A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in chink,
She might repose, or sit and think.
I know not where she caught the trick—
Nature perhaps herself had cast her
In such a mould philosophique,
Or else she learn'd it of her master.
Sometimes ascending, debonnair,
An apple tree, or lofty pear,
Lodged with convenience in the fork,
She watch'd the gardener at his work;
Sometimes her ease and solace sought
In an old empty watering pot:
There, wanting nothing save a fan,
To seem some nymph in her sedan
Apparell'd in exactest sort,
And ready to be borne to court.
But love of change, it seems, has place
Not only in our wiser race;
Cats also feel, as well as we,
That passion's force, and so did she.
Her climbing, she began to find,
Exposed her too much to the wind,
And the old utensil of tin
Was cold and comfortless within:
She therefore wish'd instead of those
Some place of more serene repose,
Where neither cold might come, nor air
Too rudely wanton with her hair,
And sought it in the likeliest mode
Within her master's snug abode.
A drawer, it chanced, at bottom lined
With linen of the softest kind,
With such as merchants introduce
From India, for the ladies' use,
A drawer impending o'er the rest,
Half open in the topmost chest,
Of depth enough, and none to spare,
Invited her to slumber there;
Puss with delight beyond expression,
Survey'd the scene, and took possession.
Recumbent at her ease, ere long,
And lull'd by her own humdrum song,
She left the cares of life behind,
And slept as she would sleep her last,
When in came, housewifely inclined,
The chambermaid, and shut it fast;
By no malignity impell'd,
But all unconscious whom it held.
Awaken'd by the shock (cried Puss)
"Was ever cat attended thus?
The open drawer was left, I see,
Merely to prove a nest for me,
For soon as I was well composed,
Then came the maid, and it was closed,
How smooth these 'kerchiefs, and how sweet!
O what a delicate retreat!
I will resign myself to rest
Till Sol, declining in the west,
Shall call to supper, when, no doubt,
Susan will come and let me out."
The evening came, the sun descended,
And Puss remain'd still unattended.
The night roll'd tardily away,
(With her indeed 'twas never day,)
The sprightly morn her course renew'd,
The evening grey again ensued,
And puss came into mind no more
Than if entomb'd the day before.
With hunger pinch'd, and pinch'd for room,
She now presaged approaching doom,
Nor slept a single wink, or purr'd,
Conscious of jeopardy incurr'd.
That night, by chance, the poet watching,
Heard an inexplicable scratching;
His noble heart went pit-a-pat,
And to himself he said—"What's that?"
He drew the curtain at his side,
And forth he peep'd, but nothing spied.
Yet, by his ear directed, guess'd
Something imprison'd in the chest,
And, doubtful what, with prudent care
Resolved it should continue there.
At length a voice which well he knew,
A long and melancholy mew,
Saluting his poetic ears,
Consoled him and dispell'd his fears:
He left his bed, he trod the floor,
He 'gan in haste the drawers explore,
The lowest first, and without stop
The rest in order to the top.
For 'tis a truth well known to most,
That whatsoever thing is lost,
We seek it, ere it come to light,
In every cranny but the right.
Forth skipp'd the cat, not now replete
As erst with airy self-conceit,
Nor in her own fond apprehension
A theme for all the world's attention,
But modest, sober, cured of all
Her notions hyperbolical,
And wishing for a place of rest
Any thing rather than a chest.
Then stepp'd the poet into bed
With this reflection in his head:
MORAL.
Beware of too sublime a sense
Of your own worth and consequence:
The man who dreams himself so great,
And his importance of such weight,
That all around, in all that's done,
Must move and act for him alone,
Will learn in school of tribulation
The folly of his expectation.
1791.
THE JUDGMENT OF THE POETS.
Two nymphs, both nearly of an age,
Of numerous charms possess'd,
A warm dispute once chanced to wage,
Whose temper was the best.
The worth of each had been complete
Had both alike been mild:
But one, although her smile was sweet,
Frown'd oftener than she smiled.
And in her humour, when she frown'd,
Would raise her voice, and roar,
And shake with fury to the ground
The garland that she wore.
The other was of gentler cast,
From all such frenzy clear,
Her frowns were seldom known to last,
And never proved severe.
To poets of renown in song
The nymphs referr'd the cause,
Who, strange to tell, all judg'd it wrong,
And gave misplaced applause.
They gentle call'd, and kind and soft,
The flippant and the scold,
And though she changed her mood so oft,
That failing left untold.
No judges, sure, were e'er so mad,
Or so resolved to err—
In short the charms her sister had
They lavish'd all on her.
Then thus the god, whom fondly they
Their great inspirer call,
Was heard, one genial summer's day,
To reprimand them all.
"Since thus ye have combined," he said,
"My favourite nymph to slight,
Adorning May, that peevish maid,
With June's undoubted right,
"The minx shall, for your folly's sake,
Still prove herself a shrew,
Shall make your scribbling fingers ache,
And pinch your noses blue."
May, 1791.
YARDLEY OAK.[832]
Survivor sole, and hardly such, of all
That once lived here, thy brethren, at my birth,
(Since which I number threescore winters past,)
A shatter'd veteran, hollow-trunk'd perhaps,
As now, and with excoriate forks deform,
Relics of ages! could a mind, imbued
With truth from heaven, created thing adore,
I might with reverence kneel, and worship thee.
It seems idolatry with some excuse,
When our forefather druids in their oaks
Imagined sanctity. The conscience, yet
Unpurified by an authentic act
Of amnesty, the meed of blood divine,
Loved not the light, but, gloomy, into gloom
Of thickest shades, like Adam after taste
Of fruit proscribed, as to a refuge, fled.
Thou wast a bauble once, a cup and ball
Which babes might play with; and the thievish jay,
Seeking her food, with ease might have purloin'd
The auburn nut that held thee, swallowing down
Thy yet close-folded latitude of boughs
And all thine embryo vastness at a gulp.
But fate thy growth decreed; autumnal rains
Beneath thy parent tree mellow'd the soil
Design'd thy cradle; and a skipping deer,
With pointed hoof dibbling the glebe, prepared
The soft receptacle, in which, secure,
Thy rudiments should sleep the winter through.
So fancy dreams. Disprove it, if ye can,
Ye reasoners broad awake, whose busy search
Of argument, employ'd too oft amiss,
Sifts half the pleasures of short life away!
Thou fell'st mature; and, in the loamy clod
Swelling with vegetative force instinct,
Didst burst thine egg, as theirs the fabled twins,
Now stars; two lobes, protruding, pair'd exact;
A leaf succeeded, and another leaf,
And, all the elements thy puny growth
Fostering propitious, thou becamest a twig.
Who lived when thou wast such? Oh, could'st thou speak,
As in Dodona once thy kindred trees
Oracular, I would not curious ask
The future, best unknown, but at thy mouth
Inquisitive, the less ambiguous past.
By thee I might correct, erroneous oft,
The clock of history, facts and events
Timing more punctual, unrecorded facts
Recovering, and misstated setting right—
Desperate attempt, till trees shall speak again!
Time made thee what thou wast, king of the woods;
And time hath made thee what thou art—a cave
For owls to roost in. Once thy spreading boughs
O'erhung the champaign; and the numerous flocks
That grazed it stood beneath that ample cope
Uncrowded, yet safe shelter'd from the storm.
No flock frequents thee now. Thou hast outlived
Thy popularity, and art become
(Unless verse rescue thee awhile) a thing
Forgotten, as the foliage of thy youth.
While thus through all the stages thou hast push'd
Of treeship—first a seedling, hid in grass;
Then twig; then sapling; and, as century roll'd
Slow after century, a giant bulk
Of girth enormous, with moss-cushion'd root
Upheaved above the soil, and sides emboss'd
With prominent wens globose—till at the last
The rottenness, which time is charged to inflict
On other mighty ones, found also thee.
What exhibitions various hath the world
Witness'd of mutability in all
That we account most durable below?
Change is the diet on which all subsist,
Created changeable, and change at last,
Destroys them. Skies uncertain now the heat
Transmitting cloudless, and the solar beam
Now quenching in a boundless sea of clouds—
Calm and alternate storm, moisture, and drought,
Invigorate by turns the springs of life
In all that live, plant, animal, and man,
And in conclusion mar them. Nature's threads,
Fine passing thought, e'en in their coarsest works,
Delight in agitation, yet sustain
The force that agitates not unimpair'd;
But worn by frequent impulse, to the cause
Of their best tone their dissolution owe.
Thought cannot spend itself, comparing still
The great and little of thy lot, thy growth
From almost nullity into a state
Of matchless grandeur, and declension thence,
Slow, into such magnificent decay.
Time was when, settling on thy leaf, a fly
Could shake thee to the root—and time has been
When tempests could not. At thy firmest age
Thou hadst within thy bole solid contents
That might have ribb'd the sides and plank'd the deck
Of some flagg'd admiral; and tortuous arms,
The shipwright's darling treasure, didst present
To the four-quarter'd winds, robust and bold,
Warp'd into tough knee-timber, many a load![833]
But the axe spared thee. In those thriftier days
Oaks fell not, hewn by thousands, to supply
The bottomless demands of contest waged
For senatorial honours. Thus to time
The task was left to whittle thee away
With his sly scythe, whose ever-nibbling edge,
Noiseless, an atom, and an atom more,
Disjoining from the rest, has, unobserved,
Achieved a labour which had, far and wide,
By man perform'd, made all the forest ring.
Embowell'd now, and of thy ancient self
Possessing nought but the scoop'd rind, that seems
A huge throat calling to the clouds for drink,
Which it would give in rivulets to thy root,
Thou temptest none, but rather much forbidd'st
The feller's toil, which thou couldst ill requite.
Yet is thy root sincere, sound as the rock,
A quarry of stout spurs and knotted fangs,
Which, crook'd into a thousand whimsies, clasp
The stubborn soil, and hold thee still erect.
So stands a kingdom, whose foundation yet
Fails not, in virtue and in wisdom laid,
Though all the superstructure, by the tooth
Pulverized of venality, a shell
Stands now, and semblance only of itself!
Thine arms have left thee. Winds have rent them off
Long since, and rovers of the forest wild
With bow and shaft have burnt them. Some have left
A splinter'd stump bleach'd to a snowy white;
And some memorial none where once they grew.
Yet life still lingers in thee, and puts forth
Proof not contemptible of what she can,
Even where death predominates. The spring
Finds thee not less alive to her sweet force
Than yonder upstarts of the neighbouring wood,
So much thy juniors, who their birth received
Half a millennium since the date of thine.
But since, although well-qualified by age
To teach, no spirit dwells in thee, nor voice
May be expected from thee, seated here
On thy distorted root, with hearers none,
Or prompter, save the scene, I will perform
Myself the oracle, and will discourse
In my own ear such matter as I may.
One man alone, the father of us all,
Drew not his life from woman; never gazed,
With mute unconsciousness of what he saw,
On all around him; learn'd not by degrees,
Nor owed articulation to his ear;
But, moulded by his Maker into man
At once, upstood intelligent, survey'd
All creatures, with precision understood
Their purport, uses, properties, assign'd
To each his name significant, and, fill'd
With love and wisdom, render'd back to Heaven
In praise harmonious the first air he drew.
He was excused the penalties of dull
Minority. No tutor charged his hand
With the thought-tracing quill, or task'd his mind
With problems. History, not wanted yet,
Lean'd on her elbow, watching time, whose course,
Eventful, should supply her with a theme....
1791.
TO THE NIGHTINGALE,
WHICH THE AUTHOR HEARD SING ON NEW YEAR'S
DAY.
Whence is it that, amazed, I hear
From yonder wither'd spray,
This foremost morn of all the year,
The melody of May?
And why, since thousands would be proud
Of such a favour shown,
Am I selected from the crowd
To witness it alone?
Sing'st thou, sweet Philomel, to me,
For that I also long
Have practised in the groves like thee,
Though not like thee in song?
Or sing'st thou, rather, under force
Of some divine command,
Commission'd to presage a course
Of happier days at hand!
Thrice welcome then! for many a long
And joyless year have I,
As thou to-day, put forth my song
Beneath a wintry sky.
But thee no wintry skies can harm,
Who only need'st to sing
To make e'en January charm,
And every season spring.
1792.
LINES WRITTEN IN AN ALBUM
OF MISS PATTY MORE'S, SISTER OF HANNAH MORE.
In vain to live from age to age
While modern bards endeavour,
I write my name in Patty's page,
And gain my point for ever.
W. COWPER.
March 6, 1792.
SONNET
TO WILLIAM WILBERFORCE, ESQ.
Thy country, Wilberforce, with just disdain,
Hears thee by cruel men and impious call'd
Fanatic, for thy zeal to loose the enthrall'd
From exile, public sale, and slavery's chain.
Friend of the poor, the wrong'd, the fetter-gall'd,
Fear not lest labour such as thine be vain.
Thou hast achieved a part; hast gain'd the ear
Of Britain's senate to thy glorious cause; [pause
Hope smiles, joy springs, and, though cold caution
And weave delay, the better hour is near
That shall remunerate thy toils severe,
By peace for Afric, fenced with British laws.
Enjoy what thou hast won, esteem and love
From all the just on earth and all the blest above.
April 16, 1792.
EPIGRAM
PRINTED IN THE NORTHAMPTON MERCURY.
To purify their wine, some people bleed
A lamb into the barrel, and succeed;
No nostrum, planters say, is half so good
To make fine sugar as a negro's blood.
Now lambs and negroes both are harmless things,
And thence perhaps this wondrous virtue springs,
'Tis in the blood of innocence alone—
Good cause why planters never try their own.
TO DR. AUSTIN,
OF CECIL STREET, LONDON.
Austin! accept a grateful verse from me,
The poet's treasure, no inglorious fee.
Loved by the muses, thy ingenuous mind
Pleasing requital in my verse may find;
Verse oft has dash'd the scythe of Time aside,
Immortalizing names which else had died:
And O! could I command the glittering wealth
With which sick kings are glad to purchase health!
Yet, if extensive fame, and sure to live,
Were in the power of verse like mine to give,
I would not recompense his arts with less,
Who, giving Mary health, heals my distress.
Friend of my friend![834] I love thee, though unknown,
And boldly call thee, being his, my own.
May 26, 1792.
CATHARINA:
THE SECOND PART: ON HER MARRIAGE TO GEORGE
COURTENAY, ESQ.
Believe it or not, as you choose,
The doctrine is certainly true,
That the future is known to the muse,
And poets are oracles too.
I did but express a desire
To see Catharina at home,
At the side of my friend George's fire,
And lo—she is actually come!
Such prophecy some may despise,
But the wish of a poet and friend
Perhaps is approved in the skies,
And therefore attains to its end.
'Twas a wish that flew ardently forth
From a bosom effectually warm'd
With the talents, the graces, and worth
Of the person for whom it was form'd.
Maria[835] would leave us, I knew,
To the grief and regret of us all,
But less to our grief, could we view
Catharina the Queen of the Hall.
And therefore I wish'd as I did,
And therefore this union of hands:
Not a whisper was heard to forbid,
But all cry—Amen—to the bans.
Since, therefore, I seem to incur
No danger of wishing in vain
When making good wishes for her,
I will e'en to my wishes again—
With one I have made her a wife,
And now I will try with another,
Which I cannot suppress for my life—
How soon I can make her a mother.
June, 1792.
EPITAPH ON FOP,
A DOG BELONGING TO LADY THROCKMORTON.
Though once a puppy, and though Fop by name,
Here moulders one whose bones some honour claim.
No sycophant, although of spaniel race,
And though no hound, a martyr to the chace—
Ye squirrels, rabbits, leverets, rejoice,
Your haunts no longer echo to his voice;
This record of his fate exulting view,
He died worn out with vain pursuit of you.
"Yes,"—the indignant shade of Fop replies—
"And worn with vain pursuit, man also dies."
August, 1792.
SONNET TO GEORGE ROMNEY, ESQ.
ON HIS PICTURE OF ME IN CRAYONS,
Drawn at Eartham in the 61st year of my age, and in the
months of August and September, 1792.
Romney, expert infallibly to trace
On chart or canvass, not the form alone
And semblance, but however faintly shown,
The mind's impression too on every face—
With strokes that time ought never to erase,
Thou hast so pencill'd mine, that though I own
The subject worthless, I have never known
The artist shining with superior grace.
But this I mark—that symptoms none of woe
In thy incomparable work appear.
Well—I am satisfied it should be so,
Since, on maturer thought, the cause is clear;
For in my looks what sorrow couldst thou see
When I was Hayley's guest, and sat to thee?
October, 1792.
MARY AND JOHN.
If John marries Mary, and Mary alone,
'Tis a very good match between Mary and John.
Should John wed a score, oh, the claws and the scratches!
It can't be a match—'tis a bundle of matches.
EPITAPH ON MR. CHESTER,
OF CHICHELEY.
Tears flow, and cease not, where the good man lies,
Till all who knew him follow to the skies.
Tears therefore fall where Chester's ashes sleep;
Him wife, friends, brothers, children, servants weep—
And justly—few shall ever him transcend
As husband, parent, brother, master, friend.
April, 1793.
TO MY COUSIN, ANNE BODHAM,
On receiving from her a network purse made by herself.
My gentle Anne, whom heretofore,
When I was young, and thou no more
Than plaything for a nurse,
I danced and fondled on my knee,
A kitten both in size and glee,
I thank thee for my purse.
Gold pays the worth of all things here;
But not of love;—that gem's too dear
For richest rogues to win it;
I, therefore, as a proof of love,
Esteem thy present far above
The best things kept within it.
May 4, 1793.
INSCRIPTION FOR A HERMITAGE IN
THE AUTHOR'S GARDEN.
This cabin, Mary, in my sight appears,
Built as it has been in our waning years,
A rest afforded to our weary feet,
Preliminary to—the last retreat.
May, 1793.
TO MRS. UNWIN.
Mary! I want a lyre with other strings,
Such aid from heaven as some have feign'd they drew,
An eloquence scarce given to mortals, new
And undebased by praise of meaner things,
That, ere through age or woe I shed my wings,
I may record thy worth with honour due,
In verse as musical as thou art true,
And that immortalizes whom it sings.
But thou hast little need. There is a book
By seraphs writ with beams of heavenly light,
On which the eyes of God not rarely look,
A chronicle of actions just and bright;
There all thy deeds, my faithful Mary, shine,
And, since thou own'st that praise, I spare thee mine.
May, 1793.
TO JOHN JOHNSON, ESQ.
On his presenting me with an antique bust of Homer.
Kinsman beloved, and as a son, by me!
When I behold the fruit of thy regard,
The sculptured form of my old favourite bard,
I reverence feel for him, and love for thee:
Joy too and grief—much joy that there should be,
Wise men and learn'd, who grudge not to reward
With some applause my bold attempt and hard,
Which others scorn; critics by courtesy.
The grief is this, that, sunk in Homer's mine,
I lose my precious years, now soon to fail,
Handling his gold, which, howsoe'er it shine,
Proves dross when balanced in the Christian scale.
Be wiser thou—like our forefather Donne,
Seek heavenly wealth, and work for God alone.
May, 1793.
TO A YOUNG FRIEND,
On his arriving at Cambridge wet when no rain had fallen
there.
If Gideon's fleece, which drench'd with dew he found
While moisture none refresh'd the herbs around,
Might fitly represent the church, endow'd
With heavenly gifts to heathens not allow'd;
In pledge, perhaps, of favours from on high,
Thy locks were wet when others' locks were dry:
Heaven grant us half the omen—may we see
Not drought on others, but much dew on thee!
May, 1793.
ON A SPANIEL, CALLED BEAU, KILLING
A YOUNG BIRD.
A spaniel, Beau, that fares like you,
Well fed, and at his ease,
Should wiser be than to pursue
Each trifle that he sees.
But you have kill'd a tiny bird,
Which flew not till to-day,
Against my orders, whom you heard
Forbidding you the prey.
Nor did you kill that you might eat
And ease a doggish pain,
For him, though chased with furious heat,
You left where he was slain.
Nor was he of the thievish sort,
Or one whom blood allures,
But innocent was all his sport
Whom you have torn for yours.
My dog! what remedy remains,
Since teach you all I can,
I see you, after all my pains,
So much resemble man?
July 15, 1793.
BEAU'S REPLY.
Sir, when I flew to seize the bird
In spite of your command,
A louder voice than yours I heard,
And harder to withstand.
You cried—Forbear!—but in my breast
A mightier cried—Proceed!—
'Twas nature, Sir, whose strong behest
Impell'd me to the deed.
Yet, much as nature I respect,
I ventured once to break
(As you perhaps may recollect)
Her precept for your sake;
And when your linnet on a day,
Passing his prison door,
Had flutter'd all his strength away,
And panting press'd the floor.
Well knowing him a sacred thing,
Not destined to my tooth,
I only kiss'd his ruffled wing,
And lick'd the feathers smooth.
Let my obedience then excuse
My disobedience now,
Nor some reproof yourself refuse
From your aggrieved bow-wow:
If killing birds be such a crime,
(Which I can hardly see,)
What think you, Sir, of killing time
With verse address'd to me!
TO WILLIAM HAYLEY, ESQ.
Dear architect of fine chateaux in air,
Worthier to stand for ever, if they could,
Than any built of stone or yet of wood,
For back of royal elephant to bear!
O for permission from the skies to share,
Much to my own, though little to thy good,
With thee (not subject to the jealous mood!)
A partnership of literary ware!
But I am bankrupt now; and doom'd henceforth
To drudge, in descant dry, on others' lays;
Bards, I acknowledge, of unequall'd birth!
But what his commentator's happiest praise?
That he has furnish'd lights for other eyes,
Which they who need them use, and then despise.
June 29, 1793.
ANSWER
To Stanzas addressed to Lady Hesketh, by Miss Catharine
Fanshawe, in returning a Poem of Mr. Cowper's, lent to
her, on condition she should neither show it, nor take a
copy.
To be remember'd thus is fame,
And in the first degree;
And did the few like her the same,
The press might sleep for me.
So Homer in the memory stored
Of many a Grecian belle,
Was once preserved—a richer hoard,
But never lodged so well.
1793.
ON FLAXMAN'S PENELOPE.
The suitors sinn'd, but with a fair excuse,
Whom all this elegance might well seduce;
Nor can our censure on the husband fall,
Who, for a wife so lovely, slew them all.
September, 1793.
TO THE SPANISH ADMIRAL COUNT
GRAVINA,
On his translating the Author's Song on a Rose into Italian
Verse.
My rose, Gravina, blooms anew,
And steep'd not now in rain,
But in Castilian streams by you,
Will never fade again.
1793.
INSCRIPTION
FOR THE TOMB OF MR. HAMILTON.
Pause here, and think: a monitory rhyme
Demands one moment of thy fleeting time.
Consult life's silent clock, thy bounding vein;
Seems it to say—"Health here has long to reign?"
Hast thou the vigour of thy youth? an eye
That beams delight? a heart untaught to sigh?
Yet fear. Youth, ofttimes healthful and at ease,
Anticipates a day it never sees;
And many a tomb, like Hamilton's, aloud
Exclaims "Prepare thee for an early shroud."
EPITAPH ON A HARE.
Here lies, whom hound did ne'er pursue,
Nor swifter greyhound follow,
Whose foot ne'er tainted morning dew,
Nor ear heard huntsman's halloo;
Old Tiney, surliest of his kind,
Who, nursed with tender care,
And to domestic bounds confined,
Was still a wild Jack hare.
Though duly from my hand he took
His pittance every night,
He did it with a jealous look,
And, when he could, would bite.
His diet was of wheaten bread
And milk, and oats, and straw;
Thistles, or lettuces instead,
With sand to scour his maw.
On twigs of hawthorn he regaled,
On pippins' russet peel,
And, when his juicy salads fail'd,
Sliced carrot pleased him well.
A Turkey carpet was his lawn,
Whereon he loved to bound,
To skip and gambol like a fawn,
And swing his rump around.
His frisking was at evening hours,
For then he lost his fear,
But most before approaching showers,
Or when a storm drew near.
Eight years and five round rolling moons
He thus saw steal away,
Dozing out all his idle noons,
And every night at play.
I kept him for his humour's sake,
For he would oft beguile
My heart of thoughts that made it ache,
And force me to a smile.
But now beneath this walnut shade
He finds his long last home,
And waits, in snug concealment laid,
Till gentler Puss shall come.
He, still more aged, feels the shocks,
From which no care can save,
And, partner once of Tiney's box,
Must soon partake his grave.