(Yet much is merry in men’s moods diverse.
I am no mystic, I, that I should preach
With lips string-drawn as tight as miser’s purse,
Dispense thin wisdom by my scrannel speech;
No, none, thank God, can more have loved good laughter,
Beauty, well-being, perilous lottery,
Or paid the reckoning that followed after
With smaller grudge to justice than did I.)

IV

Sometimes I met with one, and would have cried,
“Pilgrim! by the proud manner of your going
Clearly you ask no alms when ills betide.
Though of your journey’s end I have no knowing,
Travel a little distance by my side.
Lonely am I; lonely; I have not spoken
Closely with friend this many a questing day;
Body, my beast of burden, stumbles broken,
Rowelled by desperate spur along the way.
Pilgrim, if lonely spirit cross another
And pride in me salute in you your pride,
Shall we not either recognise a brother?”

V

And sometimes met with those who offered me
Comfort upholstered like a harlot’s bed
With winks for ribbons, shrugs to swansdown wed,
And squalor under frowsy frippery.
This draggletail of passion should be mine,
This slattern bastard born of spleen and lust,
Convention’s shrewd Bacchante, if I must
Yield to the senses’ feverish anodyne!
But I would turn, and, half-defeated, failing,
(How near defeat, they never guessed or knew,)
Load my last breath with scorn, and cry “You? You?
And cry, at bay before their vanguard, railing,

VI

VII

VIII

IX

“I’ll dip contempt’s broad ladle for a measure
Lest I accept reprieve in such a guise,
Such cheap attainment where I most despise,
Or lull disquiet by such sham of pleasure.

HOME

NIGHT. To H. G. N.

MOONLIGHT through lattice throws a chequered square;
Night! and I wake in my low-ceilinged room
To lovely silence deep with harmony;
Sweet are the flutes of night-time, sweet the spell
Lies between day and day. This wise old night,
That, unreproachful, gives the pause to strife!
The murmurous diapason of the dark
Within the house made quick and intimate
By tiny noise—a bat? a mouse? a moth
Bruising against the ceiling? or a bird
Nested beneath the eaves? night, grave and huge
Outside with swell of sighing through the boughs,
Whispering far over unscythèd meadows,
Dying in dim cool cloisters of the woods.

A SAXON SONG

Tools with the comely names,
Mattock and scythe and spade,
Couth and bitter as flames,
Clean, and bowed in the blade,—
A man and his tools make a man and his trade.
Breadth of the English shires,
Hummock and kame and mead,
Tang of the reeking byres,
Land of the English breed,—
A man and his land make a man and his creed.
Leisurely flocks and herds,
Cool-eyed cattle that come
Mildly to wonted words,
Swine that in orchards roam,—
A man and his beasts make a man and his home.

FROM A DIARY, JANUARY 1918

JOY have I had of life this vigorous day
Since sunrise when I took the wealden way,
And my fair country as I rapid strode
Lay round the turn of the familiar road
In mists diaphanous as seas in foam.
And all the orchards cried me welcome home.
I drove the spade that turned the heavy loam,
Bending the winter to the needs of spring,
The soft air winnowing
The thistledown that blew along the hedge.
A little moorhen rippled in the sedge;
A distant sheep-dog barked; the day was still,
For summer’s ghost in winter lay upon the hill.
I worked in peace; an aeroplane above
Crooned through the heaven coloured like a dove.

BEECHWOODS AT KNOLE

HOW do I love you, beech trees, in the autumn,
Your stone-grey columns a cathedral nave
Processional above the earth’s brown glory!
I was a child, and loved the knurly tangle
Of roots that coiled above a scarp like serpents,
Where I might hide my treasure with the squirrels.
I was a child, and splashed my way in laughter
Through drifts of leaves, where underfoot the beechnuts
Split with crisp crackle to my great rejoicing.
Red are the wooded slopes below Shock Tavern,
Red is the bracken on the sandy Furze-field,
Red are the herds of deer by Bo-Pit Meadows,
The tawny deer that nightly through the beechwoods
Roar out their challenge, carrying their antlers
Proudly beneath the antlered moonlit branches.

LEOPARDS AT KNOLE

LEOPARDS on the gable-ends,
Leopards on the painted stair,
Stiff the blazoned shield they bear,
Or and gules, a bend of vair,
Leopards on the gable-ends,
Leopards everywhere.
Guard and vigil in the night
While the ancient house is sleeping
They three hundred years are keeping,
Nightly from their stations leaping,
Shadows black in moonlight bright,
Roof to gable creeping.
Rigid when the day returns,
Up aloft in sun or rain
Leopards at their posts again
Watch the shifting pageant’s train;
And their jewelled colour burns
In the window-pane.

APRIL

WHEN evening sun had beat the rain
And skies were washed so primrose-clean,
We swung the orchard gate again
To let the cattle down the lane;
To let with ripened udders pass
The heavy milch-cows one by one,
And underfoot the blossom was
Like scattered snow upon the grass.

ARCADY IN ENGLAND

I met some children in a wood,
A happy and tumultuous rout
That came with many a wanton shout
And darted hither and about
(As in a stream the fickle trout),
To ease their pagan lustihood.
And in their midst they led along
A goat with wreaths about his neck
That they had taken pains to deck
To join the bacchanalian throng.
And one of them was garlanded
With strands of wild convolvulus
About his ringlets riotous,
And carried rowan-berries red.

TESTAMENT

WHEN I am dead, let not my limbs be given
To rot amongst the dead I never knew,
But cast my ashes wide under wide heaven,
Or to my garden let me still be true,

SONNET

THIS little space which scented box encloses
Is blue with lupins and is sweet with thyme.
My garden all is overblown with roses,
My spirit all is overblown with rhyme,
And like a drunken honeybee I waver
From house to garden and again to house,
And, undetermined which delight to favour,
On verse and rose alternately carouse.

FULL MOON

SHE was wearing the coral taffeta trousers
Someone had brought her from Ispahan,
And the little gold coat with pomegranate blossoms,
And the coral-hafted feather fan;
But she ran down a Kentish lane in the moonlight,
And skipped in the pool of the moon as she ran.

AD ASTRA

AD ASTRA

I

CONQUEROR! what have you seen in the heavens?
Star-dust is in your hair.
Say, have you woken the sleeping thunder
And taken it unaware?
Come on the storm as a wild beast crouching,
And mocked at it in its lair?
Ridden the wind as a riotous charger,
Your hand in his mane entwined,
As a new unbroken Pegasus,
That a master had divined?
A boast for a man to bring down from heaven,
“I have bridled the wild East wind!”
Gazed in the mirror of unshed dew-ponds,
Bathed in the rivers of rain?
Caught at the meteor’s sparks in passing,
And flung them to earth for grain?
Dropped in the wake of the scattered handfuls
To the morning earth again?

II

Son of the morning, son of the daybreak,
Son of the stars and sky,
Son of the clean untrodden places,
Son of the air am I.
I am the sailor of the heavens,
And the Viking of the gale,
The cloud-built galleon is my vessel,
And the bellying cloud my sail.
I am the reaper of the heavens,
With the sickle moon in my hand.
I am the minstrel of the heavens,
With the birds that rise from land.
I am the hunter of the heavens,
With the night-hounds for my pack,
Lord of unbroken solitudes
That I am the first to track.

FROM “A MASQUE OF YOUTH” A MOCK-HEROIC POEM

FROM “A MASQUE OF YOUTH”

[The scene is laid in a circular space of grass in a garden, enclosed by a stone balustrade broken at intervals by statues of sylvan deities. A background of cypresses. An assembly of dim figures.

Right, the Muse of Tragedy upon a raised throne. Centre, a great convoluted shell, in which a naked youth lies sleeping.]

Melpomene. (She is crowned with vine-leaves, shod with the cothurnus, and carries in her hand a tragic mask.)

She addresses
the assembly.

She addresses
the assembly.

AND dappled centaurs from the dappled woods,—
Draw near.—Here lies, that all may see him well,
A naked Youth within a conchèd shell,
Asleep, in nudity most beautiful.
His arm is flung beneath his lovely head,
He sleeps as sound as in his mortal bed;
Yet him the dolphins hither bore
And all the waters founted with their spouting,
The river-horses galloped by the shore,
And little wine-drunk sons of love ran shouting,
But he lies victim to the poppy-bell.

She tells the
occasion of the
masque.

She tells of
Youth in
Love.

AH! then forgotten were the mournful days.
Youth crowned his head with flowers and with bays;
He flung the leopard-skin about his loins,
And bracelets jangled at his wrists like coins,
Nor was the triumph of his singing mute
When at his lips the windy flute
Mingled its treble with the chords of praise
And melody hung scented round his ways.
Proud in his beauty and his sinews’ girth
He strode in strength and conquest on the earth,
Or measured down the terraced olive-groves
Intrepid footsteps with the centaur’s hooves.
The pleasant valleys echoed with his mirth,
And in the morning resonant and still
His voice was heard like music on the hill.
So ever ran the course of youth the same,
And Joy and Grief strove on; Grief could not claim
That Love had played unfairly in the game
Since often some poor weeping love-lorn child
Returned to her with sorrow wild,
And cast his broken flute upon the ground
And all his ornaments with tears defiled.
Now Joy this pretty mortal boy has found
And brought him hither, that by our consent
The rivals try their strength, and one be crowned.
Conditional thereon, that Love be bound
To take no action in the tournament.

*      *      *      *      *

They press
forward round
the shell.

1st Spirit.

HOW richly stirs his craving blood to-night
For songs of freedom all among the stars!
Thoughts like a flock of birds in summer light
Circle beyond the reach of lifted arms,
And deeds beyond the scope of life’s alarms
Float into sight,
And pass, yet undefined, through heaven’s bars.

2nd Spirit.

IT is the hour of twilight, still, profound,
When dreams and visions in their legions fly
On fancy’s horses mounted, robed and crowned
With streaming flames, an aureole of fire,
And pass, the eagle shapes of man’s desire,
Towards the sunset bound,
In wingèd ride across the evening sky.

3rd Spirit.

HE stirs disquieted, he stirs again.
The stamping hoofs of that proud galaxy
In passing struck from space the spangled rain
And flung the ardent fragments down to him
That scorched his mortal soul through vision dim.
O shackled soul in pain
Tortured by glimpses of divinity!

2nd Spirit.

1st Spirit.

GAY youth, that goes, with some familiar friend,
On quest of hopes heroic, quest of shores
Untravelled, with the heart of conquerors,
Eager and brave, and talking without end
Of high, magnificent, and cleanly things
Rich as the sunset, swift as cormorants’ wings
That sweep the waters,—youth, whose destiny
Sails like a ship upon a virgin sea.

2nd Spirit.

WHOSE heart is as a glowing forge at night
Wherein the blacksmith, gleaming with his sweat
Like some gigantic negro in the light
Of angry fires that touch his limbs of jet,
Strikes at the clanging anvil of his thought.

3rd Spirit.

SING to him, sing! till he be so distraught,
So drunken and enraptured,
That all his heart be captured.

Folly (to Adventure).

Imagination.

SONGS OF FANCY

SONGS OF FANCY: I