§ 1. The Earliest Ships and Sailors. § 2. The Ægean Cities before History. § 3. The First Voyages of Exploration. § 4. Early Traders. § 5. Early Travellers.

§ 1

THE first boats were made very early indeed in the Neolithic stage of culture by riverside and lakeside peoples. They were no more than trees and floating wood, used to assist the imperfect natural swimming powers of men. Then came the hollowing out of the trees, and then, with the development of tools and a primitive carpentry, the building of boats. Men in Egypt and Mesopotamia also developed a primitive type of basket-work boat, caulked with bitumen. Such was the “ark of bulrushes” in which Moses was hidden by his mother. A kindred sort of vessel grew up by the use of skins and hides expanded upon a wicker framework. To this day cow-hide wicker boats (coracles) are used upon the west coast of Ireland, where there is plenty of cattle and a poverty of big trees. They are also still used on the Euphrates, and on the Towy in South Wales. Inflated skins may have preceded the coracle, and are still used on the Euphrates and upper Ganges. In the valleys of the great rivers, boats must early have become an important means of communication; and it seems natural to suppose that it was from the mouths of the great rivers that man, already in a reasonably seaworthy vessel, first ventured out upon what must have seemed to him then the trackless and homeless sea.

No doubt he ventured at first as a fisherman, having learnt the elements of seacraft in creeks and lagoons. Men may have navigated boats upon the Levantine lake before the refilling of the Mediterranean by the Atlantic waters. The canoe was an integral part of the heliolithic culture, it drifted with that culture upon the warm waters of the earth from the Mediterranean to (at last) America. There were not only canoes, but Sumerian boats and ships upon the Euphrates and Tigris, when these rivers in 7000 B.C. fell by separate mouths into the Persian Gulf. The Sumerian city of Eridu, which stood at the head of the Persian Gulf (from which it is now separated by a hundred and thirty miles of alluvium[121]), had ships upon the sea then. We also find evidence of a fully developed sea life six thousand years ago at the eastern end of the Mediterranean, and possibly at that time there were already canoes on the seas among the islands of the nearer East Indies. There are pre-dynastic Neolithic Egyptian representations of Nile ships of a fair size, capable of carrying elephants.[122]

Very soon the seafaring men must have realized the peculiar freedom and opportunities the ship gave them. They could get away to islands; no chief nor king could pursue a boat or ship with any certainty; every captain was a king. The seamen would find it easy to make nests upon islands and in strong positions on the mainland. There they could harbour, there they could carry on a certain agriculture and fishery; but their speciality and their main business was, of course, the expedition across the sea. That was not usually a trading expedition; it was much more frequently a piratical raid. From what we know of mankind, we are bound to conclude that the first sailors plundered when they could, and traded when they had to.



Boats on the Nile, about 2500 B.C. From Torr’s Ancient Ships

Because it developed in the comparatively warm and tranquil waters of the eastern Mediterranean, the Red Sea, the Persian Gulf, and the western horn of the Indian Ocean, the shipping of the ancient world retained throughout certain characteristics that make it differ very widely from the ocean-going sailing shipping, with its vast spread of canvas, of the last four hundred years. “The Mediterranean,” says Mr. Torr,[123] “is a sea where a vessel with sails may lie becalmed for days together, while a vessel with oars would easily be traversing the smooth waters, with coasts and islands everywhere at hand to give her shelter in case of storm. In that sea, therefore, oars became the characteristic instruments of navigation, and the arrangement of oars the chief problem in shipbuilding. And so long as the Mediterranean nations dominated Western Europe, vessels of the southern type were built upon the northern coasts, though there generally was wind enough here for sails and too much wave for oars.... The art of rowing can first be discerned upon the Nile. Boats with oars are represented in the earliest pictorial monuments of Egypt, dating from about 2500 B.C.; and although some crews are paddling with their faces towards the bow, others are rowing with their faces towards the stern. The paddling is certainly the older practice, for the hieroglyph chen depicts two arms grasping an oar in the attitude of paddling, and the hieroglyphs were invented in the earliest ages. And that practice may really have ceased before 2500 B.C., despite the testimony of monuments of that date; for in monuments dating from about 1250 B.C. crews are represented unmistakably rowing with their faces towards the stern and yet grasping their oars in the attitude of paddling, so that even then Egyptian artists mechanically followed the turn of the hieroglyph to which their hands were accustomed. In these reliefs there are twenty rowers on the boats on the Nile, and thirty on the ships on the Red Sea; but in the earliest reliefs the number varies considerably, and seems dependent on the amount of space at the sculptor’s disposal.”



Egyptian ship on the Red Sea, about 1250 B.C. (From Torr’s “Ancient Ships.”) Mr. Langton Cole calls attention to the rope truss in this illustration, stiffening the beam of the ship. No other such use of the truss is known until the days of modern engineering.

Egyptian ship on the Red Sea, about 1250 B.C. (From Torr’s “Ancient Ships.”)
Mr. Langton Cole calls attention to the rope truss in this illustration, stiffening the beam of the ship. No other such use of the truss is known until the days of modern engineering.

The Aryan peoples came late to the sea. The earliest ships on the sea were either Sumerian or Hamitic; the Semitic peoples followed close upon these pioneers. Along the eastern end of the Mediterranean, the Phœnicians, a Semitic people, set up a string of independent harbour towns of which Acre, Tyre, and Sidon were the chief; and later they pushed their voyages westward and founded Carthage and Utica in North Africa. Possibly Phœnician keels were already in the Mediterranean by 2000 B.C. Both Tyre and Sidon wee originally on islands, an so easily defensible against a land raid. But before we go on to the marine exploits of this great sea-going race, we must note a very remarkable and curious nest of early sea people whose remains have been discovered in Crete.[124]

§ 2

These early Cretans were of unknown race, but probably of a race akin to the Iberians of Spain and Western Europe and the dark whites of Asia Minor and North Africa, and their language is unknown. This race lived not only in Crete, but in Cyprus, Greece, Asia Minor, Sicily, and South Italy. It was a civilized people for long ages before the fair Aryan Greeks spread southward through Macedonia. At Cnossos, in Crete, there have been found the most astonishing ruins and remains, and Cnossos, therefore, is apt to overshadow the rest of these settlements in people’s imaginations, but it is well to bear in mind that, though Cnossos was no doubt a chief city of this Ægean civilization, these “Ægeans” had in the fullness of their time many cities and a wide range. Possibly, all that we know of them now are but the vestiges of a far more extensive heliolithic Neolithic civilization which is now submerged under the waters of the Mediterranean.

At Cnossos there are Neolithic remains as old or older than any of the pre-dynastic remains of Egypt. The Bronze Age began in Crete as soon as it did in Egypt, and there have been vases found by Flinders Petrie in Egypt and referred by him to the Ist Dynasty, which he declared to be importations from Crete. Stone vessels have been found in Crete of forms characteristic of the IVth (pyramid-building) Dynasty, and there can be no doubt that there was a vigorous trade between Crete and Egypt in the time of the XIIth Dynasty. This continued until about 1000 B.C. It is clear that this island civilization arising upon the soil of Crete is at least as old as the Egyptian, and that it was already launched upon the sea as early as 4000 B.C.

The great days of Crete were not so early as this. It was only about 2500 B.C. that the island appears to have been unified under one ruler. Then began an age of peace and prosperity unexampled in the history of the ancient world. Secure from invasion, living in a delightful climate, trading with every civilized community in the world, the Cretans were free to develop all the arts and amenities of life. This Cnossos was not so much a town as the vast palace of the king and his people. It was not even fortified. The kings, it would seem, were called Minos always, as the kings of Egypt were all called Pharaoh; the king of Cnossos figures in the early legends of the Greeks as King Minos, who lived in the Labyrinth and kept there a horrible monster, half man, half bull, the Minotaur, to feed which he levied a tribute of youths and maidens from the Athenians. Those stories are a part of Greek literature, and have always been known, but it is only in the last few decades that the excavations at Cnossos have revealed how close these legends were to the reality. The Cretan labyrinth was a building as stately, complex, and luxurious as any in the ancient world. Among other details we find waterpipes, bathrooms, and the like conveniences, such as have hitherto been regarded as the latest refinements of modern life. The pottery, the textile manufactures, the sculpture and painting of these people, their gem and ivory work, their metal and inlaid work, is as admirable as any that mankind has produced. They were much given to festivals and shows, and, in particular, they were addicted to bull-fights and gymnastic entertainments. Their female costume became astonishingly “modern” in style; their women wore corsets and flounced dresses. They had a system of writing which has not yet been deciphered.



ÆGEAN CIVILIZATION

It is the custom nowadays to make a sort of wonder of these achievements of the Cretans, as though they were a people of incredible artistic ability living in the dawn of civilization. But their great time was long past that dawn; as late as 2000 B.C. It took them many centuries to reach their best in art and skill, and their art and luxury are by no means so great a wonder if we reflect that for 3000 years they were immune from invasion, that for a thousand years they were at peace. Century after century their artizans could perfect their skill, and their men and women refine upon refinement. Wherever men of almost any race have been comparatively safe in this fashion for such a length of time, they have developed much artistic beauty. Given the opportunity, all races are artistic. Green legend has it that it was in Crete that Dædalus attempted to make the first flying machine. Dædalus (= cunning artificer) was a sort of personified summary of mechanical skill. It is curious to speculate what germ of fact lies behind him and those waxen wings that, according to the legend, melted and plunged his son Icarus in the sea.



J.F.H. from photos by British School at Athens Faience figure from Cnossos ... A votary of the Snake Goddess....

Faience figure from Cnossos ... A votary of the Snake Goddess....
J.F.H. from photos by British School at Athens

There came at last a change in the condition of the lives of these Cretans, for other peoples, the Greeks and the Phœnicians, were also coming out with powerful fleets upon the seas. We do not know what led to the disaster nor who inflicted it; but somewhen about 1400 B.C. Cnossos was sacked and burnt, and though the Cretan life struggled on there rather lamely for another four centuries, there came at last a final blow about 1000 B.C. (that is to say, in the days of the Assyrian ascendancy in the East). The palace at Cnossos was destroyed, and never rebuilt nor reinhabited. Possibly this was done by the ships of those newcomers into the Mediterranean, the barbaric Greeks, a group of Aryan tribes, who may have wiped out Cnossos as they wiped out the city of Troy. The legend of Theseus tells of such a raid. He entered the Labyrinth (which may have been the Cnossos Palace) by the aid of Ariadne, the daughter of Minos, and slew the Minotaur.

The Iliad makes it clear that destruction came upon Troy because the Trojans stole Greek women. Modern writers, with modern ideas in their heads, have tried to make out that the Greeks assailed Troy in order to secure a trade route or some such fine-spun commercial advantage. If so, the authors of the Iliad hid the motives of their characters very skilfully. It would be about as reasonable to say that the Homeric Greeks went to war with the Trojans in order to be well ahead with a station on the Berlin to Bagdad railway. The Homeric Greeks were a healthy barbaric Aryan people, with very poor ideas about trade and “trade routes”; they went to war with the Trojans because they were thoroughly annoyed about this stealing of women. It is fairly clear from the Minos legend and from the evidence of the Cnossos remains, that the Cretans kidnapped or stole youths and maidens to be slaves, bull-fighters, athletes, and perhaps sacrifices. They traded fairly with the Egyptians, but it may be they did not realize the gathering strength of the Greek barbarians; they “traded” violently with them, and so brought sword and flame upon themselves.[125]

Another great sea people were the Phœnicians. They were great seamen because they were great traders. Their colony of Carthage (founded before 800 B.C. by Tyre) became at last greater than any of the older Phœnician cities, but already before 1500 B.C. both Sidon and Tyre had settlements upon the African coast. Carthage was comparatively inaccessible to the Assyrian and Babylonian hosts, and, profiting greatly by the long siege of Tyre by Nebuchadnezzar II, became the greatest maritime power the world had hitherto seen. She claimed the Western Mediterranean as her own, and seized every ship she could catch west of Sardinia. Roman writers accuse her of great cruelties. She fought the Greeks for Sicily, and later (in the second century B.C.) she fought the Romans. Alexander the Great formed plans for her conquest; but he died, as we shall tell later, before he could carry them out.

§ 3

At her zenith Carthage probably had the hitherto unheard-of population of a million. This population was largely industrial, and her woven goods were universally famous. As well as a coasting trade, she had a considerable land trade with Central Africa,[126] and she sold negro slaves, ivory, metals, precious stones and the like, to all the Mediterranean people; she worked Spanish copper mines, and her ships went out into the Atlantic and coasted along Portugal and France northward as far as the Cassiterides (the Scilly Isles, or Cornwall, in England) to get tin. About 520 B.C. a certain Hanno made a voyage that is still one of the most notable in the world. This Hanno, if we may trust the Periplus of Hanno, the Greek translation of his account which still survives, followed the African coast southward from the Straits of Gibraltar as far as the confines of Liberia. He had sixty big ships, and his main task was to found or reinforce certain Carthaginian stations upon the Morocco coast. Then he pushed southward. He founded a settlement in the Rio de Oro (on Kerne or Herne Island), and sailed on past the Senegal river. The voyagers passed on for seven days beyond the Gambia, and landed at last upon some island. This they left in a panic, because, although the day was silent with the silence of the tropical forest, at night they heard the sound of flutes, drums, and gongs, and the sky was red with the blaze of the bush fires. The coast country for the rest of the voyage was one blaze of fire, from the burning of the bush. Streams of fire ran down the hills into the sea, and at length a blaze arose so loftily that it touched the skies. Three days further brought them to an island containing a lake (? Sherbro Island). In this lake was another island (? Macaulay Island), and on this were wild, hairy men and women, “whom the interpreters called gorilla.” The Carthaginians, having caught some of the females of these “gorillas”—they were probably chimpanzees—turned back and eventually deposited the skins of their captives—who had proved impossibly violent guests to entertain on board ship—in the Temple of Juno.

A still more wonderful Phœnician sea voyage, long doubted, but now supported by some archæological evidence, is related by Herodotus, who declares that the Pharaoh Necho of the XXVIth Dynasty commissioned some Phœnicians to attempt the circumnavigation of Africa, and that starting from the Gulf of Suez southward, they did finally come back through the Mediterranean to the Nile delta. They took nearly three years to complete their voyage. Each year they landed, and sowed and harvested a crop of wheat before going on.

§ 4

The great trading cities of the Phœnicians are the most striking of the early manifestations of the peculiar and characteristic gift of the Semitic peoples to mankind, trade and exchange.[127] While the Semitic Phœnician peoples were spreading themselves upon the seas, another kindred Semitic people, the Arameans, whose occupation of Damascus we have already noted, were developing the caravan routes of the Arabian and Persian deserts, and becoming the chief trading people of Western Asia. The Semitic peoples, earlier civilized than the Aryan, have always shown, and still show to-day, a far greater sense of quality and quantity in marketable goods than the latter; it is to their need of account-keeping that the development of alphabetical writing is to be ascribed, and it is to them that most of the great advances in computation are due. Our modern numerals are Arabic; our arithmetic and algebra are essentially Semitic sciences.

The Semitic peoples, we may point out here, are to this day counting peoples strong in their sense of equivalents and reparation. The moral teaching of the Hebrews was saturated by such ideas. “With what measure ye mete, the same shall be meted unto you.” Other races and peoples have imagined diverse and fitful and marvellous gods, but it was the trading Semites who first began to think of God as a Righteous Dealer, whose promises were kept, who failed not the humblest creditor, and called to account every spurious act.

The trade that was going on in the ancient world before the sixth or seventh century B.C. was almost entirely a barter trade. There was little or no credit or coined money. The ordinary standard of value with the early Aryans was cattle, as it still is with the Zulus and Kaffirs to-day. In the Iliad, the respective values of two shields are stated in head of cattle, and the Roman word for moneys, pecunia, is derived from pecus, cattle. Cattle as money had this advantage; it did not need to be carried from one owner to another, and if it needed attention and food, at any rate it bred. But it was inconvenient for ship or caravan transit. Many other substances have at various times been found convenient as a standard; tobacco was once legal tender in the colonial days in North America, and in West Africa fines are paid and bargains made in bottles of trade gin. The early Asiatic trade included metals; and weighed lumps of metal, since they were in general demand and were convenient for hoarding and storage, costing nothing for fodder and needing small house-room, soon asserted their superiority over cattle and sheep. Iron, which seems to have been first reduced from its ores by the Hittites, was, to begin with, a rare and much-desired substance.[128] It is stated by Aristotle to have supplied the first currency. In the collection of letters found at Tel-el-Amarna, addressed to and from Amenophis III (already mentioned) and his successor Amenophis IV, one from a Hittite king promises iron as an extremely valuable gift. Gold, then as now, was the most precious and therefore most portable, security. In early Egypt silver was almost as rare as gold until after the XVIIIth Dynasty. Later the general standard of value in the Eastern world became silver, measured by weight.

To begin with, metals were handed about in ingots and weighed at each transaction. Then they were stamped to indicate their fineness and guarantee their purity. The first recorded coins were minted about 600 B.C. in Lydia, a gold-producing country in the west of Asia Minor. The first-known gold coins were minted in Lydia by Crœsus, whose name has become a proverb for wealth; he was conquered, as we shall tell later, by that same Cyrus the Persian who took Babylon in 539 B.C. But very probably coined money had been used in Babylonia before that time. The “sealed shekel,” a stamped piece of silver, came very near to being a coin. The promise to pay so much silver or gold on “leather” (= parchment) with the seal of some established firm is probably as old or older than coinage. The Carthaginians used such “leather money.” We know very little of the way in which small traffic was conducted. Common people, who in those ancient times were in dependent positions, seem to have had no money at all; they did their business by barter. Early Egyptian paintings show this going on.[129]

§ 5

When one realizes the absence of small money or of any conveniently portable means of exchange in the pre-Alexandrian world, one perceives how impossible was private travel in those days.[130] The first “inns”—no doubt a sort of caravanserai—are commonly said to have come into existence in Lydia in the third or fourth century B.C. That, however, is too late a date. They are certainly older than that. There is good evidence of them at least as early as the sixth century. Æschylus twice mentions inns. His word is “all-receiver,” or “all-receiving house.”[131] Private travellers must have been fairly common in the Greek world, including its colonies, by this time. But such private travel was a comparatively new thing then. The early historians Hecatæus and Herodotus travelled widely. “I suspect,” says Professor Gilbert Murray, “that this sort of travel ‘for Historie’ or ‘for discovery’ was rather a Greek invention. Solon is supposed to have practiced it; and even Lycurgus.”... The earlier travellers were traders travelling in a caravan or in a shipload, and carrying their goods and their minas and shekels of metal or gems or bales of fine stuff with them, or government officials travelling with letters of introduction and a proper retinue. Possibly there were a few mendicants, and, in some restricted regions, religious pilgrims.

That earlier world before 600 B.C. was one in which a lonely “stranger” was a rare and suspected and endangered being. He might suffer horrible cruelties, for there was little law to protect such as he. Few individuals strayed therefore. One lived and died attached and tied to some patriarchal tribe if one was a nomad, or to some great household if one was civilized, or to one of the big temple establishments which we will presently discuss. Or one was a herded slave. One knew nothing, except for a few monstrous legends, of the rest of the world in which one lived. We know more to-day, indeed, of the world of 600 B.C. than any single living being knew at that time. We map it out, see it as a whole in relation to past and future. We begin to learn precisely what was going on at the same time in Egypt and Spain and Media and India and China. We can share in imagination, not only the wonder of Hanno’s sailors, but of the men who lit the warning beacons on the shore. We know that those “mountains flaming to the sky” were only the customary burning of the dry grass at that season of the year. Year by year, more and more rapidly, our common knowledge increases. In the years to come men will understand still more of those lives in the past until perhaps they will understand them altogether.

XVIII

WRITING

§ 1. Picture Writing. § 2. Syllable Writing. § 3. Alphabet Writing. § 4. The Place of Writing in Human Life.

§ 1

IN the five preceding chapters (XIII to XVII) we have sketched in broad outline the development of the chief human communities from the primitive beginnings of the heliolithic culture to the great historical kingdoms and empires in the sixth century B.C. We must now study a little more closely the general process of social change, the growth of human ideas, and the elaboration of human relationships that were going on during these ages between 10,000 B.C. and 500 B.C. What we have done so far is to draw the map and name the chief kings and empires, to define the relations in time and space of Babylonia, Assyria, Egypt, Phœnicia, Cnossos, and the like; we come now to the real business of history, which is to get down below these outer forms to the thoughts and lives of individual men.

By far the most important thing that was going on during those fifty or sixty centuries of social development was the invention of writing and its gradual progress to importance in human affairs. It was a new instrument for the human mind, an enormous enlargement of its range of action, a new means of continuity. We have seen how in later Palæolithic and early Neolithic times the elaboration of articulate speech gave men a mental handhold for consecutive thought and a vast enlargement of their powers of co-operation. For a time this new acquirement seems to have overshadowed their earlier achievement of drawing, and possibly it checked the use of gesture. But drawing presently reappeared again, for record, for signs, for the joy of drawing. Before real writing came picture-writing, such as is still practised by the Amerindians, the Bushmen, and savage and barbaric people in all parts of the world. It is essentially a drawing of things and acts, helped out by heraldic indications of proper names, and by strokes and dots to represent days and distances and such-like quantitative ideas.

Quite kindred to such picture-writing is the pictograph that one finds still in use to-day in international railway time-tables upon the continent of Europe, where a little black sign of a cup indicates a stand-up buffet for light refreshments; a crossed knife and fork, a restaurant; a little steamboat, a transfer to a steamboat; and a postilion’s horn, a diligence. Similar signs are used in the well-known Michelin guides for automobilists in Europe, to show a post-office (envelope) or a telephone (telephone receiver). The quality of hotels is shown by an inn with one, two, three, or four gables, and so forth. Similarly, the roads of Europe are marked with wayside signs representing a gate, to indicate a level crossing ahead, a sinuous bend for a dangerous curve, and the like. From such pictographic signs to the first elements of Chinese writing is not a very long stretch.

In Chinese writing there are still traceable a number of pictographs. Most are now difficult to recognize. A mouth was originally written as a mouth-shaped hole and is now, for convenience of brushwork, squared; a child, originally a recognizable little mannikin, is now a hasty wriggle and a cross; the sun, originally a large circle with a dot in the centre, has been converted, for the sake of convenience of combination, into a crossed oblong, which is easier to make with a brush. By combining these pictographs, a second order of ideas is expressed. For example, the pictograph for mouth combined with pictograph for vapour expressed “words.”[132]



Specimens of American Indian picture-writing (after Schoolcraft ...) No. 1, painted on a rock on the shore of Lake Superior, records an expedition across the lake, in which five canoes took part. The upright strokes in each indicate the number of the crew, and the bird represents a chief, “The Kingfisher.” The three circles (suns) under the arch (of heaven) indicate that the voyage lasted three days, and the tortoise, a symbol of land, denotes a safe arrival. No. 2 is a petition sent to the United States Congress by a group of Indian tribes, asking for fishing rights in certain small lakes. The tribes are represented by their totems, martens, bear, manfish, and catfish, led by the crane. Lines running from the heart and eye of each animal to the heart and eye of the crane denote that they are all of one mind; and a line runs from the eye of the crane to the lakes, shown in the crude little “map” in the lower left-hand corner.

Specimens of American Indian picture-writing
(after Schoolcraft ...)

No. 1, painted on a rock on the shore of Lake Superior, records an expedition across the lake, in which five canoes took part. The upright strokes in each indicate the number of the crew, and the bird represents a chief, “The Kingfisher.” The three circles (suns) under the arch (of heaven) indicate that the voyage lasted three days, and the tortoise, a symbol of land, denotes a safe arrival. No. 2 is a petition sent to the United States Congress by a group of Indian tribes, asking for fishing rights in certain small lakes. The tribes are represented by their totems, martens, bear, manfish, and catfish, led by the crane. Lines running from the heart and eye of each animal to the heart and eye of the crane denote that they are all of one mind; and a line runs from the eye of the crane to the lakes, shown in the crude little “map” in the lower left-hand corner.

From such combinations one passes to what are called ideograms: the sign for “words” and the sign for “tongue” combine to make “speech”; the sign for “roof” and the sign for “pig” make “home”—for in the early domestic economy of China the pig was as important as it used to be in Ireland. But, as we have already noted earlier, the Chinese language consists of a comparatively few elementary monosyllabic sounds, which are all used in a great variety of meanings, and the Chinese soon discovered that a number of these pictographs and ideographs could be used also to express other ideas, not so conveniently pictured, but having the same sound. Characters so used are called phonograms. For example, the sound fang meant not only “boat,” but “a place,” “spinning,” “fragrant,” “inquire,” and several other meanings according to the context. But while a boat is easy to draw most of the other meanings are undrawable. How can one draw “fragrant” or “inquire”? The Chinese, therefore, took the same sign for all these meanings of fang, but added to each of them another distinctive sign, the determinative, to show what sort of fang was intended. A “place” was indicated by the same sign as for “boat” (fang) and the determinative sign for “earth”; “spinning” by the sign for fang and the sign for “silk”; “inquire” by the sign for fang and the sign for “words,” and so on.

One may perhaps make this development of pictographs, ideographs, and phonograms a little clearer by taking an analogous case in English. Suppose we were making up a sort of picture-writing in English, then it would be very natural to use a square with a slanting line to suggest a lid, for the word and thing box. That would be a pictograph. But now suppose we had a round sign for money, and suppose we put this sign inside the box sign, that would do for “cash-box” or “treasury.” That would be an ideogram. But the word “box” is used for other things than boxes. There is the box shrub which gives us boxwood. It would be hard to draw a recognizable box-tree distinct from other trees, but it is quite easy to put our sign “box,” and add our sign for shrub as a determinative to determine that it is that sort of box and not a common box that we want to express. And then there is “box,” the verb, meaning to fight with fists. Here, again, we need a determinative; we might add the two crossed swords, a sign which is used very often upon maps to denote a battle. A box at a theatre needs yet another determinative, and so we go on, through a long series of phonograms.

Now it is manifest that here in the Chinese writing is a very peculiar and complex system of sign-writing. A very great number of characters have to be learnt and the mind habituated to their use. The power it possesses to carry ideas and discussion is still ungauged by western standards, but we may doubt whether with this instrument it will ever be possible to establish such a wide, common mentality as the simpler and swifter alphabets of the western civilizations permit. In China it created a special reading-class, the mandarins, who were also the ruling and official class. Their necessary concentration upon words and classical forms, rather than upon ideas and realities, seems, in spite of her comparative peacefulness and the very high individual intellectual quality of her people, to have greatly hampered the social and economic development of China. Probably it is the complexity of her speech and writing, more than any other imaginable cause, that has made China to-day politically, socially, and individually a vast pool of backward people rather than the foremost power in the whole world.[133]

§ 2

But while the Chinese mind thus made for itself an instrument which is probably too elaborate in structure, too laborious in use, and too inflexible in its form to meet the modern need for simple, swift, exact, and lucid communications, the growing civilizations of the west were working out the problem of a written record upon rather different and, on the whole, more advantageous lines. They did not seek to improve their script to make it swift and easy, but circumstances conspired to make it so. The Sumerian picture-writing, which had to be done upon clay and with little styles, which made curved marks with difficulty and inaccurately, rapidly degenerated by a conventionalized dabbing down of wedged-shaped marks (cuneiform = wedge-shaped) into almost unrecognizable hints of the shapes intended. It helped the Sumerians greatly to learn to write, that they had to draw so badly. They got very soon to the Chinese pictographs, ideographs, and phonograms, and beyond them.

Most people know a sort of puzzle called a rebus. It is a way of representing words by pictures, not of the things the words represent, but by the pictures of other things having a similar sound. For example, two gates and a head is a rebus for Gates-head; a little streamlet (beck), a crowned monarch, and a ham, Beckingham. The Sumerian language was a language well adapted to this sort of representation. It was apparently a language of often quite vast polysyllables, made up of very distinct inalterable syllables; and many of the syllables taken separately were the names of concrete things. So that this cuneiform writing developed very readily into a syllabic way of writing, in which each sign conveys a syllable just as each act in a charade conveys a syllable. When presently the Semites conquered Sumeria, they adapted the syllabic system to their own speech, and so this writing became entirely a sign-for-a-sound writing. It was so used by the Assyrians and by the Chaldeans. But it was not a letter-writing, it was a syllable-writing. This cuneiform script prevailed for long ages over Assyria, Babylonia, and the Near East generally; there are vestiges of it in some of the letters of our alphabet to-day.

§ 3

But, meanwhile, in Egypt and upon the Mediterranean coast another system of writing grew up. Its beginnings are probably to be found in the priestly picture-writing (hieroglyphics) of the Egyptians, which also in the usual way became partly a sound-sign system. As we see it on the Egyptian monuments, the hieroglyphic writing consists of decorative but stiff and elaborate forms, but for such purpose as letter-writing and the keeping of recipes and the like, the Egyptian priests used a much simplified and flowing form of these characters, the hieratic script. Side by side with this hieratic script rose another, probably also derivative from the hieroglyphs, a script now lost to us, which was taken over by various non-Egyptian peoples in the Mediterranean, the Phœnicians, Libyans, Lydians, Cretans, and Celt-Iberians, and used for business purposes. Possibly a few letters were borrowed from the later cuneiform. In the hands of these foreigners this writing was, so to speak, cut off from its roots; it lost all but a few traces of its early pictorial character. It ceased to be pictographic or ideographic; it became simply a pure sound-sign system, an alphabet.

There were a number of such alphabets in the Mediterranean differing widely from each other.[134] It may be noted that the Phœnician alphabet (and perhaps others) omitted vowels. Possibly they pronounced their consonants very hard and had rather indeterminate vowels, as is said to be still the case with tribes of South Arabia. Quite probably, too, the Phœnicians used their alphabet at first not so much for writing as for single initial letters in their business accounts and tallies. One of these Mediterranean alphabets reached the Greeks, long after the time of the Iliad, who presently set to work to make it express the clear and beautiful sounds of their own highly developed Aryan speech. It consisted at first of consonants, and the Greeks added the vowels. They began to write for record, to help and fix their bardic tradition....

§ 4

So it was by a series of very natural steps that writing grew out of the life of man. At first and for long ages it was the interest and the secret of only a few people in a special class, a mere accessory to the record of pictures. But there were certain very manifest advantages, quite apart from the increased expressiveness of mood and qualification, to be gained by making writing a little less plain than straightforward pictures, and in conventionalizing and codifying it. One of these was that so messages might be sent understandable by the sender and receiver, but not plain to the uninitiated. Another was that so one might put down various matters and help one’s memory and the memory of one’s friends, without giving away too much to the common herd. Among some of the earliest Egyptian writings, for example, are medical recipes and magic formulæ. Accounts, letters, recipes, name lists, itineraries; these were the earliest of written documents. Then, as the art of writing and reading spread, came that odd desire, that pathetic desire so common among human beings, to astonish some strange and remote person by writing down something striking, some secret one knew, some strange thought, or even one’s name, so that long after one had gone one’s way, it might strike upon the sight and mind of another reader. Even in Sumeria men scratched on walls, and all that remains to us of the ancient world, its rocks, its buildings, is plastered thickly with the names and the boasting of those foremost among human advertisers, its kings. Perhaps half the early inscriptions in that ancient world are of this nature, if, that is, we group with the name-writing and boasting the epitaphs, which were probably in many cases prearranged by the deceased.

For long the desire for crude self-assertion of the name-scrawling sort and the love of secret understandings kept writing within a narrow scope; but that other, more truly social desire in men, the desire to tell, was also at work. The profounder possibilities of writing, the possibilities of a vast extension and definition and settlement of knowledge and tradition, only grew apparent after long ages. But it will be interesting at this point and in this connection to recapitulate certain elemental facts about life, upon which we laid stress in our earlier chapters, because they illuminate not only the huge value of writing in the whole field of man’s history, but also the rôle it is likely to play in his future.

1. Life had at first, it must be remembered, only a discontinuous repetition of consciousness, as the old died and the young were born.

Such a creature as a reptile has in its brain a capacity for experience, but when the individual dies, its experience dies with it. Most of its motives are purely instinctive, and all the mental life that it has is the result of heredity (birth inheritance).

2. But ordinary mammals have added to pure instinct tradition, a tradition of experience imparted by the imitated example of the mother, and in the case of such mentally developed animals as dogs, cats, or apes, by a sort of mute precept also. For example, the mother cat chastises her young for misbehaviour. So do mother apes and baboons.

3. Primitive man added to his powers of transmitting experience, representative art and speech. Pictorial and sculptured record and verbal tradition began.

Verbal tradition was developed to its highest possibility by the bards. They did much to make language what it is to the world to-day.

4. With the invention of writing, which developed out of pictorial record, human tradition was able to become fuller and much more exact. Verbal tradition, which had hitherto changed from age to age, began to be fixed. Men separated by hundreds of miles could now communicate their thoughts. An increasing number of human beings began to share a common written knowledge and a common sense of a past and a future. Human thinking became a larger operation in which hundreds of minds in different places and in different ages could react upon one another; it became a process constantly more continuous and sustained....

5. For hundreds of generations the full power of writing was not revealed to the world, because for a long time the idea of multiplying writings by taking prints of a first copy did not become effective. The only way of multiplying writings was by copying one copy at a time, and this made books costly and rare. Moreover, the tendency to keep things secret, to make a cult and mystery of them, and so to gain an advantage over the generality of men, has always been very strong in men’s minds. It is only nowadays that the great masses of mankind are learning to read, and reaching out towards the treasures of knowledge and thought already stored in books.

Nevertheless, from the first writings onward a new sort of tradition, an enduring and immortal tradition, began in the minds of men. Life, through mankind, grew thereafter more and more distinctly conscious of itself and its world. It is a thin streak of intellectual growth we trace in history, at first in a world of tumultuous ignorance and forgetfulness; it is like a mere line of light coming through the chink of an opening door into a darkened room; but slowly it widens, it grows. At last came a time in the history of Europe when the door, at the push of the printer, began to open more rapidly. Knowledge flared up, and as it flared it ceased to be the privilege of a favoured minority. For us now that door swings wider, and the light behind grows brighter. Misty it is still, glowing through clouds of dust and reek.

The door is not half open; the light is but a light new lit. Our world to-day is only in the beginning of knowledge.

XIX

GODS AND STARS, PRIESTS AND KINGS