"What is done, is done, Whittingham," said Richard; "nor did I send for you to criticise my conduct."
"Ah! Master Richard; don't go for to scold me—me that saw you bred and born," exclaimed the old butler, tears starting into his eyes. "I wouldn't be an ominous burden to you for all the world; so I'll get employment somewhere else—"
"No—no, my faithful friend," cried Richard, taking the old man's hand, "I would not allow you to leave me on any account. As long as I have a crust you shall share it. My present object is to acquaint you with the necessity of introducing the most rigid economy into our household."
"Ah! now I understand you, Master Richard. And talking of this reminds me that a gentleman in the neighbourhood requires a young youth of the nature of Holford; and so the lad might step quite permiscuous, as the saying is, into a good situation at once."
"Well, let him seek for another place, Whittingham; but tell him that he may stay here until he can succeed in finding one."
Markham and Whittingham then arranged other little methods of economy, and the debate terminated. Fortunately for these plans, Holford procured the place alluded to by Whittingham, and repaired to his new situation in the course of a few days.
Notwithstanding the solicitude with which Markham endeavoured to conceal his altered circumstances from Mr. Monroe and Ellen, the quick perception of the latter soon enabled her to penetrate into the real truth; and she immediately reflected upon the best means of turning her own acquirements to some good purpose. She did not mention to her father her suspicion that they were a burden upon Markham's resources; but she took an early opportunity of hinting to Richard her anxiety to avail herself of her education and accomplishments, in order to add to the general resources of the household. The young man was struck by the delicate manner in which she thus made him comprehend that she was not blind to the limited nature of his means; but he assured her that his property was quite commensurate with his expenditure. Ellen appeared to be satisfied; but she nevertheless determined within herself to lose no time in seeking for profitable employment for her leisure hours.
But where was she to seek for occupation? She knew the miserable rate at which the labours of the needle-women were paid; and she shuddered at the idea of returning to the service of a statuary, an artist, a sculptor, or a photographer. And yet she was resolved not to remain idle. She could not bear the thought that her father and herself were a burden upon the slender resources of their generous and noble-hearted benefactor:—she saw with pain that while Markham forced her father to partake of his wine as usual, he himself now invariably invented an excuse to avoid joining in the indulgence;—she saw that Richard rose earlier than heretofore, and remained in his library the greater portion of the day;—she learned from Marian that the surplus garden produce was sold;—in a word, she beheld a system of the most rigid economy introduced into the establishment, and which was only relaxed on behalf of her father and herself. All this gave her pain; and she was resolved to do somewhat to enable her to contribute towards the resources of the household—even though she should be compelled to return to the service of a statuary, an artist, a sculptor, or a photographer.
At one moment she thought of applying to Greenwood:—but he had already done all she asked in respect to their child. And then, even if she were to obtain money from him, in what manner could she account to her father and to Markham for its possession? for there was a secret—a terrible secret connected with Greenwood, which she dared not reveal—even though such confession were to save her from a death of lingering tortures!
Thus thought Ellen Monroe. Was it extraordinary if the idea of applying to the old hag—that nameless woman—dwelling in a nameless court in Golden Lane, and exercising a nameless avocation—often entered the young lady's imagination? Was it strange that she should gradually overcome her repugnance to seek the presence of the filthy-souled harridan, and at length look upon such a step as the only means through which her ardent desire to obtain employment could be gratified?
It was decided! she would go.
Accordingly, one morning, she dressed herself in the most simple manner, and proceeded by an omnibus into the City. It was mid-day when she reached Golden Lane.
With what strange feelings did she proceed along the narrow and dirty thoroughfare! Pure and spotless was she when, nearly three years back, she had first set foot in that vile lane;—how much had she seen—how much passed through—how much endured since that period? Dishonoured—unwedded—she was a mother. Her virgin purity was gone for ever—the evidence of her shame was living, and could at any moment be brought forward to betray her. And if she now pursued a virtuous course, it was scarcely for virtue's sake, but through dread of the consequences of a fresh fault. The innate chastity of her soul had dissolved, like snow before the mid-day sun's effulgence, beneath the glances of the statuary, the artist, the sculptor, and the photographer. It was true that she looked upon her services to those masters with disgust; but the feeling had little reference to pure and unadulterated feminine modesty. Still she was of a proud spirit in one respect;—she detested a life of slothful dependence upon an individual who had not enough for himself!
Such was Ellen Monroe when she retraced her way, on the present occasion, to the dwelling of the old hag—that way which had led her to so frightful a precipice before!
The old woman was sitting in her great easy chair, watching the steam that rose from a large saucepan upon the hob. That saucepan contained the harridan's dinner—tripe and cow-heel stewing with onions, and filling the close apartment with a sickly odour. But the hag savoured that smell with a hideous expression of delight; to her nostrils it was a delicious perfume. From time to time she glanced—almost impatiently—towards her Dutch clock, as if anxious for the arrival of the happy moment when she might serve up her mess. She was just spreading a filthy napkin upon one corner of her table, when a knock was heard at her door.
Instead of inviting the visitor, whoever it might be, to enter, the hag hastened to answer the summons by opening the door a few inches. She was already afraid that some poor neighbour might seek a portion of her dainty meal!
But when she recognised Ellen Monroe, a gleam of joy suddenly illumined her lowering countenance, and the young lady immediately obtained admittance, for the hag thought within herself—"There is gold yet to be gained by her!"
Re-assured as to the undivided enjoyment of the stew, and having satisfied herself with a glance that Ellen was above immediate want, the old woman conducted her fair visitant to a seat, saying—
"My bird of beauty, you have come back to me again; I have been waiting for your return a long long time."
"Waiting for me?" cried Ellen, with surprise.
"Yes, miss—certainly. I know the world—and I felt convinced that you could not always contrive for yourself, without me."
"I am at a loss to understand you," said Ellen.
"Well—well, no matter!" exclaimed the hag, lifting off the lid of her saucepan, and ogling the stew. "At all events," she continued, after a pause, "you require my services now—else why are you come?"
"Yes—I require your services," answered the young lady. "I want employment—can you tell me of any thing likely to suit me?"
"In what way?" demanded the hag, with an impudent leer.
Ellen remained silent—absorbed in thought. That question recalled to her mind the difficulties of her position, and convinced her how little scope there was for the exercise of choice in respect to employment.
The old woman surveyed her fair visitant with attention; the sardonic expression of her countenance changed into one of admiration, as she contemplated that lovely girl. Her head was so gracefully inclined the least thing over one shoulder as she sat wrapt up in her reflections;—there was a shade of such bewitching melancholy upon her classic countenance: the long, dark fringes that shadowed her deep blue eyes, gave so Murillo-like a softness to her cheek as she glanced downwards; her bust, since she had become a mother, had expanded into such fine proportions, yet without destroying the perfect symmetry of her shape;—and her entire air had something so languishing—something of an only partially-subdued voluptuousness—that the old hag regarded her with mingled sentiments of admiration, envy, and pleasure.
"In what way can I serve you?" said the harridan again, after a long time.
"Alas! I have scarcely made up my mind how to answer the question," replied Ellen, smiling in spite of her melancholy thoughts. "I am not actually in want; but my father and myself are dependent upon the bounty of one who is by no means able to support us in idleness. My father can do nothing; he is old—infirm, and broken down by affliction. It therefore remains for me to do something to earn at least a trifle."
"A young lady of your beauty cannot be at a loss for friends who will treat her nobly," said the old woman, affecting to busy herself with her stew, but in reality watching Ellen's countenance with a reptile-like gaze as she spoke.
"Ah! I know that I am not the ugliest person in existence," exclaimed the young lady, smiling once more; "but I am anxious," she added, her countenance suddently assuming a serious expression, "to live a quiet—an honourable—and a virtuous life. I know there is nothing to be gained by the needle. I dislike the menial and degrading situation of a copy or a model:—are you aware of no other occupation that will suit me?"
"Have you any money in your pocket?" demanded the hag, after a few moments' reflection.
"I have three sovereigns and a few shillings," answered Ellen, taking her purse from her reticule.
"I know of an employment that will suit you well," continued the old woman; "and my price for putting it in your way will be the three sovereigns in your purse."
"Of what nature is the employment?" asked Ellen.
"That of patient to a Mesmerist," was the reply.
"Patient to a mesmerist!" exclaimed the young lady: "I do not understand you."
"There is a French gentleman who has lately arrived in London, and who lectures upon Animal Magnetism at the West End," said the hag. "He has created a powerful sensation; and all the world are running after him. But he requires patients to operate upon; and the photographer, with whom he is acquainted, recommended him to apply to me. You will answer his purpose; and you well know that I have always performed my promises to you hitherto; so you need not be afraid to pay me my price at once. I will then give you the mesmerist's card."
"First explain the nature of the services that will be demanded of me," said Ellen.
"You will be placed in a chair, and the magnetiser will pass his hands backwards and forwards in a particular way before your eyes; you will then have to fall asleep—or pretend to do so, whichever you like; and the professor will ask you questions, to which you must reply. This is the main business which he will require at your hands."
"But it is a gross deception," said Ellen.
"You may embrace or refuse my offer, just as you choose. If you are so very particular, Miss," added the old woman ironically, "why do you not obtain the situation of a governess, or go out and give lessons in music and drawing?"
"Because I should be asked for references, which I cannot give;—because there would be a perpetual danger of my former occupations transpiring;—and because——"
"Because—because you do not fancy that employment," exclaimed the hag impatiently. "See now—my dinner is ready—you are wasting my time—I have other business to attend to anon. Do you refuse or accept my offer?"
"What remuneration shall I be enabled to earn?" demanded Ellen, hesitatingly.
"Thirty shillings a-week."
"And how long shall I be occupied each day?"
"About two hours at the evening lectures three times a week; and perhaps an hour every day to study your part."
"Then I accept your offer," said Ellen; and she placed three sovereigns upon the table.
The eyes of the old woman glistened at the sight of the gold, which she clutched hastily from the table for fear that Ellen might suddenly repent of her bargain. She wrapped the three pieces carefully up in a piece of paper, and hastened to conceal them in the interior of her old Dutch clock. She then opened her table-drawer, and begin to rummage, as on former occasions when Ellen visited her, amongst its filthy contents.
The search occupied several minutes; for the old woman had numerous cards and notes scattered about in her drawer.
"You see that I have a good connexion," she observed, with a horrible smile of self-gratulation, as she turned the cards and notes over and over with her long bony hands: "all the fashionable young men about town know me, and do not hesitate to engage my services on particular occasions. Then they recommend me, because I give them satisfaction; and so I always have enough to do to give me bread. I am not idle, my dear child—I am not idle, I can assure you. Day and night I am at the beck and call of my patrons. I help gentlemen to mistresses, and ladies to lovers. But, ah! the pay is not what it used to be—it is not what it used to be!" repeated the old hag, shaking her head dolefully. "There is a great competition, even in my profession, miss—a very great competition. The shoemakers, the tailors, the publicans, the butchers, the bakers, all complain of competition;—but they have not half so much right to complain as I have. Now and then I pick up a handsome sum in one way;—and, while I think of it, miss, I may as well mention to you—for who can tell what may happen?—you are young, and beautiful, and warm—and such a thing is almost sure to befall you as well as any other woman. But, as I was saying, miss—I may as well mention to you, that if you should happen—in consequence of a fault—to——"
The old woman leant forward, and whispered something in Ellen's ear.
The young lady started; and an exclamation of mingled disgust and horror escaped her lips.
"Do not alarm yourself, my dear child," said the old hag, resuming her search with the most imperturbable coolness: "I did not mean to offend you. I can assure you that many a young lady, of higher birth than yours, and dwelling in the most fashionable quarters of London, has been glad to avail herself of my services. What would often become of the indiscreet miss if it wasn't for me? what, indeed?—what, indeed?"
"Haste and give me the card," exclaimed Ellen, in a tone of ill concealed disgust and aversion; "I am in a hurry—I can wait no longer."
"There it is, my dear," said the old hag. "I know the situation will suit you. When you require another, come to me."
Miss Monroe received the card, and took her departure without another moment's delay.
As soon as the young lady had left that den, the old hag proceeded to serve up her stew, muttering to herself all the while, "One of my stray sheep come back to me again! This is as it should be. There is yet much gold to be made by that girl: she cannot do long without me!"
Then the horrible wretch fetched from the cupboard the champagne-bottle which contained her gin; and she seated herself cheerfully at the table covered with the dainties that she loved.
ELLEN had already been long enough from home to incur the chance of exciting surprise or alarm at her absence; she was therefore compelled to postpone her visit to the Professor of Mesmerism until the following day.
On her return to the Place, after an absence of nearly three hours, her fears were to some extent realised, her father being uneasy at her disappearance for so long a period. She availed herself of this opportunity to acquaint Mr. Monroe with her anxiety to devote her talents to some useful purpose, in order to earn at least sufficient to supply them both with clothes, and thus spare as much as possible the purse of their benefactor. Her father highly approved of this laudable aim; and Ellen assured him that one of the families, for whom she had once worked at the West End, had promised to engage her as a teacher of music and drawing for a few hours every week. It will be recollected that the old man had invariably been led to believe that his daughter was occupied in private houses with her needle, when she was really in the service of the statuary, the artist, the sculptor, and the photographer: he therefore now readily put faith in the tale which Ellen told him, and even undertook not only to communicate her intention to Markham, but also to prevent him from throwing any obstacle in its way. This task the old man accomplished that very day; and thus Ellen triumphed over the chief difficulty which she had foreseen—namely, that of accounting for the frequent absence from home which her new pursuits would render imperative. And this duplicity towards her sire she practised without a blush. Oh! what a wreck of virtue and chastity had the mind of that young female become!
The Professor of Mesmerism occupied a handsome suite of apartments in New Burlington Street. He was a man of about fifty, of prepossessing exterior, elegant manners, and intelligent mind. He spoke English fluently, and was acquainted with many continental languages besides his own.
It was mid-day when Miss Monroe was ushered into his presence.
The Professor was evidently struck by the beauty of her appearance; but he held her virtue at no high estimation, in consequence of the source of her recommendation to him. Little cared he, however, whether she were a paragon of moral excellence, or an example of female degradation: his connexion with her was to be based upon a purely commercial ground; and he accordingly set about an explanation of his views and objects. Ellen listened with attention, and agreed to become the patient of the mesmerist.
Thus, having sold her countenance to the statuary, her likeness to the artist, her bust to the sculptor, her entire form to the photographer, and her virtue to a libertine, she disposed of her dreams to the mesmerist.
Several days were spent in taking lessons and studying her part, under the tutelage of the Professor. She was naturally of quick comprehension; and this practice was easy to her. Her initiation was therefore soon complete; and the Professor at length resolved upon giving a private exhibition of "the truths of Mesmerism practically illustrated" to a few friends. Ellen took a feigned name; and all the preliminary arrangements were settled.
The memorable evening arrived; and by eight o'clock the Professor's drawing-room was filled with certain select individuals, all of whom were favourably inclined towards the "science" of Mesmerism. Some of them, indeed, were perfectly enthusiastic in behalf of this newly-revived doctrine. The reporters of the press were rigidly excluded from this meeting, with two or three exceptions in favour of journals which were known to be friendly to the principle of Animal Magnetism.
When the guests were thus assembled, Ellen was led into the apartment. She was desired to seat herself comfortably in an easy arm-chair; and the Professor then commenced his manipulations, "with a view to produce coma, or mesmeric sleep." In about five minutes Ellen sank back, apparently in a profound sleep, with the eyes tightly closed.
The Professor then expatiated upon the truths of the science of Mesmerism; and the assembled guests eagerly drank in every word he uttered. At length he touched upon Clairvoyance, which he explained in the following manner:—
"Clairvoyance," he said, "is the most extraordinary result of Animal Magnetism. It enables the person magnetised to foretel events relating both to themselves and others; to describe places which they have never visited, and houses the interior of which they have never seen; to read books opened and held behind their heads; to delineate the leading points of pictures in a similar position; to read a letter through its envelope; to describe the motions or actions of a person in another room, with a wall intervening; and to narrate events passing in far distant places."
The Professor then proposed to give practical illustrations of the phenomena which he had just described.
The visitors were now all on the tiptoe of expectation; and the reporters prepared their note-books. Meantime Ellen remained apparently wrapped up in a profound slumber; and more than one admiring glance was turned upon her beautiful classic features and the exuberant richness of her bust.
"I shall now question the patient," said the Professor, "in a manner which will prove the first phenomenon of clairvoyance; namely, the power of foretelling events relative to themselves and others."
He paused for a moment, performed a few more manipulations, and then said, "Can you tell me any thing in reference to future events which are likely to happen to myself?"
"Within a week from this moment you will hear of the death of a relation!" replied Ellen in slow and measured terms.
"Of what sex is that relation?"
"A lady: she is now dangerously ill."
"How old is she?"
"Between sixty and seventy. I can see her lying upon her sick-couch with two doctors by her side. She has just undergone a most painful operation."
"It is perfectly true," whispered the Professor to his friends, "that I have an aunt of that age; but I am not aware that she is even ill—much less at the point of death."
"It is wonderful—truly wonderful!" exclaimed several voices, in a perfect enthusiasm of admiration.
"Let us now test her in reference to the second phenomenon I mentioned," said the Professor; "which will show the power of describing places she has never visited, and houses whose interiors she has never seen."
"Ah! that will be curious, indeed," cried several guests.
"Perhaps you, Mr. Wilmot," said the Professor, addressing a gentleman standing next to him, "will have the kindness to examine the patient relative to your own abode."
"Certainly," replied Mr. Wilmot then, turning towards Ellen, he said, "Will you visit me at my house?"
"With much pleasure," was her immediate answer.
"Where is it situated?"
"In Park Lane."
"Come in with me. What do you see?"
"A splendid hall, with a marble table between two pillars on one side, and a wide flight of stairs, also of marble, on the other."
"Come with me into the dining room of my house. Now what do you see?"
"Seven large pictures."
"Where are the windows?"
"There are three at the bottom of the room."
"What colour are the curtains?"
"A rich red."
"What is the subject of the large picture facing the fire-place?"
"The battle of Trafalgar."
"How do you know it is that battle?"
"Because I can read on the flag of one of the ships the words, 'England expects that every man will do his duty.'"
"I shall not ask her any more questions," said Mr. Wilmot, evidently quite amazed by these answers. "Every one of her replies is true to the very letter. And I think," he added, turning towards the other guests, "that you all know me well enough to believe me, when I declare most solemnly that this young person has never, to my knowledge, been in my house in her life."
A murmur of satisfaction arose amongst the guests, who were all perfectly astounded at the phenomena now illustrated—although they had come, as before said, with a predisposition in favour of Mesmerism.
"We will have another proof yet," said the Professor. "Perhaps Mr. Parke will have the kindness to question the patient."
Mr. Parke stepped forward, and said, "Will you do me the favour to walk with me to my house."
"Thank you, I will," answered Ellen, still apparently remaining in a profound mesmeric sleep.
"Where is my house?"
"In Mortimer Street, Cavendish Square."
"How many windows has it in front?"
"Thirteen."
"Where are the two statues of Napoleon?"
"In the library."
"What else do you see in that room?"
"Immense quantities of books on shelves in glass cases."
"Are there any pictures?"
"Yes—seven."
"What is the subject of the one over the mantelpiece?"
"A beautiful view of London, by moonlight, from one of the bridges."
"Wonderful!" ejaculated Mr. Parke. "All she has said is perfectly correct. It is not necessary to ask her any more questions on this subject."
"Gentlemen," said the Professor, casting a triumphant glance around him, "I am delighted to perceive that you are satisfied with this mode of illustrating the phenomena of clairvoyance. I will now prove to you that the patient can read a book held open behind her head."
He then performed some more manipulations to plunge his patient into as deep a mesmeric sleep as possible, although she had given no symptom of an inclination to awake throughout the preceding examination. Having thus confirmed, as he said, her perfect state of coma, the Professor took up a book—apparently pitched upon at random amongst a heap of volumes upon the table; and, holding it open behind the head of the patient, he said, "What is this?"
"A book," was the immediate reply.
"What book?"
"Milton's Paradise Lost."
"At what page have I opened it?"
"I can read pages 110 and 111."
"Read a few lines."
Ellen accordingly repeated the following passage in a slow and beautifully mellifluous tone:—
"That is sufficient," cried several voices. "Do not fatigue her. We are perfectly satisfied. It is really marvellous. Who will now dare to doubt the phenomena of clairvoyance?"
"Let us take a picture," said the Professor; "and she will delineate all the leading points in it."
The mesmerist took an engraving from a portfolio, and held it behind Ellen's head.
"What is this?" he demanded.
"A picture."
"What is the subject?"
"I do not know the subject; but I can see two figures in the fore-ground, with a camel. The back-ground has elevated buildings. Oh! now I can see it plainer: it is a scene in Egypt; and those buildings are the pyramids."
"Extraordinary!" cried Mr. Wilmot.
"And that little hesitation was a proof of the fact that she could really see the picture," added Mr. Parke.
"Wonderful! extraordinary!" exclaimed numerous voices.
At this moment a servant entered the room and delivered a letter to his master, the Professor, stating that it had just been left by a friend from Paris.
The mesmerist was about to open it, when a sudden idea seemed to strike him.
"Gentlemen," he exclaimed, throwing the letter upon the table, "the arrival of this missive affords me an opportunity of proving another phenomenon belonging to clairvoyance. The patient shall read this letter through the envelope."
"But if its contents be private?" said a guest.
"Then I am surrounded by gentlemen of honour, who will not publish those contents," returned the professor with a smile.
A murmur of approbation welcomed this happy compliment of the Frenchman.
The mesmerist held the letter at a short distance from Ellen's countenance, and said, "What is this?"
"A letter," she replied. "It is written in French."
"Read it," cried the mesmerist.
"The writing is obscure, and the lines seem to cross each other."
"That is because the letter is in an envelope and folded," said the Professor. "But try and read it."
Ellen then distinctly repeated the contents of the letter, of which the following is a translation:—
"Paris.
"Honoured Sir,—I have to acquaint you with the alarming illness of my beloved mistress, your aunt Madame Delabarre. She was taken suddenly ill four days ago. Two eminent physicians are in constant attendance upon her. It is believed that if she does not get better in a few days, the medical attendants will perform an operation upon her. Should your leisure and occupation permit, you would do well to hasten to France to comfort your venerable relative.
"Your humble servant,
"FELICIE SOLIVEAU."
"Ah! my poor aunt! my poor aunt!" cried the Professor: "she is no more! It was her death that the patient foretold ere now! Yes—the two physicians—the painful operation—Oh! my poor aunt!"
The mesmerist tore open the letter, hastily glanced over it, and handed it to the gentleman who stood nearest to him. This individual perused it attentively, and, turning towards the other guests, said, "It is word for word as the patient read it."
The enthusiasm of the disciples of mesmerism present was only damped by the grief into which the Professor was now plunged by the conviction of the death of his venerable aunt. They, therefore, briefly returned their best thanks for the highly satisfactory illustrations of the truths of mesmeric phenomena which they had witnessed upon the occasion, and took their leave, their minds filled with the marvels that had been developed to them.
The moment the guests and the reporters had taken their departure, the Professor hastened up to Ellen, took her by the hand, and exclaimed in a transport of joy, "You may rise, my good young lady; it is all over! You acquitted yourself admirably! Nothing could be better. I am delighted with you! My fortune is made—my fortune is made! These English blockheads bite at anything!"
Ellen rose from the chair in which she had feigned her mesmeric sleep, and was by no means displeased with the opportunity of stretching her limbs, which were dreadfully cramped through having remained an hour in one unchanged position. The Professor compelled her to drink a glass of wine to refresh her; and in a few minutes she was perfectly at her ease once more.
"Yes," repeated the mesmerist; "you conducted yourself admirably. I really could not have anticipated such perfection at what I may call a mere rehearsal of your part. You remembered every thing I had told you to the very letter. By cleverly selecting to examine you, those persons whose houses I have visited myself, and the leading features of which I am able to explain to you beforehand, I shall make you accomplish such wonders in this respect, that even the most sceptical will be astounded. You have an excellent memory; and that is the essential. Moreover, I shall never mislead you. The book and the print agreed upon between us during the day, shall always be chosen for illustration at the lecture. By the bye, your little hesitation about the engraving was admirable. You may always introduce that piece of acting into your part: it appears true. The part then is not over-done. I give you great credit for the idea. In a few days I shall tell all my friends that I have received a letter announcing my aunt's death; and that her demise took place at the very moment when you beheld her death-bed in your mesmeric slumber. This will astound them completely. On the next occasion we must introduce into our comedy the scene of the patient describing what takes place in another room, with a wall intervening; and as we will settle before-hand all that I shall do in another apartment, upon the occasion, that portion of the task will not be difficult."
"But suppose, sir," said Ellen, "that a gentleman, concerning whose house you have given me no previous description, should wish to examine me,—what must I do in such a case?"
"Remain silent," answered the Professor.
"And would not this excite suspicion?"
"Not a bit of it. I have my answer ready:—'There is no magnetic affinity, no mesmeric sympathy, between you and your interlocutor.' That is the way to stave off such a difficulty; and it applies equally to a stranger holding books or prints for you to read with the back of your head."
"I really can scarcely avoid laughing when I think of the nature of the farce," observed Ellen.
"And yet this is not the only doctrine with which the world is duped," said the Professor. "But it is growing late; and you are doubtless anxious to return home. I am so well pleased with you, that I must beg you to accept this five-pound note as an earnest of my liberal intentions. You were very perfect with the poetry and the letter—the letter, by the bye, from my poor old aunt, whose existence is only in my own imagination!—Indeed, altogether, I am delighted with you!"
Ellen received the money tendered her by the mesmerist, and took her departure.
Thus successfully terminated her first essay as a patient to a Professor of Animal Magnetism!
THE wonders performed by the Professor of Mesmerism produced an immense sensation. The persons who had been admitted to the "private exhibition," did not fail to proclaim far and wide the particulars of all that they had witnessed; and, as a tale never loses by repetition, the narrative of those marvels became in a very few days a perfect romance. The reporters of the press, who had attended the exhibition, dressed up a magnificent account of the entire proceedings, for the journals with which they were connected; and the fame of the Professor, like that of one of the knights of the olden time, was soon "bruited abroad through the length and breadth of the land."
At length a public lecture was given, and attended with the most complete success. Ellen had an excellent memory; and her part was enacted to admiration. She recollected the most minute particulars detailed to her by the Mesmerist, relative to the interior of the houses of his friends, the contents of letters to be read through envelopes, the subjects of prints, and the lines of poetry or passages of prose in the books to be read when placed behind her. Never was a deception better contrived: the most wary were deluded by it; and the purse of the Professor was well filled with the gold of his dupes.
But all things have an end: and the deceit of the Mesmerist was not an exception to the rule.
One evening, a gentleman—a friend of the Professor—was examining Ellen, who of course was in a perfect state of coma, respecting the interior of his library. The patient had gone through the process of questioning uncommonly well, until at length the gentleman said to her, "Whereabouts does the stuffed owl stand in the room you are describing?"
In the abstract there was nothing ludicrous in this query: but, when associated with the absurdity of the part which Ellen was playing, and entering as a link into the chain of curious ideas that occupied her mind at the moment, it assumed a shape so truly ridiculous that her gravity was completely overcome. She burst into an immoderate fit of laughter: her eyes opened wide—the perfect state of coma vanished in a moment—the clairvoyance was forgotten—the catalepsy disappeared—and the patient became unmesmerised in a moment, in total defiance of all the prescribed rules and regulations of Animal Magnetism!
Laughter is catching. The audience began to titter—then to indulge in a half-suppressed cachinnation;—and at length a chorus of hilarity succeeded the congenial symphony which emanated from the lips of the patient.
The Professor was astounded.
He was, however, a man of great presence of mind: and he instantaneously pronounced Ellen's conduct to be a phenomenon in Mesmerism, which was certainly rarely illustrated, but for which he was by no means unprepared.
But all his eloquence was useless. The risible inclination which now animated the great majority of his audience, triumphed over the previous prejudice in favour of Mesmerism; the charm was dissolved—the spell was annihilated—"the pitcher had gone so often to the well that it got broken at last"—the voice of the Professor had lost its power.
No sooner did the hilarity subside a little, when it was renewed again; and even the friends and most staunch adherents of the Professor looked at each other with suspicion depicted upon their countenances.
What reason could not do, was effected by ridicule: Mesmerism, like the heathen mythology, ceased to be a worship.
The Professor grew distracted. Confusion ensued; the audience rose from their seats; groups were formed; and the proceedings of the evening were freely discussed by the various different parties into which the company thus split.
Ellen took advantage of the confusion to slip out of the room; and in a few moments she left the house.
Her occupation was now once more gone; and she resolved to pay another visit to the old hag.
Accordingly, in a few days she again sought the miserable court in Golden Lane.
It was about three o'clock in the afternoon, when the young lady entered the apartment in which the old hag dwelt. The wrinkled wretch was seated at the table, working. She had bought herself a new gown with a portion of the money which she had received from Ellen on the occasion of recommending the latter to the Mesmerist; and the old woman's looks were joyful—as joyful as so hideous an expression of countenance would allow them to be—for she thought of being smart once more, even in her old age. Vanity only ceases with the extinction of life itself.
"Well, my child," said the old woman, gaily; "you have come back to me again. Surely you have not already finished with your Mesmerist?"
"Yes," replied Ellen. "The bubble has burst; and I am once more in search of employment."
"And in such search, miss, will you ever be, until you choose to settle yourself in a manner suitable to your beauty, your accomplishments, and your merits," said the old woman.
"In what way could I thus settle myself?"
"Do you ask me so simple a question? May you not have a handsome house, a carriage, servants, money, rich garments, jewels, and a box at the Opera, for the mere asking?"
"I do not require so much," answered Ellen, with a smile. "If I can earn a guinea or two a week, I shall be contented."
"And do you not feel anxious to set off your charms to the greatest advantage?" demanded the old woman. "How well would pearls become your soft and shining hair! how dazzling would your polished arms appear when clasped by costly bracelets! how lovely would be your little ears with brilliant pendants! how elegant would be your figure when clad in rustling silk or rich satin! how the whiteness of your bosom would eclipse that of the finest lace! Ah! miss, you are your own enemy—you are your own enemy!"
"You forget that I have a father," said Ellen,—"a father who loves me, and whom I love,—a father who would die if he knew of his daughter's disgrace."
"Fathers do not die so easily," cried the old hag. "They habituate themselves to every thing, as well as other people. And then—think of the luxuries and comforts with which you could surround the old man."
"We will not talk any more upon that subject," said Ellen firmly. "I well understand your meaning; and I am not prudish nor false enough to affect a virtue which I do not possess. But I have my interests to consult; and it does not suit my ideas of happiness to accept the proposal implied by your language. In a word, can you find me any more employment?"
"I know no more Mesmerists," answered the old hag, in a surly tone.
"Then you can do nothing for me?"
"I did not say that—I did not say that," cried the hag. "It is true I can get you upon the stage; but perhaps that pursuit will not please you."
"Upon the stage!" ejaculated Ellen. "In what capacity?"
"As a figurante, or dancer in the ballet, at a great theatre," replied the old woman.
"But I should be known—I should be recognised," said Ellen.
"There is no chance of that," returned the hag. "Dressed like a sylph, with rouge upon your cheeks, and surrounded by a blaze of light, you would be altogether a different being. Ah! it seems that I already behold you upon the stage—the point of admiration for a thousand looks—the object of envy and desire, and of every passion which can possibly gratify female vanity."
For some moments Ellen remained lost in thought. The old woman's offer pleased her: she was vain of her beauty and she contemplated with delight the opportunity thus presented to her of displaying it with brilliant effect. She already dreamt of success, applause, and showers of nosegays; and her countenance gradually expended into a smile of pleasure.
"I accept your proposal," she said; "but—"
"Why do you hesitate?" demanded the old woman.
"Oh! I was only thinking that the introduction would be better——"
"If it did not come from me?" added the old woman, her wrinkled face becoming more wrinkled still with a sardonic grin. "Well, make yourself easy upon that score. I am only aware that a celebrated manager has a vacancy in his establishment for a figurante, and you may apply for it."
"But I am ignorant of the modes of dancing practised upon the stage," said Ellen.
"You will soon learn," answered the old woman. "Your beauty will prove your principal recommendation."
"And what shall I give you for your suggestion?" asked Ellen, taking out her purse.
When a bailiff makes a seizure in a house, he assures himself with a glance around, whether there be sufficient property to pay at least his expenses;—when a debtor calls upon his creditor to ask for time, the latter surveys the former for a moment, to ascertain by his countenance if he can be trusted;—the wholesale dealer always "takes stock," as it were, of the petty detailer who applies to him for credit;—and thus was it that the old woman scrutinized with a single look the capacity of Ellen's purse, so that she might thereby regulate her demand. And all the while she appeared intent only on her work.
"You can give me a couple of guineas now," the old woman at length said; "and if your engagement proves a good one, you can bring or send me three more in the course of the month."
This arrangement was immediately complied with, and Ellen took leave of the old hag, with the fervent hope that she should never require her aid any more.
On the following day Miss Monroe called upon the manager of the great national theatre where a figurante was required.
She was ushered into the presence of the theatrical monarch, who received her with much urbanity and kindness; and he was evidently pleased with her address, appearance, and manners, as she explained to him the nature of her business.
"Dancing in a ball-room, and dancing upon the stage, are two very different things," said the manager. "You will have to undergo a course of training, the length of which will depend upon your skill and your application. I have known young ladies become proficient in a month—others in a year—many never, in spite of all their exertions. Most of the figurantes have been brought up to their avocation from childhood; but I see no reason why you should not learn to acquit yourself well in a very short time."
"I shall exert myself to the utmost, at all events," observed Ellen.
"How are you circumstanced?" inquired the manager. "Excuse the question; but my object is to ascertain if you can support yourself during your apprenticeship, as we may term the process of study and initiation?"
"I have a comfortable home, and am not without resources for my present wants," answered Ellen.
"So far, so good," said the manager. "I do not seek to pry into your secrets. You know best what motives induce you to adopt the stage: my business is to secure the services of young, handsome, and elegant ladies, to form my corps de ballet. It is no compliment to you to say that you will answer my purpose, provided your studies are successful."
"With whom am I to study, sir?"
"My ballet-master will instruct you," replied the manager. "You can attend his class. If you will come to the theatre to-morrow morning at ten o'clock, you can take your first lesson."
Ellen assented to the proposal, and took leave of the manager. They were mutually satisfied with this interview: the manager was pleased with the idea of securing the services of a young lady of great beauty, perfect figure, and exquisite grace;—and, on her side, Ellen was cheered with the prospect of embracing an avocation which, she hoped, would render her independent of the bounty of others.
And now her training commenced. In the first place her feet were placed in a groove-box, heel to heel, so that they formed only one straight line, and with the knees turned outwards. This process is called "se tourner." At first the pain was excruciating—it was a perfect martyrdom; but the fair student supported it without a murmur; and in a very few days her feet accustomed themselves, as it were, to fall in dancing parallel to each other.
The second lesson in the course of training consisted of resting the right foot on a bar, which Ellen was compelled to hold in a horizontal line with her left hand. Then the left foot was placed upon the bar, which was in this case held up by the right hand. By these means the stiffness of the feet was destroyed, and they were rendered as pliant and elastic as if they had steel springs instead of bones. This process is denominated "se casser."
Next, the student had to practise walking upon the extreme points of the toes, so that the foot and the leg formed one straight line. Then Ellen had to practise the flings, capers, caprioles, turns, whirls, leaps, balances, borees, and all the various cuts, steps, positions, attitudes, and movements of the dance. During the caprioles the student had to train herself to perform four, six, and even eight steps in the air; and the fatigue produced by these lessons was at times of the most oppressive nature.[78]
When Ellen was perfected in these portions of her training, she had to practise the tricks of the stage. At one time the was suspended to lines of wires; at another she was seated on paste-board clouds; then she learned to disappear through traps, or to make her exit by a window. Some of these manœuvres were of a very dangerous nature; indeed, in some, the danseuse actually risked her life—and all her limbs. The awkwardness of an underling in shifting a trap-door at the precise moment would have led her to dash her head against a plank with fearful violence.
The art of theatrical dancing is divided into two schools, called Ballonné and Tacqueté. The former is the branch in which Taglioni shines; the latter is that in which Fanny Ellsler excels. The style of the Ballonné, takes its name from the airiness of the balloon; it combines lightness with grace, and is principally characterized by a breezy and floating appearance of the figure. The Tacqueté is all vivacity and rapidity, distinguished by sparkling steps and twinkling measures, executed with wonderful quickness upon the point of the feet. In both these schools was Ellen instructed.
So intense was the application of Miss Monroe—so unwearied was she in her practice, so quick in comprehending the instructions of the master—so resolute in surmounting all obstacles, that in the short space of two months she was a beautiful dancer. The manager was perfectly astonished at her progress; and he pronounced a most favourable opinion upon her chance of achieving a grand triumph.