During the reign of Charles II, the business of card-making greatly increased in England: and the game appears to have been so generally understood as to induce many ingenious persons to employ cards not only as a means of diffusing useful and entertaining knowledge, but also of advertising their wares. The same mode of instruction was adopted about the same period in France; but in England it appears to have embraced a wider range of subjects; in France, scientific cards appear to have been devised for the exclusive use of the nobility and gentry, and to have been confined to their instruction in the conundrums of heraldry and the elements of history and geography; [178] while in England they were "adapted to the meanest capacity;" and in addition to the uses for which they were employed in France, were made subservient to the purposes of communicating knowledge in grammar, history, politics, morality, mathematics, and the art of carving.

A Mons. De Brainville invented at Lyons, about 1660, a pack of Heraldic cards, in which the Aces and Knaves, "les As et Valets," were represented by the arms of certain princes and nobles. Now as this was evidently a breach of etiquette and a derogation of heraldic nobility—Mons. De Brainville, like Mr. Anstis, does not seem to have rightly understood his own "foolish business" [179]—the plates were seized by the magistrates. As it appeared, however, that he had given offence through pure inadvertence, and not with any satirical intention, the plates were restored to him on condition of his altering the odious names of "As" and "Valets" into Princes and Chevaliers. In 1678 Antoine Bulifon carried the same kind of cards to Naples, where Don Annibal Aquaviva established a society to play at Blazon, under the name of "Armeristi," with the map of Europe for a device, and the motto, "Pulchra sub imagine Ludi." [180]

About the same time that Heraldic cards were introduced into Naples, a pack of the same kind as these of Mons. De Brainville were engraved in England. In these cards, specimens of which are given in the annexed plate, the honours of the several suits are thus represented. Each of the cards representing a Knave, is marked P, for Prince; and a stamp appears on the Ace of Spades.

In the annexed specimens, which are of the same size as the originals, the honours represented are the King of Clubs, the Queen of Hearts, the King of Diamonds, and the Ace of Spades. The arms of the Pope, representing the King of Clubs, are those of Clement IX, who was elected 20th June, 1667, and died 9th December, 1669.

In another pack of Heraldic cards, relating entirely to England, probably engraved about the same period, the armorial ensigns of the King and the nobility were thus distributed amongst the Têtes and Pips. [181] The King and Queen of Hearts were respectively represented by the arms of England and of the Duke of York; of Diamonds, by the arms of Ireland, and of Prince Rupert; of Spades, by the arms of France, and of the Archbishops of Canterbury and York; and of Clubs, by the arms of Scotland, and of the Dukes of Norfolk, Somerset, and Buckingham. In this pack there were no Knaves. The arms of the Earls were distributed amongst the sevens, eights, nines, and tens; the Viscounts furnished the sixes; the Bishops were quartered on the fives; and the Barons' coats armorial clothed the nakedness of the lower orders, from the fours to the aces,—the aces in the Heraldic game being low. From a kind of title-page, or perhaps wrapper, preserved in Bagford's collection, in the British Museum, it would appear that the publication of those cards was licensed by the Duke of Norfolk, as Earl Marshal of England, and as such entitled to take cognizance of all matters relating to heraldry.

In playing the game armorial with Heraldic cards, the players were required to properly describe the various colours and charges of the different shields; but as this could not be done without some previous knowledge of the science of heraldry, a Mons. Gauthier was led to devise, about 1686, a new pack of Heraldic cards, simply explaining the terms of blazon, and thus serving as an introduction to the grand game. [182] The Heraldic game, however, never was popular; and does not even appear to have been in much esteem with the higher orders, for whose instruction and entertainment it was specially devised. It would seem to have declined in France with the glory of Louis XIV, and not to have survived the Revolution in England.

About 1679, there was published a pack of cards, containing, according to the advertisement, "An History of all the Popish Plots that have been in England, beginning with those in Queen Elizabeth's time, and ending with the last damnable plot against his Majesty Charles II, with the manner of Sir Edmundbury Godfrey's murder, &c. All excellently engraved on copper-plates, with very large descriptions under each card. The like not extant. Sold by Randal Taylor, near Stationers Hall, and by most booksellers, price One Shilling each pack." In a "puff collusive," [183] forming a kind of postscript to this announcement, approbation of these cards is thus indirectly made a test of staunch Protestantism. "Some persons who care not what they say, and to whom lying is as necessary as eating, have endeavoured to asperse this pack by a malitious libel, intimating that it did not answer what is proposed. The contrary is evident. Aspersers of this pack plainly show themselves popishly affected." [184]

Such a pack of cards as that announced in the advertisement referred to—"containing an history of all the popish plots that have been in England, beginning with those in Queen Elizabeth's time"—I have never seen; and from the objection which was made to it at the time, namely, that "it did not answer what was proposed," I am inclined to think that it was the same pack as that which relates entirely to the pretended Popish plot of 1678, and the murder of Sir Edmundbury Godfrey. A pack of the latter now before me appears to have been published about 1680, and certainly subsequent to the 18th of July, 1679; as on the Four of Clubs is represented the trial of Sir George Wakeman and three Benedictine monks, who on that day were arraigned at the Old Bailey on an indictment of high treason for conspiring to poison the king. The complete pack consists of fifty-two cards; and each contains a subject, neatly engraved, either relating to the plot or the trial and punishment of the conspirators, with a brief explanation at the foot. At the top are the marks of the suit; and the value of the low cards, from one to ten, is expressed in Roman numerals. The suits of Hearts, Diamonds, and Clubs consist chiefly of illustrations of the pretended plot, as detailed in the evidence of Titus Oates and Captain Bedloe; while the suit of Clubs relates entirely to the murder of Sir Edmundbury Godfrey. An idea of the whole pack may be formed from the following description of a few of the cards of each suit. Hearts: King: the King and privy councillors seated at the council-table; Titus Oates standing before them: inscription at the foot, "Dr. Oates discovereth y^e Plot to y^e King and Councell." The Eight: "Coleman writeing a declaration and letters to la Chess,"—Père la Chaise. The Ace: the Pope with three cardinals and a bishop at a table, and the devil underneath: "The Plot first hatcht at Rome by the Pope and Cardinalls, &c." Diamonds: Knave: "Pickerin attempts to kill y^e K. in S^t James Park." The Four: "Whitebread made Provintiall." The Ace: "The consult at the white horse Taverne." Clubs: King: "Cap^t Bedlow examind by y^e secret Comitee of the House of Commons." The Nine: "Father Connyers preaching against y^e oathes of alegiance & supremacy." The Six: "Cap^t Berry and Alderman Brooks are offer'd 500£ to cast the plot on the Protestants." Spades: Queen: "The Club at y^e Plow Ale house for the murther of S. E. B. Godfree." The Nine: "S^r E. B. Godfree strangled, Girald going to stab him." The Five: "The body of S^r E. B. G. carry'd to Primrose hill on a horse."

Another pack of historical cards, apparently published in the same reign, but of inferior execution to the former, appears to have related to the Rye-house plot. As these cards are of even greater rarity than those relating to the Popish plot, the following description of four of them—all that I have ever seen—is here given as a stimulus to collectors. Queen of Hearts: "Thompson one of y^e conspirators taken at Hammersmith." Knave of Diamonds: "Rumbold the malster;" on a label proceeding from his mouth is the inscription, "They shall dye." Ace of Clubs: "Keeling troubled in mind:" on a label proceeding from his mouth, "King killing is damnable." Ace of Spades: "Hone taken prisoner at Cambridge." Shortly after the Revolution of 1688, one or two packs of cards appeared with subjects relating to the misgovernment of James II, and the birth of his son the Prince of Wales. In the reign of either Charles II or James II was published a pack of mathematical cards, by Thomas Tuttell, "mathematical instrument-maker to the King's most excellent Majesty." Those cards were designed by Boitard, and engraved by J. Savage; they represent various kinds of mathematical instruments, together with the trades and professions in which they are used. They were evidently "got up" as an advertisement. A few years afterwards, Moxon, also a mathematical instrument-maker, followed suit.

"It would be difficult," says Mons. Leber, "to name an elementary book of science or art, which had not a pack of cards as an auxiliary. Grammar, Rhetoric, Fable, Geography, History, Heraldry, the principles of Morals and Politics,—all these things, and many others besides, were to be learnt through the medium of play. The game of cards had served for the amusement of a royal lunatic; and similar games were comprehended in the plan for the education of one of our greatest kings. [185] —Though France had a large share in the dissemination of such treasures of knowledge, England showed herself not less diligent in working the same mine; if to us she owes the game of Piquet, it is from her own proper resources that she has endowed the culinary art with a game of a different kind, yet highly interesting considered in its relation to the play of the jaws, the most ancient and highly esteemed of all play. It was in December, 1692, that the London papers first announced to the world the invention of the game of Carving at Table. This precious announcement is conceived in the following terms: 'The Genteel Housekeeper's Pastime; or the mode of Carving at the table, represented in a pack of Playing Cards, with a book by which any ordinary capacity may learn how to cut up, or carve in mode, all the most usual dishes of flesh, fish, fowl, and baked meats, with the several sawces and garnishes proper to each dish of meat. Price 1s. 6d. Sold by J. Moxon, Warwick Lane.'" [186] In those cards the suit of Hearts is occupied by flesh; Diamonds by fowl; Clubs by fish; and Spades by baked meats. The King of Hearts presides over a sirloin of beef; of Diamonds over a turkey; of Clubs over a pickled herring; and of Spades over a venison pasty. A red stamp on the Ace of Spades belonging to a pack which I have had an opportunity of examining, contains the words "Six pence." If this was the duty on each pack, it was certainly great for the period.

In the reign of Queen Anne and that of George I, several packs of satirical and fanciful cards were published. A pack of the latter description, now in the possession of Thomas Heywood, Esq., of Pendleton, near Manchester, relates entirely to the subject of love. Each card is neatly engraved on copper; and, from the stamp on the Ace of Spades, it appears evident that they were manufactured and sold for the purposes of play. The subject of this card is a Cupid plucking a rose, with the inscription "In love no pleasure without pain," and the following verses at the foot:

All the other cards have, in the same manner, explanatory verses at the foot. The mark of the suit is placed at the top, to the left, and above it is engraved the value of the card, in Roman numerals. In the coat cards, the name of each,—King, Queen, or Knave—is engraved above the mark of the suit. This pack has been in the possession of Mr. Heywood's family for upwards of a century.

A pack of satirical cards, belonging to W. H. Diamond, Esq., Frith street, Soho square, appear to have been executed about the same time. Each subject has an explanatory couplet at the bottom, and the value of each in the game is indicated by a small card engraved at the top, to the left. As in the other pack, there is a red stamp on the Ace of Spades. All the subjects are coarsely engraved, though some of them display points of character very much in the style of Hogarth. In the Three of Spades there is a billiard-table, at which a gentleman is playing with a curved cue. The inscription is:

In the Ten of Spades, a Moorfields quack is seen pointing to his sign, with the inscription:

In the Ace of Diamonds, a lady is seen showing her palm to a fortune-teller, with the inscription:

In the Four of Diamonds, a lady is seen exchanging some of her clothes for china ware, with an itinerant dealer. The inscription is:

In the Ten of Diamonds, the interior of a shop is shown, with articles of plate on the shelves. A woman is standing behind the counter, on which are a box and dice, and in front are a lady and gentleman who seem to have just thrown. The inscription is:

In England, books containing instructions for playing at cards appear to have been first published in the reign of Charles II, to the great benefit, most assuredly, of all adepts who had acquired their knowledge by practice; for in card-playing, as well as in chemistry, the experienced manipulators have a great advantage over the merely book-learned when matters are brought to the test. The real science of play is not to be acquired by the study of books, but by frequent encounters across the table, with men, whose keenness ensures attention to the rules of the game. But, even with the knowledge thus acquired, the proficient will gain but little, unless he also be skilled in the discrimination of flats and sharps.

In 1670, an edition of a book entitled 'Wits Interpreter,' was enlarged with directions for playing the "Courtly Games of L'Hombre, Piquit, Gleek, and Cribbage;" and in 1674 appeared Cotton's "Compleat Gamester; or, Instructions how to play at all manner of usual and most Gentile games, either on Cards, Dice, Billiards, Trucks, Bowls, or Chess." This book was several times reprinted; and in an edition published in 1709, the following are enumerated as the principal games at cards: Piquet; Gleek; l'Ombre, a Spanish game; Cribbage; All-Fours; English Ruff and Honours, alias Slam; Whist; French Ruff; Five Cards; a game called Costly Colours; Bone-Ace; Put, and the High Game; Wit and Reason, a game so called; a Pastime called the Art of Memory; a game called Plain-Dealing; a game called Queen Nazareen; Lanterloo; a game called Penneech; Bankafalet; Beast; [187] and Basset. [188]

The game of Whist, or Whisk, as it seems to have been usually called, is unquestionably of English origin, and appears to have been popular long before it became fashionable.

Barrington's observations on the introduction of the game into respectable company, are as follows: "Quadrille (a species of Ombre) obtained a vogue upon the disuse of the latter, which it maintained till Whisk was introduced, which now [1787] prevails not only in England, but in most of the civilized parts of Europe. [191] If it may not possibly be supposed that the game of Trumps (which I have before taken notice of, as alluded to in one of the old plays contained in Dodsley's Collection) is Whisk, I rather conceive that the first mention of that game is to be found in Farquhar's 'Beaux Stratagem,' which was written in the very beginning of the present century. [192] It was then played with what were called Swabbers, [193] which were possibly so termed, because they who had certain cards in their hand were entitled to take up a share of the stake, independent of the general event of the game. The fortunate, therefore, clearing the board of this extraordinary stake, might be compared by seamen to the Swabbers (or cleaners of the deck), in which sense the term is still used. Be this as it may, Whisk seems never to have been played on principles till about fifty years ago, when it was much studied by a set of gentlemen who frequented the Crown coffee-house in Bedford row: before that time it was confined chiefly to the servants' hall with All-Fours and Put."

From Mr. Barrington's own references it would appear to have been a favorite game with country squires about 1707, the date of the Beaux Stratagem; and occasionally indulged in by clergymen about 1728, the date of Swift's Essay on the Fates of Clergymen. Their example, however, seems to have been unable to retrieve it from the character of vulgarity, until it was seriously taken up by "a set of gentlemen," who appear to have commenced their studies at the Crown coffee-house, in Bedford row, just about the time that the Treatise on Whist, by "Edmond Hoyle, Gent.," was first published by Thomas Osborne, at Gray's Inn. The studies of such gentlemen, and the celebrity of their scientific instructor, are thus commemorated in the prologue to the 'Humours of Whist,' a dramatic satire quoted in the preceding page.

Though Mr. Barrington has not assigned any grounds for supposing that Whist was the same game as that which was formerly called Trumps, or Trump, it is not unlikely that he was induced to suggest the possibility of their being the same from his having read, in 'The Compleat Gamester,' that Whist differed but little from the game called English Ruff and Honours, and in consequence of his having learnt, from Cotgrave's Dictionary, that Ruff and Trump were the same. [194] He says, in a note, that "In 1664, a book was published, entitled 'The Compleat Gamester,' which takes no notice of Whisk." Though it be true that "Whisk" is not named in the first edition of the book—printed in 1674, not 1664—yet the following passage, distinctly asserting that Whist was then a common game in all parts of England, appears in the second edition published in 1680.

"Ruff and Honours (by some called Slam), and Whist, are games so common in England, in all parts thereof, that every child almost, of eight years, hath a competent knowledge in that recreation; and therefore I am more unwilling to speak anything more of them than this, that there may be a great deal of art used in dealing and playing at these games, which differ very little one from the other." In the 'Memoirs of the most Famous Gamesters, from the reign of Charles II, to that of Queen Anne,' 1714, a sharper named Johnson, who was hanged in 1690, is mentioned as having excelled in the art of securing honours for himself and partner when dealing at Whist; and in the works of Taylor the Water-poet, printed in 1630, Whisk is mentioned among the games at which the prodigal squanders his money:

In an edition of 'The Compleat Gamester' of 1709, it is said that the game of Whist is so called from the silence that is to be observed in the play; and Dr. Johnson, from the manner in which he explains the term, seems to have favoured this opinion: "Whist, a game at cards, requiring close attention and silence." [196] The name, however, appears more likely to have been a corruption of the older one of Whisk. As the game of Whisk and Swabbers was nearly the same as that of the still older one of Ruff and Honours, it would seem that the two former terms were merely the ludicrous synonyms of the latter,—introduced perhaps about the time that Ruffs were going out of fashion, and when the Honours represented by the coat cards were at a discount. The fact that a game, so interesting in itself, should be so slighted, as it was, by the higher orders, from the reign of Charles II to that of George II, would seem to intimate that they were well aware of the ridicule intended to be conveyed by its popular name of Whisk and Swabbers. Looking at the conjunction of these terms, and considering their primary meaning, [197] there can scarcely be a doubt that the former was the original of Whist, the name under which the game subsequently obtained an introduction to fashionable society, the Swabbers having been deposed and the Honours restored.

In playing the game, Swabbers seem to have signified either the Honours, or the points gained through holding them. At the older game of Ruff and Honours, Ruff signified the Trump. It would appear that when the Ruff was called a Whisk, in ridicule of the Ruff proper, the Honours, or points gained through them were, "in concatenation accordingly, designated Swabbers." In the present day, a Parisian tailor calls, facetiously, the shirt-ruffle of a shopmate a damping clout; and Philip Stubbes, in his 'Anatomie of Abuses,' 1583, thus speaks of the ruffs of the gallants of his time: "Thei have great and monsterous ruffes, made either of cambricke, holland, lawne, or els of some other the finest cloth that can be got for money, whereof some be a quarter of a yarde deepe, yea some more, very few lesse: so that thei stande a full quarter of a yarde (and more) from their necks, hanging over their shoulder points instead of a vaile. But if Æolus with his blasts, or Neptune with his stormes, chaunce to hit upon the crasie barke of their bruised ruffes, then they goeth flip-flap in the winde, like ragges that flew abroode, lying upon their shoulders like the dishcloute of a slut."

In the reign of Queen Anne, card-playing seems to have attained its full tide in every part of civilized Europe. In England, in particular, it was at once fashionable and popular; Ombre was the favorite game of the ladies; and Piquet of the gentlemen, par excellence; clergymen and country squires rubbed on at Whist; and the lower orders shuffled away at All-Fours, Put, Cribbage, and Lanterloo. Subsequently some of the games may have been more diligently studied, and the chances more nicely calculated "on principles," but at no other time, either before or since, was card-playing more prevalent amongst people of all classes. The more pious indeed did their best to discourage the general passion for play; but their dissuasions appear to have produced but little effect; as indeed might be expected at a period when one of the first statesmen of the time piqued himself rather on his skill in gaming than on his political reputation, and when kind landlords, of the Sir Roger de Coverley school, used to send a string of hog's puddings and a pack of cards as a Christmas gift to every poor family in the parish. [198] The character of the statesman alluded to—Lord Godolphin, who died 1712, [199]—is thus sketched by Pope in his first Moral Epistle:

The following particulars relating to the manufacture of cards in the reign of Queen Anne, are derived from a broadside entitled "Considerations in relation to the Imposition on Cards, humbly submitted to the Hon. House of Commons." It is without date, but was certainly printed in the reign of Queen Anne, for the purpose of being circulated among the members of the House of Commons on the occasion of a proposal to lay a tax of sixpence per pack on cards. "Nine parts in ten of the cards now made," it is stated, "are sold from 6s. to 24s. per gross; and even these at 6s. will by this duty be subjected to £3 12s. tax. This, with submission, will destroy nine parts in ten of the manufacture; for those cards which are now bought for 3d. [per pack] can't then be afforded under 10d. or 1s. If any of your honours hope by this tax to suppress expensive card-playing, it is answered that the common sort who play for innocent diversion will only be hindered; the sharp gamesters who play for money will not be discouraged; for those who play for many pounds a game will not be hindered by 12d. a pack." There were then 40,000 reams of Genoa white paper annually imported, chiefly for the purpose of making cards. The business was in the hands of small masters, mostly poor, of whom there were no less than a hundred, in and about London. Their price to retailers, one sort of cards with another, was three halfpence a pack, and their profit not above a halfpenny. Though cards were at that period much smaller than they are at present, it is difficult to conceive how they could be manufactured at so low a price.

As Pope's description of the game of Ombre in the Rape of the Lock has been so frequently referred to by writers of all kinds,—whether treating, like Richard Seymour, Esq., on Court Games, or, like Miss Mitford, on Country Contentments, [200]—the omission of a reference to it here might be considered a gross oversight; but as it is impossible to go a pitch beyond the encomiums which have been bestowed on it, the following remarks by an old author may be introduced as a variation: "Mr. Pope, too, most certainly has his merit; yet the generality of polite men heed him little more than a pack-horse upon the road; they hear the jingle of his bells and pass on, without thinking of the treasure he carries. I have frequently thought it odd, that in all the good company I have kept, I never heard a line quoted from any part of him, unless, now and then, an accidental one, from his beautiful and accurate description of the game of Ombre." [201]

During the greater portion of the "Georgian Era" it would seem that cards were as much played at by all classes as in the reign of Queen Anne. In the early part of George I, Seymour published his 'Court Gamester,' written, as the title-page states, for the use of the young Princesses. [202] The only games of which Mr. Seymour treats are Ombre, Piquet, and the Royal Game of Chess. His instructions for playing at Ombre and Piquet are minute and precise, and have all the appearance of having been adapted for royal capacities. At cards with princesses, he may have been a master, in both senses of the word, and have played, in any company, a "decent hand;" but at Chess, it is evident, he was a mere novice,—"aut caprimulgus, aut fossor." Though, in the title-page, the work is said to have been written for the use of the young princesses, yet, in the preface, the author candidly acknowledges that he had been induced to compile it for the fashionable world at large, seeing that "gaming had become so much the fashion among the beau-monde, that he who in company should appear ignorant of the games in vogue would be reckoned low-bred and hardly fit for conversation." In his explanation of the Spanish terms employed in the game of Ombre, he is laudably precise; though when he renders the words, "No se deve, por Dios," by "It is not lost, by G—d," he seems wishful rather to give the spirit of the exclamation than the simple meaning of the phrase, and to be emphatic even at the risk of appearing profane. It is to be hoped that the princesses confined themselves to the original Spanish, and that they were ignorant that it contained an oath, supposing the objectionable English words to be merely added, elegantiæ causa, by their polite teacher.

About the time that Seymour's 'Court Gamester' was first published, a spirit of gambling seems to have pervaded all classes. Skill in the games at cards most in vogue was a test of gentility; stock-jobbing, or speculating for a rise or a fall in the public funds, had become a regular trade; and even pious ministers, of high dissenting principles, who looked on card-playing as sinful, scrambled as eagerly as the most profane for shares of South Sea stock, and were blinded to the sense of Christian duty by the dazzling hope of becoming suddenly rich. The South Sea bubble, however, at length burst, and its promoters and their dupes were appropriately caricatured in a pack of cards. [203] The South Sea directors, instead of having thousands of pounds presented to them by the shareholders, as a tribute to their speculative genius, were summoned before a parliamentary committee to give an account of their estates. Parliamentary committees have of late been employed for a purpose widely different:

About 1737, Hoyle's 'Treatise on Whist' was first published. The work, which seems to have been admirably adapted to the wants of society at the time, was most favorably received; and in the course of the succeeding ten or twelve years it ran through as many editions as Lindley Murray's Grammar, in the same period, in modern times. It proved a "lucky hit," both for the author and the publisher, who took every precaution to secure their copyright: injunctions were held up in terrorem against pirates; and purchasers were informed that no copies of the work were genuine unless they bore the signatures of

The race of "Wits," who had previously exercised no small influence on the world of fashion, was then on the decline; the beau-monde had acquired the ascendency over Grub street; and gentlemen of rank and fashion formed themselves into clubs, for the purposes of gaming and social intercourse, from which thread-bare poets and hack pamphleteers were excluded by the very terms of subscription, to say nothing of the preliminary ordeal of the ballot. Those were the golden days of Beau Nash; when George the Second was king; and his son, the Duke of Cumberland, the patron of Broughton and Figg; when Cibber was Poet-Laureate, and when Quin's brutality passed for wit; when the Guards, the pride of the army, were such heroes as we see them in Hogarth's March to Finchley; and when such statesmen as Bubb Doddington had the entrée, by the back stairs, both at Leicester House and St. James's. Even those who professed to correct the vices of the age seem in some degree to have been infected with its spirit; Richardson, the novelist, writing with the ostensible design of reforming "Rakes" and retaining innocent young women in the paths of virtue, seems often to indulge, more especially in Pamela and Clarissa Harlowe, in describing scenes and suggesting circumstances which only could have been conceived by a prurient imagination; and even John Wesley appears to have encouraged his poor converted sinners to exaggerate their petty vices, when speaking their experience at a love-feast, and to dwell, with a peculiar kind of complacency, on their former state of carnal wickedness as compared with their present state of spiritual grace,—just as William Huntington, S.S., when in the fulness of sanctity, dwelt on the memory of his former backslidings, and told all the world, with ill-dissembled pride, that his first-born love-begotten son was an exact copy of his father, both in humour and in person.

The reign of Beau Nash at Bath forms a "brilliant" era in the annals of ostentatious frivolity. Under his auspices the City of the Sick [204] became the favorite place of resort for the fashionable and the gay; and in the pools where formerly lepers alone washed to cleanse them of their sores, smooth-skinned ladies dabbled for pleasure, to the sound of soft music, while gentlemen, enraptured, looked on. [205] The Beau was admirably fitted, from his mercurial talents, to discharge the peculiar duties of purveyor of pleasure to the fashionable society of his age: he could administer flattery to a duchess while he pretended to reprove her; and could persuade the little madams, of the Would-be family, that they were honoured by his patronising condescension, at the very time that he was endeavouring to make them appear ridiculous, for the amusement of real ladies. He displayed great tact in bringing parties together who wished to be better acquainted, and denounced scandal as the bane of fashionable society. He promoted play as a recreation for the polite of both sexes; and encouraged dancing, not only as a healthy exercise per se, but for the benefit of the rooms, and for the sake of aiding the salutary operation of the waters. In his dress he was "conspicuously queer," as was requisite in a Master of the Ceremonies: he wore a large white hat,—cocked, be it observed,—the buckle of his stock before instead of behind, and, even in the coldest weather, his waistcoat unbuttoned, displaying the bosom of his shirt. He drove six greys in his carriage, and when he went in state to the rooms he was always attended by a numerous escort and a band of music, the principal instruments of which were French horns,—"Sonorous metal, blowing martial sounds." On his decease, which took place in 1761, the corporation of Bath, grateful for the benefits conferred on their city through his means, erected a marble statue of the Grand Master of the Ceremonies in the Pump-room, between the busts of Newton and Pope; and his good-natured friend, the Earl of Chesterfield, in an epigram, thus did justice to his memory and the taste of the corporation: