The reason for Jean's hatred of her husband appears in the dittay against Robert Weir. "Forasmuch," it runs, translated to modern terms,

as whilom Jean Livingstone, Goodwife of Warriston, having conceived a deadly rancour, hatred, and malice against whilom John Kincaid, of Warriston, for the alleged biting of her in the arm, and striking her divers times, the said Jean, in the month of June, One Thousand Six Hundred Years, directed Janet Murdo, her nurse, to the said Robert [Weir], to the abbey of Holyroodhouse, where he was for the time, desiring him to come down to Warriston, and speak with her, anent the cruel and unnatural taking away of her said husband's life.

And there you have it. If the allegation against John Kincaid was true it does not seem that he valued his lovely wife as he ought to have done. The striking her "divers times" may have been an exaggeration. It probably was. Jean and her women would want to show there had been provocation. (In a ballad he is accused of having thrown a plate at dinner in her face.) But there is a naivete, a circumstantial air, about the "biting of her in the arm" which gives it a sort of genuine ring. How one would like to come upon a contemporary writing which would throw light on the character of John Kincaid! Growing sympathy for Jean makes one wish it could be found that Kincaid deserved all he got.

Here and there in the material at hand indications are to be found that the Lady of Warriston had an idea she might not come so badly off on trial. But even if the King's Majesty had been of clement disposition, which he never was, or if her judges had been likely to be moved by her youth and beauty, there was evidence of such premeditation, such fixity of purpose, as would no doubt harden the assize against her.

Robert Weir was in service, as I have said, with Jean Livingstone's father, the Laird of Dunipace. It may have been that he knew Jean before her marriage. He seems, at any rate, to have been extremely willing to stand by her. He was fetched by the nurse several times from Holyrood to Warriston, but failed to have speech with the lady. On the 30th of June, however, the Lady Warriston having sent the nurse for him once again, he did contrive to see Jean in the afternoon, and, according to the dittay, "conferred with her, concerning the cruel, unnatural, and abominable murdering of the said whilom John Kincaid."

The upshot of the conference was that Weir was secretly led to a "laigh" cellar in the house of Warriston, to await the appointed time for the execution of the murder.

Weir remained in the cellar until midnight. Jean came for him at that hour and led him up into the hall. Thence the pair proceeded to the room in which John Kincaid was lying asleep. It would appear that they took no great pains to be quiet in their progress, for on entering the room they found Kincaid awakened "be thair dyn."

I cannot do better at this point than leave description of the murder as it is given in the dittay against Weir. The editor of Pitcairn's Trials remarks in a footnote to the dittay that "the quaintness of the ancient style even aggravates the horror of the scene." As, however, the ancient style may aggravate the reader unacquainted with Scots, I shall English it, and give the original rendering in a footnote:

And having entered within the said chamber, perceiving the said whilom John to be wakened out of his sleep by their din, and to pry over his bed-stock, the said Robert came then running to him, and most cruelly, with clenched fists, gave him a deadly and cruel stroke on the jugular vein, wherewith he cast the said whilom John to the ground, from out his bed; and thereafter struck him on his belly with his feet; whereupon he gave a great cry. And the said Robert, fearing the cry should have been heard, he thereafter, most tyrannously and barbarously, with his hand, gripped him by the throat, or weasand, which he held fast a long time, while [or until] he strangled him; during the which time the said John Kincaid lay struggling and fighting in the pains of death under him. And so the said whilom John was cruelly murdered and slain by the said Robert.[3]

It will be seen that Robert Weir evolved a murder technique which, as Pitcairn points out, was to be adopted over two centuries later in Edinburgh at the Westport by Messrs Burke and Hare.

II

Lady Warriston was found guilty, and four days after the murder, on the 5th of July, was taken to the Girth Cross of Holyrood, at the foot of the Canongate, and there decapitated by that machine which rather anticipated the inventiveness of Dr Guillotin—"the Maiden." At the same time, four o'clock in the morning, Janet Murdo, the nurse, and one of the serving-women accused with her as accomplices were burned on the Castle Hill of the city.

There is something odd about the early hour at which the executions took place. The usual time for these affairs was much later in the day, and it is probable that the sentence against Jean ran that she should be executed towards dusk on the 4th of the month. The family of Dunipace, however, having exerted no influence towards saving the daughter of the house from her fate, did everything they could to have her disposed of as secretly and as expeditiously as possible. In their zeal to have done with the hapless girl who, they conceived, had blotted the family honour indelibly they were in the prison with the magistrates soon after three o'clock, quite indecent in their haste to see her on her way to the scaffold. In the first place they had applied to have her executed at nine o'clock on the evening of the 3rd, another unusual hour, but the application was turned down. The main idea with them was to have Jean done away with at some hour when the populace would not be expecting the execution. Part of the plan for privacy is revealed in the fact of the burning of the nurse and the "hyred woman" at four o'clock at the Castle Hill, nearly a mile away from the Girth Cross, so—as the Pitcairn Trials footnote says-"that the populace, who might be so early astir, should have their attentions distracted at two opposite stations... and thus, in some measure, lessen the disgrace of the public execution."

If Jean had any reason to thank her family it was for securing, probably as much on their own behalf as hers, that the usual way of execution for women murderers should be altered in her case to beheading by "the Maiden." Had she been of lesser rank she would certainly have been burned, after being strangled at a stake, as were her nurse and the serving-woman. This was the appalling fate reserved for convicted women[4] in such cases, and on conviction even of smaller crimes. The process was even crueller in instances where the crime had been particularly atrocious. "The criminal," says the Pitcairn account of such punishment, "was 'brunt quick'!"

Altogether, the Dunipace family do not exactly shine with a good light as concerns their treatment of the condemned girl. Her father stood coldly aside. The quoted footnote remarks:

It is recorded that the Laird of Dunipace behaved with much apathy towards his daughter, whom he would not so much as see previous to her execution; nor yet would he intercede for her, through whose delinquency he reckoned his blood to be for ever dishonoured.

Jean herself was in no mind to be hurried to the scaffold as early as her relatives would have had her conveyed. She wanted (poor girl!) to see the sunrise, and to begin with the magistrates granted her request. It would appear, however, that Jean's blood-relations opposed the concession so strongly that it was almost immediately rescinded. The culprit had to die in the grey dark of the morning, before anyone was likely to be astir.

In certain directions there was not a little heart-burning about the untimely hour at which it was manoeuvred the execution should be carried out. The writer of a Memorial, from which this piece of information is drawn, refrains very cautiously from mentioning the objectors by name. But it is not difficult, from the colour of their objections, to decide that these people belonged to the type still known in Scotland as the 'unco guid.' They saw in the execution of this fair malefactor a moral lesson and a solemn warning which would have a salutary and uplifting effect upon the spectators.

"Will you," they asked the presiding dignitaries, and the blood-relations of the hapless Jean, "deprive God's people of that comfort which they might have in that poor woman's death? And will you obstruct the honour of it by putting her away before the people rise out of their beds? You do wrong in so doing; for the more public the death be, the more profitable it shall be to many; and the more glorious, in the sight of all who shall see it."

But perhaps one does those worthies an injustice in attributing cant motives to their desire that as many people as possible should see Jean die. It had probably reached them that the Lady Warriston's repentance had been complete, and that after conviction of her sin had come to her her conduct had been sweet and seemly. They were of their day and age, those people, accustomed almost daily to beheadings, stranglings, burnings, hangings, and dismemberings. With that dour, bitter, fire-and-brimstone religious conception which they had through Knox from Calvin, they were probably quite sincere in their belief that the public repentance Jean Livingstone was due to make from the scaffold would be for the "comfort of God's people." It was not so often that justice exacted the extreme penalty from a young woman of rank and beauty. With "dreadful objects so familiar" in the way of public executions, it was likely enough that pity in the commonalty was "choked with custom of fell deeds." Something out of the way in the nature of a dreadful object-lesson might stir the hearts of the populace and make them conscious of the Wrath to Come.

And Jean Livingstone did die a good death.

The Memorial[5] which I have mentioned is upon Jean's 'conversion' in prison. It is written by one "who was both a seer and hearer of what was spoken [by the Lady Warriston]." The editor of the Pitcairn Trials believes, from internal evidence, that it was written by Mr James Balfour, colleague of Mr Robert Bruce, that minister of the Kirk who was so contumacious about preaching what was practically a plea of the King's innocence in the matter of the Gowrie mystery. It tells how Jean, from being completely apathetic and callous with regard to religion or to the dreadful situation in which she found herself through her crime, under the patient and tender ministrations of her spiritual advisers, arrived at complete resignation to her fate and genuine repentance for her misdeeds.

Her confession, as filleted from the Memorial by the Pitcairn Trials, is as follows:

I think I shall hear presently the pitiful and fearful cries which he gave when he was strangled! And that vile sin which I committed in murdering my own husband is yet before me. When that horrible and fearful sin was done I desired the unhappy man who did it (for my own part, the Lord knoweth I laid never my hands upon him to do him evil; but as soon as that man gripped him and began his evil turn, so soon as my husband cried so fearfully, I leapt out over my bed and went to the Hall, where I sat all the time, till that unhappy man came to me and reported that mine husband was dead), I desired him, I say, to take me away with him; for I feared trial; albeit flesh and blood made me think my father's moen [interest] at Court would have saved me!

Well, we know what the Laird of Dunipace did about it.

"As to these women who was challenged with me," the confession goes on,

I will also tell my mind concerning them. God forgive the nurse, for she helped me too well in mine evil purpose; for when I told her I was minded to do so she consented to the doing of it; and upon Tuesday, when the turn was done, when I sent her to seek the man who would do it, she said, "I shall go and seek him; and if I get him not I shall seek another! And if I get none I shall do it myself!"

Here the writer of the Memorial interpolates the remark, "This the nurse also confessed, being asked of it before her death." It is a misfortune, equalling that of the lack of information regarding the character of Jean's husband, that there is so little about the character of the nurse. She was, it is to be presumed, an older woman than her mistress, probably nurse to Jean in her infancy. One can imagine her (the stupid creature!) up in arms against Kincaid for his treatment of her "bonny lamb," without the sense to see whither she was urging her young mistress; blind to the consequences, but "nursing her wrath" and striding purposefully from Warriston to Holyroodhouse on her strong plebeian legs, not once but several times, in search of Weir! What is known in Scotland as a 'limmer,' obviously.

"As for the two other women," Jean continues,

I request that you neither put them to death nor any torture, because I testify they are both innocent, and knew nothing of this deed before it was done, and the mean time of doing it; and that they knew they durst not tell, for fear; for I compelled them to dissemble. As for mine own part, I thank my God a thousand times that I am so touched with the sense of that sin now: for I confess this also to you, that when that horrible murder was committed first, that I might seem to be innocent, I laboured to counterfeit weeping; but, do what I could, I could not find a tear.

Of the whole confession that last is the most revealing touch. It is hardly just to fall into pity for Jean simply because she was young and lovely. Her crime was a bad one, much more deliberate than many that, in the same age, took women of lower rank in life than Jean to the crueller end of the stake. In the several days during which she was sending for Weir, but failing to have speech with him, she had time to review her intention of having her husband murdered. If the nurse was the prime mover in the plot Jean was an unrelenting abettor. It may have been in her calculations before, as well as after, the deed itself that the interest of her father and family at Court would save her, should the deed have come to light as murder. Even in these days, when justice is so much more seasoned with mercy to women murderers, a woman in Jean's case, with such strong evidence of premeditation against her, would only narrowly escape the hangman, if she escaped him at all. But that confession of trying to pretend weeping and being unable to find tears is a revelation. I can think of nothing more indicative of terror and misery in a woman than that she should want to cry and be unable to. Your genuinely hypocritical murderer, male as well as female, can always work up self-pity easily and induce the streaming eye.

It is from internal evidences such as this that one may conclude the repentance of Jean Livingstone, as shown in her confession, to have been sincere. There was, we are informed by the memorialist, nothing maudlin in her conduct after condemnation. Once she got over her first obduracy, induced, one would imagine, by the shock of seeing the realization of what she had planned but never pictured, the murder itself, and probably by the desertion of her by her father and kindred, her repentance was "cheerful" and "unfeigned." They were tough-minded men, those Scots divines who ministered to her at the last, too stern in their theology to be misled by any pretence at finding grace. And no pretty ways of Jean's would have deceived them. The constancy of behaviour which is vouched for, not only by the memorialist but by other writers, stayed with her until the axe fell.

III

"She was but a woman and a bairn, being the age of twenty-one years," says the Memorial. But, "in the whole way, as she went to the place of execution, she behaved herself so cheerfully as if she had been going to her wedding, and not to her death. When she came to the scaffold, and was carried up upon it, she looked up to 'the Maiden' with two longsome looks, for she had never seen it before."

The minister-memorialist, who attended her on the scaffold, says that all who saw Jean would bear record with himself that her countenance alone would have aroused emotion, even if she had never spoken a word. "For there appeared such majesty in her countenance and visage, and such a heavenly courage in her gesture, that many said, 'That woman is ravished by a higher spirit than a man or woman's!'"

As for the Declaration and Confession which, according to custom, Jean made from the four corners of the scaffold, the memorialist does not pretend to give it verbatim. It was, he says, almost in a form of words, and he gives the sum of it thus:

The occasion of my coming here is to show that I am, and have been, a great sinner, and hath offended the Lord's Majesty; especially, of the cruel murdering of mine own husband, which, albeit I did not with mine own hands, for I never laid mine hands upon him all the time that he was murdering, yet I was the deviser of it, and so the committer. But my God hath been always merciful to me, and hath given me repentance for my sins; and I hope for mercy and grace at his Majesty's hands, for his dear son Jesus Christ's sake. And the Lord hath brought me hither to be an example to you, that you may not fall into the like sin as I have done. And I pray God, for his mercy, to keep all his faithful people from falling into the like inconvenient as I have done! And therefore I desire you all to pray to God for me, that he would be merciful to me!

One wonders just how much of Jean's own words the minister-memorialist got into this, his sum of her confession. Her speech would be coloured inevitably by the phrasing she had caught from her spiritual advisers, and the sum of it would almost unavoidably have something of the memorialist's own fashion of thought. I would give a good deal to know if Jean did actually refer to the Almighty as "the Lord's Majesty," and hope for "grace at his Majesty's hands." I do not think I am being oversubtle when I fancy that, if Jean did use those words, I see an element of confusion in her scaffold confession—the trembling confusion remaining from a lost hope. As a Scot, I have no recollection of ever hearing the Almighty referred to as "the Lord's Majesty" or as "his Majesty." It does not ring naturally to my ear. Nor, at the long distance from which I recollect reading works of early Scottish divines, can I think of these forms being used in such a context. I may be—I very probably am—all wrong, but I have a feeling that up to the last Jean Livingstone believed royal clemency would be shown to her, and that this belief appears in the use of these unwonted phrases.

However that may be, Jean's conduct seems to have been heroic and unfaltering. She prayed, and one of her relations or friends brought "a clean cloath" to tie over her eyes. Jean herself had prepared for this operation, for she took a pin out of her mouth and gave it into the friend's hand to help the fastening. The minister-memorialist, having taken farewell of her for the last time, could not bear the prospect of what was about to happen. He descended from the scaffold and went away. "But she," he says, as a constant saint of God, humbled herself on her knees, and offered her neck to the axe, laying her neck, sweetly and graciously, in the place appointed, moving to and fro, till she got a rest for her neck to lay in. When her head was now made fast to "the Maiden" the executioner came behind her and pulled out her feet, that her neck might be stretched out longer, and so made more meet for the stroke of the axe; but she, as it was reported to me by him who saw it and held her by the hands at this time, drew her legs twice to her again, labouring to sit on her knees, till she should give up her spirit to the Lord! During this time, which was long, for the axe was but slowly loosed, and fell not down hastily, after laying of her head, her tongue was not idle, but she continued crying to the Lord, and uttered with a loud voice those her wonted words, "Lord Jesus, receive my spirit! O Lamb of God, that taketh away the sins of the world, have mercy upon me! Into thy hand, Lord, I commend my soul!" When she came to the middle of this last sentence, and had said, "Into thy hand, Lord," at the pronouncing of the word "Lord" the axe fell; which was diligently marked by one of her friends, who still held her by the hand, and reported this to me.

IV

On the 26th of June, 1604, Robert Weir, "sumtyme servande to the Laird of Dynniepace," was brought to knowledge of an assize. He was "Dilaitit of airt and pairt of the crewall Murthour of umqle Johnne Kincaid of Wariestoune; committit the first of Julij, 1600 yeiris."

Verdict. The Assyse, all in ane voce, be the mouth of the said Thomas Galloway, chanceller, chosen be thame, ffand, pronouncet and declairit the said Robert Weir to be ffylit, culpable and convict of the crymes above specifiet, mentionat in the said Dittay; and that in respect of his Confessioun maid thairof, in Judgement.

Sentence. The said Justice-depute, be the mouth of James Sterling, dempster of the Court, decernit and ordainit the said Robert Weir to be tane to ane skaffold to be fixt beside the Croce of Edinburgh, and there to be brokin upoune ane Row,[6] quhill he be deid; and to ly thairat, during the space of xxiiij houris. And thaireftir, his body to be tane upon the said Row, and set up, in ane publict place, betwix the place of Wariestoune and the toun of Leyth; and to remain thairupoune, ay and quhill command be gevin for the buriall thairof. Quhilk was pronouncet for dome.

V

The Memorial before mentioned is, in the original, a manuscript belonging to the Advocates' Library of Edinburgh. A printed copy was made in 1828, under the editorship of J. Sharpe, in the same city. This edition contains, among other more relative matter, a reprint of a newspaper account of an execution by strangling and burning at the stake. The woman concerned was not the last victim in Britain of this form of execution. The honour, I believe, belongs to one Anne Cruttenden. The account is full of gruesome and graphic detail, but the observer preserves quite an air of detachment:

IVELCHESTER: 9th May, 1765. Yesterday Mary Norwood, for poisoning her husband, Joseph Norwood, of Axbridge, in this county [Somerset], was burnt here pursuant to her sentence. She was brought out of the prison about three o'clock in the afternoon, barefoot; she was covered with a tarred cloth, made like a shift, and a tarred bonnet over her head; and her legs, feet, and arms had likewise tar on them; the heat of the weather melting the tar, it ran over her face, so that she made a shocking appearance. She was put on a hurdle, and drawn on a sledge to the place of execution, which was very near the gallows. After spending some time in prayer, and singing a hymn, the executioner placed her on a tar barrel, about three feet high; a rope (which was in a pulley through the stake) was fixed about her neck, she placing it properly with her hands; this rope being drawn extremely tight with the pulley, the tar barrel was then pushed away, and three irons were then fastened around her body, to confine it to the stake, that it might not drop when the rope should be burnt. As soon as this was done the fire was immediately kindled; but in all probability she was quite dead before the fire reached her, as the executioner pulled her body several times whilst the irons were fixing, which was about five minutes. There being a good quantity of tar, and the wood in the pile being quite dry, the fire burnt with amazing fury; notwithstanding which great part of her could be discerned for near half an hour. Nothing could be more affecting than to behold, after her bowels fell out, the fire flaming between her ribs, issuing out of her ears, mouth, eyeholes, etc. In short, it was so terrible a sight that great numbers turned their backs and screamed out, not being able to look at it.

III: — THE COUNTESS AND THE COZENER

It is hardly likely when that comely but penniless young Scot Robert Carr, of Ferniehurst, fell from his horse and broke his leg that any of the spectators of the accident foresaw how far-reaching it would be in its consequences. It was an accident, none the less, which in its ultimate results was to put several of the necks craned to see it in peril of the hangman's noose.

That divinely appointed monarch King James the Sixth of Scotland and First of England had an eye for manly beauty. Though he could contrive the direst of cruelties to be committed out of his sight, the actual spectacle of physical suffering in the human made him squeamish. Add the two facts of the King's nature together and it may be understood how Robert Carr, in falling from his horse that September day in the tilt-yard of Whitehall, fell straight into his Majesty's favour. King James himself gave orders for the disposition of the sufferer, found lodgings for him, sent his own surgeon, and was constant in his visits to the convalescent. Thereafter the rise of Robert Carr was meteoric. Knighted, he became Viscount Rochester, a member of the Privy Council, then Earl of Somerset, Knight of the Garter, all in a very few years. It was in 1607 that he fell from his horse, under the King's nose. In 1613 he was at the height of his power in England.

Return we for a moment, however, to that day in the Whitehall tilt-yard. It is related that one woman whose life and fate were to be bound with Carr's was in the ladies' gallery. It is very probable that a second woman, whose association with the first did much to seal Carr's doom, was also a spectator. If Frances Howard, as we read, showed distress over the painful mishap to the handsome Scots youth it is almost certain that Anne Turner, with the quick eye she had for male comeliness and her less need for Court-bred restraint, would exhibit a sympathetic volubility.

Frances Howard was the daughter of that famous Elizabethan seaman Thomas Howard, Earl of Suffolk. On that day in September she would be just over fifteen years of age. It is said that she was singularly lovely. At that early age she was already a wife, victim of a political marriage which, in the exercise of the ponderous cunning he called kingcraft, King James had been at some pains to arrange. At the age of thirteen Frances had been married to Robert Devereux, third Earl of Essex, then but a year older than herself. The young couple had been parted at the altar, the groom being sent travelling to complete his growth and education, and Frances being returned to her mother and the semi-seclusion of the Suffolk mansion at Audley End.

Of the two women, so closely linked in fate, the second is perhaps the more interesting study. Anne Turner was something older than the Countess of Essex. In the various records of the strange piece of history which is here to be dealt with there are many allusions to a long association between the two. Almost a foster-sister relationship seems to be implied, but actual detail is irritatingly absent. Nor is it clear whether Mrs Turner at the time of the tilt-yard incident had embarked on the business activities which were to make her a much sought-after person in King James's Court. It is not to be ascertained whether she was not already a widow at that time. We can only judge from circumstantial evidence brought forward later.

In 1610, at all events, Mrs Turner was well known about the Court, and was quite certainly a widow. Her husband had been a well-known medical man, one George Turner, a graduate of St John's College, Cambridge. He had been a protege of Queen Elizabeth. Dying, this elderly husband of Mistress Turner had left her but little in the way of worldly goods, but that little the fair young widow had all the wit to turn to good account. There was a house in Paternoster Row and a series of notebooks. Like many another physician of his time, George Turner had been a dabbler in more arts than that of medicine, an investigator in sciences other than pathology. His notebooks would appear to have contained more than remedial prescriptions for agues, fevers, and rheums. There was, for example, a recipe for a yellow starch which, says Rafael Sabatini, in his fine romance The Minion,[7] "she dispensed as her own invention. This had become so widely fashionable for ruffs and pickadills that of itself it had rendered her famous." One may believe, also, that most of the recipes for those "perfumes, cosmetics, unguents and mysterious powders, liniments and lotions asserted to preserve beauty where it existed, and even to summon it where it was lacking," were derived from the same sources.

There is a temptation to write of Mistress Turner as forerunner of that notorious Mme Rachel of whom, in his volume Bad Companions,[8] Mr Roughead has said the final and pawky word. Mme Rachel, in the middle of the nineteenth century, founded her fortunes as a beauty specialist (?) on a prescription for a hair-restorer given her by a kindly doctor. She also 'invented' many a lotion and unguent for the preservation and creation of beauty. But at about this point analogy stops. Both Rachel and her forerunner, Anne Turner, were scamps, and both got into serious trouble—Anne into deeper and deadlier hot water than Rachel—but between the two women there is only superficial comparison. Rachel was a botcher and a bungler, a very cobbler, beside Anne Turner.

Anne, there is every cause for assurance, was in herself the best advertisement for her wares. Rachel was a fat old hag. Anne, prettily fair, little-boned, and deliciously fleshed, was neat and elegant. The impression one gets of her from all the records, even the most prejudiced against her, is that she was a very cuddlesome morsel indeed. She was, in addition, demonstrably clever. Such a man of talent as Inigo Jones supported the decoration of many of the masques he set on the stage with costumes of Anne's design and confection. Rachel could neither read nor write.

It is highly probable that Anne Turner made coin out of the notes which her late husband, so inquisitive of mind, had left on matters much more occult than the manufacture of yellow starch and skin lotions. "It was also rumoured," says Mr Sabatini, "that she amassed gold in another and less licit manner: that she dabbled in fortune-telling and the arts of divination." We shall see, as the story develops, that the rumour had some foundation. The inquiring mind of the late Dr Turner had led him into strange company, and his legacy to Anne included connexions more sombre than those in the extravagantly luxurious Court of King James.

In 1610 the elegant little widow was flourishing enough to be able to maintain a lover in good style. This was Sir Arthur Mainwaring, member of a Cheshire family of good repute but of no great wealth. By him she had three children. Mainwaring was attached in some fashion to the suite of the Prince of Wales, Prince Henry. And while the Prince's court at St James's Palace was something more modest, as it was more refined, than that of the King at Whitehall, position in it was not to be retained at ease without considerable expenditure. It may be gauged, therefore, at what expense Anne's attachment to Mainwaring would keep her, and to what exercise of her talent and ambition her pride in it would drive her. And her pride was absolute. It would, says a contemporary diarist, "make her fly at any pitch rather than fall into the jaws of want."[9]

II

In his romance The Minion, Rafael Sabatini makes the first meeting of Anne Turner and the Countess of Essex occur in 1610 or 1611. With this date Judge A. E. Parry, in his book The Overbury Mystery,[10] seems to agree in part. There is, however, warrant enough for believing that the two women had met long before that time. Anne Turner herself, pleading at her trial for mercy from Sir Edward Coke, the Lord Chief Justice, put forward the plea that she had been "ever brought up with the Countess of Essex, and had been a long time her servant."[11] She also made the like extenuative plea on the scaffold.[12] Judge Parry seems to follow some of the contemporary writers in assuming that Anne was a spy in the pay of the Lord Privy Seal, the Earl of Northampton. If this was so there is further ground for believing that Anne and Lady Essex had earlier contacts, for Northampton was Lady Essex's great-uncle. The longer association would go far in explaining the terrible conspiracy into which, from soon after that time, the two women so readily fell together—a criminal conspiracy, in which the reader may see something of the "false nurse" in Anne Turner and something of Jean Livingstone in Frances Howard, Lady Essex.

It was about this time, 1610-1611, that Lady Essex began to find herself interested in the handsome Robert Carr, then Viscount Rochester. Having reached the mature age of eighteen, the lovely Frances had been brought by her mother, the Countess of Suffolk, to Court. Highest in the King's favour, and so, with his remarkably good looks, his charm, and the elegant taste in attire and personal appointment which his new wealth allowed him lavishly to indulge, Rochester was by far the most brilliant figure there. Frances fell in love with the King's minion.

Rochester, it would appear, did not immediately respond to the lady's advances. They were probably too shy, too tentative, to attract Rochester's attention. It is probable, also, that there were plenty of beautiful women about the Court, more mature, more practised in the arts of coquetry than Frances, and very likely not at all 'blate'—as Carr and his master would put it—in showing themselves ready for conquest by the King's handsome favourite.

Whether the acquaintance of Lady Essex with Mrs Turner was of long standing or not, it was to the versatile Anne that her ladyship turned as confidante. The hint regarding Anne's skill in divination will be remembered. Having regard to the period, and to the alchemistic nature of the goods that composed so much of Anne's stock-in-trade at the sign of the Golden Distaff, in Paternoster Row, it may be conjectured that the love-lorn Frances had thoughts of a philtre.

With an expensive lover and children to maintain, to say nothing of her own luxurious habits, Anne Turner would see in the Countess's appeal a chance to turn more than one penny into the family exchequer. She was too much the opportunist to let any consideration of old acquaintance interfere with working such a potential gold-mine as now seemed to lie open to her pretty but prehensile fingers. Lady Essex was rich. She was also ardent in her desire. The game was too big for Anne to play single-handed. A real expert in cozening, a master of guile, was wanted to exploit the opportunity to its limit.

It is a curious phenomenon, and one that constantly recurs in the history of cozenage, how people who live by spoof fall victims so readily to spoofery. Anne Turner had brains. There is no doubt of it. Apart from that genuine and honest talent in costume-design which made her work acceptable to such an outstanding genius as Inigo Jones, she lived by guile. But I have now to invite you to see her at the feet of one of the silliest charlatans who ever lived. There is, of course, the possibility that Anne sat at the feet of this silly charlatan for what she might learn for the extension of her own technique. Or, again, it may have been that the wizard of Lambeth, whom she consulted in the Lady Essex affair, could provide a more impressive setting for spoof than she had handy, or that they were simply rogues together. My trouble is to understand why, by the time that the Lady Essex came to her with her problem, Anne had not exhausted all the gambits in flummery that were at the command of the preposterous Dr Forman.

The connexion with Dr Forman was part of the legacy left Anne by Dr Turner. Her husband had been the friend and patron of Forman, so that by the time Anne had taken Mainwaring for her lover, and had borne him three children, she must have had ample opportunity for seeing through the old charlatan.

Antony Weldon, the contemporary writer already quoted, is something too scurrilous and too apparently biased to be altogether a trustworthy authority. He seems to have been the type of gossip (still to be met in London clubs) who can always tell with circumstance how the duchess came to have a black baby, and the exact composition of the party at which Midas played at 'strip poker.' But he was, like many of his kind, an amusing enough companion for the idle moment, and his description of Dr Forman is probably fairly close to the truth.

"This Forman," he says,

was a silly fellow who dwelt in Lambeth, a very silly fellow, yet had wit enough to cheat the ladies and other women, by pretending skill in telling their fortunes, as whether they should bury their husbands, and what second husbands they should have, and whether they should enjoy their loves, or whether maids should get husbands, or enjoy their servants to themselves without corrivals: but before he would tell them anything they must write their names in his alphabetical book with their own handwriting. By this trick he kept them in awe, if they should complain of his abusing them, as in truth he did nothing else. Besides, it was believed, some meetings were at his house, wherein the art of the bawd was more beneficial to him than that of a conjurer, and that he was a better artist in the one than in the other: and that you may know his skill, he was himself a cuckold, having a very pretty wench to his wife, which would say, she did it to try his skill, but it fared with him as with astrologers that cannot foresee their own destiny.

And here comes an addendum, the point of which finds confirmation elsewhere. It has reference to the trial of Anne Turner, to which we shall come later.

"I well remember there was much mirth made in the Court upon the showing of the book, for, it was reported, the first leaf my lord Cook [Coke, the Lord Chief Justice] lighted on he found his own wife's name."

Whatever Anne's reason for doing so, it was to this scortatory old scab that she turned for help in cozening the fair young Countess. The devil knows to what obscene ritual the girl was introduced. There is evidence that the thaumaturgy practised by Forman did not want for lewdness—as magic of the sort does not to this day—and in this regard Master Weldon cannot be far astray when he makes our pretty Anne out to be the veriest baggage.

Magic or no magic, philtre or no philtre, it was not long before Lady Essex had her wish. The Viscount Rochester fell as desperately in love with her as she was with him.

There was, you may be sure, no small amount of scandalous chatter in the Court over the quickly obvious attachment the one to the other of this handsome couple. So much of this scandalous chatter has found record by the pens of contemporary and later gossip-writers that it is hard indeed to extract the truth. It is certain, however, that had the love between Robert Carr and Frances Howard been as chaste as ice, as pure as snow, jealousy would still have done its worst in besmirching. It was not, if the Rabelaisian trend in so much of Jacobean writing be any indication, a particularly moral age. Few ages in history are. It was not, with a reputed pervert as the fount of honour, a particularly moral Court. Since the emergence of the lovely young Countess from tutelage at Audley End there had been no lack of suitors for her favour. And when Frances so openly exhibited her preference for the King's minion there would be some among those disappointed suitors who would whisper, greenly, that Rochester had been granted that prisage which was the right of the absent Essex, a right which they themselves had been quite ready to usurp. It is hardly likely that there would be complete abnegation of salty gossip among the ladies of the Court, their Apollo being snatched by a mere chit of a girl.

What relative happiness there may have been for the pair in their loving—it could not, in the hindrance there was to their free mating, have been an absolute happiness—was shattered after some time by the return to England of the young husband. The Earl of Essex, now almost come to man's estate, arrived to take up the position which his rank entitled him to expect in the Court, and to assume the responsibilities and rights which, he fancied, belonged to him as a married man. In respect of the latter part of his intention he immediately found himself balked. His wife, perhaps all the deeper in love with Rochester for this threat to their happiness, declared that she had no mind to be held by the marriage forced on her in infancy, and begged her husband to agree to its annulment.

It had been better for young Essex to have agreed at once. He would have spared himself, ultimately, a great deal of humiliation through ridicule. But he tried to enforce his rights as a husband, a proceeding than which there is none more absurd should the wife prove obdurate. And prove obdurate his wife did. She was to be moved neither by threat nor by pleading. It was, you will notice, a comedy situation; husband not perhaps amorous so much as the thwarted possessor of the unpossessable—wife frigid and a maid, as far, at least, as the husband was concerned, and her weeping eyes turned yearningly elsewhere. A comedy situation, yes, and at this distance almost farcical—but for certain elements in it approaching tragedy.

Badgered, not only by her husband but by her own relatives, scared no doubt, certainly unhappy, unable for politic reasons to appeal freely to her beloved Robin, to whom might Frances turn but the helpful Turner? And to whom, having turned to pretty Anne, was she likely to be led but again to the wizard of Lambeth?

Dr Forman had a heart for beauty in distress, but dissipating the ardency of an exigent husband was a difficult matter compared with attracting that of a negligent lover. It was also much more costly. A powder there was, indeed, which, administered secretly by small regular doses in the husband's food or drink, would soon cool his ardour, but the process of manufacture and the ingredients were enormously expensive. Frances got her powder.

The first dose was administered to Lord Essex just before his departure from a visit to his wife at Audley End. On his arrival back in London he was taken violently ill, so ill that in the weeks he lay in bed his life was despaired of. Only the intervention of the King's own physician, one Sir Theodore Mayerne, would appear to have saved him.

Her husband slowly convalescing, Lady Essex was summoned by her family back to London. In London, while Lord Essex mended in health, she was much in the company of her "sweet Turner." In addition to the house in Paternoster Row the little widow had a pretty riverside cottage at Hammersmith, and both were at the disposal of Lady Essex and her lover for stolen meetings. Those meetings were put a stop to by the recovery of Lord Essex, and with his recovery his lordship exhibited a new mood of determination. Backed by her ladyship's family, he ordered her to accompany him to their country place of Chartley. Her ladyship had to obey.

The stages of the journey were marked by the nightly illness of his lordship. By the time they arrived at Chartley itself he was in a condition little if at all less dangerous than that from which he had been rescued by the King's physician. His illness lasted for weeks, and during this time her ladyship wrote many a letter to Anne Turner and to Dr Forman. She was afraid his lordship would live. She was afraid his lordship would die. She was afraid she would lose the love of Rochester. She begged Anne Turner and Forman to work their best magic for her aid. She was afraid that if his lordship recovered the spells might prove useless, that his attempts to assert his rights as a husband would begin again, and that there, in the heart of the country and so far from any refuge, they might take a form she would be unable to resist.

His lordship did recover. His attempts to assert his rights as a husband did begin again. The struggle between them, Frances constant in her obduracy, lasted several months. Her obstinacy wore down his. At long last he let her go.

III

If the fate that overtook Frances Howard and Rochester, and with them Anne Turner and many another, is to be properly understood, a brief word on the political situation in England at this time will be needed—or, rather, a word on the political personages, with their antagonisms.

Next in closeness to the King's ear after Rochester, and perhaps more trusted as a counsellor by that "wise fool," there had been Robert Cecil, Lord Salisbury, for a long time First Secretary of State. But about the time when Lady Essex finally parted with her husband Cecil died, depriving England of her keenest brain and the staunchest heart in her causes. If there had been no Rochester the likeliest man in the kingdom to succeed to the power and offices of Cecil would have been the Earl of Northampton, uncle of Lord Suffolk, who was the father of Lady Essex. Northampton, as stated, held the office of Lord Privy Seal.

The Howard family had done the State great service in the past. Its present representatives, Northampton and Suffolk, were anxious to do the State great service, as they conceived it, in the future. They were, however, Catholics in all but open acknowledgment, and as such were opposed by the Protestants, who had at their head Prince Henry. This was an opposition that they might have stomached. It was one that they might even have got over, for the Prince and his father, the King, were not the best of friends. The obstacle to their ambitions, and one they found hard to stomach, was the upstart Rochester. And even Rochester would hardly have stood in their way had his power in the Council depended on his own ability. The brain that directed Robert Carr belonged to another man. This was Sir Thomas Overbury.

On the death of Cecil the real contenders for the vacant office of First Secretary of State—the highest office in the land—were not the wily Northampton and the relatively unintelligent Rochester, but the subtle Northampton and the quite as subtle, and perhaps more spacious-minded, Thomas Overbury. There was, it will be apprehended, a possible weakness on the Overbury side. The gemel-chain, like that of many links, is merely as strong as its weakest member. Overbury had no approach to the King save through the King's favourite. Rochester could have no real weight with the King, at least in affairs of State, except what he borrowed from Overbury. Divided, the two were powerless. No, more than that, there had to be no flaw in their linking.

The wily Northampton, one may be certain, was fully aware of this possible weakness in the combination opposed to his advancement. He would be fully aware, that is, that it was there potentially; but when he began, as his activities would indicate, to work for the creation of that flaw in the relationship between Rochester and Overbury it is unlikely that he knew the flaw had already begun to develop. Unknown to him, circumstance already had begun to operate in his favour.

Overbury was Rochester's tutor in more than appertained to affairs of State. It is more than likely that in Carr's wooing of Lady Essex he had held the role of Cyrano de Bergerac, writing those gracefully turned letters and composing those accomplished verses which did so much to augment and give constancy to her ladyship's love for Rochester. It is certain, at any rate, that Overbury was privy to all the correspondence passing between the pair, and that even such events as the supplying by Forman and Mrs Turner of that magic powder, and the Countess's use of it upon her husband, were well within his knowledge.

While the affair between his alter ego and the Lady Essex might be looked upon as mere dalliance, a passionate episode likely to wither with a speed equal to that of its growth, Overbury, it is probable, found cynical amusement in helping it on. But when, as time went on, the lady and her husband separated permanently, and from mere talk of a petition for annulment of the Essex marriage that petition was presented in actual form to the King, Overbury saw danger. Northampton was backing the petition. If it succeeded Lady Essex would be free to marry Rochester. And the marriage, since Northampton was not the man to give except in the expectation of plenty, would plant the unwary Rochester on the hearth of his own and Overbury's enemies. With Rochester in the Howard camp there would be short shrift for Thomas Overbury. There would be, though Rochester in his infatuation seemed blind to the fact, as short a shrift as the Howards could contrive for the King's minion.

In that march of inevitability which marks all real tragedy the road that is followed forks ever and again with an 'if.' And we who, across the distance of time, watch with a sort of Jovian pity the tragic puppets in their folly miss this fork and that fork on their road of destiny select, each according to our particular temperaments, a particular 'if' over which to shake our heads. For me, in this story of Rochester, Overbury, Frances Howard, and the rest, the point of tragedy, the most poignant of the issues, is the betrayal by Robert Carr of Overbury's friendship. Though this story is essentially, or should be, that of the two women who were linked in fate with Rochester and his coadjutor, I am constrained to linger for a moment on that point.

Overbury's counsel had made Carr great. With nothing but his good looks and his personal charm, his only real attributes, Carr had been no more than King James's creature. James, with all the pedantry, the laboured cunning, the sleezy weaknesses of character that make him so detestable, was yet too shrewd to have put power in the hands of the mere minion that Carr would have been without the brain of Overbury to guide him. Of himself Carr was the 'toom tabard' of earlier parlance in his native country, the 'stuffed shirt' of a later and more remote generation. But beyond the coalition for mutual help that existed between Overbury and Carr, an arrangement which might have thrived on a basis merely material, there was a deep and splendid friendship. 'Stuffed shirt' or not, Robert Carr was greatly loved by Overbury. Whatever Overbury may have thought of Carr's mental attainments, he had the greatest faith in his loyalty as a friend. And here lies the terrible pity in that 'if' of my choice. The love between the two men was great enough to have saved them both. It broke on the weakness of Carr.

Overbury was aware that, honestly presented, the petition by Lady Essex for the annulment of her marriage had little chance of success. But for the obstinacy of Essex it might have been granted readily enough. He had, however, as we have seen, forced her to live with him as his wife, in appearance at least, for several months in the country. There now would be difficulty in putting forward the petition on the ground of non-consummation of the marriage.

It was, nevertheless, on this ground that the petition was brought forward. But the non-consummation was not attributed, as it might have been, to the continued separation that had begun at the altar; the reason given was the impotence of the husband. Just what persuasion Northampton and the Howards used on Essex to make him accept this humiliating implication it is hard to imagine, but by the time the coarse wits of the period had done with him Essex was amply punished in ridicule for his primary obstinacy.

Sir Thomas Overbury, well informed though he usually was, must have been a good deal in the dark regarding the negotiations which had brought the nullity suit to this forward state. He had warned Rochester so frankly of the danger into which the scheme was likely to lead him that they had quarrelled and parted. If Rochester had been frank with his friend, if, on the ground of their friendship, he had appealed to him to set aside his prejudice, it might well have been that the tragedy which ensued would have been averted. Enough evidence remains to this day of Overbury's kindness for Robert Carr, there is enough proof of the man's abounding resource and wit, to give warrant for belief that he would have had the will, as he certainly had the ability, to help his friend. Overbury was one of the brightest intelligences of his age. Had Rochester confessed the extent of his commitment with Northampton there is little doubt that Overbury could and would have found a way whereby Rochester could have attained his object (of marriage with Frances Howard), and this without jeopardizing their mutual power to the Howard menace.

In denying the man who had made him great the complete confidence which their friendship demanded Rochester took the tragically wrong path on his road of destiny. But the truth is that when he quarrelled with Overbury he had already betrayed the friendship. He had already embarked on the perilous experiment of straddling between two opposed camps. It was an experiment that he, least of all men, had the adroitness to bring off. He was never in such need of Overbury's brain as when he aligned himself in secret with Overbury's enemies.

It is entirely probable that in linking up with Northampton Rochester had no mind to injure his friend. The bait was the woman he loved. Without Northampton's aid the nullity suit could not be put forward, and without the annulment there could be no marriage for him with Frances Howard. But he had no sooner joined with Northampton than the very processes against which Overbury had warned him were begun. Rochester was trapped, and with him Overbury.

For the success of the suit, in Northampton's view, Overbury knew too much. It was a view to which Rochester was readily persuaded; or it was one which he was easily frightened into accepting. From that to joining in a plot for being rid of Overbury was but a step. Grateful, perhaps, for the undoubted services that Overbury had rendered him, Rochester would be eager enough to find his quondam friend employment. If that employment happened to take Overbury out of the country so much the better. At one time the King, jealous as a woman of the friendship existing between his favourite and Overbury, had tried to shift the latter out of the way by an offer of the embassy in Paris. It was an offer Rochester thought, that he might cause to be repeated. The idea was broached to Overbury. That shrewd individual, of course, saw through the suggestion to the intention behind it, but he was at a loss for an outlet for his talents, having left Rochester's employ, and he believed without immodesty that he could do useful work as ambassador in Paris.

Overbury was offered an embassy—but in Muscovy. He had no mind to bury himself in Russia, and he refused the offer on the ground of ill-health. By doing this he walked into the trap prepared for him. Northampton had foreseen the refusal when he promoted the offer on its rearranged terms. The King, already incensed against Overbury for some hints at knowledge of facts liable to upset the Essex nullity suit, pretended indignation at the refusal. Overbury unwarily repeated it before the Privy Council. That was what Northampton wanted. The refusal was high contempt of the King's majesty. Sir Thomas Overbury was committed to the Tower. He might have talked in Paris, or have written from Muscovy. He might safely do either in the Tower—where gags and bonds were so readily at hand.

Did Rochester know of the springe set to catch Overbury? The answer to the question, whether yes or no, hardly matters. Since he was gull enough to discard the man whose brain had lifted him from a condition in which he was hardly better than the King's lap-dog, he was gull enough to be fooled by Northampton. Since he valued the friendship of that honest man so little as to consort in secret with his enemies, he was knave enough to have been party to the betrayal. Knave or fool—what does it matter? He was so much of both that, in dread of what Sir Thomas might say or do to thwart the nullity suit, he let his friend rot in the Tower for months on end, let him sicken and nearly die several times, without a move to free him. He did this to the man who had trusted him implicitly, a man that—to adapt Overbury's own words from his last poignant letter to Rochester—he had "more cause to love... yea, perish for.. . rather than see perish."

It is not given to every man to have that greater love which will make him lay down his life for a friend, but it is the sheer poltroon and craven who will watch a friend linger and expire in agony without lifting a finger to save him. Knave or fool—what does it matter when either is submerged in the coward?

IV

Overbury lay in the Tower five months. The commission appointed to examine into the Essex nullity suit went into session three weeks after he was imprisoned. There happened to be one man in the commission who cared more to be honest than to humour the King. This was the Archbishop Abbot. The King himself had prepared the petition. It was a task that delighted his pedantry, and his petition was designed for immediate acceptance. But such was Abbot's opposition that in two or three months the commission ended with divided findings.

Meantime Overbury in the Tower had been writing letters. He had been talking to visitors. As time went on, and Rochester did nothing to bring about his enlargement, his writings and sayings became more threatening Rochester's attitude was that patience was needed. In time he would bring the King to a more clement view of Sir Thomas's offending, and he had no doubt that in the end he would be able to secure the prisoner both freedom and honourable employment.

Overbury had been consigned to the Tower in April. In June he complained of illness. Rochester wrote to him in sympathetic terms, sending him a powder that he himself had found beneficial, and made his own physician visit the prisoner.

But the threats which Overbury, indignant at his betrayal by Rochester, made by speech and writing were becoming common property in the city and at Court One of Overbury's visitors who had made public mention of Overbury's knowledge of facts likely to blow upon the Essex suit was arrested on the orders of Northampton. In the absence of the King and Rochester from London the old Earl was acting as Chief Secretary of State—thus proving Overbury to have been a true prophet. Northampton issued orders to the Tower that Overbury was to be closely confined, that his man Davies was to be dismissed, and that he was to be denied all visitors. The then Lieutenant of the Tower, one Sir William Wade, was deprived of his position on the thinnest of pretexts, and, on the recommendation of Sir Thomas Monson, Master of the Armoury, an elderly gentleman from Lincolnshire, Sir Gervase Elwes, was put in his place.

From that moment Sir Thomas Overbury was permitted no communication with the outer world, save by letter to Lord Rochester and for food that was brought him, as we shall presently see, at the instance of Mrs Turner.

In place of his own servant Davies Sir Thomas was allowed the services of an under-keeper named Weston, appointed at the same time as Sir Gervase Elwes. This man, it is perhaps important to note, had at one time been servant to Mrs Turner.

The alteration in the personnel of the Tower was almost immediately followed by severe illness on the part of the prisoner. The close confinement to which he was subjected, with the lack of exercise, could hardly have been the cause of such a violent sickness. It looked more as if it had been brought about by something he had eaten or drunk. By this time the conviction he had tried to resist, that Rochester was meanly sacrificing him, became definite. Overbury is hardly to be blamed if he came to a resolution to be revenged on his one-time friend by bringing him to utter ruin. King James had been so busy in the Essex nullity suit, had gone to such lengths to carry it through, that if it could be wrecked by the production of the true facts he would be bound to sacrifice Rochester to save his own face. Sir Thomas had an accurate knowledge of the King's character. He knew the scramble James was capable of making in a difficulty that involved his kingly dignity, and what little reck he had of the faces he trod on in climbing from a pit of his own digging. By a trick Overbury contrived to smuggle a letter through to the honest Archbishop Abbot, in which he declared his possession of facts that would non-suit the nullity action, and begged to be summoned before the commission.

Overbury was getting better of the sickness which had attacked him when suddenly it came upon him again. This time he made no bones about saying that he had been poisoned.

Even at the last Overbury had taken care to give Rochester a chance to prove his fidelity. He contrived that the delivery of the letter to the Archbishop of Canterbury should be delayed until just before the nullity commission, now augmented by members certain to vote according to the King's desire, was due to sit again. The Archbishop carried Overbury's letter to James, and insisted that Overbury should be heard. The King, outward stickler that he was for the letter of the law, had to agree.

On the Thursday of the week during which the commission was sitting Overbury was due to be called. He was ill, but not so ill as he had been. On the Tuesday he was visited by the King's physician. On the Wednesday he was dead.

Now, before we come to examine those evidences regarding Overbury's death that were to be brought forward in the series of trials of later date, that series which was to be known as "the Great Oyer of Poisoning," it may be well to consider what effect upon the Essex nullity suit Overbury's appearance before the commission might have had. It may be well to consider what reason Rochester had for keeping his friend in close confinement in the Tower, what reason there was for permitting Northampton to impose such cruelly rigorous conditions of imprisonment.

The nullity suit succeeded. A jury of matrons was impanelled, and made an examination of the lady appellant. Its evidence was that she was virgo intacta. Seven out of the twelve members of the packed commission voted in favour of the sentence of nullity.

The kernel of the situation lies in the verdict of the jury of matrons. Her ladyship was declared to be a maid. If in the finding gossips and scandal-mongers found reason for laughter, and decent enough people cause for wonderment, they are hardly to be blamed. If Frances Howard was a virgin, what reason was there for fearing anything Overbury might have said? What knowledge had he against the suit that put Rochester and the Howards in such fear of him that they had to confine him in the Tower under such miserable conditions? In what was he so dangerous that he had to be deprived of his faithful Davies, that he had to be put in the care of a Tower Lieutenant specially appointed? The evidence given before the commission can still be read in almost verbatim report. It is completely in favour of the plea of Lady Essex. Sir Thomas Overbury's, had he given evidence, would have been the sole voice against the suit. If he had said that in his belief the association of her ladyship with Rochester had been adulterous there was the physical fact adduced by the jury of matrons to confute him. And being confuted in that, what might he have said that would not be attributed to rancour on his part? That her ladyship, with the help of Mrs Turner and the wizard of Lambeth, had practised magic upon her husband, giving him powders that went near to killing him? That she had lived in seclusion for several months with her husband at Chartley, and that the non-consummation of the marriage was due, not to the impotence of the husband, but to refusal to him of marital rights on the part of the wife because of her guilty love for Rochester? His lordship of Essex was still alive, and there was abundant evidence before the court that there had been attempt to consummate the marriage. Whatever Sir Thomas might have said would have smashed as evidence on that one fact. Her ladyship was a virgin.

What did Sir Thomas Overbury know that made every one whose interest it was to further the nullity suit so scared of him—Rochester, her ladyship, Northampton, the Howards, the King himself?

Sir Thomas Overbury was much too cool-minded, too intelligent, to indulge in threats unless he was certain of the grounds, and solid upon them, upon which he made those threats. He had too great a knowledge of affairs not to know that the commission would be a packed one, too great an acquaintance with the strategy of James to believe that his lonely evidence, unless of bombshell nature, would have a chance of carrying weight in a court of his Majesty's picking. And, then, he was of too big a mind to put forward evidence which would have no effect but that of affording gossip for the scandal-mongers, and the giving of which would make him appear to be actuated by petty spite. He had too great a sense of his own dignity to give himself anything but an heroic role. Samson he might play, pulling the pillars of the temple together to involve his enemies, with himself, in magnificent and dramatic ruin. But Iachimo—no.

In the welter of evidence conflicting with apparent fact which was given before the commission and in the trials of the Great Oyer, in the mass of writing both contemporary and of later days round the Overbury mystery, it is hard indeed to land upon the truth. Feasible solution is to be come upon only by accepting a not too pretty story which is retailed by Antony Weldon. He says that the girl whom the jury of matrons declared to be virgo intacta was so heavily veiled as to be unidentifiable through the whole proceedings, and that she was not Lady Essex at all, but the youthful daughter of Sir Thomas Monson.

Mrs Turner, we do know, was very much a favourite with the ladies of Sir Thomas Monson's family. Gossip Weldon has a funny, if lewd, story to tell of high jinks indulged in by the Monson women and Mrs Turner in which Symon, Monson's servant, played an odd part. This Symon was also employed by Mrs Turner to carry food to Overbury in the Tower. If the substitution story has any truth in it it might well have been a Monson girl who played the part of the Countess. But, of course, a Monson girl may have been chosen by the inventors to give verisimilitude to the substitution story, simply because the family was friendly with Turner, and the tale of the lewd high jinks with Symon added to make it seem more likely that old Lady Monson would lend herself to such a plot.

If there was such a plot it is not at all unlikely that Overbury knew of it. If there was need of such a scheme to bolster the nullity petition it would have had to be evolved while the petition was being planned—that is, a month or two before the commission went first into session. At that time Overbury was still Rochester's secretary, still Rochester's confidant; and if such a scheme had been evolved for getting over an obstacle so fatal to the petition's success it was not in Rochester's nature to have concealed it from Overbury, the two men still being fast friends. Indeed, it may have been Overbury who pointed out the need there would be for the Countess to undergo physical examination, and it may have been on the certainty that her ladyship could not do so that Overbury rested so securely—as he most apparently did, beyond the point of safety—in the idea that the suit was bound to fail. It is legitimate enough to suppose, along this hypothesis, that this substitution plot was the very matter on which the two men quarrelled.