Pinderina Scribblerus,
an American Montagu


Pinderina Scribblerus, an American Montagu

WHEN the great Mrs. Elizabeth Montagu was receiving the bas-bleus of London in her Hill Street drawing-room there arose across the water a little American salon which reflected in a degree the spirit of the famous gatherings Admiral Boscawen named after the slovenly Dr. Stillingfleet's gray stockings. It is only recently that historians have taken a marked interest in the literature which followed in the wake of the Revolutionary War and the world has learned that in the newly-formed States there were a few bright spirits whose lives and aspirations reflected the culture of Europe. One of the most interesting of these was Elizabeth Kearny, née Lawrence, a daughter of Judge Lawrence, of Burlington, and a half-sister of Captain James Lawrence of "Don't give up the ship" fame. She formed a literary circle which flourished for a few years in old Perth Amboy, Jersey's fallen capital.

Elizabeth Lawrence passed her early youth in Burlington, where she pursued the study of Greek and Latin, to the mild astonishment of the community. Over her father's library table in the Lawrence mansion, still existing impervious to the encroachments of time, she chatted as a girl with the Tory satirist Jonathan Odell. She must have imbibed some of his sarcasm, for in later years her loquacious tongue was barbed with a wit almost Walpolian in its acrid cleverness. At nearby Philadelphia she met the famous Peggy Chew, and formed an intimacy with Anne Willing, better known as Mrs. William Bingham. The "dazzling Bingham" she made the subject of some animated verses, entitled,—

"LINES ON MRS. BINGHAM'S RECALL OF A SUPPER INVITATION.

"Just in from the country, with nothing to wear,
At Bingham's to-night I am bidden repair.
My one silken pelisse is all in a tangle,
And I know I have lost my Parisian bangle:
Not a whif of hair-powder to light up my head—
Methinks 'twould be better to get into bed!
My slippers the parrot has quite eaten up—
Oh! why am I bidden to come in to sup?
Now, Rebecca, do try make the child stop its wailing;
At the thought of the company courage is failing!
There's a chair going past and a coach with a clatter.
If I go as I am—pray, what does it matter?
Here give me some Rose-Bloom to ease up my face,
And a patch on my chin would give it a grace.
My new brilliant necklace, my white turkey wrapping,
Ah, now I am ready; but who is that tapping?
A word from the Binghams—you say a postponement:
An illness—alas, 'tis a hurried atonement,
With nothing to wear and nothing to eat!
Come blow out the candles and gaze on the street."

There are very few records of this remarkable woman's girlhood still extant. Her brother John, for whom she cherished a strong attachment, was born after her marriage to Mr. Michael Kearny, "the beloved noble Michael," who erected her Perth Amboy cottage. There she lived as "the scribbling Mrs. Kearny, occupying the highest seat on Parnassus," a power in her world. Argus-eyed she evidently was, for nothing seems to have escaped her facile quill. There was scarcely a subject too great or too small for her to digress upon, and she wrote in the morning of "the shameful performance of certain gentlemen in Congress" and at night of "the sorrow she felt on finding a slave under the influence of pernicious rum."

A LADY OF OLD AMBOY

About some of the streets of the city named in honor of the "passionately proud" Earl of Perth there lingers an air of decayed opulence. Although old Amboy of the scarlet coats died long ago, a few of her echoes live on undrowned by the din of new voices. In Mrs. Kearny's day many a stately garden crept down to the water-front. The great houses overlooking the smooth Raritan still sheltered a few of the noble Scotch and Irish families who had unwillingly relinquished their king and remained in the New World. In the letters of Sophia Brown, who lodged with the mother of William Dunlap, the art historian, there are glimpses of this society. The frail and aristocratic Misses Parker with their tea-drinkings, the gallant Captain Love, and other charming figures, look out at us from pages filled with the trivialities of every-day life. A child dreaming beside a broad pane overlooking the quiet street, where trees stood in line as if awaiting the call of Orpheus, saw many things. Now a youthful pair sauntered by in the spring-time of love, now an ancient crone in worn satin shoes that had once touched ever so lightly a king's feet in a long-forgotten dance, and now a tired veteran of the Revolution murmuring to himself of battles still unwon. Suddenly would come the rush of many footsteps. Off in the distance the bell of St. Peter's tolls. People of condition are to be married. Ladies in faded silk or humble erminetta mince past gentlemen in desay suits. Then the music creeps out of the chancel,—the faint, sweet air of an old English wedding-march. Even the sombre fronts of the houses seem to be ravished with it. The voices of the gentle choir may not be as pure as they were in the days of George III., but to the girl who listened then they were like strains from Paradise.

The city which had received its charter one day after New York was at that period beginning to lose its importance in the eyes of the Western world. No longer chariots drawn by white horses carried a supercilious nobility to the resort of the Knickerbockers. No longer big-wigs talked over the commercial supremacy of Perth Amboy in the Sweeting's Alley Coffee House. No longer were there stately minuets and revels at the Governor's palace. The old days were gone forever; but although the leading actors and the lights had fled, the stage remained unchanged. That sad-faced baggage Poverty loitered behind and came often to once proud dwelling-places. Pinderina heard the sighs of her friends, and decided to enliven the situation. In the Kearny Cottage, whose rooms seem to widen mysteriously as one enters, she held her gatherings of sympathetic souls. These affairs differed somewhat from the parties given at an earlier date by Mrs. Hugh Ferguson and Mrs. Richard Stockton, two other literary lights of the time, for the hostess suffered from a slender purse. Her guests came only for the pleasure of conversation, without the "stomach compensation" Mrs. Montagu and her American imitators thought so necessary.

One of the most distinguished frequenters of Mrs. Kearny's Blue-Stocking Club was Philip Freneau, whose mother had made a second matrimonial venture and wedded Captain James Kearny, of Kearny Port, a relative of the Perth Amboy family. "Small but well formed, his blue eyes sparkling with poetic fire," it is easy to imagine him the lion of Mrs. Kearny's evenings. Whenever the old sloop "King William"—changed to "Liberty"—sailed into Amboy, bringing Mr. Freneau to pass the night with his friends before journeying to Monmouth, there was always great excitement in the town. Mrs. Kearny's black Rebecca was sent forth in haste to inform the chosen few of the neighborhood that their leader bade them to her drawing-room. The seven romping Kearny boys were hurried up to the attic to bed, the furniture rearranged, and Madam Scribblerus, as her world called her, slipped on her brocade gown to be in readiness for the battle of wits sure to ensue. A happy woman was this quaint personage when footfalls began to sound on the gallery steps. The rap-tap of the knocker made her spirits buoyant, and each greeting took her farther away from the cares of a commonplace existence. Although she was a lover of nature, she too could have said with Mr. Robinson, the father of Mrs. Montagu, that living in the country was like sleeping with one's eyes open. Each breath of the world beyond Amboy brought new life to her.

We can picture to ourselves the evening. About the oddly-shaped room, on hard-seated, fiddle-backed chairs, sits Pinderina's little court. By the wide fireplace on the settle old Judge Nevill, the editor of the first American magazine, is blinking at the embers. Mr. Freneau has finished telling some of his recent adventures in New York City. Now Mrs. Kearny begins the story of Captain Kidd's black cat, which lived on long after her master had been condemned to death in Old Bailey, and for these two hundred years has haunted the spot where the bold adventurer is said to have buried some of his chests of rupees. Sleepy eyes grow wider as she advances in her narrative. Timid ladies feel for each other's hands in the flickering light. The hostess is in her element.

Taking a penetrating look at the company over the years, they are not as we would at first imagine them. There are holes in Mr. Freneau's wrist ruffles, and the worn brocade gown of the hostess no longer gives forth even faint protesting rustle as she walks. In this respect the circle is true-blue,—for Oliver Goldsmith went to Mrs. Montagu's in darned stockings and a laced coat, and the immortal Johnson and many of his confrères were naturally careless in their attire, or were helped to the state by the lack of pence.

The one great ambition of Elizabeth Kearny's life was to write like her "admired Mr. Freneau," and her many mild plagiarisms of his poems, if they failed in their object, were no doubt regarded by him as flattering homage to his genius. Theirs was an unusual friendship of which the world knows very little, but mute testimonials remain of it to-day in her letters and her autographs fading under those of Philip Freneau's in many of his favorite volumes. She could have written of him as Mrs. Montagu once wrote, thinking no doubt of her faithful Dr. Beattie:

"Many guests my heart has not admitted; such as there are do it honor, and a long and intimate acquaintance has preceded their admittance; they were invited in it by its best virtues; they passed through the examination of severity, nay, even answered some questions of suspicion that inquired of their constancy and sincerity; but now they are delivered over to the keeping of constant faith and love; for doubt never visits the friends entirely, but only examines such as would come in, lest the way should be too common."

When Philip Freneau lived for a short period over a little shop in the Fly-Market, New York City, and edited The Time Piece, Mrs. Kearny became one of its constant contributors. Among that sentimental group of female poets, numbering a Saraperina, Edena, Cynthea, Clara, Carolina, and a Petronella, her effusions—generally under the nome de guerre of "Scribelra"—stand forth in bold type. Turning the musty pages of a bound volume of the paper, we find

"LINES BY A LADY ON HEARING THE FROGS SING ON THE 17TH OF MARCH.

"Hail! pleasing harbingers of spring,
Who in the ponds so jocund sing;
And with a merry roundelay
Do usher in St. Patrick's day;
Some think your music rather hoarse,
Nay that 'tis altogether coarse;
Others ever fond of joking,
Swear your singing is but croaking.
Yet I declare it is to me
A pleasing, perfect harmony.
For in your varying notes I trace
The counter, treble, tenor, bass.
Should some reply too base indeed,
Such rude sarcasms pray don't heed,
But in your old accustomed way
Still celebrate St. Patrick's day;
Whether to hail the saint you sing
Or joy for the returning spring,
Which doth your tribe from jail release,
Let not your annual tribute cease."

Although the merit of this poem lies much below mediocrity, in subject it is delightfully grotesque. Her style was varied and her pen strangely moody, judging from her productions extant. The following jeu d'esprit was written at the beginning of Jefferson's administration:

"AN EPIGRAM.

"Says William to Thomas I'll hold you a bet,
That the French are confoundedly frighted;
They thought that our Federal ships had o'erset,
But they find that they staunch are, and righted.

"They slighted our Pleno's and made a demand
That we a shameful tribute should pay them,
Or else (as they plundered at sea) on the land
Neither Rapine nor Murder should stay them!
"But those who are born in the woods can't be scared
By the croaking of Bull-frogs in ditches.
Nor will we of Frenchmen at all be afraid,
A people who're sans honor, sans breeches.
"They've taken our coats from our backs, and say too
That they will have our shirts and our smocks, sir;
But faith if they try it the project they'll rue,
For we'll give them some flesh-burning knocks, sir!
"They've tried every art which deception could frame,
But our Congress too wise were to heed them,
They've Heaven defied, and have put aside shame,
And have gone all lengths the Devil would lead them."

Among her poems are some pleasing verses, entitled "A Whim." These also appeared in The Time Piece, unsigned, and we have nothing to show whether they were a copy or the child of her own muse:

"I gave—'twas but the other day—
My Kate a ticket for the play,
'Tis love such tricks imparts;
When holding up the card to me,
She laughed and said, the emblem see,
And show'd the Knave of Hearts.
"Amaz'd I cry'd, what means my dear?
A knave will lie, will steal, will swear;
I pray, your words define.
She smiled and said, nay never start.
He's sure a knave that steals a heart,
And you have stolen mine!"

There was one yearly occasion when the world of Amboy did not flock with acceleration to the Kearny Cottage, and that was the anniversary of Michael Kearny's death. Mrs. Kearny was always fond of writing epitaphs to embellish the tombstones of departed Amboyites, but as the years progressed she developed a very morbid strain. To commemorate the demise of her husband she wrote poems of several hundred verses and then assembled her satellites to weep with her. Woe to the indifferent ones whose tears of sorrow were dry. They were pretty sure of indignant visits from her, or, worse still, her far-reaching pen was capable of dealing them swift retribution. She never spared the most loyal of her friends. When one of the distinguished men of the city came to her under the effects of toddy, she celebrated his fall from grace by lines which must have always rankled in his breast.

Mrs. Kearny longed to have her work admired for its worth alone, and, like Miss Burney, who visited the bookseller Mr. Lownes as a chance purchaser of "Evelina" to learn his opinion of its author, "Pinderina" was in the habit of calling upon her friends with her manuscripts, coyly reading them, and then requesting their criticism on the latest compositions she had copied from the Gazette. Tradition says that this plan did not always meet with pleasant results. Descending upon a Mrs. Golightly, a new-comer to Perth Amboy, with a batch of her poems, she was told that the productions were far from those of a genius and must have been written by some very foolish female. Pinderina, placidly awaiting praise, was astounded at the intelligence. Recovering herself, she informed the unfortunate woman that her own pen had given birth to the verses, and left her house in high indignation.

THE WALK TO MRS. BELL'S MANSION

A new book was an event in the Perth Amboy world at the beginning of the century. When Simeon Drake, who received the mail from Woodbridge three times a week, brought a packet to the door of Mrs. Andrew Bell, the wealthiest member of the circle, a flutter of envy arose in every breast. What anxious hours were passed before it started on its round from house to house. Ofttimes an impatient dame sent her little Abigail to gaze through the low windows of Mrs. Bell's study, where the lady usually sat reading, to see if she were nearly through with the volume. When the first month of its Amboy life was over, how it had been discussed! The golden urns and garlands of roses which decorated the cover were already worn. To-day high up in the dust of dim attics the books of old Amboy are content to rest neglected and forgotten. The love that was given to them was stronger and truer than that bestowed upon their modern kindred. Through the long years of summer suns and wintry rains they had been happy in the thought of a mission fulfilled. When the wind creeps through the cracks in the casements and stirs their musty pages, one can almost fancy that they are whispering to the ghosts of the long ago.

A letter written by Mrs. Kearny to Mrs. Bell has been preserved:

"I am much obliged to you Madam for your Books. The scriptural essays are very good; the author seems to have been fully inspired by his subject. Rather enthusiastically so (I think) when he prefers the story of Ruth to that of Lavinia. I have long thought that Mr. Thomson had taken that sacred history for his model but had no idea that any one would say—the Paraphrase is inferior to the original. The story of the unfortunate lovers, very interesting—Carolina but so, so quite middling; I read it through without being able to approve of it. Allow me to mention a few remarks I made when reading it—It, in my opinion, wants two essential qualities Style and Reason; qualities which you know are capable of making any story pleasing—interesting, however fictitious we suppose the circumstances to be.

"Ovid's metamorphoses are not more wonderful than some of the turns of fortune in the history of Carolina. I will instance the sudden and total transformation of the Count of Wolstein. That one who nature had designed for a tall and well proportioned man should by a few months' studying become hunchbacked—and by having a scar on his face, one eye lost, and a limp in his gait, should be so deformed as to be called a monster! and that Carolina a young lady who had been two months at court and likely had some idea of politeness should when introduced to the Count instantly hide her eyes with her hands, give a piercing shriek and disappear like a flash of lightning at midnight is demanding too much from our credulity. We know pretty well what effect the loss of an eye, the scar, and the limp might have had but we cannot otherwise account for his other deformity than by supposing that he sat in a remarkably uneasy posture, or studied much more intently than any of our modern statesmen do: not one of whom, I believe, have broken their backs by studying politics however their minds may be deformed by it. Don't you think that the Canoness should have been totally deaf, as well as nearly blind, whilst the Pavilion was building in her garden?

"I can't for my part see the necessity of obliging Carolina to HAVE it built; as, had it been already there. In adding the embellishments would have been a sufficient surprise to her dear mama. In short, I am of opinion that the author did not require his readers to have common sense. Excuse the liberty which I have taken with your Book and believe me to be much obliged to you for the favor.

"Yours,
"E. K."

The close of Mrs. Kearny's life was blighted and narrowed by adversity. Money matters estranged her from many of her old intimates, and she wrote pathetically to each member of the circle after a lawsuit with Richard Stevens: "Have you too entered the lists against me?" Unlike Mrs. Montagu, of whom Wraxall recorded that she wore glittering jewels to dazzle those her reputation failed to astound, Mrs. Kearny's last years were tinctured by the plaintiveness of homespun.

In the fall-time of the year 1799 the Amboyites who wandered past the wide lawns of Franklin Palace often saw by one of the windows of Kearny Cottage a figure bent low over a writing-table. It was Mrs. Kearny working industriously. Soon the rumor went abroad that Pinderina was completing her works for publication. No one dared question her. Covert glances were bestowed upon her when she entered her pew in old St. Peter's on a Sabbath morning. The thoughts of their former leader were to be handed down to posterity in print. Betsey Parker, one of the sisters at the castle who had scoffed her effusions in secret, decided to call at the cottage as soon as etiquette would permit. Feuds over money matters seemed trivial things after this great news.

Pinderina's star was again in the ascendancy. She smiled fondly on the pages of finely-written manuscript she was putting together. A glorious triumph seemed near at hand. One morning Mr. Freneau was seen leaving Kearny Cottage. After him trotted a black boy, bearing aloft a heavy bundle. Curious eyes watched him from behind the partly closed shutters of many a sedate-looking building facing the green. The gossips felt sure that the fruit of Mrs. Kearny's genius was being borne away for the approval of the New York publishers. They circulated the tale industriously. The élite of the town had not been so excited since the day an irate Mrs. Franklin broke all the mirrors of the palace on finding that her husband had been made a prisoner of war.

Three times the "Liberty" sailed into Amboy. On each occasion bevies of ladies found it necessary to transact business near the wharf. A case of fine nabobs, which had lain at old John's for a fortnight, was suddenly discovered. Captain Goelet had brought home some necklaces of Indian sea-shells. Anything plausible was used as an excuse to parade along the water-front.

And after all the weary watching Mr. Freneau arrived by coach. A gray mist enveloped the roadway that night, as if to keep his return a secret. But it was decreed that he should be observed. A member of the circle, who lived close by the cottage, chanced to bring out on her balcony a plant thirsting for rain. She recognized the figure which alighted from the mud-bespattered vehicle before Mrs. Kearny's door. The wind spread wide his great-coat. Its fluttering folds guarded from view the package of manuscript which had been rejected by the lords of New York's Printing House Lane. The woman on the balcony saw him enter the house; then she ran into her own dwelling. It took but a few moments to find the Hanway umbrella and the lantern. Excitement overcoming her timidity, she hurried out into the night to share her news with the neighbors.

An hour later a few courageous souls were wending their way to Pinderina's. Each carried some peace-offering. A bowl of white jelly, an ounce of Mr. Stebben's snuff, an orange that had colored in some sunlit Amboy window were hidden beneath wet garments. Before the worn door, which the darkness and the rain made grim and sinister looking, they huddled together. Suddenly there was a noise inside. A thrill went over the company as it swung back and showed Pinderina holding a candle aloft in her hands. "I know why you are here," she said, gazing at them mockingly. "It is not true. The villains have refused my work." Some faithful member of the circle started to speak, then stopped. "As the poetess of Perth Amboy I have lived, and as the poetess of Perth Amboy I shall die," she continued. There were smiles in the darkness,—the smiles akin to tears.

candle

Transcriber's Notes:

Obvious punctuation mistakes have been corrected.