shrieked, struggling to rush out. “Do you see”—and she pointed upwards to the chain of heights shutting in the city—“the hills of the Sierra take strange shapes—I dare not look on the green valleys! See the flying Goths curse me. They come! They come! showing their gaping wounds. Look, look, the plains run with blood. The figure of the king rides by! I know him! He is fair. It is Roderich, but sick to death. See, his horse falters. He falls. On, on they come, the Gothic host, but with the faces of corpses. Surely they did not ride thus to battle? Do you hear the voices in the air? Death, death to Florinda! And I will die, as they bid me!”
With a wild cry that rang round the perfumed groves of the Alcazar, before Julian could stop her, she had rushed to the entrance of a tower which jutted from the walls into the garden, and, bounding up the stairs, barred the upper door.
Her father, speechless with horror, stood rooted to the spot; a moment more, and her slight form leaned over the battlements. “Now, now, I come,” she shouted. “No ghost can haunt me there,” and from the topmost parapet she flung herself!
Hapless Florinda! Thus she passed; but still in that garden, it is said, the spiked palm-leaves rustle in the breeze, like souls in pain; the canes and the reeds bow their heads over the fountains, the frogs croak sadly in the cisterns, and a Moorish cascade, rushing down a flight of marble steps, sings in voiceless melodies her name.
AT this time a Mussulman Emir, named Alabor, ruled in Cordoba under the Sultan Suleiman of Damascus. Alabor, who was a hard and zealous follower of Mahomet, looked with suspicion on the Christian apostates, who professed his faith simply to save their lives, but who in their hearts regarded the Moslem invaders with the natural hatred of a conquered race.
Of all those Gothic knights who bore arms under Tháryk, he most misdoubted Julian. Certain movements of insurrection which took place among the Christians in Pelayo’s possessions in the yet unconquered district of the Asturias were not without suspicion of powerful encouragement from the south.
Julian, on the death of Florinda, had resolved to send Frandina and his little son back to Africa. Did this mean that he was preparing to play false with his allies? “A traitor once, a traitor ever,” thought the crafty Alabor. That he might decide his doubts in true Moslem fashion, he called in one of those miserable impostors called fakirs, who wander over the face of the land in the East, and profess to read the future by the stars.
After listening to all the Emir had to say, the Fakir began his incantation. First sand was sprinkled, then squares and circles and diagrams were drawn upon the floor; then, while standing in the midst, he affected to read the lines of fate from a parchment covered with cabalistic characters. “O Emir,” he said, “your words of wisdom are justified. Beware of the apostates.”
“Enough,” replied the Emir. “They shall die.”
At that time Julian was still at Cordoba in great grief for the recent death of Florinda. “Tell my lord,” he said, in reply to the earnest invitation of Alabor, “I pray him to hold me excused from coming to visit him. Such of my followers as can aid him in any warlike project I freely send; but for myself I am unable.”
This was enough for Alabor; here was ample confirmation of the Fakir’s prediction. So, not to be behindhand with the voice of fate, he at once condemned to death that wily churchman and renegade, Archbishop Opas, Frandina’s brother, who had turned the battle of the Guadalete against Roderich, and with him the two sons of Witica, as possible pretenders to the crown.
Still Julian escaped him by a rapid flight into Aragon. But his wife Frandina and his only son could be reached.
The castle of Ceuta, which formed part of the Gothic (Iberian) African possessions, then called Tingitana, stood on an extreme point, a cape of rocky altitude, with bastions and mullioned walls; in the midst rose a central tower or citadel, in which the governor had his abode. Few casements there were, and those looking over the tossing billows of that unquiet Strait which flows between the two continents, so that each coming vessel could be noted long before it touched the quay; a place wholly of defence, and which had therefore been chosen to shelter Julian’s wife and son.
Frandina, a woman of masculine courage and keen understanding, had at all times fanned the flame of her husband’s ambition. No longer young, she still bore traces of that radiant beauty which had held her lord faithful in the dissolute courts of Witica and Roderich.
On her brow should have rested the pointed diadem worn by the Gothic queens; not on a Moorish stranger who could never learn the customs of the land. Ever hoping to attain the object of her desires she wilfully worked on the evil passions of her lord, before the calamity which befell Florinda came as a cause and a reason for treason.
No figure of that romantic period stands out in stronger relief than that of Frandina, who moves and speaks before us in her habit as she lived in spite of the long track of centuries.
Without news from Spain, knowing nothing of what has happened at Cordoba to her brother Opas or to her lord, she eats out her heart in ceaseless watching for some white-sailed felucca or swift-rowed trireme to bring her tidings. All day she has trod the battlements looking north-ward, and strained her eyes in vain. Now she sits in her chamber. An iron lamp casts a weird light on the tapestries which line the walls, the wind moans without about the turrets, and the dashing waves roll deep below.
Is it the hollow moan of the far-off tempest, or the screech of an owl which makes her start from her seat and eagerly listen?
There is no fall of feet upon the winding stairs, but a well-known voice comes to her so plainly that she rushes to the door. Ere she can reach it, her brother Opas stands before her, habited as she last saw him in the flowing vestments of an archbishop; not in aspect as he appeared in life, but as a wan and shadowy spectre unfolding itself to her sight in the darkness around. Before she can speak he waves her off. He is ghastly pale, and drops of blood seem to fall from his head. With one hand he points to the opposite wall where burns like orbs of fire the word, Beware!
“Touch me not, sister,” a hollow voice utters; “I am come from the grave to warn you. Guard well your son. The enemies of our house are near.” Thus speaking all disappears. His coming and going are alike mysterious. Brave as she is, a horror she never knew before comes over Frandina.
Next morning, in the fair sunlight, a swiftly rowing galley brings the news of Opas’s death and Julian’s flight. Not a moment is to be lost! There in the offing she descries the Moorish fleet, bearing the Emir from Cordoba. The wind blows fair for Africa—before noon he will be off the shore. Fifty Moors, who form part of the garrison, are put to death with incredible cruelty for fear of treachery; the city gates are closed.
Alabor, whose fury knows no bounds, for he has calculated on arriving before the news has reached Frandina, orders the castle to be assaulted on every side. The walls are carried. Frandina, shut up in the citadel with a forlorn hope, has no thought but for the safety of her son. How conceal him? A mother’s wit is keen. Among the living he is not safe, but surely they will not seek him with the dead. Passing down long flights of narrow steps she carries him below into a dark, damp chapel. Scarcely a ray of light penetrates the gloom.
“Are you afraid of the darkness, my boy?” she asks, kissing his warm cheek.
“No, mother. I shall fancy that it is night, and try to sleep.”
On one side of a narrow marble aisle, held up by clustered pillars, is the freshly built tomb of Florinda, whose body has been carried here from Cordoba.
“Do you fear your dead sister, my boy?” again Frandina asks.
“No, mother; the dead can do no harm. Why should I fear Florinda?”
Unbarring the entrance which leads into the vault, Frandina stands on the threshold, her arms around her son.
“Listen,” she says, and her kisses rain upon his cheek as she strains him to her bosom in an agony of fear. “The Moors from Spain have sailed over to murder you. Stay here with your dead sister, dear child; her spirit will guard you. Lie quiet for your life!”
The boy kissed his mother, and fearlessly descended the steps, to where the marble coffin holding Florinda’s body lay on a still uncovered stand. The faded wreaths cast on it gave out a stale perfume.
All that day and the next and the following night the brave boy lay still.
Meanwhile, the troops of the Emir penetrated into the citadel, and Alabor himself forced his way into the chamber of the countess.
“My lord,” she said, rising from the ponderous chair in which she was seated, a sarcastic courtesy in her tone and in the low obeisance with which she greeted him, “you are pleased to profit somewhat ungallantly by the absence of my lord. Do you deem this a fitting way to enter the stronghold of him to whom you owe the conquest of Spain?”
The Emir, surprised by the dignified calm of her demeanour, would have withdrawn, but the Fakir who had followed him, pulled the sleeve of his garment, and whispered in his ear: “Ask for her son.”
Low as the words were spoken, she heard them and turned pale. “My son, great Alabor, is with the dead. Let him rest in peace.”
“Wife of Don Julian,” cried the Emir, “you trifle with me. Where is he? Tell me, or torture shall make you.”
“Emir,” she spoke again, and her calm face showed no trace of fear, “if I have not spoken the truth, may everlasting fire be my portion. He is with the dead.”
Alabor was confounded by the composure of her answer. So great was her courage and the dignity with which she faced him, that he was just about to retire, when the Fakir again broke in:
“Let me deal with her, my lord,” he said. “The heart of the Emir is too tender. I will find the boy. Soldiers, search the vaults of the castle.”
No trace upon the countenance of Frandina betrayed alarm. She herself led the way to the different subterranean chambers within the citadel. When the searchers and the grim old Fakir, hideous and naked, save for a ragged cloth about his loins, but esteemed all the more holy from his filth, descended the winding stairs leading to the chapel, Frandina did not falter. In her presence every corner was ransacked by the aid of torches. Nothing was found. But as all were leaving, and she stood already under the arch of the door, to see them all file safely by, some gleam of relief, some
unconscious look of joy passed over her face. It was noted by the horrible Fakir.
“She rejoices,” was his thought. “We are leaving the boy behind. Let further search be made,” he commands, turning back the soldiers, whose feet were already on the stairs.
“The boy is with the dead,” Frandina had said. Now the words came back to him with a special meaning, for the walls were lined with tombs which stood out conspicuous in the vivid glare of the torches, striking on the marble panels. On one was the escutcheon of an ancient knight, surmounted by a coronet; there a sculptured figure in armour lay at rest; further on a deeply indented effigy in coloured stone, upon which an inscription set forth the valour of the mouldering bones within. The tomb of Florinda, white and glistening by the side of the others, displayed her effigy in polished marble, a delicately chiselled form—this at once attracted the attention of the Fakir.
“Who lies there?” he asked, turning his twinkling eyes, overshadowed by hairy eyebrows, on the shrinking figure of Frandina, who, trembling from head to foot, sought to hide her face in the deep shadow of a pillared vault, beside the gate of entrance; “this tomb seems the newest.”
“It is my daughter’s tomb,” replied Frandina; but with all her fortitude, she was conscious of a trembling in her voice, and her dry lips could scarcely articulate the words, “She is but lately dead.”
The Fakir eyed her with a devilish glance. Then, turning to the Moorish soldier, whose eyes rolled under the high turban with a wicked satisfaction at the discomfiting of the Christian,—
“Search within,” he orders, his gaze bent on her. Alas! it was soon done. The entrance of the recently entered monument was partly open; within lay what death had spared of Florinda, the bier covered with a fine cloth of Eastern tissue, the hands covered with precious stones.
At first, the Nubian guard, staggered at the strange sight, fall back, but soon recalled by the stern voice of the Fakir, they lifted the pall. The boy lay underneath! He was asleep, his soft cheek turned upwards, cradled on his arm.
Like a figure carved in stone stood Frandina, but when she saw her son her mother’s heart gave way. With a shriek, so piercing that it woke the echoes in the prisons underneath, she dashed forward and cast herself upon the child.
“Mercy, O Emir! if you have ever known a mother’s care! Mercy! mercy! This is my only child—the joy of my life—my little son! Take me for him!” and raising herself on her knees with frantic passion, the boy clinging round her neck, she tries to grasp his hands.
Wrenching himself from her as if she were some noxious animal, Alabor thunders to the guards: “Take this woman’s son from her, and bear her hence to the deepest dungeon.”
The boy stood alone before the Emir, big tears rolling down his face, not from fear, but for the sake of his mother, whose frantic screams were heard long after they had dragged her away.
If Alabor had but a spark of human pity, he would have melted to the pretty boy, who faced him so bravely, but he had sworn the destruction of Don Julian’s race, and his heart hardened within him as he gazed on the innocent eyes. With a keen searching glance he measured the slight figure of the child, and smiled to see how frail he was and small.
“Yusa,” he said to the Fakir, “be you the keeper of Julian’s son. Guard him as you love me.” And so he and his guards departed, leaving them alone.
“I pray you,” said the boy, undaunted by the looks of his grim companion, who stood holding a torch and watching him under his overhanging eyebrows, “to give me air. I have lain three days in this close tomb, and I am faint.”
Without a word they mount the winding stair, until they reach the platform of the keep. Through the high turrets was a wondrous view across the Straits, lined by broad currents of varying blues and greens, to where, dim in the distance, lay the lowlands of Spain. Round and round flew the seagulls, below the waves beat, thundering on the rocks which guard the harbour, cresting back in foam. As the child stood near the battlements, the sea wind raising his curly hair, he gave a cry of joy and clapped his hands.
“Do you know what land that is opposite?” asks the Fakir, pointing to the dim coast line, an evil leer upon his lips.
“It is my country,” is the answer, “we come from Spain; my mother told me.”
“Then bless it, my boy; stretch forth your arms.”
As the boy loosened his hold of the parapet, the cunning Fakir seized him by the waist, and, with a sudden motion, flung him over the battlements. Every bone in his delicate body was broken ere it reached the rock where he lay, a little lifeless heap.
“How fares it with Julian’s son?” asks the voice of Alabor, as he appears on the platform of the keep.
“Well,” is the brief answer.
“Is he safe?” he asks again, looking round.
“He is safe,” answered Yusa; “behold!”
And the Emir looked over and saw the battered form, like a slight speck below, around it the seagulls and vultures already circling.
The following morning, at the break of day, in the great court of the castle, from which all the issues to the different towers open, Frandina is led out for execution.
That she knows her son is dead, is written in her eyes. No word passes her lips. Like a queen she moves, command in every gesture. With her the Christians of the garrison are brought forth to suffer. As the dismal procession passes round the court, the voice of the insatiable Alabor is heard:
“Behold, O men of Spain, the wife of your commander. See the ruin to which her treason would have brought you. Let every man take a stone and fling it at her till she dies. He that refuses shall have his head struck off. In the hand of God is vengeance. Not on our heads be her blood.”
How or where Julian himself died is not certain. Some chronicles say he perished in the mountains of Navarre, where he had taken refuge; others that he met his death in the castle of Marmello, near Huesca, in Aragon. A violent death of some sort came to the great Kingmaker of Spain.
On his name a perpetual curse rests, and to this day, in Spain “Julian” is synonymous with traitor.
MEANWHILE the great Emir Mousa is moved by fierce jealousy of the success of Tháryk of the one-eye. Not only had he overrun the mountains of the Moon and conquered Granada, but the city of Toledo, the capital of Northern Spain, was opened to him by the Jews.
This is too much to bear from an inferior. Swift messengers are despatched across the Straits to bid him wait until Mousa arrives. He laughs to scorn the message, and battles as before, his light squadrons penetrating farther and farther into the north of Spain.
Mousa had many sons, but history concerns itself with one only, by name Abdul-asis, pale-skinned, with large romantic eyes and a too tender heart. Abdul-asis sailed with his father across the Straits, and a great army of Moors and illustrious emirs accompanied them.
“By the head of the Prophet,” quoth Mousa, as he consulted the map of Spain, “that hireling of the one-eye has left us no land to conquer. He is a glutton, who eateth all.” But on a more minute examination, it was found that there was still room in the vast country of Spain for earning further laurels. Tháryk had as yet left Andalusia unconquered.
Andalusia! the very name is poetry—mystic, unfathomed, vague! Reaching far back into fabulous ages where history cannot follow! The home of jonglerie, magic, and song! Would that I could paint the turquoise of its skies, the endless purple of its boundless plains, the dusky shade of orange and myrtle woods dashed with the vivid green!
What art! what knowledge! And the sensuous charm of a heavenly climate, where winter is never known, and spring passes into summer without a struggle; a land loved by the veiled beauties of the East, looking down through shadows of the fretted miradores, marble galleries, and patios, on barbican towers and Roman walls!
And what a people, cloudless in temper as the heavens! To love flowers, to dance seguidillas, and oles, and to tell tales, that is your Andalusian—grouped in circles anywhere, under a hedge or a plane-tree, on a grassy knoll, in gilded halls, or beneath painted arches. A happy, thoughtless race at all times, taking life and conquest as it comes.
If Andalusia is left to Mousa, Tháryk has lost the fairest jewel of Spain.
Abdul-asis spoke to his father.
“My lord and father,” he said, “as yet I have done nothing to deserve a sword. Behold, when my service is over, and I return to Egypt and appear before the Sultan, what will he say when I answer that I have gained no battle, and taken no city or castle? Good my father, if you love me, grant me some command, and let me gain a name worthy of your son.”
To this Mousa answered: “Allah be praised! The heart of Abdul-asis beats in the right place. Your desire, my son, shall be granted. While I go north, to besiege Merida, you shall march southwards. Seville has defeated the Moors, and quartered Christian troops in the barbican. Be it your care to drive out these unbelieving dogs, and plant once more the Crescent on the Giralda tower. Reduce the city, and spoil the land. Then pass southward, and conquer the province of Murcia, where the Gothic Teodomir defends himself with a handful of troops.”
When Abdul-asis, who read the Persian poets and had himself tried his hand at verse, came in sight of beautiful Seville, lying like a white lily surrounded by the shadows of dark woods, he sighed:
“Alas! is it for me,” he said, “to bring destruction upon so fair a scene? Why am I come to dye with blood those flowery groves, and burden the tide of the Guadalquivir with corpses? Alas! why did not my father choose some place less lovely on which to bring ruin than this the palm-crowned queen of cities!”
Thus mourned Abdul-asis, but not so the fiery Africans whom he commanded. They gazed on the walls with wrath, and longed to flesh their scimitars in Christian blood.
It was with the utmost difficulty that the merciful Abdul-asis stopped the massacre when the city fell. It pained his gentle heart, for its many beauties, especially the palm-planted gardens of the Alcazar, vocal with purling streams and bubbling fountains, so dear to the Arab fancy.
“Here,” thought Abdul-asis, as he wandered among the myrtle-bordered paths, fragrant with jasmine and violet, “is the paradise promised to the faithful, but where are the houris, whose white embraces are to make it sweet?” Neither did the voluptuous movements of the dancing girls (for Seville in all ages has been famed for the baile), moving with uplifted arms and quivering limbs in the vito or the zapateado, intoxicate his senses; nor did the voices of the young niñas, chanting the malagueñas to cither and lute, draw him from the poetic melancholy which possessed his soul, as he turned his steps from alley to alley, not having yet found the ideal of which he was in search.
But the son of Mousa was a warrior, though the gods had made him poetical. He could not long be idle, and hastened to fulfil the second mission confided to him by Mousa—to overcome the far-off province of Murcia.
Another faithful knight who had survived the battle of the Guadalete was Teodomir, who, by skilful management had entrenched himself in Murcia. Not only brave, but singularly prudent, Teodomir had observed that to oppose the Moors openly in the field was to ensure defeat, therefore he had fortified as best he could, every wild recess of the rocky hills lying toward the coast, and every rise and knoll whence he could shoot down arrows and missiles. So that when Abdul-asis appeared in the land, cleft asunder by wide rivers and divided by swamps and flats, he encountered no enemy.
“This is a blind warfare,” he cried, “a war without a foe. What manner of man is this Goth who wages war in the clouds, and with a few raw troops holds my army in check?”
With a grim smile Teodomir marked the success of his tactics. Spies told him that, in the council of Abdul-asis, retreat had already been mooted, and more and more he insisted upon giving his enemy no chance in the open.
Not so his sons. “What glory is there here?” say these youths. “Let us go forth and face him. We are as good as he. If our men are less disciplined, courage makes up the balance.”
“Fools,” answered old Teodomir, laying his wrinkled hands upon them, and drawing them to him, that he might make them if possible understand his counsels. “Glory dazzles from afar, but safety is the best when a foe knocks at the door.”
Continued dropping wears a stone. To his great joy, as the sun rose and the weary eyes of handsome Abdul-asis turned towards the marshy plains, he beheld Teodomir riding onwards towards the camp at the head of his troops, a son on either hand, the old Goth in the centre in shining armour, with nodding plumes, preceded by flags and horsemen.
“Now Allah be praised!” he exclaims. “At last! Saddle my war-horse Suleiman, and let all the sheikhs follow me, for it is written in the book of fate that these dogs of Christians are given into our hands.”
“Alas! my sons,” said Teodomir, reining up his steed, as his practised eye showed him the purpose of the dark body of advancing Arabs, with the green flags, galloping rapidly in the rear, under the cover of the heights. “Alas! it has happened as I said. We are cut off. What can our raw troops do against these well-armed Arabs? Let us make for the fastness of Orihuela while we can.”
The sons, however, would not listen, but like vain youths opposed their father’s counsel, as did also the captains. The Moor asked for nothing better. He attacked then fiercely in the open plain, cut down the two presumptuous boys before their father’s eyes, and beat his troops, who fled on all sides.
Nor could Teodomir stay the flight. Seeing that all was lost, and his sons dead, he seized the bridle of a horse ridden for him by a little page, who tended him in his tent, and who like the rest was spurring onward in full flight.
“Tarry a moment, my son,” says Teodomir, grasping the bridle with an iron grip. “Mount behind and part not from me, for I will save thy life!”
So digging his huge spurs into his horse’s flanks, at which the well-trained animal, used to his practised touch, reared indignantly on its hind legs and pawed the air, then started off in a wild gallop, swift as the rushing wind. Nor did they pause until, mounting the steep zig-zag path, they were both safe within the fortress of Orihuela.
There it still stands, a castle of defence, crowned by dark bulwarks on a mountain chain, an outlook for scores of miles over a flat country towards Granada and the sea. Round and round the base winds the road from Alicante, through overhanging lanes, under palm-trees and embowering citron woods, broken by red earthed barrancas. The town itself (Auri-welah) is still very Eastern, with domed church and castellated towers, the whole district with great tidal rivers cutting through, fertile beyond words.
As the day fell, and the sun went down in lemon-coloured clouds, Abdul-asis approached, thinking to find an easy conquest. But to his amazement the walls appeared fully garrisoned, and from the keep a proud flag floated, bearing the colours of the Goths.
“How is this?” said the son of Mousa. “Is it a necromancy? Or have these men risen from the
earth? With my own eyes I saw Teodomir flying alone, a page riding behind him. His sons are dead, his forces scattered. Who are these but fiends he has summoned by magic to his aid?”
And fear fell upon him as he gazed, and he commanded that no attack be ventured, but that the camp should be formed at the base of the rock until morning.
Upon which Teodomir, who was looking out, took a flag of truce, fastened it to a lance, put a herald’s tabard on the back of the page who had fled with him, and a high-crowned hat on his head, and went down to where the purple tent and the Crescent standard marked the spot where Abdul-asis was to be found.
“I come,” said Teodomir, in a tone of lofty courtesy, raising his iron vizor, and showing the stern face of a warrior, the young page behind him, proud of the particoloured dress, and swaying the flag of truce in cadence to his words, “I come as a Gothic knight into your presence, most magnanimous son of Mousa, whom men call ‘the merciful,’ to treat of the surrender of the castle. As you see, our walls are fully manned, and we have food for a lengthened siege. But much blood has flowed. I have lost my sons, and fain would spare the lives of my people. Promise that we may pass unmolested, and when the rising sun tips the circle of mountains towards the east, we will surrender. Otherwise, we will fight until none are left.”
Abdul-asis, young in craft and unsuspecting, as became the poetic quality of his soul, was greatly struck with the bold words of the veteran, who stood his ground so valiantly alone against an army. The castle, too, was strong, and appeared amply defended. Generosity in this case was policy. He consented gladly, standing forth alone, a crimson caftan thrown over his armour, the folds of his turban shading his massive Egyptian features and his lustrous eyes. To the articles of capitulation, he hastened to affix his seal. Then he addressed Teodomir:
“Tell me, bold Christian,” said he, “you who have ventured alone into the Moorish camp, now that we are friends, of what force is the garrison of Orihuela?”
A grim smile spread over the face of the veteran. “Wait and see,” was his answer. “With the morning light we will evacuate the place.”
As the sun rises in glory behind the eastern mountain tips, and its first rays strike upon the battlements, Teodomir appears, followed by a motley crowd of old women, greybeards, and children tottering down the descent.
Abdul-asis waited with wondering eyes until they had reached the plain. “Where,” he said, “O Teodomir, are the valiant soldiers who lined the walls, and have so well maintained the honour of the Goths?”
“Soldiers,” answers Teodomir; “by the Lord, I have none. My garrison is before you. These manned the walls. My page”—here he pointed to the stripling disguised in the habit of a herald, the heavy coat dragging after him upon the ground, the helmet falling over his face—“is my herald, guard, and army.”
Ere Teodomir had finished speaking, a great uproar arose among the Moors.
“Tear him limb from limb,” cry the sheikhs. “Cut the throat of the Christian dog. Let him not live who deceives the Moslems of Islam!” But with a stern gesture Abdul-asis interposed: “Let no man dare to touch the Christian knight,” he orders. “By righteous fraud he has defended his castle. I command that the rights of war are granted him.”
Then, taking Teodomir by the hand he led him to his tent, and ordered wine and meat to be served to him as to himself. And in memory of this defence the provinces of Murcia and Valencia, all through the Moorish occupation, were known as “the Land of Tadmir” or “Teodomir.”
Thanks to the rivalry between these two commanders, Mousa and Tháryk, Gothic Spain had fallen to the Moors in an incredibly short space of time: the banners of the Crescent waved from Pelayo’s country in the mountains of the Asturias in the north, to Calpe and the Pillars of Hercules in the south; from the borders of Lusitania (Estremadura) in the west, to the coast of Tarragona and Valencia in the east; and the mighty city of Saragossa, where so many Christians had taken refuge, also yielded.
At length a summons came from Sultan Suleiman, at Damascus, to both leaders, to appear before him, to render an account of their conquests and their spoils, as well as to settle the justice of those dissensions which raged so fiercely between them.
Before he left Spain, Mousa addressed a letter to his son, at Seville. “Son of my heart,” he wrote, “may Allah guard thee! Thou art of too tender and confiding a nature. Listen to thy father’s words. Avoid all treachery, for, being in thyself loyal, thou mayest be caught by it. Trust no one who counsels it. I have placed with thee at Seville, according to the inexperience of thy age, our kinsman, the discreet Ayub. Listen to his counsels in all things, as thou wouldst to myself. Beware, too, O my son, of the seductions of love. As yet thy heart is untouched. May Allah so preserve it! Love is an idle passion, which enfeebles the soul and blinds the judgment. Love renders the mighty weak, and makes slaves of princes. Farewell. May Allah guard thee and lengthen thy days.”
THE Alcazar at Seville (each Spanish city has its Alcazar) still stands in the centre of the city. Not the decorated palace we see it now, rebuilt by the Toledan Zalubi for Prince Abdurrahman, and afterwards enlarged and beautified by Don Pedro el Cruel, in imitation of the Alhambra of Granada, but a veritable citadel, surrounded by low tapia walls, on the verge of the tidal current of the Guadalquivir, and flanked by the Gothic tower (Torre del oro) which still remains.
Not a poetic ruin, this Alcazar like the Alhambra, but a real castle, whole and entire, ready to receive, to this day, emirs or sultans, kings, queens, or princes, whenever their good pleasure calls them to Seville.
Behind lie the gardens, flushed with roses, oleanders, and pomegranates, approached by stately terraces sweet with the familiar scent of carnation, violet, and jasmine. A delicious plaisance formed into a series of squares, divided by low myrtle hedges, and orange-lined walls, central fountains bubbling up in sheets of foam, and streams and runnels, tanks and ponds, along which are walks paved with variegated tiles.
The azahar of a thousand blossoms is in the air, golden oranges hang tempting on the stem, and deeply tinted butterflies course each other among embowered alleys, leading to gaily painted kiosks and pavilions with latticed walls.
Whether Abdul-asis exacted the tribute demanded by the Moorish law of a hundred Christian “virgins, fifty rich and fifty poor,” to adorn his harem, I cannot say. He would scarcely have dared openly to omit it. But instead of choosing from among these damsels that pleased his eye, and selling the rest as slaves, he contented himself with selecting one, and dowered such others who were poor, and married them to his Moors.
In his harem he also maintained many Christian captives as hostages for the land. But they were treated not only with respect, but with luxury, within the precincts of the lovely little Patio de las Muñecas—from all time devoted to the harem—the loveliest sheet of snowy lace-work ever beheld. Not a speck of colour on the pure stone; not a badge or motto, only tiers of open galleries, latticed in white.
If ever these dark Eastern beauties return to haunt the glimpses of the moon, it is surely in this patio their dazzling forms will linger!
Here they lived a pleasant life, plied their fingers in rich embroidery copied from the looms of Damascus, danced ole or cachucha, to castanets, or sang to lute and cither those wild malagueñas, with long sad notes.
Many were even contented with their lot. But all followed with longing eyes the graceful form of the young Emir, putting forth their charms to attract his roving eyes.
“Beware, O my son, of the seductions of love,” had written Mousa to his son. “It is an idle passion which enfeebles the heart and blinds the judgment.”
And so his discreet cousin Ayub continually repeated, but, spite of these warnings, Abdul-asis often solaced himself in the company of the fair, specially among the Christian captives, who were both beautiful and well-educated. Indeed, it was here the lonely young Emir spent his happiest hours, as the moon mounted into the realm of blue and star after star shone out to be doubled in the basins of the fountains, the murmur of innumerable jets and streamlets falling on the ear.
It was peace, absolute peace, such as comes to those balancing on the bosom of the sea, or on desert plains, or in the mystery of deep forests, or in the grave!
One night as his eyes range unconsciously into the gloom, he is startled to find that he is not alone.
Deep within a thicket of aloes the lines of a woman’s form are visible, seated upon the ground.
“Who can this be?” he asks himself with breathless haste. “I cannot recall having seen her before, either in the harem or among the captives.”
Yet it was a form, once seen, not to be forgotten. Her dark hair hung like a cloud over her shoulders, and her eyes, as she turned them upwards, catching a ray of moonlight, shone out like stars.
“Who is she?” And Abdul-asis rises softly, the better to observe her. “Yes, she is matchless, but that sadness is not natural. Her attitude, her movements are languid and full of pain. Her hands lie weary. She avoids her companions. What can it mean? Some tale of deep sorrow is shut up in her soul. She is under my roof and I am ignorant of her life. I will at once address her.”
For some minutes he stood silent, his eyes wandering over the many beauties which disclosed themselves to his gaze; but to his astonishment, as he looked closer, he perceived from the dark olive of her skin that the stranger must be an Egyptian or a Moor.
At last, moved by a singular emotion, he addressed her.
“Who are you, gentle lady?” he asked, his naturally sweet voice tuned to its softest accents. “Why do you sit alone? Confide to me your grief.”
“Death alone can end it,” was her reply.
“Nay,” whispered Abdul-asis, in a voice melting with pity, “fair one, seek not to sacrifice that which Allah has made so perfect. The very sense of loveliness is yours. Let it be mine. As the houris of Paradise dwell under the shadow of the Great Angel’s wings, so, lady, shall you dwell under mine. I am Lord of Andalusia. Power is in my hands. Speak to me,” and he drew near and touched the tips of her henna-stained fingers. “Have faith in me.” If he had dared he would have clasped her to his heart. Never had the veiled fair ones of the harem moved him so.
With his lustrous eyes fixed on hers he waited for an answer, or at least for some sign that she was not displeased. None came.
Now this to Abdul-asis was a new development of woman which served only to heighten the ardour of his sudden passion. Opposition proverbially is a spur to love, and now the old axiom operated in full force upon one who had never known repulse.
Again he assayed to clasp her delicate fingers within his own and gently draw her towards him.
“Light of my life,” he murmured, “speak!” In vain—the lady replied only by her sobs. Nor was it in the power of Abdul-asis to make her speak.
At length—was it the languid beauty of the night, the power of the moon, great in the annals of unspoken love, or some occult mystery communicated to her by his touch?—a rosy bloom rose on her dark cheeks and, withdrawing her hand from his ardent clasp, she suddenly unlocked the mystery of her coral lips.
“I am Egilona,” she whispered, as if she feared to confide the name to the night air; “once wife of Don Roderich and Queen of Spain.”
Words cannot paint the amazement of Abdul-asis. That the beautiful stranger, known to have become a captive after the defeat of the Guadalete, should be dwelling within his Alcazar, unknown to himself, seems too astonishing to comprehend! That he, too, unconsciously, should have presumed to approach her with the facile dalliance of love grieves his generous soul.
All which he endeavours to express to Egilona in the most eloquent language he can command, while he bends the knee before her as a vassal to his queen.
Then he sighed. Her royal position placed an insuperable barrier between them. Besides, he felt that the Caliph at Damascus ought to be notified at once of the possession of such an illustrious captive.
“Could he do so?” he asked himself. “Could he run the risk of losing her? No! a thousand times no!”
Chance or fate had thrown her in his way. She was actually a slave in his harem. There she should remain unless she herself wished otherwise.
Fortunately that tiresome person, the discreet Ayub, knew nothing about her. His reproaches, at all events, were not to be encountered. Possibly!—ah! possibly—a tender project formed itself in his brain. Would she, the wife of the royal Goth, consent to share an Emir’s throne?
But at that moment he was too much overcome and self-diffident to allow himself to pursue so roseate a dream.
Calling together his guards, hidden about the garden, but ever present near his person, Abdul-asis, with a heart torn by conflicting emotions, conducted Egilona through the marble courts to the Patio de las Muñecas.
All that the tenderest love could dictate was showered upon her by the amorous Emir. She lived in the royal apartments, and a special train of slaves, eunuchs, and women attended upon her. Before the gold-embroidered draperies of her door turbaned guards stood day and night, holding naked scimitars. Her table was served with the same luxury as that of a sultana. When she went abroad into the streets of Seville she rode on a beautiful palfrey, caparisoned with silken fringes, a silver bridle and stirrup, and a bit of gold. At the sound of the tinkling bells which hung about the harness, all who met her prostrated themselves to the earth, as though the Emir himself were passing. Even the muezzin, ringing out the hour of prayer from the galleries of the Giralda, was commanded to pronounce a blessing on her head.
Such a complete change in the life of Abdul-asis could not but arouse the wrath of the discreet Ayub. Numberless were the times he tried to waylay him, always ineffectually, however, for the Emir gave orders he was not to be admitted.
One day they did meet in the outer Patio de las Bandieras (where now the superb portal of Don Pedro blazes in the sun), just as Abdul-asis was mounting his horse for the chase.
“Hold, my cousin and lord,” cries Ayub, laying hold of his bridle. “Tarry awhile, I pray you, for the sake of our kinship. Am I a dog, that you should drive me with kicks and imprecations from your door?”
“Far from me be such a thought,” replies Abdul-asis, colouring. “No one thinks better of you than I. But, my cousin, permit me now to depart. Another time we will pursue the subject.”
“Bear with me now awhile rather,” cries Ayub, detaining him by the folds of his embroidered robe. “O Abdul-asis, remember the words of your father: ‘Beware, my son, of the seductions of love. It renders the mighty weak and makes slaves of princes.’ ”
The colour on the face of the Emir deepened into a flush of wrath. He was weary of hearing these words ever repeated—yet he kept silence.
“Time was, my cousin,” continues the discreet Ayub, “when you listened to my words, and all went well. Now, for the sake of a strange woman, a slave, a captive, you are bartering your kingdom.”
At this coarse allusion to the royal Egilona