STROPHE.
My twofold book! single in show
But double in contents,
Neat, but not curiously adorn'd,
Which, in his early youth,
A poet gave, no lofty one in truth,
Although an earnest wooer of the muse—
Say, while in cool Ausonian shades
Or British wilds he roam'd,
Striking by turns his native lyre,
By turns the Daunian lute,
And stepp'd almost in air—

ANTISTROPHE.

Say, little book, what furtive hand
Thee from thy fellow books convey'd,
What time, at the repeated suit
Of my most learned friend,
I sent thee forth, an honour'd traveller,
From our great city to the source of Thames,
Cærulean sire!
Where rise the fountains, and the raptures ring,
Of the Aonian choir,
Durable as yonder spheres,
And through the endless lapse of years
Secure to be admired?

STROPHE II.

Now what god, or demi-god,
For Britain's ancient genius moved,
(If our afflicted land
Have expiated at length the guilty sloth
Of her degenerate sons)
Shall terminate our impious feuds,
And discipline with hallow'd voice recall?
Recall the muses too,
Driven from their ancient seats
In Albion, and well nigh from Albion's shore,
And, with keen Phœbean shafts
Piercing the unseemly birds,
Whose talons menace us,
Shall drive the Harpy race from Helicon afar?

ANTISTROPHE.

But thou, my book, though thou hast stray'd,
Whether by treachery lost,
Or indolent neglect, thy bearer's fault,
From all thy kindred books,
To some dark cell or cave forlorn,
Where thou endurest, perhaps,
The chafing of some hard untutor'd hand,
Be comforted—
For lo! again the splendid hope appears
That thou mayst yet escape
The gulfs of Lethe, and on oary wings
Mount to the everlasting courts of Jove!

STROPHE III.

Since Rouse desires thee, and complains
That, though by promise his,
Thou yet appear'st not in thy place
Among the literary noble stores
Given to his care,
But, absent, leavest his numbers incomplete.
He, therefore, guardian vigilant
Of that unperishing wealth,
Calls thee to the interior shrine, his charge,
Where he intends a richer treasure far
Than Iön kept (Iön, Erectheus' son
Illustrious, of the fair Creüsa born)
In the resplendent temple of his god,
Tripods of gold, and Delphic gifts divine.

ANTISTROPHE.

Haste, then, to the pleasant groves,
The muses' favourite haunt;
Resume thy station in Apollo's dome,
Dearer to him
Than Delos, or the fork'd Parnassian hill!
Exulting go,
Since now a splendid lot is also thine,
And thou art sought by my propitious friend;
For there thou shalt be read
With authors of exalted note,
The ancient glorious lights of Greece and Rome.

EPODE.

Ye, then, my works, no longer vain,
And worthless deem'd by me!
Whate'er this sterile genius has produced,
Expect, at last, the rage of envy spent,
An unmolested happy home,
Gift of kind Hermes, and my watchful friend,
Where never flippant tongue profane
Shall entrance find,
And whence the coarse unletter'd multitude
Shall babble far remote.
Perhaps some future distant age,
Less tinged with prejudice, and better taught,
Shall furnish minds of power
To judge more equally.
Then, malice silenced in the tomb,
Cooler heads and sounder hearts,
Thanks to Rouse, if aught of praise
I merit, shall with candour weigh the claim.

TRANSLATIONS OF THE ITALIAN POEMS.

SONNET.

Fair Lady! whose harmonious name the Rhine,
Through all his grassy vale, delights to hear,
Base were indeed the wretch who could forbear
To love a spirit elegant as thine,
That manifests a sweetness all divine,
Nor knows a thousand winning acts to spare,
And graces, which Love's bow and arrows are,
Tempering thy virtues to a softer shine.
When gracefully thou speak'st, or singest gay
Such strains as might the senseless forest move,
Ah then—turn each his eyes and ears away,
Who feels himself unworthy of thy love!
Grace can alone preserve him ere the dart
Of fond desire yet reach his inmost heart.

SONNET.

As on a hill-top rude, when closing day
Imbrowns the scene, some pastoral maiden fair
Waters a lovely foreign plant with care,
Borne from its native genial airs away,
That scarcely can its tender bud display,
So, on my tongue these accents, new and rare,
Are flowers exotic, which Love waters there.
While thus, O sweetly scornful! I essay
Thy praise in verse to British ears unknown,
And Thames exchange for Arno's fair domain;
So Love has will'd, and ofttimes Love has shown,
That what he wills, he never wills in vain—
Oh that this hard and sterile breast might be
To Him, who plants from heaven, a soil as free!

CANZONE.

They mock my toil—the nymphs and amorous swains—
And whence this fond attempt to write, they cry,
Love-songs in language that thou little know'st?
How darest thou risk to sing these foreign strains?
Say truly. Find'st not oft thy purpose cross'd,
And that thy fairest flowers here fade and die?
Then with pretence of admiration high—
Thee other shores expect, and other tides,
Rivers, on whose grassy sides
Her deathless laurel leaf, with which to bind
Thy flowing locks, already Fame provides;
Why then this burden, better far declined?
Speak, muse! for me—the fair one said, who guides
My willing heart, and all my fancy's flights,
"This is the language in which Love delights."

SONNET, TO CHARLES DEODATI.

Charles—and I say it wondering—thou must know
That I, who once assumed a scornful air
And scoff'd at Love, am fallen in his snare,
(Full many an upright man has fallen so:)
Yet think me not thus dazzled by the flow
Of golden locks, or damask cheek; more rare
The heartfelt beauties of my foreign fair:
A mien majestic, with dark brows that show
The tranquil lustre of a lofty mind;
Words exquisite, of idioms more than one,
And song, whose fascinating power might bind,
And from her sphere draw down the labouring moon;
With such fire-darting eyes that, should I fill
My ears with wax, she would enchant me still.

SONNET.

Lady! It cannot be but that thine eyes
Must be my sun, such radiance they display,
And strike me e'en as Phœbus him whose way
Through horrid Libya's sandy desert lies.
Meantime, on that side steamy vapours rise
Where most I suffer. Of what kind are they,
New as to me they are, I cannot say,
But deem them, in the lover's language—sighs.
Some, though with pain, my bosom close conceals,
Which, if in part escaping thence, they tend
To soften thine, thy coldness soon congeals.
While others to my tearful eyes ascend,
Whence my sad nights in showers are ever drown'd,
Till my Aurora comes, her brow with roses bound.

SONNET.

Enamour'd, artless, young, on foreign ground,
Uncertain whither from myself to fly;
To thee, dear Lady, with an humble sigh
Let me devote my heart, which I have found
By certain proofs, not few, intrepid, sound,
Good, and addicted to conceptions high:
When tempests shake the world, and fire the sky,
It rests in adamant self-wrapt around,
As safe from envy as from outrage rude,
From hopes and fears that vulgar minds abuse,
As fond of genius, and fix'd fortitude,
Of the resounding lyre and every muse.
Weak you will find it in one only part,
Now pierced by love's immedicable dart.

SIMILE IN PARADISE LOST.

'So when, from mountain tops, the dusky clouds
Ascending,' &c.
. . . . . . .
Quales aërii montis de vertice nubes
Cum surgunt, et jam Boreæ tumida ora quiêrunt,
Cœlum hilares abdit, spissâ caligine, vultus:
Tum, si jucundo tandem sol prodeat ore,
Et croceo montes et pascua lumine tingat,
Gaudent omnia, aves mulcent concentibus agros
Balatuque ovium colles vallesque resultant.

TRANSLATION OF DRYDEN'S EPIGRAM ON MILTON.

Tres tria, sed longè distantia, sæcula vates
Ostentant tribus è gentibus eximios.
Græcia sublimem, cum majestate disertum
Roma tulit, felix Anglia utrique parem.
Partubus ex binis Natura exhausta, coacta est,
Tertius ut fieret, consociare duos.

July, 1780.

TRANSLATIONS FROM VINCENT BOURNE.

I. THE GLOWWORM.

Beneath the hedge, or near the stream,
A worm is known to stray,
That shows by night a lucid beam,
Which disappears by day.
Disputes have been, and still prevail,
From whence his rays proceed;
Some give that honour to his tail,
And others to his head.
But this is sure—the hand of night
That kindles up the skies,
Gives him a modicum of light
Proportion'd to his size.
Perhaps indulgent Nature meant,
By such a lamp bestow'd,
To bid the traveller, as he went,
Be careful where he trod:
Nor crush a worm, whose useful light
Might serve, however small,
To show a stumbling stone by night,
And save him from a fall.
Whate'er she meant, this truth divine
Is legible and plain,
'Tis power almighty bids him shine,
Nor bids him shine in vain.
Ye proud and wealthy, let this theme
Teach humbler thoughts to you,
Since such a reptile has its gem,
And boasts its splendour too.

II. THE JACKDAW.

There is a bird who, by his coat
And by the hoarseness of his note,
Might be supposed a crow;
A great frequenter of the church,
Where, bishop-like, he finds a perch,
And dormitory too.
Above the steeple shines a plate,
That turns and turns, to indicate
From what point blows the weather.
Look up—your brains begin to swim,
'Tis in the clouds—that pleases him,
He chooses it the rather.
Fond of the speculative height,
Thither he wings his airy flight,
And thence securely sees
The bustle and the rareeshow,
That occupy mankind below,
Secure and at his ease.
You think, no doubt, he sits and muses
On future broken bones and bruises,
If he should chance to fall.
No; not a single thought like that
Employs his philosophic pate,
Or troubles it at all.
He sees that this great roundabout,
The world, with all its motley rout,
Church, army, physic, law,
Its customs and its businesses,
Is no concern at all of his,
And says—what says he?—Caw.
Thrice happy bird! I too have seen
Much of the vanities of men;
And, sick of having seen 'em,
Would cheerfully these limbs resign
For such a pair of wings as thine
And such a head between 'em.

III. THE CRICKET

Little inmate, full of mirth,
Chirping on my kitchen hearth,
Wheresoe'er be thine abode,
Always harbinger of good,
Pay me for thy warm retreat
With a song more soft and sweet;
In return thou shalt receive
Such a strain as I can give.
Thus thy praise shall be express'd,
Inoffensive, welcome guest!
While the rat is on the scout,
And the mouse with curious snout,
With what vermin else infest
Every dish, and spoil the best;
Frisking thus before the fire,
Thou hast all thine heart's desire.
Though in voice and shape they be
Form'd as if akin to thee,
Thou surpassest, happier far,
Happiest grasshoppers that are;
Theirs is but a summer's song,
Thine endures the winter long,
Unimpair'd, and shrill, and clear,
Melody throughout the year.
Neither night nor dawn of day
Puts a period to thy play:
Sing, then—and extend thy span
Far beyond the date of man.
Wretched man, whose years are spent
In repining discontent,
Lives not, aged though he be,
Half a span, compared with thee.

parrot

J. Gilbert fecit.     W. Greatbach sculp.

THE PARROT.

"IN PAINTED PLUMES SUPERBLY DRESS'D,
A NATIVE OF THE GORGEOUS EAST"

IV. THE PARROT.

In painted plumes superbly dress'd,
A native of the gorgeous east,
By many a billow toss'd;
Poll gains at length the British shore,
Part of the captain's precious store,
A present to his toast.
Belinda's maids are soon preferr'd,
To teach him now and then a word,
As Poll can master it;
But 'tis her own important charge,
To qualify him more at large,
And make him quite a wit.
Sweet Poll! his doting mistress cries,
Sweet Poll! the mimic bird replies,
And calls aloud for sack.
She next instructs him in the kiss;
'Tis now a little one, like Miss,
And now a hearty smack.
At first he aims at what he hears;
And, listening close with both his ears,
Just catches at the sound;
But soon articulates aloud,
Much to the amusement of the crowd,
And stuns the neighbours round.
A querulous old woman's voice
His humorous talent next employs,
He scolds, and gives the lie.
And now he sings, and now is sick,
Here, Sally, Susan, come, come quick,
Poor Poll is like to die!
Belinda and her bird! 'tis rare
To meet with such a well match'd pair,
The language and the tone,
Each character in every part
Sustain'd with so much grace and art,
And both in unison.
When children first begin to spell,
And stammer out a syllable,
We think them tedious creatures;
But difficulties soon abate,
When birds are to be taught to prate,
And women are the teachers.

THE THRACIAN.

Thracian parents, at his birth,
Mourn their babe with many a tear,
But, with undissembled mirth,
Place him breathless on his bier.
Greece and Rome, with equal scorn,
"O the savages!" exclaim,
"Whether they rejoice or mourn,
Well entitled to the name!"
But the cause of this concern
And this pleasure would they trace,
Even they might somewhat learn
From the savages of Thrace.

RECIPROCAL KINDNESS THE PRIMARY LAW OF NATURE.

Androcles, from his injured lord, in dread
Of instant death, to Lybia's desert fled,
Tired with his toilsome flight, and parch'd with heat,
He spied at length a cavern's cool retreat;
But scarce had given to rest his weary frame,
When, hugest of his kind, a lion came:
He roar'd approaching: but the savage din
To plaintive murmurs changed—arrived within,
And with expressive looks, his lifted paw
Presenting, aid implored from whom he saw.
The fugitive, through terror at a stand,
Dared not awhile afford his trembling hand;
But bolder grown, at length inherent found
A pointed thorn, and drew it from the wound.
The cure was wrought; he wiped the sanious blood,
And firm and free from pain the lion stood.
Again he seeks the wilds, and day by day
Regales his inmate with the parted prey.
Nor he disdains the dole, though unprepared,
Spread on the ground, and with a lion shared.
But thus to live—still lost—sequester'd still—
Scarce seem'd his lord's revenge a heavier ill.
Home! native home! O might he but repair!
He must—he will, though death attends him there.
He goes, and doom'd to perish on the sands
Of the full theatre unpitied stands:
When lo! the selfsame lion from his cage
Flies to devour him, famish'd into rage.
He flies, but viewing in his purposed prey
The man, his healer, pauses on his way,
And, soften'd by remembrance into sweet
And kind composure, crouches at his feet.
Mute with astonishment, the assembly gaze:
But why, ye Romans? Whence your mute amaze?
All this is natural: nature bade him rend
An enemy; she bids him spare a friend.

A MANUAL,

MORE ANCIENT THAN THE ART OF PRINTING, AND NOT TO BE FOUND IN ANY CATALOGUE.

There is a book, which we may call
(Its excellence is such)
Alone a library, though small;
The ladies thumb it much.
Words none, things numerous it contains:
And things with words compared,
Who needs be told, that has his brains,
Which merits most regard?
Ofttimes its leaves of scarlet hue
A golden edging boast;
And open'd, it displays to view
Twelve pages at the most.
Nor name, nor title, stamp'd behind,
Adorns its outer part;
But all within 'tis richly lined,
A magazine of art.
The whitest hands that secret hoard
Oft visit: and the fair
Preserve it in their bosoms stored,
As with a miser's care.
Thence implements of every size,
And form'd for various use,
(They need but to consult their eyes,)
They readily produce.
The largest and the longest kind
Possess the foremost page;
A sort most needed by the blind,
Or nearly such, from age.
The full charg'd leaf which next ensues,
Presents in bright array
The smaller sort, which matrons use,
Not quite so blind as they.
The third, the fourth, the fifth supply
What their occasions ask,
Who with a more discerning eye
Perform a nicer task.
But still with regular decrease,
From size to size they fall,
In every leaf grow less and less;
The last are least of all.
O! what a fund of genius, pent
In narrow space is here!
This volume's method and intent
How luminous and clear!
It leaves no reader at a loss
Or posed, whoever reads:
No commentator's tedious gloss,
Nor even index needs.
Search Bodley's many thousands o'er!
No book is treasured there,
Nor yet in Granta's numerous store,
That may with this compare.
No!—rival none in either host
Of this was ever seen,
Or, that contents could justly boast,
So brilliant and so keen.

AN ENIGMA.

A needle, small as small can be,
In bulk and use surpasses me,
Nor is my purchase dear;
For little, and almost for nought,
As many of my kind are bought
As days are in the year.
Yet though but little use we boast,
And are procured at little cost,
The labour is not light;
Nor few artificers it asks,
All skilful in their several tasks,
To fashion us aright.
One fuses metal o'er the fire,
A second draws it into wire,
The shears another plies;
Who clips in length the brazen thread
From him who, chafing every shred,
Gives all an equal size.
A fifth prepares, exact and round,
The knob with which it must be crown'd;
His follower makes it fast:
And with his mallet and his file
To shape the point, employs awhile
The seventh and the last.
Now, therefore, Œdipus! declare
What creature, wonderful, and rare,
A process that obtains
Its purpose with so much ado
At last produces!—tell me true,
And take me for your pains!

SPARROWS SELF-DOMESTICATED IN TRINITY COLLEGE, CAMBRIDGE.

None ever shared the social feast,
Or as an inmate or a guest,
Beneath the celebrated dome
Where once Sir Isaac had his home,
Who saw not (and with some delight
Perhaps he view'd the novel sight)
How numerous, at the tables there,
The sparrows beg their daily fare.
For there, in every nook and cell
Where such a family may dwell,
Sure as the vernal season comes
Their nest they weave in hope of crumbs,
Which kindly given, may serve with food
Convenient their unfeather'd brood;
And oft as with its summons clear
The warning bell salutes their ear,
Sagacious listeners to the sound,
They flock from all the fields around,
To reach the hospitable hall,
None more attentive to the call.
Arrived, the pensionary band,
Hopping and chirping, close at hand,
Solicit what they soon receive.
The sprinkled, plenteous donative.
Thus is a multitude, though large,
Supported at a trivial charge;
A single doit would overpay
The expenditure of every day,
And who can grudge so small a grace
To suppliants, natives of the place?

FAMILIARITY DANGEROUS.

As in her ancient mistress' lap
The youthful tabby lay,
They gave each other many a tap,
Alike disposed to play.
But strife ensues. Puss waxes warm,
And with protruded claws
Ploughs all the length of Lydia's arm,
Mere wantonness the cause.
At once, resentful of the deed,
She shakes her to the ground
With many a threat that she shall bleed
With still a deeper wound.
But, Lydia, bid thy fury rest:
It was a venial stroke:
For she that will with kittens jest
Should bear a kitten's joke.

INVITATION TO THE REDBREAST.

Sweet bird, whom the winter constrains—
And seldom another it can—
To seek a retreat while he reigns
In the well-shelter'd dwellings of man,
Who never can seem to intrude,
Though in all places equally free,
Come oft as the season is rude,
Thou art sure to be welcome to me.
At sight of the first feeble ray
That pierces the clouds of the east,
To inveigle thee every day
My windows shall show thee a feast.
For, taught by experience, I know,
Thee mindful of benefit long;
And that, thankful for all I bestow,
Thou wilt pay me with many a song.
Then, soon as the swell of the buds
Bespeaks the renewal of spring,
Fly hence, if thou wilt, to the woods,
Or where it shall please thee to sing:
And shouldst thou, compell'd by a frost,
Come again to my window or door,
Doubt not an affectionate host,
Only pay as thou paid'st me before.
This music must needs be confess'd
To flow from a fountain above;
Else how should it work in the breast
Unchangeable friendship and love?
And who on the globe can be found,
Save your generation and ours,
That can be delighted by sound,
Or boasts any musical powers?

STRADA'S NIGHTINGALE.

The shepherd touch'd his reed; sweet Philomel
Essay'd, and oft essay'd to catch the strain,
And treasuring, as on her ear they fell,
The numbers, echo'd note for note again.
The peevish youth, who ne'er had found before
A rival of his skill, indignant heard,
And soon (for various was his tuneful store)
In loftier tones defied the simple bird.
She dared the task, and, rising as he rose,
With all the force that passion gives inspired,
Return'd the sounds awhile, but in the close
Exhausted fell, and at his feet expired.
Thus strength, not skill prevail'd. O fatal strife,
By thee, poor songstress, playfully begun;
And, O sad victory, which cost thy life,
And he may wish that he had never won!

ODE ON THE DEATH OF A LADY,

WHO LIVED ONE HUNDRED YEARS, AND DIED ON HER BIRTHDAY, 1728.

Ancient dame, how wide and vast
To a race like ours appears,
Rounded to an orb at last,
All thy multitude of years!
We, the herd of human kind,
Frailer and of feebler powers;
We, to narrow bounds confined,
Soon exhaust the sum of ours.
Death's delicious banquet—we
Perish even from the womb,
Swifter than a shadow flee,
Nourish'd but to feed the tomb.
Seeds of merciless disease
Lurk in all that we enjoy;
Some that waste us by degrees,
Some that suddenly destroy.
And, if life o'erleap the bourn
Common to the sons of men,
What remains, but that we mourn,
Dream, and dote, and drivel then?
Fast as moons can wax and wane
Sorrow comes; and, while we groan,
Pant with anguish, and complain,
Half our years are fled and gone.
If a few (to few 'tis given),
Lingering on this earthly stage,
Creep and halt with steps uneven
To the period of an age,
Wherefore live they, but to see
Cunning, arrogance, and force,
Sights lamented much by thee,
Holding their accustom'd course?
Oft was seen, in ages past,
All that we with wonder view;
Often shall be to the last;
Earth produces nothing new.
Thee we gratulate, content
Should propitious Heaven design
Life for us as calmly spent,
Though but half the length of thine.

THE CAUSE WON.

Two neighbours furiously dispute;
A field—the subject of the suit.
Trivial the spot, yet such the rage
With which the combatants engage,
'Twere hard to tell who covets most
The prize—at whatsoever cost.
The pleadings swell. Words still suffice:
No single word but has its price.
No term but yields some fair pretence
For novel and increased expense.
Defendant thus becomes a name,
Which he that bore it may disclaim,
Since both in one description blended,
Are plaintiffs—when the suit is ended.

THE SILKWORM.

The beams of April, ere it goes,
A worm, scarce visible, disclose;
All winter long content to dwell
The tenant of his native shell.
The same prolific season gives
The sustenance by which he lives,
The mulberry leaf, a simple store,
That serves him—till he needs no more!
For, his dimensions once complete,
Thenceforth none ever sees him eat;
Though till his growing time be past
Scarce ever is he seen to fast.
That hour arrived, his work begins.
He spins and weaves, and weaves and spins;
Till circle upon circle, wound
Careless around him and around,
Conceals him with a veil, though slight,
Impervious to the keenest sight.
Thus self-enclosed, as in a cask,
At length he finishes his task;
And, though a worm when he was lost,
Or caterpillar at the most,
When next we see him, wings he wears,
And in papilio pomp appears;
Becomes oviparous; supplies
With future worms and future flies
The next ensuing year—and dies!
Well were it for the world, if all
Who creep about this earthly ball,
Though shorter-lived than most he be,
Were useful in their kind as he.

THE INNOCENT THIEF.

Not a flower can be found in the fields,
Or the spot that we till for our pleasure,
From the largest to the least, but it yields
The bee never wearied a treasure.
Scarce any she quits unexplored
With a diligence truly exact;
Yet, steal what she may for her hoard
Leaves evidence none of the fact.
Her lucrative task she pursues,
And pilfers with so much address,
That none of their odour they lose,
Nor charm by their beauty the less.
Not thus inoffensively preys
The cankerworm, in-dwelling foe!
His voracity not thus allays
The sparrow, the finch, or the crow.
The worm, more expensively fed,
The pride of the garden devours;
And birds peck the seed from the bed,
Still less to be spared than the flowers.
But she with such delicate skill
Her pillage so fits for her use,
That the chemist in vain with his still
Would labour the like to produce.
Then grudge not her temperate meals,
Nor a benefit blame as a theft;
Since, stole she not all that she steals,
Neither honey nor wax would be left.

DENNER'S OLD WOMAN.