WRONG SACRIFICIAL COLLAR.
RIGHT SACRIFICIAL COLLAR.
We give the drawings of two yokes: No. 1 is the yoke which up to the present time has been universally accepted as that used for securing the victim during the sacrifice, of which several specimens are to be seen in Mexican museums and in our own Trocadéro, but which, owing to the cylindrical shape of the arch, measuring some sixteen inches in height by about seven in width, we maintain could never have been used for the purpose assigned to it; whereas No. 2, which we claim to have unearthed, answers in our opinion exactly to the requirements of a yoke for such a purpose. It is almost the width of the Techcatl, and is concave on its lower surface, which makes it a perfect fit for a convex stone; it has, moreover, a round hollow in the centre, sufficiently large to steady a man’s neck, so that the priest had only to apply this yoke to prevent any movement, when, to use Father Duran’s expression, he let fall his sharp silex knife and the victim opened “like a pomegranate.”16
Notwithstanding the assertion of most historians respecting the work of the Aborigines, it is difficult to account how with the tools they were acquainted with they could cut not only the hardest substances, but also build the numerous structures which are still seen in Mexico and Central America, together with the sculptures, bas-reliefs, statues, and inscriptions like those we reproduce. These monuments were innumerable, of all dimensions, and according to Leon y Gama,17 there was no town or settlement which did not possess on the stones of its walls, on the rocks of its mountains, the year of its foundation, its origin, and the history of its progress engraved in symbols and characters which could only be read by the Indians themselves. It is all the more inexplicable that they should have only used stone implements, that copper was abundant, and that they knew how to temper and make it nearly as hard as steel. The method employed by stone sculptors, however, has in all probability been lost.
Clavigero18 says that stone was worked with tools of hard stone; that copper hatchets were used by carpenters, and also to cultivate the soil and to fell trees; and Mendieta writes that both carpenters and joiners used copper tools, but that their work was not so beautiful as that of the sculptors on stone who had silex implements.19
Some historians have proved to their own satisfaction that copper was unknown to the Indians; but had they taken the trouble to read, however slightly, any authority on the subject, they would have paused before they advanced a theory which is entirely at variance with all writers, both ancient and modern. It is an ascertained fact that very rich copper-mines have been worked since the Conquest;20 and in 1873, whilst sinking a shaft in a copper-mine at Aguila, in the State of Guerrero, the miner lost suddenly the vein; and on examining the cause of the accident an excavation was found 4 ft. 4 in. long, 4 ft. 9 in. deep, and over 3 ft. wide, in which was a rich copper vein from 2 to 4 in. in thickness. The engineer, Felipe Lorainzar, could see no sign of iron or powder having been used, but the walls showed marks of fire; and both the copper ore and the rock in which it was embedded, were shattered and split in various places. In the rubbish were found 142 stones of different dimensions, shaped like hammers and wedges, the edges of which were blunt or broken; these stones were of a different substance from the surrounding rock, clearly indicating that the mine had originally been worked by the natives.21
Copper was likewise found in Chili, Columbia, Chihuahua, and in New Mexico. Before the Conquest, the Indians procured lead and tin from the mines of Tasco, but copper was the metal used in mechanic arts. Hatchets, arms, and scissors were made of copper found in the mountains of Zocatollan. The letters of Cortez tell us that among the taxes paid by the conquered people, figured copper hatchets and lingots of the same metal, which were paid every eighty days. Bernal Diaz22 says that in his second expedition with Grijalva, the inhabitants of Goatzacoalco brought them upwards of six hundred copper hatchets in three days, having wood handles exquisitely painted, and so polished that “we thought at first they were gold.” Copper was also found in Venezuela, where, at the present day, jewels of copper, or mixed with gold, crocodiles, lizards, and frogs are found. We procured some and placed them in the Trocadéro, having the same dimensions as those in Central America. Those we found on our first visit to Mitla, are thin, shaped like a tau, and hardly 4 in. long. Dupaix found similar hatchets at Mitla, and he thinks they were used as currency, a supposition all the more probable, that an Indian from Zochoxocotlan, near Oaxaca, found an earthen pot containing twenty-three dozen of these taus, but differing slightly from each other both in size and thickness. We read in Torquemada,23 that copper tablets, varying in thickness and shaped like a tau, were used as currency in various regions, and that they contained a large proportion of gold.
Gumesindo Mendoza mentions copper scissors in the Mexican Museum which were found to contain 97·87 lead, 100 copper, 213 platinum, 100 tin, and infinitesimal quantities of gold and zinc. On removing the oxide which covered them the bronze looked like red gold, its density being equal to 8.815; it is harder than copper and breaks under strong pressure, the broken part showing a fine granulation, like steel; but its hardness is less than carburetted iron and insufficient for the use it was intended for.
Humboldt says that Peruvian scissors contained 94 lead, 100 copper, 6 platinum, 100 tin, and that their specific weight was 8·815; other scissors analysed by Ramirez yielded 90 lead, 100 copper, 10 platinum, and 100 tin. It seems almost impossible that the Indians should not have used these admirable bronze scissors to build palaces, sculpture their idols and the images of their kings, which are still visible on the porphyry rocks of Chapultepec; and if it is denied that they were able to carve such hard substances, they must be credited with having easily worked the calcareous stones of Chiapas and Yucatan.
The American tribes had reached the transition epoch between the polished stone and the bronze period, which was marked by considerable progress in architecture and some branches of science. With them this period lasted longer than in the old world, owing to their never having come in contact with nations of a higher civilisation and possessed of better tools. Their only scientific data in the past were traditions which, if we believe their apologists, were carefully preserved and developed; but they have nearly all been lost, and great uncertainty must for ever rest upon the degree of their scientific progress; for it is equally impossible to accept either the wild theories of the good Abbé Brasseur, who sees in the Troano and Chilmalpoca codices, a whole system of geology dating ten thousand years back, as it is impossible to accept the childish dreams of Leplongeon, who credits the Mayas with every discovery down to the electric telegraph; nor yet those who maintain that without astronomical instruments (since they were unacquainted with glass) the Aztecs had discovered the composition of the sun and the transit of Venus. It seems as futile to make the Nahuas the inventors of everything as to rank them with mere savages. The religion of a people is a sure index of the degree of its culture; we know that the moral code and religion of the Toltecs showed wonderful growth towards all the essentials of a high civilisation, for religion in its early stage is but a gross fetishism, of which the head of the family is the priest, who performs before his household god the simple ceremonies he learnt from his forefathers. But as the tribe rises in importance his duties become more complicated, and he is willing to lay down his priestly office in favour of a poet or prophet, who, whilst the warriors are engaged in warfare and other avocations, shall pray for the welfare of the tribe and expound the wishes of the deity, receiving for his services part of the booty or the produce of the chase, and later, have his share of the land under cultivation. He soon adopts a dress so as to be distinguished from the warriors and the people; and as the number of priests increases, offerings are multiplied; a more imposing ceremonial replaces the simple worship of former days, temples and chapels are built, the image of the god is placed in the sanctuary, and only approached by the high priest, who becomes the sole interpreter between god and man. The former is now given numerous personalities, according to his various attributes, and the simple fetish of an early epoch develops in process of time into a mighty host, frequently numbering upwards of three thousand deities like the Aztec Olympus, for whose service a numerous priesthood and great wealth are required, implying a high degree of civilisation.
That there should be great uncertainty upon questions resting chiefly on vague traditions is natural enough, but that the same should be the case with matters that admitted of easy proof seems unaccountable; as, for instance, the name of Montezuma, in whose intimacy the Spaniards lived several months; yet of the twenty-three chroniclers who wrote about him, two call him Motecuhzoma, three Montezuma, and the remaining eighteen spell his name in as many different ways.
And here we will take leave of the Aztecs, whose history has been so admirably written by Prescott. My object in writing about them was to give some idea, however slight, of this people, in order to prepare the reader to follow me in my investigations respecting the far more ancient civilisation of the Toltecs—a civilisation which from them passed to the Aztecs, the Nahua tribes, and the people of Central America; the remains of which are still to be seen, whilst its stones will compose, together with chroniclers and historians, the foundation of our work.
HUMAN SACRIFICES.
ANCIENT INDIAN POTTERY.
TULA.
Journey to Tula—The Toltecs—Ancient Historians—Origins—Peregrinations— Foundation of Tula—Toltec Religion—Chief Divinities—Art—Industry—Measurement of Time—The Word Calli—Architecture.
The journey to Tula, capital of the Toltecs, our next destination, is performed partly by railway and partly by diligence over a distance of some sixteen leagues north of Mexico. The valley in this month (August) is at its best; immense plantations of Indian corn give it the aspect of a green sea, whilst a grand range of mountains and lofty summits bound it at the horizon. We go through the Tejan district, stopping a few minutes at Tacuba, where the old cypress of the “Melancholy night” is again pointed out to us. Our next station is Atzacapotzalco, once an independent state; then Tlanepantla. The country, as far as the eye can reach, presents nothing but the same plantations, the same hamlets, the same poor squalid huts, whilst here and there a few Indians in tatters, and swarms of naked children, gaze at us stupidly as we speed along. Now we come to a fortress-like church, formerly used as a stronghold by the Pronunciados; we notice for the first time some stunted poplars, some rare willow-trees, and by-and-by hedges of prickly pear, and now that we are in the diligence, the country somewhat changes; instead of long stretches of green maize, we have immense plantations of aloe, which to my mind, whether viewed from afar or near, are never a picturesque feature in the landscape. It is a wonder how we advance at all, for the wheels of our carriage almost disappear in the ruts of the worst road I ever travelled upon; I am confident that nothing has been done to it since the day it was opened. We cross a muddy river, when, with cracking of whip and galloping horses, we enter a village shaded by great ash-trees, and draw up before a respectable-looking inn, where we take up our quarters, for we are in Tula, once the brilliant capital of the Toltecs, but now reduced to a small straggling town numbering some 1,500 souls.
The Toltecs, as was stated before, were one of the Nahuan tribes, which from the seventh to the fourteenth century spread over Mexico and Central America. Their existence has been denied by various modern historians, although all American writers agree that the numerous bands which followed them in the country received their civilisation from them. It must be admitted, however, that our knowledge rests chiefly on traditionary legends full of anachronisms, transmitted to us by the nations that came after them; but it will be our care to fill up the enormous discrepancies to be met with at almost every page, by the monuments it has been our good fortune to bring to light. Two writers, Ixtlilxochitl and Mariano Veytia, have written about this people: the first in his “Historia Chichemeca” and “Relaciones,” the second in his “Historia Antigua de Mejico;” the latter being more explicit, it is from him that we will chiefly borrow, without neglecting, however, other chroniclers. Both made use of the same documents, drew from the same sources, the traditionary legends of their country; and Veytia, besides his own, had access to Botturini’s valuable collection of Mexican manuscripts, so that he was well acquainted with American antiquities. Ixtlilxochitl, on the other hand, as might be expected, in writing the history of his ancestors, whose language he understood and whose hieroglyphs he could decipher, is inspired by patriotic zeal; and it will be found that these historians have just claims to our admiration for the compass of their inquiries, and the sagacity with which they conducted them.
EXTRACTING PULQUE.
A third writer, Ramirez, by far the most illustrious of those who have treated the same subject, speaking of the two historians who preceded him, says: “I am not claiming infallibility for our historians, yet it must surely be conceded that, if no credence is given to our own, the same measure must be meted out to all the traditions of other countries, for neither Diodorus, Josephus, Livy, Tacitus, nor other historians, are able to bring the array of documents with which our history abounds in support of their assertions. I have purposely omitted Herodotus, the most curious and instructive among ancient historians, because modern discoveries and modern criticism have cleared him from the unjust attacks of Plutarch. A history is true and highly instructive, although it may contain absurd propositions, if it faithfully transmits the traditions, the belief, and the customs of a people; as it may be absolutely false, although relating facts which seem natural and probable, but are only the invention of the author. Mexican history and biography, like those of other nations, are founded on tradition and historical documents; than which none are better authenticated or more trustworthy.”
We think Ramirez proves his case, and, in writing these chapters, we will not be more critical than he is.24
Veytia,25 like all historians of that time, places the primitive home of the Toltecs in Asia, to make his account agree with Genesis, where it is said that after the destruction of the Babylonian Tower, “The Lord scattered the sons of men upon the face of all the earth.” According to him, they crossed Tartary and entered America through the Behring Straits, by means of large flat canoes, and square rafts made of wood and reeds; the former are described, and called acalli, “water houses,” in their manuscripts. Directing their course southward, they built their first capital, Tlapallan, “coloured,” subsequently Huehue-Tlapallan, to distinguish it from a later Tlapallan. Huehue-Tlapallan was the cradle whence originated the various tribes which peopled America. Each tribe was called after the father or chief of the family, who was also its ruler; hence came the Olmecs, from Olmecatl; the Xicalancas, from Xicalantl, etc.; it is uncertain whether the Chichemecs derived their appellation from Cichen, the man, or Chichen, the town in Yucatan.26
The Toltecs, by the common consent of historians, were the most cultured of all the Nahua tribes, and better acquainted with the mode of perpetuating the traditions of their origin and antiquities. To them is due the invention of hieroglyphs and characters, which, arranged after a certain method, reproduced their history on skins of animals, on aloe and palm-leaves, or by knots of different colours, which they called nepohualtzitzin, “historical events,” and also by simple allegorical songs. This manner of writing history by maps, songs, and knots, was handed down from father to son, and thus has come to us.27
Tlacatzin was the next city they built; and here, after thirteen years of warfare, they separated from the main body of the nation and migrated some seventy miles to the south, where in 604 they founded Tlapallanco, “small Tlapallan,” in remembrance of their first capital. But the arrival of fresh immigrants caused them to remove further south, and, under the command of their wise man, Hueman,28 “the Strong Hand,” who is endowed with power, wisdom, and intelligence, the Toltecs set out in 607, and marked their progress by building Jalisco, where they remained eight years; then Atenco, where they were five years; and twenty years at Iztachuexuca. In after times other Nahuan tribes followed them by different routes, as the ruins in New Mexico and the Mexican Valley everywhere attest.
Las Casas Grandes, the settlements in the Sierra Madre, the ruins of Zape, of Quemada, recalling the monuments at Mitla, others in Queretaro, together with certain features in the building of temples and altars, which remind one of the Mexican manuscripts from which the Toltec, Aztec, and Yucatec temple was built, make it clear that the civilising races came from the northwest; and Guillemin Tarayre,29 like ourselves, sees in the calli the embryo of the teocalli, which developed into the vast proportions of the pyramidal mounds found at Teotihuacan, Cholula, in Huasteca, Misteca, Tabasco, and Yucatan.
The next city built by the Toltecs was Tollatzinco, where they remained sixteen years; and finally settled at Tollan or Tula, which became their capital. The date of its foundation is variously given; Ixtlilxochitl sets it down at 556, Clavigero 667, and Veytia assigns 713 A.D. as the probable date. In our estimation, this divergence of opinion confirms rather than invalidates the existence of this people.
When the Aztecs reached Anahuac, Atzacapotzalco, Colhuacan, and Texcuco were small flourishing states. They had inherited from the Toltecs many useful arts, their code of morals, philosophy and religion, which in their turn they taught the Aztecs, so that the institutions and customs of these different tribes were common to all; and in default of documents which have been lost, we ascribe nearly all the historians of the Conquest relate of the Aztecs, whom they found the dominant race, as applicable to the Toltecs, the fountain of all progress both on the plateaux and in Central America, where we shall follow them. As for the Aztecs, who settled for the first time on the Mexican lake at the beginning of the fourteenth century, they were at that period nothing but a rude, barbarous tribe, and to the last day of their political existence they remained a military caste.
Among the ruins to be found at Tula are those of an unfinished temple called Quetzali, consisting of pillars in the shape of serpents, the heads of which form the basement and the tails the capital.
Some writers, amongst whom is Botturini, think the Toltecs were preceded by the Olmecs and Xicalancas on the territories of Tlaxcala, Huexcotzinco, and Puebla, when, after years of inter-tribal conflict, they settled in the Yucatan peninsula. But we have found in several Indian writers, that at the coronation of Chalchiuhtlanetzin, “bright stone,” King of the Toltecs, the Olmecs and Xicalancas came to swear allegiance and submit to his authority; and there is nothing to make one suppose that they were compelled to leave the country, for they seem to have amalgamated so well with the new-comers that their very name was merged in theirs, although they retain the memory of their origin even to this day. “There can be no doubt,” says Veytia, “that some of these people (Toltecs) established themselves in Yucatan”30—a remarkable passage, which we find confirmed at every step. According to the same authority, they built Tula in six years, when, to avoid the personal jealousy of the Caciques, they petitioned for the second son of King Huehue-Tlapallan, whom they proclaimed their ruler under the name of Chalchiuhtlanetzin.
TOLTEC POTTERY.
All the Toltecs did was excellent, graceful, and delicate; exquisite remains of their buildings covered with ornamentation, together with pottery, toys, jewels, and many other objects are found throughout New Spain, for, says Sahagun,31 “they had spread everywhere.” Both Veytia and Ixtlilxochitl32 ascribe a common origin to the Nahua, Toltec, Acolhuan, and Mexican tribes. “The Toltecs were good architects and skilled in mechanic arts; they built great cities like Tula, the ruins of which are still visible; whilst at Totonac they erected palaces of cut stone, ornamented with designs and human figures, recalling their chequered history.” “At Cuernavaca” (probably Xochicalco), he adds, “were palaces entirely built of cut stone, without mortar, beams, girders, or wood of any kind.” Torquemada speaks of the Toltecs in the same terms, observing that “they were supposed to have come from the west, and to have brought with them maize, cotton, seeds, and the vegetables to be found in this country; that they were cunning artists in working gold, precious stones, and other curiosities.”33 On the other hand, Clavigero thinks “they were the first nation mentioned in American traditions, and justly celebrated among the Nahuas, for their culture and mechanic skill; and that the name Toltec came to be synonymous TLALOC, FROM A PIECE OF POTTERY. TLALOC, FROM A PIECE OF POTTERY. for architect and artificer.”34 Quotations might be multiplied ad infinitum, but the foregoing will suffice to prove the existence of this people and their peculiar genius.
Their law of succession was somewhat curious: each king was to rule one of their centuries of fifty-two years; if he lived beyond it he was required to give up the crown to his son, and, in case of death, a joint regency took the reins of government for the remaining years. Their sacred book, teomoxtli, contained both their annals and their moral code. It is conjectured, with what evidence is uncertain, that they worshipped an “unknown god,” perhaps the origin of the “unknown god” to whom the King of Texcuco raised an altar. Their principal deities, however, were Tonacatecuhtli, the “Sun” and the “Moon,” to whom temples were first erected; to these they added Tlaloc, god of rain, and Quetzalcoatl, god of air and wisdom.35 Tlaloc, according to Torquemada, was the oldest deity known, for when the Acolhuans, who followed the Chichemecs, arrived in the country, he was found on the highest summit of the Texcucan mountain.36 His paradise, called Tlalocan, was a place of delight, an Eden full of flowers and verdure; whilst the surrounding hills were called “Tlaloc mounts.”37 He was emphatically the god of many places, of many names, and numerous personifications; as Popocatepetl he presided over the formation of clouds and rain, he was the “world-fertiliser,” the “source of favourable weather,” sometimes represented dark in colour, his face running with water to signify a rich yielding soil; he carried a thunderbolt in his right hand, a sign of thunder and lightning; whilst his left held a tuft of variegated feathers, emblem of the different hues of our globe; his tunic was blue hemmed with gold, like the heavens after rain. His wife, Chalchiuhtlicue, goddess of waters, was represented wearing a blue petticoat, the colour of the mountain Iztaccihuatl when seen at a distance, which was sacred to her.
Most historians mention Quetzalcoatl, at first a generic name, whom posterity endowed with every virtue and deified.38 His great temple was at Tula, but he was also worshipped in Yucatan under the name of Cukulcan,39 having the same meaning with Quetzalcoatl. He had travelled thither with a branch of the Toltecs, which, advancing from west to east, had taken Tabasco on their way, and occupied the peninsula earlier than a second branch, which entered the country by a southern route, under the command of their chief Tutulxiu, and became the rival and enemy of the first, whose reigning family were the Cocomes, “auditors.” The worship of Quetzalcoatl extended on the plateaux and in the peninsula, where the chiefs claimed to be descended from him. The symbol by which he is best known is “feathered serpent;” but he was severally called Huemac,40 the “Strong Hand,” the “white-bearded man,” his mantle studded with crosses, or dressed in a tiger’s skin; “god of air,” when he was the companion of Tlaloc, whose path he swept, causing a strong wind to prevail before the rainy season; and also a youthful, beardless man, etc. The various attributes of Quetzalcoatl and Tlaloc developed according to the people, the country, and epoch. Such transformations have been observed among all nations: in India the great Agni was at first but the spark produced by rubbing two pieces of wood together, which became cloud, dawn, the sun, the flash, Indra, etc. With the Greeks, Apollo was the god of light, poetry, music, medicine, etc. The Christian religion presents the same phenomenon; for we have the Ancient of Days, the Dove, the Lamb, the Vine. Thus Tlaloc, god of rain, is sometimes seen on ancient vases, his eyes circled with paper, his face running with water; or as an embryo cross, a perfect cross; and again in the form of a man lying on his back, supporting a vase to collect rain. The latter representation is found in Mexico, Tlaxcala, and Yucatan. Several writers41 mention that crosses were found throughout Mexico, Yucatan, and Tabasco, being another and later personification of Tlaloc. They have all been lost; but we reproduce those found by us, presenting various distinct forms. The cultus of the cross is of great antiquity and almost universal, for we find it in Greece, in India, on pottery of the Bronze Period (the suastica); whilst among the Slaves it was, as in America, the god of storm and rain.
Toltec Crosses.
No. 1, Serpent’s Cross. No. 2, Cross seen on Quetzalcoatl’s Tunic and on the Palaces at Mitla. No. 3, Mayapan Cross. No. 4, Cross of Teotihuacan. Nos. 5 and 7, Crosses in the Temples of Palenque. No. 6, Cross met with in the Temples of Lorillard City.
The same may almost be said of the serpent.42 It was reverenced in Egypt, in America, and is found at the beginning of Genesis; whilst in the north-west of India, the Nagas were serpent worshippers, whose great ancestor Naga was supposed to have been present at the Creation as Genius of the Ocean. He was the god of wisdom, the titular deity of mankind; and we find him at Bœroe-Bœdor, in Java, beautifully sculptured on a bas-relief, where Buddha is seen crossing the seas on a lotus-wreath, whilst close to him two immense serpents (Nagas) are raising their heads towards him in token of reverence. He is also worshipped in Cambodia, and his image is reproduced on the magnificent monuments of Angcor-Tom.
QUETZALCOATL, UNDER HIS BEST-KNOWN ATTRIBUTES.
The festival which was celebrated in honour of Quetzalcoatl during the teoxihuitl, “sacred year,” was preceded by a severe fasting of eighty days, during which the priests devoted to his service were subjected to horrible penances. He reigned successively at Izamal, in Yucatan, Chichen-Itza, and Mayapan, under the name of Cukulcan. To this god were ascribed the rites of confession and penance.
COTTON SPINNING.
The religion of the Toltecs was mild, like their disposition; no human blood ever stained their altars, their offerings consisting of fruits, flowers, and birds; nevertheless, their laws, which were the same for all classes, were stringent and severe. Polygamy was forbidden, and kings themselves were not allowed concubines, whilst their priests were deserving of the respect which was shown them from prince and peasant alike. They had sculptors, mosaists, painters, and smelters of gold and silver; and by means of moulds knew how to give metals every variety of shape; their jewellers and lapidaries could imitate all manner of animals, plants, flowers, birds, etc. Cotton was spun by the women, and given a brilliant colouring both from animal and mineral substances; it was manufactured of every degree of fineness, so that some looked like muslin, some like cloth, and some like velvet. They had also the art of interweaving with these the delicate hair of animals and birds’ feathers, which made a cloth of great beauty. Ixtlilxochitl43 is afraid to pursue the panegyric of this people, lest it should appear exaggerated. Their calendar was adopted by all the tribes of Anahuac and Central America; it divided the year into eighteen months of twenty days each, adding five intercalary days to make up the full number of three hundred and sixty-five days; these belonged to no month, and were regarded as unlucky. Both months and days were expressed by peculiar signs; and as the year has nearly six hours in excess of three hundred and sixty-five days, they provided for this by intercalating six days at the end of four years, which formed leap year. Tlapilli, “knots,” were cycles of thirteen years; four of these cycles was a century, which they called xiuhmolpilli, “binding up of knots,” represented by a quantity of reeds bound together. Besides the “bundle” of fifty-two years, the Toltecs had a larger cycle of one hundred and four years, called “a great age,” but not much used. The whole system rested on the repetition of the signs denoting the years, enabling one by means of dots to determine accurately to what cycle or what century each year belonged. And as these signs stood differently in each cycle, confusion was impossible; for the century being indicated by a number showing its place in the cycle, the dots would make it easy to determine to what age any given year belonged, according to its place at knot first, second, third, or fourth. Thus for instance, the year tecpatl “flint,” calli “house,” tochtli “rabbit,” and acatl “reed,” beginning the great cycle, would have one, five, nine, thirteen dots in the first series; four, eight, twelve, in the second; three, seven, fourteen, in the third; and two, six, ten, in the fourth series, which would come first in the new cycle, and the latter having its appropriate sign would enable one to see at once that “Flint” 12 was the twelfth year in the second series of the first cycle or century; that “Flint” 2 was the second year in the fourth series of the first cycle, etc. Example:
TLAPILLI.
| First Series. | Second Series. | ||
| 1. Flint | 6. House | 10. House | 1. House |
| ˙ | : : : | : : : : : | ˙ |
| 2. House | 7. Rabbit | 11. Rabbit | 2. Rabbit |
| ˙˙ | ˙.˙.˙.˙ | ˙.˙.˙.˙.˙.˙ | ˙˙ |
| 3. Rabbit | 8. Reed | 12. Reed | 32. Reed |
| ˙˙˙ | : : : : | : : : : : : | ˙˙˙ |
| 4. Reed | 9. Flint | 13. Flint | 4. Flint |
| : : | ˙.˙.˙.˙ | ˙.˙.˙.˙.˙.˙.˙ | ˙˙˙˙ |
| 5. Flint. | |||
| ˙˙˙˙˙ | |||
It will be seen later that the hieroglyph calli is the outline of the Toltec palace and temple, the foundation of his architecture, which never varies, and which we shall find in all monuments, whether we travel north or south, on the plateaux or in the lowlands; so that had everything else been destroyed, we might nevertheless pronounce with safety that all the monuments in North America were of Toltec origin. The genius of a nation, like that of an individual, has generally one dominant note, traceable through the various expressions of her art. India has topes and pagodas, Egypt sphinxes and hypostyle chambers, Greece three orders of columns. North America has only a plain wall ending with two projecting cornices having an upright or slanting frieze, more or less ornamented but of no appreciable difference.
A description of the ceremonies which took place at the end of CALLI, IN PROFILE. CALLI, IN PROFILE. every great cycle, will find here a natural place, and enable us to understand subsequent events.
The Aztecs celebrated their great festival of the new fire at the end of each century of fifty-two years, called by Sahagun toxiuilpilli, and by others xiuhmolpilli. As the end of the century drew near they were filled with apprehension, for if the fire failed to be rekindled, a universal dissolution was expected to follow. In their despair at such a contingency they threw away their idols, destroyed their furniture and domestic utensils, and suffered all fires to go out. A lofty mountain near Iztapalapan, some two leagues from Mexico, was the place chosen for kindling the new fire, which was effected by the friction of two sticks placed on the breast of the victim. The fire was soon communicated to a funeral pile, on which the body of the victim was placed and consumed. This ceremony always took place at midnight, and as the light mounted up towards heaven shouts of joy burst forth from the multitudes who covered the hills, the house-tops, and terraces of the temples, their eyes directed towards the mountain of sacrifice. Couriers, with torches lighted at the blazing fire, rapidly bore them to the inhabitants of the surrounding districts, whilst every part of the city was lighted with bonfires. The following days were given up to festivity, the houses were cleansed and whitewashed, the broken vessels were replaced by new ones, and the people dressed in their gayest apparel. If we except human sacrifice, this must have been a Toltec ceremony.44
CAPITAL, FOUND AT TULA.
THE PYRAMID OF THE SUN, TULA.
TULA. PYRAMID OF THE SUN. ANTIQUITIES OF TULA.
Caryatides—Columns—Capitals—Carved Shell—Tennis-ring—Tlachtli—Ancient Bas-reliefs—Toltecs Portrayed—Historical Jottings—The Temple of the Frog—Indian Vault—The Plaza—El Cerro del Tesoro.
Tula extended over a plain intersected by a muddy river winding round the foot of Mount Coatepetl, which commanded the city. The modern town occupies but a small proportion of the area of the ancient capital, and the few antiquities that adorn the plaza were found in clearing the river of some of its mud or whilst ploughing the adjacent fields.
TOLTEC CARYATID, TULA.
PARTS OF A COLUMN, TULA.
First in order are three fragments of caryatides: one, a gigantic statue which we reproduce, is about 7 ft. high; the head and upper part of the body below the hips are wanting, the legs are 1 ft. 3 in. in diameter, and the feet 4 ft. long. The two embroidered bits below the waist were no doubt the ends of the royal maxtli, the exact copy of which we shall see later on bas-reliefs in Chiapas, Palenque, and Lorillard City. The greaves, of leather bands, are passed between the toes and fastened on the instep and above it by large knots, recalling the Roman cacles. This statue is of black basalt, like all the other fragments; and although exceedingly rude and archaic in character, is not wanting in beauty in some of its details. Next comes a column in two pieces, lying on the ground, having a round tenon which fitted closely into the mortise and ensured solidity; it is the only specimen we have found where such care had been bestowed. TENNIS-RING, TULA. TENNIS-RING, TULA. The carving on the outward portion of the column consists of feathers or palms, whilst the reverse is covered with scales of serpents arranged in parallel sections. This fragment answers Sahagun’s description about the columns of a temple dedicated to Quetzalcoatl, already mentioned, where rattle-snakes formed the ornamentation. It is also interesting from the fact that we shall see a similar column at Chichen-Itza in a temple of the same god. Here also among other fragments I noticed a Greek column with a Doric capital, but on which I dare not pronounce definitely, although there is nothing else in the place denoting Spanish influence. All we can say is that it shows the marvellous building instinct of the Toltecs, and that we found some remains of a like description in the Yucatan peninsula. By far the most interesting object seen here, on account of the study and the archæological issues it entails, is a large carved stone ring about 6 ft. 5 in. in diameter, having a hole in the centre some 10 in. in circumference, evidently a tennis-ring. Tennis, tlacheo, tlachtli, was first known in Anahuac and transmitted to the Chichemecs, Acolhuans, and Aztecs by the Toltecs, who carried it with them to Tabasco, Yucatan, Uxmal, and Chichen; and in the latter place we found a perfect tennis-court with one ring still in place.
We must turn to Torquemada45 for full particulars respecting this national game, which was played in buildings of so typical a character as to be easily recognised. It consists of two thick parallel walls 32 ft. high, at a distance of 98 ft. from each other, having a ring fixed in the walls 22 ft. high, as seen in our cut; whilst at each extremity of the court stood a small temple in which preliminary ceremonies were performed before opening the game. It was played with a large india-rubber ball; the rules required the player to receive it behind, not to let it touch the ground, and to wear a tight-fitting leather suit to make the ball rebound. But the greatest feat was to send the ball through the ring, when a scramble, a rush, and much confusion followed, the winner having the right to plunder the spectators of their valuables. Sending the ball through the ring required so much dexterity, that he who succeeded was credited with a bad conscience or supposed to be doomed to an early death. Tennis seems to have been in such high repute with the Indians that it was not confined to individuals, but also played between one city and another, and accompanied, says Veytia, by much betting, when they staked everything they possessed, even their liberty. But this writer errs in ascribing the game to the Aztecs in honour of their god Huitzilopochtli, as we shall show.
Among other objects which we found at Tula is a large WARRIOR’S PROFILE, FOUND AT TULA. WARRIOR’S PROFILE, FOUND AT TULA. curiously-carved shell of mother-of-pearl; the carving recalls Tizoc’s stone, and notably the bas-reliefs at Palenque and Ocosinco in Chiapas; also two bas-reliefs, one in a rock outside the town, the other, by far the most valuable, in the wall of a private house, but very old and much injured, representing a full-face figure and another in profile; their nose, beard, and dress are similar to those described by Veytia46 in the following passage: “The Toltecs were above middle height, and owing to this they could be distinguished in later times from the other aborigines. Their complexion was clear, their hair thicker than the nations who followed them, although less so than the Spaniards. This is still observable among the few who remain claiming Toltec descent.”
These remains are priceless in every respect because of their analogy and intimate connection with all those we shall subsequently discover, forming the first links in the chain of evidence respecting our theory of the unity of American civilisation, which it is our object to prove in the course of this work.
On beholding these caryatides, the question naturally arises as to what monument they were intended for; and in turning to Veytia,47 we read that under the Emperor Mitl (979-1035) the Toltecs reached the zenith of their power; that their empire extended over one thousand miles, bordering on the Atlantic and Pacific Oceans; and that the population was so dense as to cause the soil to be cultivated on the highest mountains, whilst an influential priesthood performed the sacred rites within innumerable sanctuaries. The great cities of the high plateaux were Teotihuacan and Cholula, as later Palenque, Izamal, and Cozumel were those of the warm region. This emperor, jealous of the flourishing state and religious superiority of Teotihuacan, “the habitation of the gods,” wished to set up a new and rival deity for the veneration of his people; to this end he chose the songstress of the marsh, the “Frog,” whom he presented as the goddess of waters. And that the new deity should be ushered in with due pomp and solemnity, he had a magnificent temple built in her honour, and her gold statue placed within the temple, covered with emeralds, the size of a palm, and cunningly worked so as to imitate nature. Up to that time, temples had been large mounds erected on the summits of mountains, like that of Tlaloc, or on artificial pyramids like that of Teotihuacan, where the idols were exposed to the elements; that of the Frog was the first which was built with stones and given a rectangular shape, having a kind of solid vault (boveda), also of stone, which by a skilful arrangement covered the whole edifice.48 Here, then, we have a very plain description of the Indian vault, the Yucatec vault, a vault we have observed in the north and the whole extent of our Toltec journey; seen by Guillemin Tarayre in the tombs at Las Casas Grandes, mentioned by Ixtlilxochitl as the distinguishing feature in the monuments of Toluca and Cuernavaca, and by Humboldt at Cholula in the following passage: “On visiting the interior of the pyramid, I recognised a mortuary chamber, having the bricks of the ceiling so arranged as to diminish the pression of the roof. As the aborigines were unacquainted with the vault, they provided for it by placing horizontally and in gradual succession very large bricks, the upper slightly overlapping the lower, and in this way replaced the Gothic vault.”49 This remarkable writer further says, that “Yucatan and Guatemala are countries where the people had come from Atylan and reached a certain degree of civilisation.”50 Far greater would have been his appreciation, had his investigations been directed to the Toltecs and Central America, where the overlapping vault was introduced by them in all public edifices, temples, and palaces. With the testimony of these writers, we may consider the vault question definitely settled.