed the stroke of their humorous conductor’s baton for an outburst from the ribs or below. And it was really funny to hear of Whitechapel’s titled heroine roaming Taffyland at her old pranks.
Catching a maddened bull by the horns in the marketplace, and hanging to the infuriate beast, a wild whirl of clouts, till he is reduced to be a subject for steaks, that is no common feat.
Her performances down mines were things of the underworld. England clapped hands, merely objecting to her not having changed her garb for the picador’s or matador’s, before she seized the bull. Wales adopted and was proud of her in any costume. Welshmen North and South, united for the nonce, now propose her gallantry as a theme to the rival Bards at the next Eisteddfod. She is to sit throned in full assembly, oak leaves and mistletoe interwoven on her head, a white robe and green sash to clothe her, and the vanquished beast’s horns on a gilded pole behind the dais; hearing the eulogies respectively interpreted to her by Colonel Fluellen Wythan at one ear, and Captain Agincourt Gower at the other. A splendid scene; she might well insist to be present.
There, however, we are at the pitch of burlesque beyond her illustrious lord’s capacity to stand. Peremptory orders from England arrive, commanding her return. She temporizes, postpones, and supplicates to have the period extended up to the close of the Eisteddfod. My lord’s orders are imperatively repeated, and very blunt. He will not have her ‘continue playing the fool down there.’ She holds her ground from August into February, and then sets forth, to undergo the further process of her taming at Esslemont in England; with Llewellyn and Vaughan and Cadwallader, and Watkyn and Shenkyn and the remains of the race of Owen Tudor, attending her; vowed to extract a receipt from the earl her lord’s responsible servitors for the safe delivery of their heroine’s person at the gates of Esslemont; ich dien their trumpeted motto.
Counting the number at four and twenty, it wears the look of an invasion. But the said number is a ballad number, and has been since the antique time. There was, at a lesser number, enough of a challenge about it for squires of England, never in those days backward to pick up a glove or give the ringing rejoinder for a thumb-bite, to ride out and tilt compliments with the Whitechapel Countess’s green cavaliers, rally their sprites and entertain them exactly according to their degrees of dignity, as exhibited by their ‘haviour under something of a trial; and satisfy also such temporary appetites as might be excited in them by (among other matters left to the luck of events) a metropolitan play upon the Saxon tongue, hard of understanding to the leeky cocks until their ready store of native pepper seasons it; which may require a corresponding English condiment to rectify the flavour of the stew.
Now the number of Saxe-Normans riding out to meet and greet the Welshmen is declared to have not exceeded nine. So much pretends to be historic, in opposition to the poetic version. They would, we may be sure, have made it a point of honour to meet and greet their invading guests in precisely similar numbers a larger would have overshot the mark of courtesy; and doubtless a smaller have fallen deplorably short of it. Therefore, an acquaintance with her chivalrous, if less impulsive, countrymen compels to the dismissing of the Dame’s ballad authorities. She has every right to quote them for her own good pleasure, and may create in others an enjoyment of what has been called ‘the Mackrell fry.’
Her notion of a ballad is, that it grows like mushrooms from a scuffle of feet on grass overnight, and is a sort of forest mother of the pied infant reared and trimmed by historians to show the world its fatherly antecedent steps. The hand of Rose Mackrell is at least suggested in more than one of the ballads. Here the Welsh irruption is a Chevy Chase; next we have the countess for a disputed Helen.
The lady’s lord is not a shining figure. How can an undecided one be a dispenser of light? Poetry could never allow him to say with her:
Yet he was the master of her fortunes at the time; all the material power was his. Even doggerel verse (it is worth while to brood on the fact) denies a surviving pre-eminence to the potent moody, reverses the position between the driven and the driver. Poetry, however erratic, is less a servant of the bully Present, or pomlious Past, than History. The Muse of History has neither the same divination of the intrinsic nor the devotion to it, though truly, she has possession of all the positive matter and holds us faster by the crediting senses.
Nine English cavaliers, then, left London early on a January or February morning in a Southerly direction, bearing East; and they were the Earl of Fleetwood’s intimates, of the half-dependent order; so we may suppose them to have gone at his bidding. That they met the procession of the Welsh, and claimed to take charge of the countess’s carriage, near the Kentish border-line, is an assertion supported by testimony fairly acceptable.
Intelligence of the advancing party had reached the earl by courier, from the date of the first gathering on the bridge of Pont-y-pridd; and from Gloucester, along to the Thames at Reading; thence away to the Mole, from Mickleham, where the Surrey chalk runs its final turfy spine North-eastward to the slope upon Kentish soil.
Greatly to the astonishment of the Welsh cavaliers, a mounted footman, clad in the green and scarlet facings of Lord Fleetwood’s livery, rode up to them a mile outside the principal towns and named the inn where the earl had ordered preparations for the reception of them. England’s hospitality was offered on a princely scale. Cleverer fencing could not be.
The meeting, in no sense an encounter, occurred close by a thirty-acre meadow, famous over the county; and was remarkable for the punctilious exchange of ceremonial speech, danger being present; as we see powder-magazines protected by their walls and fosses and covered alleys. Notwithstanding which, there was a scintillation of sparks.
Lord Brailstone, spokesman of the welcoming party, expressed comic regrets that they had not an interpreter with them.
Mr. Owain Wythan, in the name of the Cambrian chivalry, assured him of their comprehension and appreciation of English slang.
Both gentlemen kept their heads uncovered in a suspense; they might for a word or two more of that savour have turned into the conveniently spacious meadow. They were induced, on the contrary, to enter the channel of English humour, by hearing Chumley Potts exclaim: ‘His nob!’ and all of them laughed at the condensed description of a good hit back, at the English party’s cost.
Laughter, let it be but genuine, is of a common nationality, indeed a common fireside; and profound disagreement is not easy after it. The Dame professes to believe that ‘Carinthia Jane’ had to intervene as peacemaker, before the united races took the table in Esslemont’s dining-hall for a memorable night of it, and a contest nearer the mark of veracity than that shown in another of the ballads she would have us follow. Whatever happened, they sat down at table together, and the point of honour for them each and every was, not to be first to rise from it. Once more the pure Briton and the mixed if not fused English engaged, Bacchus for instrument this time, Bacchus for arbiter of the fray.
You may imagine! says the Dame. She cites the old butler at Esslemont, ‘as having been much questioned on the subject by her family relative, Dr. Glossop, and others interested to know the smallest items of the facts,’—and he is her authority for the declaration that the Welsh gentlemen and the English gentlemen, ‘whatever their united number,’ consumed the number of nine dozen and a half of old Esslemont wine before they rose, or as possibly sank, at the festive board at the hour of five of the morning.
Years later, this butler, Joshua Queeney, ‘a much enfeebled old man,’ retold and enlarged the tale of the enormous consumption of his best wine; with a sacred oath to confirm it, and a tear expressive of elegiacal feelings.
‘They bled me twelve dozen, not a bottle less,’ she quotes him, after a minute description of his countenance and scrupulously brushed black suit, pensioner though he had become. He had grown, during the interval, to be more communicative as to particulars. The wines were four. Sherry led off the parade pace, Hock the trot into the merry canter, Champagne the racing gallop, Burgundy the grand trial of constitutional endurance for the enforced finish. All these wines, except the sparkling, had their date of birth in the precedent century. ‘They went like water.’
Questioned anxiously by Dr. Glossop, Queeney maintained an impartial attitude, and said there was no victor, no vanquished. They did not sit in blocks. The tactics for preserving peace intermingled them. Each English gentleman had a Welsh gentleman beside him; they both sat firm; both fell together. The bottles or decanters were not stationary for the guest to fill his glass, they circulated, returning to an empty glass. All drank equally. Often the voices were high, the talk was loud. The gentlemen were too serious to sing.
At one moment of the evening Queeney confidently anticipated a ‘fracassy,’ he said. One of the foreign party—and they all spoke English, after five dozen bottles had gone the round, as correct as the English themselves—remarked on the seventy-years Old Brown Sherry, that ‘it had a Madeira flavour.’ He spoke it approvingly. Thereupon Lord Simon Pitscrew calls to Queeney, asking him ‘why Madeira had been supplied instead of Esslemont’s renowned old Sherry?’ A second Welsh gentleman gave his assurances that his friend had not said it was Madeira. But Lord Brailstone accused them of the worse unkindness to a venerable Old Brown Sherry, in attributing a Madeira flavour to it. Then another Welsh gentleman briskly and emphatically stated his opinion, that the attribution of Madeira flavour to it was a compliment. At this, which smelt strongly, he said, of insult, Captain Abrane called on the name of their absent host to warrant the demand of an apology to the Old Brown Sherry, for the imputation denying it an individual distinction. Chumley Potts offered generally to bet that he would distinguish blindfold at a single sip any Madeira from any first-class Sherry, Old Brown or Pale. ‘Single sip or smell!’ Ambrose Mallard cried, either for himself or his comrade, Queeney could not say which.
Of all Lord Fleetwood’s following, Mr. Potts and Mr. Mallard were, the Dame informs us, Queeney’s favourites, because they were so genial; and he remembered most of what they said and did, being moved to it by ‘poor young Mr. Mallard’s melancholy end and Mr. Potts’s grief!’
The Welsh gentlemen, after paying their devoirs to the countess next morning, rode on in fresh health and spirits at mid-day to Barlings, the seat of Mr. Mason Fennell, a friend of Mr. Owain Wythan’s. They shouted, in an unseemly way, Queeney thought, at their breakfast-table, to hear that three of the English party, namely, Captain Abrane, Mr. Mallard, and Mr. Potts, had rung for tea and toast in bed. Lord Simon Pitscrew, Lord Brailstone, and the rest of the English were sore about it; for it certainly wore a look of constitutional inferiority on the English side, which could boast of indubitably stouter muscles. The frenzied spirits of the Welsh gentlemen, when riding off, let it be known what their opinion was. Under the protection of the countess’s presence, they were so cheery as to seem triumphantly ironical; they sent messages of condolence to the three in bed.
With an undisguised reluctance, the countess, holding Mr. Owain Wythan’s hand longer than was publicly decent, calling him by his Christian name, consented to their departure. As they left, they defiled before her; the vow was uttered by each, that at the instant of her summons he would mount and devote himself to her service, individually or collectively. She waved her hand to them. They ranged in line and saluted. She kissed her hand. Sweeping the cavaliers’ obeisance, gallantest of bows, they rode away.
A striking scene, Dame Gossip says; but raises a wind over the clipped adventure, and is for recounting what London believed about it. Enough has been conceded for the stoppage of her intrusion; she is left in the likeness of a full-charged pistol capless to the clapping trigger.
That which London believed, or affected to believe about it, would fill chapters. There was during many months an impression of Lord Fleetwood’s countess as of a tenacious, dread, prevailing young woman, both intrepid and astute, who had, by an exercise of various arts, legitimate in open war of husband and wife, gathered the pick of the Principality to storm and carry another of her husband’s houses. The certification that her cavaliers were Welsh gentlemen of wealth and position required a broader sneer at the Welsh than was warranted by later and more intimate acquaintance, if it could be made to redound to her discredit. So, therefore, added to the national liking for a plucky woman, she gained the respect for power. Whitechapel was round her like London’s one street’s length extension of smoky haze, reminder of the morning’s fog under novel sunbeams.
Simultaneously, strange to say, her connubial antagonist, far from being overshadowed, grew to be proportionately respected, and on the strength of his deserts, apart from his title and his wealth. He defended himself, as he was bound to do, by welcoming the picked Welsh squires with hospitable embrace, providing ceremonies, receptions, and most comfortable arrangements for them, along the route. But in thus gravely entering into the knightly burlesque of the procession, and assisting to swell the same, he not only drew the venom from it, he stood forth as England’s deputed representative, equal to her invasive challengeing guests at all points, comic, tragic, or cordial. He saw that it had to be treated as a national affair; and he parried the imputation which would have injured his country’s name for courtly breeding, had they been ill-received, while he rescued his own good name from derision by joining the extravagance.
He was well inspired. It was popularly felt to be the supreme of clever-nay, noble-fencing. Really noble, though the cleverness was conspicuous. A defensive stroke, protecting him against his fair one’s violent charge of horse, warded off an implied attack upon Old England, in Old England’s best-humoured easy manner.
Supposing the earl to have acted otherwise, his countess would virtually have ridden over him, and wild Wales have cast a shadow on the chivalry of magisterial England. He and his country stood to meet the issue together the moment the Countess of Fleetwood and her escort crossed the Welsh border; when it became a question between the hot-hearted, at their impetuous gallop, and the sedatively minded, in an unfortified camp of arm-chairs. The earl’s adroitness, averting a collision fatal or discomforting to both, disengaged him from an incumbent odium, of which, it need hardly be stated, neither the lady nor her attendant cavaliers had any notion at the hour of the assembly for the start for England on the bridge of Pont-y-pridd. The hungry mother had the safety of her babe in thought. The hotheaded Welshmen were sworn to guard their heroine.
That is the case presented by the Dame’s papers, when the incredible is excised. She claims the being a good friend to fiction in feeding popular voracity with all her stores. But the Old Buccaneer, no professed friend to it, is a sounder guide in the maxim, where he says: Deliver yourself by permit of your cheque on the ‘Bank of Reason, and your account is increased instead of lessened.
Our account with credulity, he would signify.
The Dame does not like the shaking for a sifting. Romance, however, is not a mountain made of gold, but a vein running some way through; and it must be engineered, else either we are filled with wind from swallowing indigestible substance, or we consent to a debasing of the currency, which means her to-morrow’s bankruptcy; and the spectacle of Romance in the bankruptcy court degrades us (who believe we are allied to her) as cruelly as it appals. It gives the cynic licence to bark day and night for an entire generation.
Surely the Countess of Fleetwood’s drive from the Welsh borders to Esslemont, accompanied by the chosen of the land, followed by the vivats of the whole Principality, and England gaping to hear the stages of her progress, may be held sufficiently romantic without stuffing of surprises and conflicts, adventures at inns, alarms at midnight, windings of a horn over hilly verges of black heaths, and the rape of the child, the pursuit, the recovery of the child, after a new set of heroine performances on the part of a strung-wire mother, whose outcry in a waste country district, as she clasps her boy to her bosom again: ‘There’s a farm I see for milk for him!’ the Dame repeats, having begun with an admission that the tale has been contradicted, and is not produced on authority. The end in design is to win the ear by making a fuss, and roll event upon event for the braining of common intelligence, until her narrative resembles dusty troopings along a road to the races.
Carinthia and her babe reached Esslemont, no matter what impediments. There, like a stopped runner whose pantings lengthen to the longer breath, her alarms over the infant subsided, ceasing for as long as she clasped it or was in the room with it. Walking behind the precious donkey-basket round the park, she went armed, and she soon won a fearful name at Kentish cottage-hearths, though she ‘was not black to see, nor old. No, she was very young. But she did all the things that soldiers do,—was a bit of a foreigner;—she brought a reputation up from the Welsh land, and it had a raven’s croak and a glow-worm’s drapery and a goblin’s origin.
Something was hinted of her having agitated London once. Somebody dropped word of her and that old Lord Levellier up at Croridge. She stalked park and country at night. Stories, one or two near the truth, were told of a restless and a very decided lady down these parts as well; and the earl her husband daren’t come nigh in his dread of her, so that he runs as if to save his life out of every place she enters. And he’s not one to run for a trifle. His pride is pretty well a match for princes and princesses.
All the same, he shakes in his shoes before her, durst hardly spy at Esslemont again while she’s in occupation. His managing gentleman comes down from him, and goes up from her; that’s how they communicate. One week she’s quite solitary; another week the house is brimful as can be. She ‘s the great lady entertaining then. Yet they say it ‘s a fact, she has not a shilling of her own to fling at a beggar. She ‘ll stock a cottage wanting it with provision for a fortnight or more, and she’ll order the doctor in, and she’ll call and see the right things done for illness. ‘But no money; no one’s to expect money of her. The shots you hear in Esslemont grounds out of season are she and her maid, always alongside her, at it before a target on a bank, trying that old Lord Levellier’s gunpowder out of his mill; and he’s got no money either; not for his workmen, they say, until they congregate, and a threatening to blow him up brings forth half their pay, on account. But he ‘s a known miser. She’s not that. She’s a pleasant-faced lady for the poor. She has the voice poor people like. It’s only her enemy, maybe her husband, she can be terrible to. She’d drive a hole through a robber stopping her on the road, as soon as look at him.
This was Esslemont’s atmosphere working its way to the earl, not so very long after the establishment of his countess there. She could lay hold of the English, too, it seemed. Did she call any gentleman of the district by his Christian name? Lord Simon Pitscrew reported her doing so in the case of one of the Welshmen. Those Welshmen! Apparently they are making a push for importance in the kingdom!
Behind his white plaster of composure, Lord Fleetwood had alternately raged and wondered during the passage of the Welsh cavalcade up Eastward: a gigantic burlesque, that would have swept any husband of their heroine off the scene had he failed to encounter it deferentially, preserving his countenance and ostensibly his temper. An idiot of a woman, incurable in her lunacy, suspects the father of the infant as guilty of designs done to death in romances; and so she manages to set going solemnly a bigger blazing Tom Fool’s show than any known or written romance gives word of! And that fellow, Gower Woodseer, pleads, in apology, for her husband’s confusion, physiologically, that it comes of her having been carried off and kept a prisoner when she was bearing the child and knitting her whole mind to ensure the child. But what sheer animals these women are, if they take impressions in such a manner! And Mr. Philosopher argues that the abusing of women proves the hating of Nature; names it ‘the commonest insanity, and the deadliest,’ and men are ‘planted in the bog of their unclean animal condition until they do proper homage to the animal Nature makes the woman be.’ Oh, pish, sir!—as Meeson Corby had the habit of exclaiming when Abrane’s ‘fiddler’ argues him into a corner. The fellow can fiddle fine things and occasionally clear sense:—‘Men hating Nature are insane. Women and Nature are close. If it is rather general to hate Nature and maltreat women, we begin to see why the world is a mad world.’ That is the tune of the fiddler’s fiddling. As for him, something protects him. He was the slave of Countess Livia; like Abrane, Mallard, Corby, St. Ombre, young Cressett, and the dozens. He is now her master. Can a man like that be foolish, in saying of the Countess Carinthia, she is ‘not only quick to understand, she is in the quick of understanding’? Gower Woodseer said it of her in Wales, and again on the day of his walk up to London from Esslemont, after pedestrian exercise, which may heat the frame, but cools the mind. She stamped that idea on a thoughtful fellow.
He’s a Welshman. They are all excitable,—have heads on hound’s legs for a flying figure in front. Still, they must have an object, definitely seen by them—definite to them if dim to their neighbours; and it will run in the poetic direction: and the woman to win them, win all classes of them, within so short a term, is a toss above extraordinary. She is named Carinthia—suitable name for the Welsh pantomimic procession. Or cry out the word in an amphitheatre of Alpine crags,—it sounds at home.
She is a daughter of the mountains,—should never have left them. She is also a daughter of the Old Buccaneer—no poor specimen of the fighting Englishman of his day. According to Rose Mackrell, he, this Old Buccaneer, it was, who, by strange adventures, brought the great Welsh mines into the family! He would not be ashamed in spying through his nautical glass, up or down, at his daughter’s doings. She has not yet developed a taste for the mother’s tricks:—the mother, said to have been a kindler. That Countess of Cressett was a romantic little fly-away bird. Both parents were brave: the daughter would inherit gallantry. She inherits a kind of thwarted beauty. Or it needs the situation seen in Wales: her arms up and her unaffrighted eyes over the unappeasable growl. She had then the beauty coming from the fathom depths, with the torch of Life in the jaws of Death to light her: beauty of the nether kingdom mounting to an upper place in the higher. Her beauty recognized, the name of the man who married her is not Longears—not to himself, is the main point; nor will it be to the world when he shows that it is not so to himself.
Suppose he went to her, would she be trying at domination? The woman’s pitch above woman’s beauty was perceived to be no intermittent beam, but so living as to take the stamp of permanence. More than to say it was hers, it was she. What a deadly peril brought into view was her character-soul, some call it: generally a thing rather distasteful in women, or chilling to the masculine temperament. Here it attracts. Here, strange to say, it is the decided attraction, in a woman of a splendid figure and a known softness. By rights, she should have more understanding than to suspect the husband as guilty of designs done to death in romances. However, she is not a craven who compliments him by rearing him, and he might prove that there is no need for fear. But she would be expecting explanations before the reconcilement. The bosom of these women will keep on at its quick heaving until they have heard certain formal words, oaths to boot. How speak them?
His old road of the ladder appeared to Fleetwood an excellent one for obviating explanations and effecting the reconcilement without any temporary seeming forfeit of the native male superiority. For there she is at Esslemont now; any night the window could be scaled. ‘It is my husband.’ The soul was in her voice when she said it.
He remembered that it had not ennobled her to him then; had not endeared; was taken for a foreign example of the childish artless, imperfectly suited to our English clime.’ The tone of adorable utterances, however much desired, is never for repetition; nor is the cast of divine sweet looks; nor are the particular deeds-once pardonable, fitly pleaded. A second scaling of her window—no, night’s black hills girdle the scene with hoarse echoes; the moon rushes out of her clouds grimacing. Even Fleetwood’s devil, much addicted to cape and sword and ladder, the vulpine and the gryphine, rejected it.
For she had, by singular transformation since, and in spite of a deluging grotesque that was antecedently incredible, she had become a personage, counting her adherents; she could put half the world in motion on her side. Yell those Welshmen to scorn, they were on a plane finding native ground with as large a body of these English. His baser mind bowed to the fact. Her aspect was entirely different; her attitude toward him as well: insomuch that he had to chain her to her original features by the conjuring of recollected phrases memorable for the vivid portraiture of her foregone simplicity and her devotion to ‘my husband.’
Yes, there she was at Essleinont, securely there, near him, to be seen any day; worth claiming, too; a combatant figure, provocative of the fight and the capture rather than repellent. The respect enforced by her attitude awakened in him his inherited keen old relish for our intersexual strife and the indubitable victory of the stronger, with the prospect of slavish charms, fawning submission, marrowy spoil. Or perhaps, preferably, a sullen submission, reluctant charms; far more marrowy. Or who can say?—the creature is a rocket of the shot into the fiery garland of stars; she may personate any new marvel, be an unimagined terror, an overwhelming bewitchment: for she carries the unexpected in her bosom. And does it look like such indubitable victory, when the man, the woman’s husband, divided from her, toothsome to the sex, acknowledges within himself and lets the world know his utter dislike of other women’s charms, to the degree that herbal anchorites positively could not be colder, could not be chaster: and he no forest bird, but having the garden of the variety of fairest flowers at nod and blush about him! That was the truth. Even Henrietta’s beauty had the effect of a princess’s birthday doll admired on show by a contemptuous boy.
Wherefore, then, did the devil in him seek to pervert this loveliest of young women and feed on her humiliation for one flashing minute? The taste had gone, the desire of the vengeance was extinct, personal gratification could not exist. He spied into himself, and set it down to one among the many mysteries.
Men uninstructed in analysis of motives arrive at this dangerous conclusion, which spares their pride and caresses their indolence, while it flatters the sense of internal vastness, and invites to headlong intoxication. It allows them to think they are of such a compound, and must necessarily act in that manner. They are not taught at the schools or by the books of the honoured places in the libraries, to examine and see the simplicity of these mysteries, which it would be here and there a saving grace for them to see; as the minstrel, dutifully inclining to the prosy in their behalf and morality’s, should exhibit; he should arrest all the characters of his drama to spring it to vision and strike perchance the chord primarily if not continually moving them, that readers might learn the why and how of a germ of evil, its flourishing under rebuke, the persistency of it after the fell creative energy has expired and pleasure sunk to be a phlegmatic dislike, almost a loathing.
This would here be done, but for signs of a barometric dead fall in Dame Gossip’s chaps, already heavily pendent. She would be off with us on one of her whirling cyclones or elemental mad waltzes, if a step were taken to the lecturing-desk. We are so far in her hands that we have to keep her quiet. She will not hear of the reasons and the change of reasons for one thing and the other. Things were so: narrate them, and let readers do their reflections for themselves, she says, denouncing our conscientious method as the direct road downward to the dreadful modern appeal to the senses and assault on them for testimony to the veracity of everything described; to the extent that, at the mention of a vile smell, it shall be blown into the reader’s nostrils, and corking-pins attack the comfortable seat of him simultaneously with a development of surprises. ‘Thither your conscientiousness leads.’
It is not perfectly visible. And she would gain information of the singular nature of the young of the male sex in listening to the wrangle between Lord Fleetwood and Gower Woodseer on the subject of pocket-money for the needs of the Countess Carinthia. For it was a long and an angry one, and it brought out both of them, exposing, of course, the more complex creature the most. They were near a rupture, so scathing was Gower’s tone of irate professor to shirky scholar—or it might be put, German professor to English scuffleshoe.
She is for the scene of ‘Chillon John’s’ attempt to restore the respiration of his bank-book by wager; to wit, that he would walk a mile, run a mile, ride a mile, and jump ten hurdles, then score five rifle-shots at a three hundred yards’ distant target within a count of minutes; twenty-five, she says; and vows it to have been one of the most exciting of scenes ever witnessed on green turf in the land of wagers; and that he was accomplishing it quite certainly when, at the first of the hurdles, a treacherous unfolding and waving of a white flag caused his horse to swerve and the loss of one minute, seven and twenty seconds, before he cleared the hurdles; after which, he had to fire his shots hurriedly, and the last counted blank, for being outside the circle of the stated time.
So he was beaten. But a terrific uproar over the field proclaimed the popular dissatisfaction. Presently there was a cleavage of the mob, and behold a chase at the heels of the fellow to rival the very captain himself for fleetness. He escaped, leaving his pole with the sheet nailed to it, by way of flag, in proof of foul play; or a proof, as the other side declared, of an innocently premature signalizing of the captain’s victory.
However that might be, he ran. Seeing him spin his legs at a hound’s pace, half a mile away, four countrymen attempted to stop him. All four were laid on their backs in turn with stupefying celerity; and on rising to their feet, and for the remainder of their natural lives, they swore that no man but a Champion could have floored them so. This again may have been due to the sturdy island pride of four good men knocked over by one. We are unable to decide. Wickedness there was, the Dame says; and she counsels the world to ‘put and put together,’ for, at any rate, ‘a partial elucidation of a most mysterious incident.’ As to the wager-money, the umpires dissented; a famous quarrel, that does not concern us here, sprang out of the dispute; which was eventually, after great disturbance ‘of the country, referred to three leading sportsmen in the metropolitan sphere, who pronounced the wager ‘off,’ being two to one. Hence arose the dissatisfied third party, and the letters of this minority to the newspapers, exciting, if not actually dividing, all England for several months.
Now the month of December was the month of the Dame’s mysterious incident. From the date of January, as Madge Winch knew, Christopher Ines had ceased to be in the service of the Earl of Fleetwood. At Esslemont Park gates, one winter afternoon of a North-east wind blowing ‘rum-shrub into men for a stand against rheumatics,’ as he remarked, Ines met the girl by appointment, and informing her that he had money, and that Lord Fleetwood was ‘a black nobleman,’ he proposed immediate marriage. The hymeneal invitation, wafted to her on the breath of rum-shrub, obtained no response from Madge until she had received evasive answers as to why the earl dismissed him, and whence the stock of money came.
Lord Fleetwood, he repeated, was a black nobleman. She brought him to say of his knowledge, that Lord Fleetwood hated, and had reason to hate, Captain Levellier. ‘Shouldn’t I hate the man took my sweetheart from me and popped me into the noose with his sister instead?’ Madge was now advised to be overcome by the smell of rum-shrub:—a mere fancy drink tossed off by heroes in their idle moments, before they settle down to the serious business of real drinking, Kit protested. He simulated envious admiration of known heroes, who meant business, and scorned any of the weak stuff under brandy, and went at it till the bottles were the first to give in. For why? They had to stomach an injury from the world or their young woman, and half-way on they shoved that young person and all enemies aside, trampled ‘em. That was what Old O’Devy signified; and many’s the man driven to his consolation by a cat of a girl, who’s like the elements in their puffs and spits at a gallant ship, that rides the tighter and the tighter for all they can do to capsize. ‘Tighter than ever I was tight I’ll be to-night, if you can’t behave.’
They fell upon the smack of words. Kit hitched and huffed away, threatening bottles. Whatever he had done, it was to establish the petticoated hornet in the dignity of matron of a champion light-weight’s wholesome retreat of a public-house. A spell of his larkish hilarity was for the punishment of the girl devoted to his heroical performances, as he still considered her to be, though women are notoriously volatile, and her language was mounting a stage above the kitchen.
Madge had little sorrow for him. She was the girl of the fiery heart, not the large heart; she could never be devoted to more than one at a time, and her mistress had all her heart. In relation to Kit, the thought of her having sacrificed her good name to him, flung her on her pride of chastity, without the reckoning of it as a merit. It was the inward assurance of her independence: the young spinster’s planting of the standard of her proud secret knowledge of what she is, let it be a thing of worth or what you will, or the world think as it may. That was her thought.
Her feeling, the much livelier animation, was bitter grief, because her mistress, unlike herself, had been betrayed by her ignorance of the man into calling him husband. Just some knowledge of the man! The warning to the rescue might be there. For nothing did the dear lady weep except for her brother’s evil fortune. The day when she had intelligence from Mrs. Levellier of her brother’s defeat, she wept over the letter on her knees long hours. ‘Me, my child, my brother!’ she cried more than once. She had her suspicion of the earl then, and instantly, as her loving servant had. The suspicion was now no dark light, but a clear day-beam to Madge. She adopted Kit’s word of Lord Fleetwood. ‘A black nobleman he is! he is!’ Her mistress had written like a creature begging him for money. He did not deign a reply. To her! When he had seen good proof she was the bravest woman on earth; and she rushed at death to save a child, a common child; as people say. And who knows but she saved that husband of hers, too, from bites might have sent him out of the world barking, and all his wealth not able to stop him!
They were in the month of March. Her dear mistress had been begging my lord through Mr. Woodseer constantly of late for an allowance of money; on her knees to him, as it seemed; and Mr. Woodseer was expected at Esslemont. Her mistress was looking for him eagerly. Something her heart was in depended on it, and only her brother could be the object, for now she loved only him of these men; though a gentleman coming over from Barlings pretty often would pour mines of money into her lap for half a word.
Carinthia had walked up to Croridge in the morning to meet her brother at Lekkatts. Madge was left guardian of the child. She liked a stroll any day round Esslemont Park, where her mistress was beginning to strike roots; as she soon did wherever she was planted, despite a tone of pity for artificial waters and gardeners’ arts. Madge respected them. She knew nothing of the grandeur of wildness. Her native English veneration for the smoothing hand of wealth led her to think Esslemont the home of all homes for a lady with her husband beside her. And without him, too, if he were wafted over seas and away: if there would but come a wind to do that!
The wild North-easter tore the budded beeches. Master John Edward Russett lay in the cradling-basket drawn by his docile donkey, Martha and Madge to right and left of him; a speechless rustic, graduating in footman’s livery, to rear.
At slow march round by the wrinkled water, Madge saw the park gates flung wide. A coach drove up the road along on the farther rim of the circle, direct for the house. It stopped, the team turned leisurely and came at a smart pace toward the carriage-basket. Lord Fleetwood was recognized.
He alighted, bidding one of his grooms drive to stables. Madge performed her reverence, aware that she did it in clumsy style; his presence had startled her instincts and set them travelling.
‘Coldish for the youngster,’ he said. ‘All well, Madge?’
‘Baby sleeps in the air, my lord,’ she replied. ‘My lady has gone to Croridge.’
‘Sharp air for a child, isn’t it?’
‘My lady teaches him to breathe with his mouth shut, like her father taught her when she was little. Our baby never catches colds.’
Madge displayed the child’s face.
The father dropped a glance on it from the height of skies.
‘Croridge, you said?’
‘Her uncle, Lord Levellier’s.’
‘You say, never catches cold?’
‘Not our baby, my lord.’
Probably good management on the part of the mother. But the wife’s absence disappointed the husband strung to meet her, and an obtrusion of her practical motherhood blurred the prospect demanded by his present step.
‘When do you expect her to return, Madge?’
‘Before nightfall, my lord.’
‘She walks?’
‘Oh yes, my lady is fond of walking.’
‘I suppose she could defend herself?’
‘My lady walks with a good stick.’
Fleetwood weighed the chances; beheld her figure attacked, Amazonian.
‘And tell me, my dear—Kit?’
I don’t see more of Kit Ines.’
‘What has the fellow done?’
‘I’d like him to let me know why he was dismissed.’
‘Ah. He kept silent on that point.’
‘He let out enough.’
‘You’ve punished him, if he’s to lose a bonny sweetheart, poor devil! Your sister Sally sends you messages?’
‘We’re both of us grateful, my lord.’
He lifted the thin veil from John Edward Russett’s face with a loveless hand.
‘You remember the child bitten by a dog down in Wales. I have word from my manager there. Poor little wretch has died—died raving.’
Madge’s bosom went shivering up and sank. ‘My lady was right. She’s not often wrong.’
‘She’s looking well?’ said the earl, impatient with her moral merits:—and this communication from Wales had been the decisive motive agent in hurrying him at last to Esslemont. The next moment he heard coolly of the lady’s looking well. He wanted fervid eulogy of his wife’s looks, if he was to hear any.