TABITHA TOMPKINS’ SOLILOQUY.

Have I, Tabitha Tompkins, a right to my share of fresh air uncontaminated? or have I not? I ask the question with my arms akimbo. I might as well say what I’ve got to say, popgun fashion, as to tiptoe round my subject, mincing and curtesying when I’m all ablaze with indignation.

I ask again: Have I a right to my share of fresh air uncontaminated? or have I not?

Do I go out for a walk? Every man I meet is a locomotive chimney. Smoke—smoke—smoke—smoke:—great, long tails of it following in their wake, while I dodge, and twist, and choke, trying to escape the coils of the stifling anaconda, till I’m black in the face. I, Tabitha Tompkins, whose grandfather was one of the “signers” of the Declaration of Independence! I feel seventy-six-y! I have borne it about as long as I can without damage to hooks and eyes.

If I try to escape it, by getting into an omnibus, there it is again! If it does not originate inside, some “gentleman” on the box or top, wafts it into the windows. If I take refuge in a ferry boat, I find “gentlemen requested not to smoke,” (as usual) a dead letter,—no more regarded than is the law against gaming, or the Sunday liquor traffic. Do I go to a concert at Castle Garden, and step out on the balcony between the performances for a breath of fresh air?—myriads of lighted Havannas send me dizzy and staggering back into the concert room. Does a gentleman call to see me of an evening?—the instant he shakes his “ambrosial curls,” and gives “a nod,” I have to run for my vinaigrette.

Do I advertise for lodgings; and after much inspection of rooms, and wear and tear of patience and gaiter boots, make a final selection? Do I emigrate with big trunk, and little trunk, and a whole nest of bandboxes? Do I get my rocking-chair, and work-table, and writing-desk, and pretty little lamp, all safely transported and longitudinized to my fancy? Do I, in a paradisaical state of mind, (attendant upon said successful emigration,) go to my closet, some fine morning, and take down a pet dress?—asafœtida and onions, what an odor! All the “pachouli” and “new mown hay” in New York wouldn’t sweeten it. Six young men the other side of that closet, and all smokers!!! Betty, you may have that dress;—I wouldn’t touch it with a pair of tongs.

Do I lend a masculine friend my copy of Alexander Smith’s Poems?—can I ever touch it again till it has been through quarantine? Does he, by mistake, carry home my tippet in his pocket after a concert?—can I compute the hours it must hang dangling on the clothes line, before it can be allowed to resume its place round my neck?

Do I go to church on Sunday, with a devout desire to attend to the sermon?—my next neighbor is a young man, apparently seated on a nettle cushion: he groans and fidgets, and fidgets and groans; crosses his feet and uncrosses them; kicks over the cricket; knocks down his cane; drops the hymn-book, and finally draws from his coat pocket a little case; takes out one segar after another, transposes them, applies them to the end of his nose, and pats them affectionately; then he examines his watch; then frowns at the pulpit; then, glancing at the door, draws a sigh long enough and strong enough to inflate a pair of bellows, or burst off a vest button.

MR. STUBBS AND HIS FRIENDS

“Mr. Stubbs is earnestly requested to call and settle the above bill at his earliest convenience.”

With a dolorous whine, this same young man deplores (in public) his inability to indulge in the luxury of a wife, “owing to the extravagant habits of the young ladies of the present day.” I take this occasion to submit to public inspection a little bit of paper found in the vest pocket of this fumigated, cork-screwed, pantalooned humbug, by his washerwoman:

New York, October 1st, 1853.

Mr. Thaddeus Theophilus Stubbs,

To Juan Fumigo,

To Segars for Sept., 1853

Dr.
  To 12 Riohondas, at 6d. 75
3— To 12 Los Tres Castillos, at 6d. 75
  To 12 La Nicotiana, at 6d. 75
4— (Sunday—for Segars for a party) 10 Palmettoes, 10 Esculapios, 12 La Sultanos, 12 El Crusados, 20 Norriegos, 16 L’Alhambros, at 4c. 3 20
6— To 50 L’Ambrosias, at 4c. 2 00
10— To 30 Cubanos, at 8c. 2 40
12— To 50 Londres, at 4c. 2 00
15— To 30 Jenny Linds, (for concert party,) at 8c. 2 40
24— To 50 Figaros, (for party to see Uncle Tom, at the National,) at 8c. 4 00
26— To 100 Mencegaros, (for party of country relations and friends,) at 2c. 2 00
30— To 40 Imperial Regalias, at 1s. 5 00
      $26 25

Received Payment,

(Mr. Stubbs is earnestly requested to call and settle the above at his earliest convenience. J. F.)

Consistent Stubbs! But, then, his segar bill is not receipted!


SOLILOQUY OF A HOUSEMAID.

Oh, dear, dear! Wonder if my mistress ever thinks I am made of flesh and blood? Five times, within half an hour, I have trotted up stairs, to hand her things, that were only four feet from her rocking-chair. Then, there’s her son, Mr. George,—it does seem to me, that a great able-bodied man like him, needn’t call a poor tired woman up four pair of stairs to ask “what’s the time of day?” Heigho!—its “Sally do this,” and “Sally do that,” till I wish I never had been baptized at all; and I might as well go farther back, while I am about it, and wish I had never been born.

Now, instead of ordering me round so like a dray horse, if they would only look up smiling-like, now and then; or ask me how my “rheumatiz” did; or say good morning, Sally; or show some sort of interest in a fellow-cretur, I could pluck up a bit of heart to work for them. A kind word would ease the wheels of my treadmill amazingly, and wouldn’t cost them anything, either.

Look at my clothes, all at sixes and sevens. I can’t get a minute to sew on a string or button, except at night; and then I’m so sleepy it is as much as ever I can find the way to bed; and what a bed it is, to be sure! Why, even the pigs are now and then allowed clean straw to sleep on; and as to bed-clothes, the less said about them the better; my old cloak serves for a blanket, and the sheets are as thin as a charity school soup. Well, well; one wouldn’t think it, to see all the fine glittering things down in the drawing-room. Master’s span of horses, and Miss Clara’s diamond ear-rings, and mistresses rich dresses. I try to think it is all right, but it is no use.

To-morrow is Sunday—“day of rest” I believe they call it. Humph!—more cooking to be done—more company—more confusion than on any other day in the week. If I own a soul I have not heard how to take care of it for many a long day. Wonder if my master and mistress calculate to pay me for that, if I lose it? It is a question in my mind. Land of Goshen! I aint sure I’ve got a mind—there’s the bell again!


CRITICS.

“Bilious wretches, who abuse you because you write better than they.”

Slander and detraction! Even I, Fanny, know better than that. I never knew an editor to nib his pen with a knife as sharp as his temper, and write a scathing criticism on a book, because the authoress had declined contributing to his paper. I never knew a man who had fitted himself to a promiscuous coat, cut out in merry mood by taper fingers, to seize his porcupine quill, under the agony of too tight a self-inflicted fit, to annihilate the offender. I never saw the bottled-up hatred of years, concentrated in a single venomous paragraph. I never heard of an unsuccessful masculine author, whose books were drugs in the literary market, speak with a sneer of successful literary feminity, and insinuate that it was by accident, not genius, that they hit the popular favor!

By the memory of “seventy-six,” No! Do you suppose a man’s opinions are in the market—to be bought and sold to the highest bidder? Do you suppose he would laud a vapid book, because the fashionable authoress once laved his toadying temples with the baptism of upper-tendom? or, do you suppose he’d lash a poor, but self-reliant wretch, who had presumed to climb to the topmost round of Fame’s ladder, without his royal permission or assistance, and in despite of his repeated attempts to discourage her? No—no—bless your simple soul; a man never stoops to a meanness. There never was a criticism yet, born of envy, or malice, or repulsed love, or disappointed ambition. No—no. Thank the gods, I have a more exalted opinion of masculinity.


FORGETFUL HUSBANDS.

“There is a man out west, so forgetful, that his wife has to put a wafer on the end of her nose, that he may distinguish her from the other ladies; but this does not prevent him from making occasional mistakes.”

Take the wafer off your nose, my dear, and put it on your lips! Keep silence and let Mr. Johnson go on “making his mistakes;”—you cannot stop him, if you try; and if he has made up his mind to be near-sighted, all the guide-boards that you can set up, will only drive him home the longest way round!

So trot your babies, smooth your ringlets, digest your dinner, and—agree to differ! Don’t call Mr. Johnson “my dear,” or he will have good reason to think you are going to quarrel with him! Look as pretty as a poppet; put on the dress he used to like—and help him to his favorite bit at table, with your accustomed grace; taking care not (?) to touch him, accidentally, with your little fat hand, when you are passing it. Ten to one he is on the marrow bones of his soul to you, in less than a week, though tortures couldn’t wring a confession out of him. Then, if he’s worth the trouble, you are to take advantage of his silent penitence, and go every step of the way to meet him, for he will not approximate to you, the width of a straw! If he has not frittered away all your love for him, this is easily done, my dear, and for one whole day after it, he will feel grateful to you for sparing him the humiliation (?) of making an acknowledgment. How many times, my dear “Barkis,” you will be “willing” to go through all this, depends upon several little circumstances in your history with which I am unacquainted.


SUMMER FRIENDS.

“If every pain and care we feel
Could burn upon our brow,
How many hearts would move to heal,
That strive to crush us now.”

Don’t you believe it? They would run from you, as if you had the plague. “Write your brow” with anything else but your “troubles,” if you do not wish to be left solus. You have no idea how “good people” will pity you when you tell your doleful ditty! They will “pray for you,” give you advice by the bushel, “feel for you”—everywhere but in their pocket-books; and wind up by telling you to “trust in Providence;” to all of which you feel very much like replying as the old lady did when she found herself spinning down hill in a wagon, “I trusted in Providence till the tackling broke!”

Now, listen to me;—just go to work and hew out a path for yourself; get your head above water, and then snap your fingers in their pharisaical faces! Never ask a favor until you are drawing your last breath; and never forget one. “Write your troubles on your brow?” That man was either a knave, or, what is worse, a fool. I suppose he calls himself a poet; if he does, all I have to say is, it’s high time the city authorities took away his “license.”


HOW THE WIRES ARE PULLED:
OR,
WHAT PRINTER’S INK WILL DO.

“Isn’t it extraordinary, Mr. Stubbs, how Mr. Simpkins can always be dressed in the last tip-top fashion? Don’t you and I, and all the world know, that old Allen has a mortgage on his house, and that he never has a dollar by him longer than five minutes at a time. Isn’t it extraordinary, Mr. Stubbs?”

“Not at all—not at all—my dear,” said Mr. Stubbs, knocking the ashes from his Havana; “to an editor all things are possible;” and he unfolded the damp sheets of the Family Gazette, of which Mr. Simpkins was editor, and commenced reading aloud the following paragraph:

“We yesterday had the gratification of visiting the celebrated establishment of the far-famed Inman & Co., Hatters, No. 172 Wideway. We pronounce their new style of spring hat, for lightness, beauty, and durability, to be unrivaled; it is aptly designated the ‘Count D’Orsay hat.’ The gentlemanly and enterprising proprietors of the establishment, are unwearied in their endeavors to please the public. There is a je ne sais quoi about their hats, which can be found nowhere else in the city.”

“Well, I don’t see,” said Mrs. Stubbs, “I—”

“Sh—! sh—! Mrs. Stubbs; don’t interrupt the court—here’s another.”

“Every one should visit the extensive ware-rooms of Willcut & Co., Tailors, 59 Prince Albert street. There is science wagging in the very tails of Mr. Willcut’s coats; in fact, he may be said to be the only tailor in the city, who is a thorough artist. His pantaloons are the knee-plus-ultra of shear-dom. Mr. Willcut has evidently made the anatomy of masculinity a study—hence the admirable result. The most casual observer, on noticing Mr. Willcut’s fine phrenological developments, would at once negative the possibility of his making a faux pas on broadcloth.”

“Keep quiet, Mrs. Stubbs; listen:”

“The St. Lucifer Hotel is a palatial wonder; whether we consider the number of acres it covers, the splendor of its marble exterior, the sumptuousness of its drawing rooms, or the more than Oriental luxuriousness of its sleeping apartments, the tapestry, mirrors and gilding of which remind one forcibly of the far-famed Tuileries. The host of the St. Lucifer is an Apollo in person, a Chesterfield in manners, and a Lucullus in taste; while those white-armed Houris, the female waiters, lap the soul in Elysium.”

Mr. Stubbs lifted his spectacles to his forehead, crossed his legs, and nodded knowingly to Mrs. Stubbs.

“That’s the way it’s done, Mrs. Stubbs. That last notice paid his six months’ hotel bill at the St. Lucifer, including wine, cigars, and other little editorial perquisites. Do you want to know,” said Stubbs, (resuming the paper,) “how he gets his carriages repaired and his horses shod for nothing in the village where his country seat is located? This, now, is a regular stroke of genius. He does it by two words. In an account of his visit to the Sybil’s Cave, in which he says, ‘My Friend, the blacksmith, and I soon found the spot,’ &c., (bah!) Then here is something that will interest you, my dear, on the other page of the Gazette. Mr. Simpkins has used up the dictionary in a half-column announcement of Miss Taffety (the milliner’s) ‘magnificent opening at —— street.’ (Of course she made his wife a present of a new Paris bonnet.”)

“Well, I never—” said the simple Mrs. Stubbs. “Goodness knows, if I had known all this before, I would have married an editor myself. Stubbs, why don’t you set up a newspaper?”

Mrs. Stubbs!” said her husband, in an oracular tone, “to conduct a newspaper requires a degree of tact, enterprise and ability to which Jotham Stubbs unfortunately is a stranger. The Family Gazette or its founder is by no means a fair sample of our honorable newspapers, and their upright, intelligent, and respected editors. Great Cæsar!—no!” said Stubbs, rising from his chair, and bringing his hand down emphatically on his corduroys, “no more than you are a fair sample of feminine beauty, Mrs. Stubbs!”


WHO WOULD BE THE LAST MAN?

“Fanny Fern says, ‘If there were but one woman in the world, the men would have a terrible time.’ Fanny is right; but we would ask her what kind of a time the women would have if there were but one man in existence?”

What kind of a time would they have? Why, of course no grass would grow under their slippers! The “Wars of the Roses,” the battles of Waterloo and Bunker Hill would be a farce to it. Black eyes would be the rage, and both caps and characters would be torn to tatters. I imagine it would not be much of a millennium, either, to the moving cause of the disturbance. He would be as crazy as a fly in a drum, or as dizzy as a bee in a ten-acre lot of honeysuckles, uncertain where to alight. He’d roll his bewildered eyes from one exquisite organization to another, and frantically and diplomatically exclaim—“How happy could I be with either, were t’other dear charmer away!”

“What kind of a time would the women have, were there only one man in the world?”

What kind of a time would they have? What is that to me? They might “take their own time,” every “Miss Lucy” of them, for all I should care; and so might the said man himself; for with me, the limited supply would not increase the value of the article.


“ONLY A COUSIN.”

How the rain patters against the windows of your office! How sombre, and gloomy, and cheerless, it looks there! Your little office-boy looks more like an imp of darkness than anything else, as he sits crouched in the corner, with his elbows on his knees and his chin in his hands.

You button your overcoat tight to your chin, (cut possible clients,) and run over to see your cousin Kitty. Ah! that is worth while! A bright, blazing fire; sofa wheeled up to it, and Kitty sitting there, looking so charming in her pretty neglige. She looks up sweetly and tranquilly, and says: “Now that’s a good Harry; sit down by me, and be agreeable.”

Well, you “sit down,” (just as close as you like, too!) tell her all the down-town male gossip; consult her confidentially about trimming your whiskers; and desire her candid, unbiased opinion about the propriety and feasibility, with the help of some Macassar, of coaxing out a moustache! Then you make a foray into her work-basket, tangling spools most unmercifully, and reading over all the choice bits of poetry that women are so fond of clipping from the newspapers. Then you both go into the china closet, and she gets you a tempting little luncheon; and you grow suddenly merry, and have a contest which shall make the worst pun; you earn for yourself a boxed ear, and are obliged, in self-defence, to imprison the offending hand; your aunt comes in; let her come! are not you and Kitty cousins?

There’s a ring at the door, and Mr. Frank —— is announced. You say, “Unmitigated puppy!” and begin a vehement discussion with your aunt, about anything that comes handy; but that don’t prevent you from seeing and hearing all that goes on at the other side of the room. Your aunt is very oblivious, and wouldn’t mind it if you occasionally lost the thread of your discourse. Kitty is the least bit of a coquette! and her conversation is very provocative, racy and sparkling; you privately determine to read her a lecture upon it, as soon as practicable.

It seems as though Mr. Frank —— never would go. Upon his exit, Kitty informs you that she is going to Madame ——’s concert with him. You look serious, and tell her you “should be very sorry to see a cousin of yours enter a concert room with such a brainless fop.” Kitty tosses her curls, pats you on the arm, and says, “Jealous, hey?” You turn on your heel, and, lighting a cigar, bid her “good-morning,” and for a little eternity of a week you never go near her. Meantime, your gentlemen friends tell you how “divine” your little cousin looked at the concert.

You are in a very bad humor; cigars are no sedative—newspapers either. You crowd your beaver down over your eyes and start for your office. On the way you meet Kitty! Hebe! how bright and fresh she looks! and what an unmitigated brute you’ve been to treat her so! Take care! she knows what you are thinking about! Women are omniscient in such matters! So she peeps archly from beneath those long eyelashes, and says, extending the tip of her little gloved hand—“Want to make up, Harry?”

There’s no resisting! That smile leads you, like a will-o’-the-wisp, anywhere! So you wait upon her home; nobody comes in, not even your respected aunt; and you never call her “cousin,” after that day; but no man living ever won such a darling little wife, as Kitty has promised to be to you, some bright morning.


THE CALM OF DEATH.

“The moon looks calmly down when man is dying,
The earth still holds her sway;
Flowers breathe their perfume, and the wind keeps sighing;
Naught seems to pause or stay.”

Clasp the hands meekly over the still breast—they’ve no more work to do; close the weary eyes—they’ve no more tears to shed; part the damp locks—there’s no more pain to bear. Closed is the ear alike to Love’s kind voice, and Calumny’s stinging whisper.

Oh! if in that stilled heart you have ruthlessly planted a thorn; if from that pleading eye you have carelessly turned away; if your loving glance, and kindly word, and clasping hand, have come—all too late—then God forgive you! No frown gathers on the marble brow as you gaze—no scorn curls the chiselled lip—no flush of wounded feeling mounts to the blue-veined temples.

God forgive you! for your feet, too, must shrink appalled from death’s cold river—your faltering tongue ask, “Can this be death?”—your fading eye linger lovingly on the sunny earth—your clammy hand yield its last faint pressure—your sinking pulse give its last feeble flutter.

Oh, rapacious grave; yet another victim for thy voiceless keeping! What! no word or greeting from all thy household sleepers? No warm welcome from a sister’s loving lips? No throb of pleasure from the dear maternal bosom?

Silent all!

Oh, if these broken links were never gathered up! If beyond Death’s swelling flood there were no eternal shore! If for the struggling bark there were no port of peace! If athwart that lowering cloud sprang no bright bow of promise!

Alas for Love, if this be all,
And naught beyond—oh earth!

MRS. ADOLPHUS SMITH SPORTING THE “BLUE STOCKING.”

THE BLUE STOCKING

“Don’t be disagreeable, Smith, I’m just getting inspired!”

Well, I think I’ll finish that story for the editor of the “Dutchman.” Let me see; where did I leave off? The setting sun was just gilding with his last ray—“Ma, I want some bread and molassess”—(yes, dear,) gilding with his last ray the church spire—“Wife, where’s my Sunday pants?” (Under the bed, dear,) the church spire of Inverness, when a—“There’s nothing under the bed, dear, but your lace cap”—(Perhaps they are in the coal hod in the closet,) when a horseman was seen approaching—“Ma’am, the pertators is out; not one for dinner”—(Take some turnips,) approaching, covered with dust, and—“Wife! the baby has swallowed a button”—(Reverse him, dear—take him by the heels,) and waving in his hand a banner, on which was written—“Ma! I’ve torn my pantaloons”—liberty or death! The inhabitants rushed en masse—“Wife! will you leave off scribbling?” (Don’t be disagreeable, Smith, I’m just getting inspired,) to the public square, where De Begnis, who had been secretly—“Butcher wants to see you, ma’am”—secretly informed of the traitors’—“Forgot which you said, ma’am, sausages or mutton chop”—movements, gave orders to fire; not less than twenty——“My gracious! Smith, you haven’t been reversing that child all this time; he’s as black as your coat; and that boy of yours has torn up the first sheet of my manuscript. There! it’s no use for a married woman to cultivate her intellect.——Smith, hand me those twins.”


CECILE VRAY.

“Died, in ——, Cecile, wife of Mortimer Vray, artist. This lady died in great destitution, among strangers, and was frequently heard to say, ‘I wish I were dead!’”

A brief paragraph, to chronicle a broken heart! Poor Cecile! We little thought of this, when conning our French tasks, your long raven ringlets twining lovingly with mine; or, when released from school drudgery, we sauntered through the fragrant woods, weaving rosy dreams of a bright future, which neither you nor I were to see.

I feel again your warm breath upon my cheek—the clasp of your clinging arms about my neck; and the whispered “Don’t forget me, Fanny,” from that most musical of voices.

Time rolled on, and oceans rolled between: then came a rumor of an “artist lover”—then a “bridal”—now the sad sequel!

Poor Cecile! Those dark eyes restlessly and vainly looking for some familiar face on which to rest, ere they closed forever; that listening ear, tortured by strange footsteps—that fluttering sigh, breathed out on a strange bosom. Poor Cecile!

And he (shame to tell) who won that loving heart but to trample it under foot, basks under Italy’s sunny skies, bound in flowery fetters, of a foreign syren’s weaving.

God rest thee, Cecile! Death never chilled a warmer heart; earth never pillowed a lovelier head; Heaven ne’er welcomed a sweeter spirit.


On foreign shores, from broken dreams, a guilty man shall start, as thy last sad, plaintive wail rings in his tortured ear, “Would I were dead?


SAM SMITH’S SOLILOQUY.

By the beard of the Prophet! what a thing it is to be a bachelor! I wonder when this table was dusted last! I wonder how long since that mattress was turned, or that carpet swept, or what was the primeval color of that ewer and wash-basin.

Christopher Columbus! how the frost curtains the windows: how dirge-like the wind moans: how like a great, white pall the snow covers the ground. Five times I’ve rung that bell for coal, for this rickety old grate, but I might as well thump for admittance at the gate of Paradise.

And speaking of Paradise—Sam Smith, you must be married: you haven’t a button to your shirt, nor a shirt to your buttons either.

Wonder if women are such obstinate little monkeys to manage? Wonder if they must be bribed with a new bonnet every day, to keep the peace? Wonder if you bring home a friend unexpectedly to dinner, if they always take to their bed with the sick headache? Wish there was any way of finding out, but by experience. Well, Sam, you are a Napoleonic looking fellow: if you can’t manage a woman, who can?

How I shall pet the little clipper. I’ll marry a blue-eyed woman: they are the most affectionate. She must not be too tall: a man’s wife shouldn’t look down upon him. She must not know too much: the Furies take your pert, catamount-y, scribbling women, with a repartee always rolled up under their tongues. She mustn’t be over seventeen: but how to find that out, Sam, is the question: it is about as easy as to make an editor tell you the truth about his subscription list. She must be handsome—no she mustn’t either. I should be as jealous as Blue Beard. All the corkscrew, pantalooned, perfumed popinjays would be ogling her. But then, again, there’s three hundred and sixty-five days in a year, and three times a day I must sit opposite that connubial face, at the table. What’s to be done? Yes; she must be handsome: that is as certain as that Louis Napoleon has a Jewish horror of Ham.

Wonder if wives are expensive articles? Wonder if their “little hands were ever made to scratch out husbands’ eyes?” Wonder if Caudle lectures are “all in your eye,” or—occasionally in your ear? Wonder if babies invariably prefer the night-time to cry?

To marry or not to marry, Sam? Whether ’tis better to go buttonless, and to shiver, or marry and be always in hot water?

There’s Tom Hillot. Tom’s married. I was his groomsman. I would have given a small fortune to have been in his white satin vest—what with the music, and the roses, and the pretty little bridesmaid! Didn’t the bride look bewitching, with the rose-flush on her cheek and the tear on her eyelash? And how provokingly happy Tom looked, when he whirled off with her in the carriage to their new home; and what a pretty little home it was, to be sure. It is just a year to-day since they were married. I dined there yesterday. It strikes me that Tom don’t joke as much as he used in his bachelor days; and then he has a way, too, of leaving his sentences unfinished. And I noticed that his wife often touched his foot with her slipper under the table. What do you suppose she did that for? Just as I was buttoning up my coat to come away, I asked Tom if he would go to up Tammany Hall with me. He looked at his wife, and she said, “Oh—go by all means, Mr. Hillot;” when Tom immediately declined. I don’t understand matrimonial tactics; but it seems to me he ought to have obliged her.

Do you know John Jones and his wife? (peculiar name that,—“Jones!”) Well, they are another happy couple. It is enough to make bachelor eyes turn green to see them. Mrs. Jones had been four times a widow, when she married John. She knows the value of husbands. She takes precious good care of John. Before he goes to the office in the morning, she pops her head out the window to see if the weathercock indicates a surtout, spencer, cloak, or Tom and Jerry; this point settled, she follows him to the door, and calls him back to close his thorax button “for fear of quinsy.” Does a shower come up in the forenoon? She sends him clogs, India-rubbers, an extra flannel shirt, and an oilcloth overall, and prepares two quarts of boiling ginger tea to administer on his arrival, to prevent the damp from “striking in.” If he helps himself to a second bit of turkey, she immediately removes it from his plate, and applying a pocket handkerchief to her eyes, asks him “if he has the heart to make her for the fifth time a widow?” You can see, with half an eye, that John must be the happiest dog alive. I’d like to see the miscreant who dares to say he is not!

Certainly—matrimony is an invention of——. Well, no matter who invented it. I’m going to try it. Where’s my blue coat with the bright, brass buttons? The woman has yet to be born who can resist that; and my buff vest and neck-tie, too: may I be shot if I don’t offer them both to the little Widow Pardiggle this very night. “Pardiggle!” Phœbus! what a name for such a rose-bud. I’ll re-christen her by the euphonious name of Smith. She’ll have me, of course. She wants a husband—I want a wife: there’s one point already in which we perfectly agree. I hate preliminaries. I suppose it is unnecessary for me to begin with the amatory alphabet. With a widow, I suppose you can skip the rudiments. Say what you’ve got to say in a fraction of a second. Women grow as mischievous as Satan if they think you are afraid of them. Do I look as if I were afraid? Just examine the growth of my whiskers. The Bearded Lady couldn’t hold a candle to them, (though I wonder she don’t to her own.) Afraid? h-m-m! I feel as if I could conquer Asia. What the mischief ails this cravat? It must be the cold that makes my hand tremble so: there—that’ll do: that’s quite an inspiration. Brummel himself couldn’t go beyond that. Now for the widow; bless her little round face! I’m immensely obliged to old Pardiggle for giving her a quit claim. I’ll make her as happy as a little robin. Do you think I’d bring a tear into her lovely blue eye? Do you think I’d sit after tea, with my back to her, and my feet upon the mantel, staring up chimney for three hours together? Do you think I’d leave her blessed little side, to dangle round oyster-saloons and theatres? Do I look like a man to let a woman flatten her pretty little nose against the window-pane night after night, trying to see me reel up street? No. Mr. and Mrs. Adam were not more beautified in their nuptial-bower, than I shall be with the Widow Pardiggle.


Refused by a widow! Who ever heard of such a thing? Well; there’s one comfort: nobody’ll ever believe it. She is not so very pretty after all: her eyes are too small, and her hands are rough and red-dy:—not so very ready either, confound the gipsy. What amazing pretty shoulders she has! Well, who cares?

“If she be not fair for me,
What care I how fair she be?”

Ten to one, she’d have set up that wretch of a Pardiggle for my model. Who wants to be Pardiggle 2nd? I am glad she didn’t have me. I mean—I’m glad I didn’t have her!


LOVE AND DUTY.

The moon looked down upon no fairer sight than Effie May, as she lay sleeping on her little couch, that fair summer night. So thought her mother, as she glided gently in, to give her a silent, good-night blessing. The bright flush of youth, and hope was on her cheek. Her long dark hair lay in masses about her neck and shoulders; a smile played upon the red lips, and the mother bent low to catch the indistinct murmur. She starts, at the whispered name, as if a serpent had stung her; and as the little snowy hand is tossed restlessly upon the coverlid, she sees, glittering in the moonbeams, on that childish finger, the golden signet of betrothal. Sleep sought in vain to woo the eyes of the mother that night. Reproachfully she asked herself, “How could I have been so blind? (but then Effie has seemed to me only a child!) But he! oh, no; the wine-cup will be my child’s rival; it must not be.” Effie was wilful, and Mrs. May knew she must be cautiously dealt with; but she knew, also, that no mother need despair, who possesses the affection of her child.

Effie’s violet eyes opened to greet the first ray of the morning sun, as he peeped into her room. She stood at the little mirror, gathering up, with those small hands, the rich tresses so impatient of confinement. How could she fail to know that she was fair?—she read it in every face she met; but there was one (and she was hastening to meet him) whose eye had noted, with a lover’s pride, every shining ringlet, and azure vein, and flitting blush; his words were soft and low, and skillfully chosen, and sweeter than music to her ear; and so she tied, with a careless grace, the little straw hat under her dimpled chin; and fresh, and sweet, and guileless, as the daisy that bent beneath her foot, she tripped lightly on to the old trysting place by the willows.

Stay! a hand is laid lightly upon her arm, and the pleading voice of a mother arrests that springing step.

“Effie dear, sit down with me on this old garden seat; give up your walk for this morning; I slept but indifferently last night, and morning finds me languid and depressed.”

A shadow passed over Effie’s face; the little cherry lips pouted, and a rebellious feeling was busy at her heart; but one look in her mother’s pale face decided her, and, untying the strings of her hat, she leaned her head caressingly upon her mother’s shoulder.

“You are ill, dear mother; you are troubled;” and she looked inquiringly up into her face.

“Listen to me, Effie, I have a story to tell you of myself: When I was about your age, I formed an acquaintance with a young man, by the name of Adolph. He had been but a short time in the village, but long enough to win the hearts of half the young girls, from their rustic admirers. Handsome, frank and social, he found himself everywhere a favorite. He would sit by me for hours, reading our favorite authors; and side by side, we rambled through all the lovely paths with which our village abounded. My parents knew nothing to his disadvantage, and were equally charmed as myself with his cultivated refinement of manner, and the indefinable interest with which he invested every topic, grave or gay, which it suited his mood to discuss. Before I knew it, my heart was no longer in my own keeping. One afternoon, he called to accompany me upon a little excursion, we had planned together. As he came up the gravel walk, I noticed that his fine hair was in disorder: a pang, keen as death, shot through my heart, when he approached me, with reeling, unsteady step, and stammering tongue. I could not speak. The chill of death gathered round my heart. I fainted. When I recovered, he was gone, and my mother’s face was bending over me, moist with tears. Her woman’s heart knew all that was passing in mine. She pressed her lips to my forehead, and only said, ‘God strengthen you to choose the right, my child.’

“I could not look upon her sorrowful eyes, or the pleading face of my gray-haired father, and trust myself again to the witchery of that voice and smile. A letter came to me; I dared not read it. (Alas! my heart pleaded too eloquently, even then, for his return.) I returned it unopened; my father and mother devoted themselves to lighten the load that lay upon my heart; but the perfume of a flower, a remembered strain of music, a struggling moonbeam, would bring back old memories, with a crushing bitterness that swept all before it for the moment. But my father’s aged hand lingered on my head with a blessing, and my mother’s voice had the sweetness of an angel’s, as it fell upon my ear!

“Time passed on, and I had conquered myself. Your father saw me, and proposed for my hand; my parents left me free to choose, and Effie dear, are we not happy?”

“Oh, mother,” said Effie, (then looking sorrowfully in her face,) “did you never see Adolph again?”

“Do you remember, my child, the summer evening we sat upon the piazza, when a dusty, travel-stained man came up the steps, and begged for ‘a supper?’ Do you recollect his bloated, disfigured face? Effie, that was Adolph!”

“Not that wreck of a man, mother?” said Effie, (covering her eyes with her hands, as if to shut him out from her sight.)

“Yes; that was all that remained of that glorious intellect, and that form made after God’s own image. I looked around upon my happy home, then upon your noble father—then—upon him, and,” (taking Effie’s little hand and pointing to the ring that encircled it,) “in your ear, my daughter, I now breathe my mother’s prayer for me—‘God help you to choose the right!’”

The bright head of Effie sank upon her mother’s breast, and with a gush of tears she drew the golden circlet from her finger, and placed it in her mother’s hand.

“God bless you, my child,” said the happy mother, as she led her back to their quiet home.


A FALSE PROVERB.

I wonder who but the “father of lies,” originated this proverb, “Help yourself and then everybody else will help you.” Is it not as true as the book of Job that it’s just driving the nails into your own coffin, to let anybody know you want help! Is not a “seedy” hat, a threadbare coat, or patched dress, an effectual shower-bath on old friendships? Have not people a mortal horror of a sad face and a pitiful story? Don’t they on hearing it, instinctively poke their purses into the farthest, most remote corner of their pockets? Don’t they rap their warm garments round their well-fed persons, and advise you, in a saintly tone, “to trust in Providence?” Are they not always “engaged” ever after, when you call to see them? Are they not near-sighted when you meet them in the street?—and don’t they turn short corners to get out of your way? “Help yourself,”—of course you will, (if you have any spirit;)—but when sickness comes, or dark days, and your wits and nerves are both exhausted, don’t place any dependence on this lying proverb!—or you will find yourself decidedly humbugged. And then, when your heart is so soft that anybody could knock you down with a feather, get into the darkest hole you can find, and cry it out! Then crawl out, bathe your eyes till they shine again, and if you have one nice garment left, out with it, put it on! turn your shawl on the brightest side; put your best and prettiest foot foremost; tie on your go-to-meetin’ bonnet, and smile under it, if it half kills you; and see how complaisant the world will be when—you ask nothing of it!

But if (as there are exceptions to all rules,) you should chance to stumble upon a true friend (when you can only render thanks as an equivalent for kindness) “make a note on’t,” as “Captain Cuttle” says, for it don’t happen but once in a life-time!


A MODEL HUSBAND.

“Mrs. Perry, a young Bloomer, has eloped from Monson, Massachusetts, with Levins Clough. When her husband found she was determined to go, he gave her one hundred dollars to start with.”

Magnanimous Perry! Had I been your spouse, I should have handed that “one hundred dollar bill” to Mr. Levins Clough, as a healing plaster for his disappointed affections—encircled your neck with my repentant arms, and returned to your home. Then, I’d mend every rip in your coat, gloves, vest, pants, and stockings, from that remorseful hour, till the millennial day. I’d hand you your cigar-case and slippers, put away your cane, hang up your coat and hat, trim your beard and whiskers, and wink at your sherry cobblers, whisky punches, and mint juleps. I’d help you get a “ten strike” at ninepins. I’d give you a “night key,” and be perfectly oblivious what time in the small hours you tumbled into the front entry. I’d pet all your stupid relatives, and help your country friends to “beat down” the city shopkeepers. I’d frown at all offers of “pin money.” I’d let you “smoke” in my face till I was as brown as a herring, and my eyes looked as if they were bound with pink tape; and I’d invite that pretty widow Delilah Wilkins to dinner, and run out to do some shopping, and stay away till tea-time. Why! there’s nothing I wouldn’t do for you—you might have knocked me down with a feather, after such a piece of magnanimity. That “Levins Clough” could stand no more chance than a woodpecker tapping at an iceberg.


HOW IS IT?

“Well, Susan, what do you think of married ladies being happy?” “Why I think there are more ain’t than is, than is that ain’t.”

Susan, I shall apply to the Legislature to have your name changed to “Sapphira.” You are an unprincipled female.

Just imagine yourself Mrs. Snip. It is a little prefix not to be sneezed at. It is only the privileged few, who can secure a pair of corduroys to mend, and trot by the side of; or a pair of coat-flaps alternately to darn, and hang on to, amid the vicissitudes of this patchwork existence.

Think of the high price of fuel, Susan, and the quantity it takes to warm a low-spirited, single woman; and then think of having all that found for you by your husband, and no extra charge for “gas.” Think how pleasant to go to the closet and find a great boot-jack on your best bonnet; or “to work your passage” to the looking-glass, every morning, through a sea of dickeys, vests, coats, continuations, and neck-ties; think of your nicely-polished toilette table spotted all over with shaving suds; think of your “Guide to Young Women,” used for a razor strap. Think of Mr. Snip’s lips being hermetically sealed, day after day, except to ask you “if the coal was out, or if his coat was mended.” Think of coming up from the kitchen, in a gasping state of exhaustion, after making a batch of his favorite pies, and finding five or six great dropsical bags disemboweled on your chamber floor, from the contents of which Mr. Snip had selected the “pieces” of your best silk gown, for “rags” to clean his gun with. Think of his taking a watch-guard you made him out of your hair, for a dog-collar! Think of your promenading the floor, night after night, with your fretful, ailing baby hushed up to your warm cheek, lest it should disturb your husband’s slumbers; and think of his coming home the next day, and telling you, when you were exhausted with your vigils, “that he had just met his old love, Lilly Grey, looking as fresh as a daisy, and that it was unaccountable how much older you looked than she, although you were both the same age.

Think of all that, Susan.


A MORNING RAMBLE.

What a lovely morning! It is a luxury to breathe. How blue the sky; how soft the air; how fragrant the fresh spring grass and budding trees; and with what a gush of melody that little bird eases his joy-burdened heart.