After the Restoration, several of the regicides were condemned to death; but the king, with unexampled lenity, remitted the capital punishment of many of these deep offenders. Only six of the king's judges were executed; and, when to that number are added, the fanatic Peters, who compared the suffering monarch to Barabbas, Coke, the solicitor, who pleaded against Charles on his mock trial, and Hacker, who commanded the guard, and brutally instigated, and even compelled them to cry for execution, we have the number of nine, who suffered for a fact, the most enormous in civilized history, till our age produced a parallel. There was also an insurrection of the fierce and hot-brained sect of fanatics, who called themselves fifth-monarchy men, and devoutly believed, that the Millennium, and the reign of the saints, was about to begin. Willing to contribute their share to this happy consummation, these enthusiasts, headed by the fanatic Venner, rushed into the streets of London; and, though but sixty in number, were not overpowered without long resistance, and much bloodshed. These incidents, Dryden, always happy in his allusion to the events of the day, assigns as a reason for deferring the coronation to an untainted year. Perhaps, however, he only meant to say, that, as Charles was not restored till May, 1660, the preceding months of that year were unworthy to share in the honour, which the coronation would have conferred upon it.
The conferences held at Savoy House, betwixt the presbyterians and the bishops, excited hopes among those who did not understand the temper of theological controversy, that these two powerful divisions of the protestant church might be reconciled to each other. The quakers, anabaptists, and other inferior sects, applied, by petitions and humble addresses, to the king, to be permitted to worship God, according to their consciences. Thus, the whole modelling of ecclesiastical matters seemed to be in the hands of the king.
Charles the Second had a strong mechanical genius, and understood ship-building, in particular, more completely than became a monarch, if it were possible that a king of England could be too intimately acquainted with what concerns the bulwark of his empire. The king's skill in matters of navigation is thus celebrated by the author of a Poem upon his Majesty's Coronation, the 22d April, 1661, being St George's day.
By the improvements made by Charles the Second on St James's Park, there was a connection made with the river, which Waller has celebrated in these lines, as a work of superior merit to founding a city.
The canal in St James's park formed a decoy for water-fowl, with which it was stocked. This circumstance, like the former, is noticed by Waller:
The water-fowl, thus celebrated, were particular favourites of the king, who fed them with his own hand. His affection for his dogs and ducks is noticed in many a libel.
This is in allusion to a device exhibited over the triumphal arch, in Leadenhall street, through which the king passed in his way from the Tower to Whitehall, on the day of his coronation. Behind a picture of the king appeared, deciphered in a large table, "the Royal Oak, bearing crowns and sceptres, instead of acorns; amongst the leaves in a label
As designing its reward, for the shelter it afforded his majesty, after the fight at Worcester."[76] These devices were invented by John Ogilby, gent., to the conduct of whom the poetical part of the coronation, as it is termed in his writ of privilege, was solely entrusted. The same fancy is commemorated, by the author of "Loyal Reflections on his Majesty's Restoration, Procession, and Coronation," who thus apostrophises the Royal Oak:
The great statesman, to whom Dryden made this new-year's offering, was the well known Earl of Clarendon, of whose administration Hume gives the following striking account:
"Clarendon not only behaved with wisdom and justice in the office of chancellor: all the counsels, which he gave the king, tended equally to promote the interest of prince and people. Charles, accustomed, in his exile, to pay entire deference to the judgment of this faithful servant, continued still to submit to his direction; and for some time no minister was ever possessed of more absolute authority. He moderated the forward zeal of the royalists, and tempered their appetite for revenge. With the opposite party, he endeavoured to preserve, inviolate, all the king's engagements. He kept an exact register of the promises which had been made, for any service; and he employed all his industry to fulfil them."
Notwithstanding the merits of Clarendon, and our author's prophecy in the following verses, that
this great statesman was doomed to be one of the numberless victims to the uncertainty of court favour. His fall took place in 1667, when he was attainted and banished. The popular discontent was chiefly excited against him, by a groundless charge of corruption; an accusation to which the vulgar lend a greedy and implicit faith, because ignorance is always suspicious, and low minds, not knowing how seldom avarice is the companion of ambition, conceive the opportunities of peculation to be not only numerous, but irresistibly tempting. Accordingly, the heroes of Athens, as well as the patriots of Rome, were usually stigmatized with this crime; bare suspicion of which, it would seem, is usually held adequate to the fullest proof. Nor have instances been wanting in our own days, of a party adopting the same mode, to blacken the character of those, whose firmness and talents impeded their access to power, and public confidence.
In the address to the Chancellor, Dryden has indulged his ingenuity in all the varied and prolonged comparisons and conceits, which were the taste of his age. Johnson has exemplified Dryden's capacity of producing these elaborate trifles, by referring to the passage, which compares the connection between the king and his minister, to the visible horizon. "It is," says he, "so successfully laboured, that though at last it gives the mind more perplexity than pleasure, and seems hardly worth the study that it costs; yet it must be valued, as the proof of a mind at once subtle and comprehensive." The following couplet, referring to the friendship of Charles I, when in his distresses, for Clarendon, contains a comparison, which is eminently happy:
In general, this poem displays more uniform adherence to the metaphysical style of Cowley, and his contemporaries, than occurs in any of Dryden's other compositions. May we not suppose, that, in addressing Clarendon, he adopted the style of those muses, with whom the Chancellor had conversed in his earlier days, in preference to the plainer and more correct taste, which Waller, and Denham, had begun to introduce; but which, to the aged statesman, could have brought no recollection of what he used to consider as poetry? Certain, at least, it is, that, to use the strong language of Johnson, Dryden never after ventured "to bring on the anvil such stubborn and unmanageable thoughts;" and these lines afford striking evidence, how the lever of genius, like that of machinery applied to material substances, can drag together, and compel the approximation of the most unsociable ideas. Our admiration of both, however, is much qualified, when they are applied rather to make exhibition of their own powers, than for any better purpose.
TO
THE LORD-CHANCELLOR HYDE.
presented on new-year's day, 1662.
MY LORD,
This Satire was, as the title informs us, written in 1662: probably towards the latter end of the year, when Charles, having quarrelled with De Wit, then at the head of the public affairs of Holland, was endeavouring to patch up an union with France, to which kingdom he was naturally partial, against the States, whom he hated, both as a republic, and an association of vulgar merchants. This impolitic alliance did not then take place, notwithstanding the sale of Dunkirk, (conquered by the arms of Cromwell,) to France, for L.400,000. On the contrary, in 1665 France armed in defence of Holland. But this was contrary to the expectations and wishes of Charles; and accordingly Dryden, in 1662, alludes to the union of the two crowns against the States as a probable event.
The verses are adapted to the comprehension of the vulgar, whom they were intended to inflame. Bold invective, and coarse raillery, supply the place of the wit and argument, with which Dryden, when the time fitted, knew so well how to arm his satire.
The verses, such as they are, appeared to the author well qualified for the purpose intended; for, when, in 1672, his tragedy of "Amboyna" was brought forward, to exasperate the nation against Holland, the following verses were almost literally woven into the prologue and epilogue of that piece. See Vol. V. pp. 10. 87. Nevertheless, as forming a link in our author's poetical progress, the present Editor has imitated his predecessors, in reprinting them among his satires and political pieces.
ON THE VICTORY GAINED BY THE DUKE OVER THE DUTCH, &c.
The Duchess, here addressed, was Anne Hyde, daughter of the Earl of Clarendon, and first wife of James, Duke of York, afterwards James II. She appears to have been a woman of first-rate talents, as well as exemplary prudence. Of the last qualification she gave a singular proof, when her marriage with the Duke was declared. She had admitted James to her bed while abroad, under a solemn promise of marriage. Many endeavoured to dissuade him from completing this unequal alliance; and that a motive, at least an apology, might be supplied for a retreat from his engagements, Lord Falmouth, Killigrew, and other courtiers, did not hesitate to boast of favours received from the lady. When the king's regard for his minister, and James's attachment to his betrothed wife, occasioned the confirmation of the marriage, these zealous witnesses found themselves in an unpleasing predicament, till the Duchess took an opportunity of assuring them, that she was far from harbouring the least resentment at the reports they had raised, since they believed them calculated to promote the interest of their master and her husband.[79] It may be presumed, that Dryden had already attached himself to the fortunes of the Duke of York, since he so early addressed the princess, whose posthumous avowal of the Catholic faith he afterwards attempted to vindicate.
The victory of the 23d June, 1665, was gained by the British fleet, commanded by the Duke of York, over the Dutch, under the famous Opdam. It was, like all naval actions between the English and the Dutch, a fierce, obstinate, and bloody conflict. The fleets met near Harwich on the 2d June; but the Dutch declined action upon that day, from a superstitious recollection that it was the anniversary of a dreadful defeat, received from Blake and Monk in 1653, in which they lost their famous Admiral, Von Tromp. But on the morning of the third, the fleets joined battle so near the shore, that the thunder of the combat was heard all along the English coast. York and Opdam singled each other out, and lay alongside in close action, till the Dutch vessel (a second rate) was blown up, and all on board perished. The Dutch fleet then dispersed and fled, losing nineteen ships sunk and taken, while the English lost only one. During this dreadful battle the Duke of York displayed the greatest personal courage. He was in the thickest of the fire, when one cannon-shot killed Lord Falmouth, Lord Muskerry, and Mr Boyle, by his side, and covered him with the gore of the most faithful and attached companions of his fortune. Yet this day, the brightest which ever shone on him, was not without a cloud. When the Dutch fleet were scattered, and an active pursuit was all that remained to the victors, Brounker, a gentleman of the Duke's bed-chamber, commanded Sir John Harman, in the Duke's name, to slacken sail. James was then asleep, and the flimsy pretext of not disturbing his repose was set up as a reason for this most untimely interference. The affair was never well explained. The Duke dismissed Brounker from his service, and a parliamentary investigation of his conduct took place.[80] But no adequate punishment was inflicted, and the nation saw, with displeasure, the fruits of a dear-bought and splendid victory lost by the unauthorized interference of an officious minion.
The Duchess, as we learn, amongst other authorities, from an old libel, came down to Harwich to see her husband embark, and afterwards made the triumphant progress to the north, which is here commemorated. The splendour of her reception at Harwich is thus censured by the Satirist:
The poem itself is adapted to the capacity and taste of a lady; and, if we compare it with that which Dryden had two years before addressed to the Chancellor, it strengthens, I think, very strongly the supposition, that the old taste of extravagant and over-laboured conceits, with which the latter abounds, was a stile purposely adapted to gratify the great Statesman to whom it was addressed, whose taste must necessarily have been formed upon the ancient standard. The address, which follows, is throughout easy and complimentary, much in the stile of Waller, as appears from comparing it with that veteran bard's poem on the same subject. Although upon a sublime subject, Dryden treats it in the light most capable of giving pleasure to a fair lady; and the journey of the duchess to the north is proposed as a theme, nearly as important as the celebrated victory of her husband.
Accordingly Dryden himself tells us, in the introductory letter to the "Annus Mirabilis," that, in these lines, he only affected smoothness of measure and softness of expression; and the verses themselves were originally introduced in that letter, to vindicate the character there given of them.
AND ON
HER JOURNEY AFTERWARDS INTO THE NORTH.
"And it came to pass, when Moses held up his hand, that Israel prevailed; and when he let down his hand, Amalek prevailed.
"But Moses' hands were heavy, and they took a stone, and put it under him, and he sat thereon: and Aaron and Hur stayed up his hands, the one on the one side, and the other on the other side, and his hands were steady until the going down of the sun.
"And Joshua discomfited Amalek and his people with the edge of the sword." Exodus, chap. xvii. 11, 12, 13th verses.
The noise of the battle was distinctly heard at London, as appears from the Introduction to our author's "Essay on Dramatic Poetry," where the dialogue is supposed to pass in a barge, in which the speakers had embarked to hear more distinctly, "those undulations of sound, which, though almost vanishing before they reached them, seemed yet to retain somewhat of their first horror which they had betwixt the fleets." And, by the sound seeming to retire from them, Eugenius draws an omen of the enemy's defeat. This whole scene is imagined with so much liveliness, that we can hardly doubt Dryden was actually an ear-witness of the combat.
ANNUS MIRABILIS.
This is the first poem of any length which Dryden gave to the public. Formerly he had only launched out in occasional verses, and, in some instances, on subjects of no prominent importance. He now spread a broader canvas, and prepared to depict a more extensive and magnificent scene. The various incidents of an eventful war between two powerful nations, who disputed the trident of the ocean, and the tremendous fire, which had laid London in ashes, were subjects which still continued to agitate the bosoms of his countrymen. These, therefore, he ventured to assume as the theme of his poem; and his choice is justified by the effects which it yet produces upon the reader.
There would have been no doubt, even had the author himself been silent, that he followed D'Avenant in the choice of the elegiac stanza, in which the Annus Mirabilis is composed. It is sounding and harmonious to the ear; and perhaps Dryden still annexed to the couplet the idea of that harshness, which was so long its characteristick in the hands of our early English writers. But the four-lined stanza has also its peculiar disadvantages; and they are admirably stated by the judicious critic, who first turned the Editor's eyes, and probably those of many others, on the neglected poem of "Gondibert."—"The necessity of comprising a sentence within the limits of the measure, is the tyranny of Procrustes to thought. For the sake of a disagreeable uniformity, expression must constantly be cramped or extenuated. In general, the latter expedient will be practised as the easiest; and thus both sentiment and language will be enfeebled by unmeaning expletives."[83] It is nevertheless true, that Dryden has very seldom suffered his poem to languish. Every stanza presents us either with vivid description, or with some strong thought, which is seldom suffered to glide into tenuity. But this structure of verse has often laid him under an odd and rather unpleasing necessity, of filling up his stanza, by coupling a simile, or a moral, expressed in the two last lines, along with the fact, which had been announced in the two first. When these comments, or illustrations, however good in themselves, appear to be intruded upon the narrative or description, and not naturally to flow out of either, they must be considered as defects in composition; and a kind of versification, which compels frequent recurrence to such expedients for filling up the measure, has a disadvantage, for which mere harmony can hardly compensate. In the passages which follow, there is produced a stiff and awkward kind of balance between the story and the poet's reflections and illustrations.
When, after such verses, we find one in which the author expresses a single idea so happily, as just to fill up the quatrain, the difference is immediately visible, betwixt a simile easily and naturally introduced, and stanzas made up and levelled with what a poet of those times would perhaps have ventured to call the travelled earth of versification: