The stars are on the moving stream,
And fling, as its ripples gently flow,
A burnished length of wavy beam
In an eel-like, spiral line below.
The winds are whist, and the owl is still,
The bat in the shelvy rock is hid;
And nought is heard on the lonely hill
But the cricket’s chirp and the answer shrill
Of the gauze-winged katy-did,
And the plaint of the wailing whip-poor-will
Who moans unseen, and ceaseless sings
Ever a note of wail and woe,
Till morning spreads her rosy wings,
And earth and sky in her glances glow.
Joseph Rodman Drake.
|
It is disputed whether this scene of intoxication took place on the present site of New York, on the Jersey side, or at Albany. |
Coldspring, Putnam Cy. N.Y.
THE Hudson bends out from Crow-Nest into a small bay; and in the lap of the crescent thus formed lies snug and sheltered the town of Cold Spring.
It is a pity, picturesquely speaking, that the boatmen on the river are not Catholics; it would be so pretty to see them shorten sail off Our Lady of Cold Spring, and uncover for an Ave-Maria. This little chapel, so exquisitely situated on the bluff overlooking the river, reminds me of a hermit’s oratory and cross which is perched similarly in the shelter of a cliff on the desolate coast of Sparta. I was on board a frigate, gliding slowly up the Ægean, and clinging to the shore for a land-wind, when I descried the white cross at a distance of about half a mile, strongly relieved against the dark rock in its rear. As we approached, the small crypt and altar became visible; and at the moment the ship passed, a tall monk, with a snow-white beard, stepped forth like an apparition upon the cliffs, and spread out his arms to bless us. In the midst of the intense solitude of the Ægean, with not a human dwelling to be seen on the whole coast from Morea to Napoli, the effect of this silent benediction was almost supernatural. He remained for five minutes in this attitude, his long cowl motionless in the still air, and his head slowly turning to the ship as she drew fast round the little promontory on her course. I would suggest to Our Lady of Cold Spring, that a niche under the portico of her pretty chapel, with a cross to be seen from the river by day and a lamp by night, would make at least a catholic impression on the passer-by, though we are not all children of St. Peter.
Half way between the mountain and Our Lady’s shrine stands, on a superb natural platform, the romantic estate of Undercliff. Just above it rises the abrupt and heavily-wooded mountain, from which it derives its name; a thick grove hides it from the village at its foot, and from the portico of the mansion extend views in three directions unparalleled for varied and surprising beauty. A road running between high-water mark and the park gate skirts the river in eccentric windings for five or six miles; the brows of the hills descending to the Hudson in the west and north are nobly wooded and threaded with circuitous paths; and all around lies the most romantic scenery of the most romantic river in the world.
The only fault of the views from West Point is that West Point itself is lost as a feature in the landscape. The traveller feels the same drawback which troubled the waiting-maid when taken to drive by the footman in her mistress’s chariot,—“How I wish I could stand by the road-side and see myself go by!” From Undercliff, which is directly opposite, and about at the same elevation, the superb terrace of the Military School is seen to the greatest advantage. The white barracks of Camptown, the long range of edifices which skirt the esplanade, the ruins of old Fort Putnam half way up the mountain, and the waving line of wood and valley extending to the estate of “Stoney Lonesome” form a noble feature in the view from Undercliff.
I had forgotten that Cold Spring “plucks a glory on its head” from being honored with the frequent visits of Washington Irving, Halleck, and other lesser stars in the literary firmament. Now that these first lights above the horizon have set (Hesperus-like, first and brightest!), there lingers about the town many a tale of the days when Geoffrey Crayon talked in his gentle way with the ferryman who brought him to Cold Spring; or the now plethoric post-master, who in his character of librarian to the village enjoyed the friendship of Irving and Halleck, and received from their own hands the “author’s copies,” since curiously preserved in the execrable print and binding then prevalent in America. Perhaps even old Lipsey the ferryman, and his rival Andrews, will come in for their slice of immortality, little as they dream now, pulling close in for the counter-current under Our Lady’s skirts, of working at that slow oar for posthumous reputation.
THE GATES OF THE HUDSON.
So bright the day, so clear the sky,
So grand the scene before me,
My meaner life my soul puts by,
And a better mood comes o’er me.
From under trees whose rustling leaves
Wear all their autumn glory,
I watch the brown fields far below,
And the headlands, gray and hoary.
I see the beetling Palisades,
Whose wrinkled brows forever,
In calms and storms, in lights and shades,
Keep watch along the river.
Such watch, of old, the Magi kept
Along the sad Euphrates,—
Our eyeless ones have never slept,
And this their solemn fate is:
God built these hills in barrier long,
And then He opened through them
These gates of granite, barred so strong
He only might undo them;
Through them He lets the Hudson flow
For slowly counted ages,
The while the nations fade and grow
Around the granite ledges.
He bids these warders watch and wait,
Their vigil ne’er forsaking,
Forever standing by the gate,
Not moving and not speaking.
So, all earth’s day, till night shall fall,
When God shall send His orders,
And summon at one trumpet-call
The grim and patient warders.
The guards shall bow, the gates shall close
Upon the obedient river,
And then no more the Hudson flows
Forever and forever.
William Osborn Stoddard.
NEW JERSEY.
THE BROWN-EYED GIRLS OF JERSEY.
Before my bark the waves have curled
As it bore me thrice around the world;
And for forty years have met my eyes
The beauties born under wide-spread skies.
But though far and long may be my track,
It is never too far for looking back;
And I see them,—see them over the sea,
As I saw them when youth still dwelt with me,—
The brown-eyed girls of Jersey!
They are Quakers, half,—half maids of Spain;
Half Yankees, with fiery Southern brain;
They are English, French,—they are Irish elves;
They are better than all, in being themselves!
They are coaxing things,—then wild and coy;
They are full of tears,—full of mirth and joy.
They madden the brain like rich old wine:
And no wonder at all if they’ve maddened mine,
Those brown-eyed girls of Jersey!
Some day, when distant enough my track,
To the Land of the Free I shall wander back;
And if not too gray, both heart and hair,
To win the regard of a thing so fair,
I shall try the power of the blarney-stone
In making some darling girl my own:
Some darling girl, that still may be
Keeping all her beauty and grace for me,—
Some brown-eyed girl of Jersey!
Henry Morford.
LIKE most of the landings on the Hudson, Peekskill is a sort of outstretched hand from the interior of the country. It is about eighty miles from New York, and the produce from the country behind is here handed over to the trading sloops, who return into the waiting palm the equivalent in goods from the city. A sort of town naturally springs up at such a spot, and as a river-side is a great provocative of idleness, all the Dolph Heyligers of the country about seem to be collected at the landing.
The neighborhood of this spot is interesting from its association with the history of the Revolution. The headquarters of General Washington were just below, at Verplank’s Point; and the town of Peekskill, half a mile back from the river, was the depot of military stores, which were burned by General Howe in 1777.
“On my return southward in 1782,” says the translator of Chastellux, who has not given his name, “I spent a day or two at the American camp at Verplank’s Point, where I had the honor of dining with General Washington. I had suffered severely from an ague, which I could not get quit of, though I had taken the exercise of a hard-trotting horse, and got thus far to the north in the month of October. The General observing it, told me he was sure I had not met with a good glass of wine for some time,—an article then very rare,—but that my disorder must be frightened away. He made me drink three or four of his silver camp-cups of excellent Madeira at noon, and recommended to me to take a generous glass of claret after dinner,—a prescription by no means repugnant to my feelings, and which I most religiously followed. I mounted my horse the next morning, and continued my journey to Massachusetts, without ever experiencing the slightest return of my disorder.
“The American camp here presented the most beautiful and picturesque appearance. It extended along the plain, on the neck of land formed by the winding of the Hudson, and had a view of this river to the south. Behind it, the lofty mountains, covered with wood, formed the most sublime background that painting could express. In the front of the tents was a regular continued portico, formed by the boughs of the trees in full verdure, decorated with much taste and fancy. Opposite the camp, and on distinct eminences, stood the tents of some of the general officers, over which towered predominant that of Washington. I had seen all the camps in England, from many of which drawings and engravings have been taken; but this was truly a subject worthy the pencil of the first artist. The French camp, during their stay in Baltimore, was decorated in the same manner. At the camp at Verplank’s Point we distinctly heard the morning and evening gun of the British at Knightsbridge.”
The curiosity seizes with avidity upon any accidental information which fills up the bare outline of history. The personal history of Washington more particularly, wherever it has been traced by those who were in contact with him, is full of interest. Some of the sketches given by the Marquis of Chastellux, who passed this point of the Hudson on his way to Washington’s headquarters below, are very graphic.
“The weather being fair on the 26th,” he says, “I got on horseback, after breakfasting with the General. He was so attentive as to give me the horse I rode on the day of my arrival. I found him as good as he is handsome; but, above all, perfectly well broke and well trained, having a good mouth, easy in hand, and stopping short in a gallop without bearing the bit. I mention these minute particulars because it is the General himself who breaks all his own horses. He is an excellent and bold horseman, leaping the highest fences, and going extremely quick without standing upon his stirrups, bearing on the bridle, or letting his horse run wild,—circumstances which our young men look upon as so essential a part of English horsemanship, that they would rather break a leg or an arm than renounce them.”
After passing some days at headquarters, this young nobleman thus admirably sums up his observations on Washington:—
“The strongest characteristic of this great man is the perfect union which reigns between his physical and moral qualities. Brave without temerity, laborious without ambition, generous without prodigality, noble without pride, virtuous without severity,—he seems always to have confined himself within those limits beyond which the virtues, by clothing themselves in more lively but more changeable colors, may be mistaken for faults. It will be said of him hereafter, that at the end of a long civil war he had nothing with which he could reproach himself. His stature is noble and lofty; he is well made and exactly proportioned; his physiognomy mild and agreeable, but such as to render it impossible to speak particularly of any of his features,—so that on quitting him, you have only the recollection of a fine face. He has neither a grave nor a familiar air; his brow is sometimes marked with thought, but never with inquietude; in inspiring respect he inspires confidence, and his smile is always the smile of benevolence.”
A SCENE ON THE BANKS OF THE HUDSON.
Cool shades and dews are round my way,
And silence of the early day;
’Mid the dark rocks that watch his bed
Glitters the mighty Hudson spread,
Unrippled, save by drops that fall
From shrubs that fringe his mountain wall;
And o’er the clear still water swells
The music of the Sabbath bells.
All, save this little nook of land,
Circled with trees, on which I stand:
All, save that line of hills which lie
Suspended in the mimic sky,—
Seems a blue void, above, below,
Through which the white clouds come and go;
And from the green world’s farthest steep
I gaze into the airy deep.
Loveliest of lovely things are they,
On earth, that soonest pass away.
The rose that lives its little hour
Is prized beyond the sculptured flower;
Even love, long tried and cherished long,
Becomes more tender and more strong,
At thought of that insatiate grave
From which its yearnings cannot save.
River! in this still hour thou hast
Too much of heaven on earth to last;
Nor long may thy still waters lie
An image of the glorious sky.
Thy fate and mine are not repose;
And ere another evening close,
Thou to thy tides shalt turn again,
And I to seek the crowd of men.
William Cullen Bryant.
NEWBURG stands upon a pretty acclivity, rising with a sharp ascent from the west bank of the Hudson; and in point of trade and consequence, it is one of the first towns on the river. In point of scenery Newburg is as felicitously placed, perhaps, as any other spot in the world, having in its immediate neighborhood every element of natural loveliness,—and just below, the sublime and promising Pass of the Highlands. From the summit of the acclivity, the view over Matteawan and Fishkill is full of beauty,—the deep flow of the Hudson lying between, and the pretty villages just named sparkling with their white buildings and cheerful steeples beyond.
Newburg has a considerable trade with the back country, and steamboats are running constantly between its pier and New York. If there were wanting an index of the wondrous advance of enterprise and invention in our country, we need not seek further than this simple fact,—a small intermediate town, on one river, supporting such an amount of expensive navigation. About seventy years ago Fulton made his first experiment in steam on the Hudson, amid the unbelief and derision of the whole country. Let any one stand for one hour on the pier at Newburg, and see those superb and swift palaces of motion shoot past, one after the other, like gay and chasing meteors, and then read poor Fulton’s account of his first experiment,—and never again throw discouragement on the kindling fire of genius.
“When I was building my first steam-boat,” said he to Judge Story, “the project was viewed by the public at New York either with indifference or contempt, as a visionary scheme. My friends, indeed, were civil, but they were shy. They listened with patience to my explanations, but with a settled cast of incredulity on their countenances. I felt the full force of the lamentation of the poet,—
“‘Truths would you teach, to save a sinking land?—
All shun, none aid you, and few understand.’
“As I had occasion to pass daily to and from the building-yard while my boat was in progress, I have often loitered, unknown, near the idle groups of strangers gathering in little circles, and heard various inquiries as to the object of this new vehicle. The language was uniformly that of scorn, sneer, or ridicule. The loud laugh rose at my expense, the dry jest, the wise calculation of losses and expenditure, the dull but endless repetition of ‘the Fulton folly.’ Never did a single encouraging remark, a bright hope, or a warm wish, cross my path.
“At length the day arrived when the experiment was to be made. To me it was a most trying and interesting occasion. I wanted many friends to go on board to witness the first successful trip. Many of them did me the favor to attend, as a matter of personal respect; but it was manifest they did it with reluctance, fearing to be partners of my mortification and not of my triumph. I was well aware that in my case there were many reasons to doubt of my own success. The machinery was new and ill-made, and many parts of it were constructed by mechanics unacquainted with such work; and unexpected difficulties might reasonably be presumed to present themselves from other causes. The moment arrived in which the word was to be given for the vessel to move. My friends were in groups on the deck. There was anxiety mixed with fear among them; they were silent, sad, and weary; I read in their looks nothing but disaster, and almost repented of my efforts. The signal was given, and the boat moved on a short distance, and then stopped and became immovable. To the silence of the preceding moment now succeeded murmurs of discontent and agitation, and whispers and shrugs. I could hear distinctly repeated, ‘I told you so! It is a foolish scheme; I wish we were well out of it.’ I elevated myself on a platform, and stated that I knew not what was the matter; but if they would be quiet, and indulge me for half an hour, I would either go on or abandon the voyage. I went below, and discovered that a slight maladjustment was the cause. It was obviated. The boat went on. We left New York; we passed through the Highlands; we reached Albany! Yet even then imagination superseded the force of fact. It was doubted if it could be done again, or if it could be made, in any case, of any great value!”
What an affecting picture of the struggles of a great mind, and what a vivid lesson of encouragement to genius, is contained in this simple narrative!
THE DELAWARE WATER-GAP.
Our western land can boast no lovelier spot.
The hills which in their ancient grandeur stand
Piled to the frowning clouds, the bulwarks seem
Of this wild scene, resolved that none but Heaven
Shall look upon its beauty. Round their breast
A curtained fringe depends of golden mist,
Touched by the slanting sunbeams; while below
The silent river, with majestic sweep,
Pursues his shadowed way,—his glassy face
Unbroken, save when stoops the lone wild swan
To float in pride, or dip his ruffled wing.
Talk ye of solitude? It is not here.
Nor silence. Low, deep murmurs are abroad.
Those towering hills hold converse with the sky
That smiles upon their summits; and the wind
Which stirs their wooded sides whispers of life,
And bears the burden sweet from leaf to leaf,
Bidding the stately forest-boughs look bright,
And nod to greet his coming! And the brook,
That with its silvery gleam comes leaping down
From the hillside, has too a tale to tell;
The wild bird’s music mingles with its chime,
And gay young flowers that blossom in its path
Send forth their perfume as an added gift.
The river utters, too, a solemn voice,
And tells of deeds long past, in ages gone,
When not a sound was heard along his shores,
Save the wild tread of savage feet, or shriek
Of some expiring captive, and no bark
E’er cleft his gloomy waters. Now, his waves
Are vocal often with the hunter’s song;
Now visit, in their glad and onward course,
The abodes of happy men,—gardens and fields,
And cultured plains,—still bearing, as they pass,
Fertility renewed and fresh delights.
. . . . . . . . .
Elizabeth F. Ellett.
LAKE ERIE.
These lovely shores! how lone and still!
A hundred years ago
The unbroken forest stood above,
The waters dashed below,—
The waters of a lonely sea
Where never sail was furled,
Embosomed in a wilderness,
Which was itself a world.
A hundred years! go back, and, lo!
Where, closing in the view,
Juts out the shore, with rapid oar
Darts round a frail canoe:
’Tis a white voyager, and see,
His prow is westward set
O’er the calm wave! Hail to thy bold,
World-seeking bark, Marquette!
The lonely bird, that picks his food
Where rise the waves and sink,
At their strange coming, with shrill scream,
Starts from the sandy brink;
The fishhawk, hanging in mid sky,
Floats o’er on level wing,
And the savage from his covert looks,
With arrow on the string.
A hundred years are past and gone,
And all the rocky coast
Is turreted with shining towns,—
An empire’s noble boast;
And the old wilderness is changed
To cultured vale and hill;
And the circuit of its mountains
An empire’s numbers fill!
Ephraim Peabody.
AT this elevation you may wear woollen, and sleep under blankets in midsummer; and that is a pleasant temperature where much hard work is to be done in the way of pleasure-hunting. No place is so agreeable as Catskill after one has been parboiled in the city. New York is at the other end of that long thread of a river, running away south from the base of the mountain; and you may change your climate in so brief a transit, that the most enslaved broker in Wall Street may have half his home on Catskill. The cool woods, the small silver lakes, the falls, the mountain-tops, are all delicious haunts for the idler-away of the hot months; and to the credit of our taste, it may be said they are fully improved. Catskill is a “resort.”
From Catskill the busy and all-glorious Hudson is seen winding half its silver length,—towns, villas, and white spires sparkling on the shores, and snowy sails and gaily-painted steamers specking its bosom. It is a constant diorama of the most lively beauty; and the traveller as he looks down upon it sighs to make it a home. Yet a smaller and less-frequented stream would best fulfil desires born of a sigh. There is either no seclusion on the Hudson, or there is so much that the conveniences of life are difficult to obtain. Where the steamers come to shore,—twenty a day, with each from one to seven hundred passengers,—it is certainly far from secluded enough; yet away from the landing-places servants find your house too lonely, and your table, without unreasonable expense and trouble, is precarious and poor. These mean and menus plaisirs reach, after all, the very citadel of philosophy. Who can live without a cook or a chamber-maid, and dine seven days in the week on veal, consoling himself with the beauties of a river-side?
On the smaller rivers these evils are somewhat ameliorated; for in the rural and uncorrupt villages of the interior you may find servants born on the spot, and content to live in the neighborhood. The market is better, too, and the society less exposed to the evils that result from too easy an access to the metropolis. No place can be rural, in all the virtues of the phrase, where a steamer will take the villager to the city between noon and night, and bring him back between midnight and morning. There is a suburban look and character about all the villages on the Hudson which seem out of place among such scenery. They are suburbs; in fact, steam has destroyed the distance between them and the city.
THE CATTERSKILL FALLS.
’Midst greens and shades the Catterskill leaps
From cliffs where the wood-flower clings;
All summer he moistens his verdant steeps
With the sweet light spray of the mountain springs;
And he shakes the woods on the mountain side,
When they drip with the rains of autumn-tide.
But when in the forest bare and old
The blast of December calls,
He builds, in the starlight clear and cold,
A palace of ice where his torrent falls,
With turret and arch and fretwork fair,
And pillars blue as the summer air.
For whom are those glorious chambers wrought,
In the cold and cloudless night?
Is there neither spirit nor motion of thought
In forms so lovely and hues so bright?
Hear what the gray-haired woodmen tell
Of this wild stream, and its rocky dell:
’Twas hither a youth of dreamy mood,
A hundred winters ago,
Had wandered over the mighty wood
When the panther’s track was fresh on the snow;
And keen were the winds that came to stir
The long dark boughs of the hemlock-fir.
Too gentle of mien he seemed, and fair,
For a child of those rugged steeps;
His home lay low in the valley, where
The kingly Hudson rolls to the deeps;
But he wore the hunter’s frock that day,
And a slender gun on his shoulder lay.
And here he paused, and against the trunk
Of a tall gray linden leant,
When the broad clear orb of the sun had sunk
From his path in the frosty firmament,
And over the round dark edge of the hill
A cold green light was quivering still.
And the crescent moon, high over the green,
From a sky of crimson shone
On that icy palace, whose towers were seen
To sparkle as if with stars of their own;
While the water fell, with a hollow sound,
’Twixt the glistening pillars ranged around.
Is that a being of life, that moves
Where the crystal battlements rise?
A maiden, watching the moon she loves,
At the twilight hour, with pensive eyes?
Was that a garment which seemed to gleam
Betwixt his eye and the falling stream?
’Tis only the torrent tumbling o’er,
In the midst of those glassy walls,
Gushing and plunging and beating the floor
Of the rocky basin in which it falls:
’Tis only the torrent—but why that start?
Why gazes the youth with a throbbing heart?
He thinks no more of his home afar,
Where his sire and sister wait:
He heeds no longer how star after star
Looks forth on the night, as the hour grows late.
He heeds not the snow-wreaths lifted and cast
From a thousand boughs by the rising blast.
His thoughts are alone of those who dwell
In the halls of frost and snow,
Who pass where the crystal domes upswell
From the alabaster floors below,
Where the frost-trees shoot with leaf and spray,
And frost-gems scatter a silvery day.
“And, oh, that those glorious haunts were mine!”
He speaks, and throughout the glen
Thin shadows swim in the faint moonshine,
And take a ghastly likeness of men,
As if the slain by the wintry storms
Came forth to the air in their earthly forms.
There pass the chasers of seal and whale
With their weapons quaint and grim,
And bands of warriors in glittering mail,
And herdsmen and hunters huge of limb:
There are naked arms, with bow and spear,
And furry gauntlets the carbine rear.
There are mothers—and, oh, how sadly their eyes
On their children’s white brows rest!
There are youthful lovers: the maiden lies
In a seeming sleep on the chosen breast;
There are fair wan women with moon-struck air,
The snow-stars flecking their long loose hair.
They eye him not as they pass along,
But his hair stands up with dread,
When he feels that he moves with that phantom throng,
Till those icy turrets are over his head;
And the torrent’s roar, as they enter, seems
Like a drowsy murmur heard in dreams.
The glittering threshold is scarcely passed,
When there gathers and wraps him round
A thick white twilight, sullen and vast,
In which there is neither form nor sound;
The phantoms, the glory, vanish all,
With the dying voice of the waterfall.
Slow passes the darkness of that trance,—
And the youth now faintly sees
Huge shadows and gushes of light that dance
On a rugged ceiling of unhewn trees,
And walls where the skins of beasts are hung,
And rifles glitter on antlers strung.
On a couch of shaggy skins he lies;
As he strives to raise his head,
Hard-featured woodmen, with kindly eyes
Come round him and smooth his furry bed,
And bid him rest, for the evening star
Is scarcely set, and the day is far.
They had found at eve the dreaming one
By the base of that icy steep,
When over his stiffening limbs begun
The deadly slumber of frost to creep;
And they cherished the pale and breathless form,
Till the stagnant blood ran free and warm.
William Cullen Bryant.
SING-SING is famous for its marble, of which there is an extensive quarry near by; for its State-prison, of which the discipline is of the most salutary character; and for its academy, which has a high reputation. It may be said, altogether, to do the State some service.
The county of West Chester, of which this is the principal town on the Hudson, has been made the scene of perhaps the best historical novel of our country, and more than any other part of the United States suffered from the evils of war during the Revolution. The character and depredations of the “cow-boys” and “skinners,” whose fields of action were on the skirts of this neutral ground, are familiar to all who have read “the Essay” of Mr. Cooper. A distinguished clergyman gives the following very graphic picture of West Chester County in Revolutionary days:—
“In the autumn of 1777 I resided for some time in this county. The lines of the British were then in the neighborhood of Kingsbridge, and those of the Americans at Byram River. The unhappy inhabitants were therefore exposed to the depredations of both. Often they were actually plundered, and always were liable to this calamity. They feared everybody whom they saw, and loved nobody. It was a curious fact to a philosopher, and a melancholy one, to hear their conversation. To every question they gave such an answer as would please the inquirer; or if they despaired of pleasing, such a one as would not provoke him. Fear was apparently the only passion by which they were animated. The power of volition seemed to have deserted them. They were not civil, but obsequious; not obliging, but subservient. They yielded with a kind of apathy, and very quietly, what you asked, and what they supposed it impossible for them to retain. If you treated them kindly they received it coldly; not as a kindness, but as a compensation for injuries done them by others. When you spoke to them, they answered you without either good or ill nature, and without any appearance of reluctance or hesitation; but they subjoined neither questions nor remarks of their own,—proving to your full conviction that they felt no interest either in the conversation or yourself. Both their countenances and their motions had lost every trace of animation and of feeling. Their features were smoothed, not into serenity, but apathy; and instead of being settled in the attitude of quiet thinking, strongly indicated that all thought beyond what was merely instinctive had fled their minds forever.
“Their houses, meantime, were in a great measure scenes of desolation. Their furniture was extensively plundered or broken to pieces. The walls, floors, and windows were injured both by violence and decay, and were not repaired because they had not the means to repair them, and because they were exposed to the repetition of the same injuries. Their cattle were gone; their enclosures were burned where they were capable of becoming fuel, and in many cases thrown down where they were not. Their fields were covered with a rank growth of weeds and wild grass.
“Amid all this appearance of desolation, nothing struck my eye more forcibly than the sight of the high road. Where I had heretofore seen a continual succession of horses and carriages, life and bustle lending a sprightliness to all the environing objects, not a single solitary traveller was seen, from week to week or from month to month. The world was motionless and silent, except when one of these unhappy people ventured upon a rare and lonely excursion to the house of a neighbor no less unhappy, or a scouting party, traversing the country in quest of enemies, alarmed the inhabitants with expectations of new injuries and sufferings. The very tracks of the carriages were grown over and obliterated; and where they were discernible resembled the faint impressions of chariot wheels, said to be left on the pavements of Herculaneum. The grass was of full height for the scythe, and strongly realized to my own mind, for the first time, the proper import of that picturesque declaration in the Song of Deborah: ‘In the days of Shamgar, the son of Anath, in the days of Jael, the highways were unoccupied, and the travellers walked through by-paths. The inhabitants of the villages ceased: they ceased in Israel.’”
West Chester is a rough county in natural surface; but since the days when the above description was true, its vicinity to New York, and the ready market for produce have changed its character to a thriving agricultural district. It is better watered with springs, brooks, and mill-streams, than many other parts of New York, and among other advantages enjoys along the Hudson a succession of brilliant and noble scenery.