have to know. Could he see this innocent creature delivered over a prey to his licentious brother without one word of warning? Without one devoted friend to shield her from the deadly intrigues of a court wholly under the spell of Maria de Padilla?
And that warning. What did it mean? Love to himself? Great Heaven! And if she did not love him in return? The doubt brought agony. A woman would have been more easily deciphered, but this royal girl was all simplicity and guilelessness. When her little hand rested in his as, attired with all the pomp of the Queen of Castile, and blazing with the rich jewels sent by Don Pedro, he, with a wildly beating heart, led her to the nuptial supper, it lay as trustingly in his as though he had been her brother.
Poor young Grand Master! How was he to know if that young heart fluttered alone for him, or if those pulses beat to the music of another voice?
A thousand good resolutions were formed when Blanche was absent. But they were all scattered to the winds when her soft eyes rested on his, with that appealing look that was so touching. After all, he meant no harm, only he must know whether she loved him or not. Life was intolerable without; and as the putting of this question grew more and more difficult as time wore on, he left Narbonne without asking it.
Now Blanche is at Valladolid, in the Gothic palace, with its dark patio and big angular casements, which still jut out over the street just as they did then.
She is expecting the king, who is to arrive that very night. Need I say that she is quite beside herself with terror? Resistance is vain; as well might the helpless lamb resist the butcher’s knife.
The dreadful hour has come when she is to be eaten up by the royal ogre, and she can only lie and sob in the quaint painted chamber prepared for her. Claire de Coucy, quite unconscious of what is really breaking Blanche’s little heart (for she has kept her own counsel in all but hatred of Don Pedro), is busying herself about her, with many entreaties not to make herself look a fright. Even if she does hate the king, is there not Don Fadique, and all those other splendid Sevillianos, specially Don Juan de Mañara, whose fame has reached Narbonne, as the boldest lover in Spain?
“Surely it is not so hard to be a queen, and live in sunny Seville, in the beautiful Alcazar!” says Claire, turning over the marriage ring all the time, an uncut emerald of priceless value, which Blanche has flung on the floor and, unlike her gentle self, stamped on.
There lie the marriage gifts. The jewelled diadem and sceptre, as Queen of Castile; the Oriental combs and bracelets, cut in antique silver, the collar of sapphire, the solid links of sequins, the rare Tunisian lace and Algerine embroideries, jewelled fans, and veils of rarest lace of such delicate texture, no one had ever seen the like before. All sent in perfumed chests of sandalwood, covered with royal crowns.
To Claire, who is just out of a convent, and has never seen a marriage or a bride, it does occur that Blanche is strangely still and sad; but she supposes it is the proper thing, and that Blanche knows best, so she goes on turning over the marriage gifts with little exclamations of delight, as each fresh object seems to her more lovely than the last.
But when, all in a moment, as Claire is winding round her waist a light Moorish scarf, worked in a perfect kaleidoscope of silken thread and pearls, Blanche (unable any longer to keep silent) staggers up and falls upon her neck, sobbing as if her heart would break, it is the most astonishing event her small experience has ever conceived.
Much more, when Blanche, putting her rosy lips to Claire’s shell-like ear, whispers in a voice choked with tears: “I love him, I love him! I cannot go to Don Pedro. I know he will kill me. I hate him. I won’t go! Be kind to me, Claire, and help me, for I love him!”—her astonishment turns into terror, for she thinks Blanche is gone quite mad.
“Love whom?” she gasps, feeling cold all over, and letting the scarf drop to support the quivering form of Blanche.
“Who? Why, Don Fadique to be sure,” she answers, blushing all over. “Why—you must be blind, Claire, not to see it—at Narbonne. Who else could it be?”
And Blanche’s fair head, covered with small child-like curls, drops upon Claire’s friendly neck and buries itself there, as she clings to her tighter and tighter.
“Oh, Blanche!” was all Claire could say, being too utterly staggered to remonstrate. “Don Fadique! Why, he is your husband’s brother? Oh, Blanche, do you mean what you say?”
“Yes, I do,” falters out Blanche, in an almost inaudible voice “I love him, oh, I love him!”
The very uttering of these words gave her courage. The secret had passed her lips. The spell of silence was broken.
“Don Fadique!” exclaims Claire. “Why, he must be the greatest traitor in the world.”
“He does not know it!” returns Blanche, reddening to the roots of her hair. “He does not guess it. He is an angel.” As she speaks, a quick, warm light comes into her eyes, a soft flame rises on her cheeks, kindling up her whole face with an inexpressible glow. Even her slender figure seems to gather strength and height. “No! no! you must say nothing against him! He is perfect.”
Claire, who was very pious, and just out of a convent, where the nuns had taught her all men were dangerous and to be avoided, actually recoiled. That a wife should love her lord and receive presents from him and letters was admissible, even among the nuns—but another man!
Her pretty hands dropped from Blanche’s waist, and for some moments she could not speak.
“What!” she exclaims at last. “Holy Mary, what a horror!” at which the poor little queen takes courage to reply:
“A husband, Claire, why you seem to forget I have never seen him. How can I love a man I do not know? I have seen Don Fadique. That makes a great difference. If Don Pedro is what they say, and strangles women, I do not see how I can ever love him. So I told my father. I did say that, Claire. I suffered very much. You know it, you cruel girl. I was brought here against my will. I shall die when I see the king, I shall die,” she repeats shuddering. “Besides, why did he send Don Fadique to marry me in his name? If I had never seen him, I could not love him.”
A sweet pout came over her childish face as she gazed into Claire’s eyes, confident that these arguments must convince her.
But Claire only shook her head, and continued to stand aloof. The teaching of the nuns still held her. Was it not better that Blanche should die and be buried, sooner than not love her husband? Yet the gentle little queen had used a mighty weapon in talking of her death. Death was so awful, so far away from the fresh rosy life of Claire, that with the charming inconsistency of youth, Claire, impetuous and ardent in all things, in a moment forgetting all about the nuns, flung her arms round Blanche’s neck.
“Dear, dear princess,” was all she could utter, “don’t talk of death. I know it is very wrong, but I love you too well to chide you. Promise me that you will not speak to Don Fadique any more. Say an Ave when he comes near you, and make the sign of the Cross when you feel his eyes. Remember, whether you like it or not, you are Don Pedro’s wife. No! no! don’t push me away. It is true. Great princesses and queens must learn to command themselves more than other folk. My father said so, before I left Navarre, and that I was not to follow what you did, because you were of royal blood.”
Then Blanche and Claire, fully reconciled, sat down side by side to talk under the shadow of the Gothic casement, which lit up the room; the freckled colour of the painted glass falling upon them in patches of glowing light, as the trees outside swayed to and fro; Claire going on about her duty to her husband and to her new country. She was quite eloquent, and repeated all the fine things which had been taught her out of history. Not only Aves and crossings, but fasting and penance were suggested by the ingenious Claire, as helps against temptation, until poor Blanche, quite stupefied, took up a lute which lay upon the seat and hummed a French love song; and Claire, remembering there was a string of pearls loose in the wedding robe in which Blanche was to appear before the king, kissed her and went out.
WHILE Blanche sat all alone, the arras gently lifted and Don Fadique stood before her. Not gay and triumphant as she had seen him at Narbonne, but pale and grave and habited in a grey justaucorps with a simple hood—more in the guise of a penitent than a gay young knight.
“My princess,” and he kissed her hand, carefully looking round to assure himself that they were alone, “I am come to ask you a last favour before the king arrives. Already his presence is signalled on the outskirts of the city.”
At that dreaded name, Blanche, whose soft face had broken into the sunniest of smiles as Don Fadique entered, trembled and sank back against the wall. At that one word, “the king,” the soft glamour her imagination had conjured up, vanished. She was the bride of the cruel tyrant all men hated. He was at hand to claim her. She burst into tears.
“Sweet Blanche,” and Don Fadique’s eyes melted at her distress, as taking her tenderly by the hand, upon which he impressed another fervent kiss, he knelt on the floor before her, “be comforted, and listen to me. The time is come when we must part. For a moment, it seemed to me a dream of heavenly bliss, and that, standing in my brother’s place, I could claim you for ever. But now I am less than nothing in your eyes. Tell me, oh, tell me,” and a sigh broke from him, so deep, his very soul seemed poured out in it, “tell me quickly, for our time is short. You will not quite hate me?”
Some wild words were on Blanche’s lips, but remembering the expostulations of Claire she checked them, blushed hotly over brow and neck, hesitated, and said nothing.
“Your pity is all I dare ask,” he continues, drawing nearer and leaning over her, as she shrinks away among a pile of embroidered cushions, anxiously turning her eyes towards the drapery behind which Claire had disappeared. “Of all men I am the most wretched. There is one whom I love more than anything on earth, and I am nothing to her. If it were not so——”
He broke off abruptly, but there is something so bitter and hopeless in his tone that, spite of an involuntary pang of jealousy, Blanche’s eyes turned on him full of sympathy.
“I am so sorry,” she replies, simply. “I think all the world should care to please you. But”—the jealous feeling is growing spite of herself—“if any one——”
At this moment Don Fadique stooped and grasped her arm with such a wild look that she stopped. “If,” lowering his voice, “if this lady,” and he paused to touch her hand, “loved me—could love me at all; if I could hold her for an instant as mine own—though the whole kingdom of Spain were between us——”
Blanche’s gaze has grown dreamy. This was love then. Simple as she was she understood it. Oh! Claire, Claire. If he felt so, what would she think of her, and her face paled and her lips quivered.
“Do I know the lady?” she asks, then pauses to steady her voice, while Fadique gazes down at her with a swift searching glance, terrified by one word to shatter the rapturous conviction which her trouble gave him.
“Yes, you know her well,” is all he says, and he seizes her hand and covers it with kisses. “Do you love me?”
No word comes to her blanched lips, but she bows her head and softly answers to the pressure of his fingers. On the imprisoned hand is the diamond ring of her espousal. It would gleam out, though she tries not to see it. Oh! where was Claire? What would she say to her? Alone with Don Fadique, she feels all her good resolves melting.
For nearly a minute Blanche let Fadique hold her hand. There was no sound below in the patio to distract them, only the chiming of the great bells of San Pablo close by across the square, the beautiful flamboyant portal reared against the sky.
Blanche lay quite still while Fadique covered her little hand with kisses, even the lace ruffles she wore at her wrist he kissed.
A moment before no words could express how she dreaded the king, but with her hand in his, listening to his muttered words of love, the earth seemed to melt away, and she was suddenly transported to some unknown paradise, full of infinite felicity.
She knew she was doing wrong and that Claire would bitterly reproach her—perhaps go away in disgust and leave her.
But for all that she could not help it; and after all, what was a crown, or Claire, or Castile, or France, or the most Christian king, her kinsman, or her father, compared to the lover with angelic eyes kneeling before her?
It might be that they never should be alone again, and that she might not be allowed to speak to him, for Don Pedro was, they told her, a devil of jealousy—that she could readily believe—and that he possessed every vice human nature can compass. If this was indeed the last time, would it not be too cruel to be cold to Fadique in this one hour when his heart spoke to hers?
Blanche was but a child, cause and effect were unknown to her; but love, first love, that blessed light direct from heaven, had transformed her
whole being, and from a simple, tranquil-hearted girl, content to pass her days joyously as the birds do, without thought, she had become a sensitive, anxious woman, trembling beneath that terrible prescience that comes with the first lesson of life; and when Fadique, after a long silence, asked her again: “Are you sure you love me? Say it once more, Blanche, and that you will never love another man,” in a low voice she answered earnestly: “Yes, I love you. I did not know what love was, until you came to Narbonne,” and then, unable to bear the strain upon her, she hid her pale face on his shoulder. “What will Don Pedro do to me?” she cried, trembling all over with a sudden revulsion. “What will he say to me? I feel so treacherous and wicked, and yet it is not my fault.”
“No,” answers Fadique, pressing her slight form to his and still holding her imprisoned hand. “It is the fault of those who forced you into such a marriage. That is the sin; but remember, my own Blanche, though silent, I am ever near you at the Court. One heart at least bleeds for you.”
“I am sure I hear footsteps!” cries Blanche, starting back and standing upright listening—“What will Claire say? Am I indeed such a sinner?”
“Claire? By Santiago! what has she to do with us? Claire? Ah! do not look at me so, Blanche, or you will break my heart.”
“Oh, that mine was broken too, and I were dead!” she sobs.
“Then let us die together,” replies Don Fadique.
They are standing hand in hand, backed by the high Gothic casement. The fretted frame, filled with devices, crowns, and coats of arms, casts a pale reflex on them. The sun is setting behind the castellated towers of San Pablo, opposite, and soft fragrant shadows gather in the chamber. Both in their hearts are longing that this moment may last for ever.
Deeper and deeper the shadows fell, engulfing the two young figures in its gloom, save where a shaft of vivid light fell upon them like a sword, the point turned towards them.
“My love,” murmurs Don Fadique, passionately, “do you hear me?”
As Blanche moved in response, a sudden light was in her eyes that had never been there before—a Moorish scarf Claire had placed around her fell from her waist.
“This shall be my talisman,” cries Don Fadique, stooping to pick it up, “the token of your love, and my safeguard in battle. You will not refuse me?”
“Oh! hide it, hide it,” whispers Blanche under her breath. “Claire may come in and miss it.”
Then there was a dead silence which neither of them broke.
Suddenly, with a crash like thunder, the clatter of horses’ feet rises up from the patio; the clang of armed men is in the air, the roll of cumbrous equipages, and the shrill voice of drums and clarions. Now a single horseman rides in and challenges the guard. Then there is the sound of marching of many feet and the far-off blare of trumpets.
Blanche rose to her feet, speechless with terror. Was the king already there? Where could Claire be?
Then comes the echo of many steps in the antechamber, and Claire rushes in through the arras as Don Fadique disappears by a door on the other side.
Following Claire appears a tall and stately jefe, holding a white wand of office, with many crosses and decorations on his breast, and a high plumed hat in his hand, which he doffs, bowing low.
“Madam, the Queen,” says he, in a sonorous voice, again inclining himself to the ground, “it is my duty to apprise your Majesty that the king is now passing the drawbridge outside the city. A royal page bears his greeting to your Grace.”
“Claire, oh, Claire!” sighs Blanche, casting herself into her arms. “Oh! why did you leave me?”
THE ancient city of Valladolid lies on low ground and is watered by the Pisuerga, a broad river for this waterless land.
Although so far in the north, Valladolid was at this time considered the official capital of Castile, and therefore it was there that Blanche had come to meet her much dreaded bridegroom.
A more uninviting city does not exist in Spain, as we see it now, and although it suffered cruelly from the invasion of the French in the Peninsular War, uninteresting it must always have been. No charm leads one’s thoughts lovingly to Valladolid. The cathedral is hideous. Only the front of San Pablo and the Collegiata de San Gregorio, a magnificent gift of Cardinal Ximenes, dwell in the mind.
Of course, with the exception of San Pablo, these buildings were erected centuries after Don Pedro’s reign, and one asks oneself what Valladolid could have been then?
There are no environs. The river flows through flat banks with no timber except long lines of thin poplars, the poorest of all trees, and beyond, the eye wanders over endless plains towards Burgos and Salamanca to the borders of Portugal.
But now, forgetting the present aspect of the city, we must go back to the 3d of June, 1375, the day on which Don Pedro was to arrive to meet the new queen, espoused in his name by his brother, the Grand Master of Santiago, to be kept as a great festival, for which thousands had assembled from all parts of the kingdom. For indeed, in those days of perpetual warfare, a fiesta was well esteemed, as they were very rare, especially in the north, inhabited by a more serious and impassioned race of hardy men than the lighthearted southerners of Andalusia.
Now this occasion had been seized as a gift from heaven, especially as it was to take the form of a tournament, in which the Infante Don Fadique was to take part, as well as the Infante of Aragon, and Don Juan de Mañara, known in all ages as “Don Juan,” the favourite of the king, gambler, reveller, and seducer, and that graceful but treacherous knight, Don Garcia de Padilla, brother of Maria, both being in attendance on the king. The queen-mother, Doña Maria of Portugal, had also journeyed from Seville to welcome the young queen, and Albuquerque followed her, full of alarm for the result of the alliance he had brought about.
Much had been heard of the strange qualities of the young king, about whom men’s minds were divided. Such mysterious crimes were attributed to him, such unheard-of brutalities, that it was generally supposed he acted under the influence of magic spells, wrought on him by his mistress, Maria de Padilla, held by the populace as a witch accursed by God and man.
Those who had not seen him, and they were many, and the women especially, who had heard harrowing tales of his misdeeds, crowded into Valladolid, where, accommodation not being easily obtained except for the rich, the season being summer, had built themselves huts of branches along the river, and camped out there, as near as possible to the green vega where the tournament was to be held.
And a wonderful sight it is, and almost beautiful to behold, under a heaven one sheet of unbroken blue, golden lights resting on the gaudy colours within the enclosed space, carpeted with grass; lofty gateways, making the four entrances, adorned with coloured tiles in blue and gold; tents of variegated rich stuffs, luxuriously fitted up for the convenience of each knight about to take part in the tilt; galleries hung with brocade and cloth of gold; turreted towers in silk striped black and yellow, from which hang banners; fountains furnished with bowls of silver to refresh the knights, over which court pages keep guard; stands for the musicians, covered balconies for the ladies, where the sparkle of dark eyes and rounded arms peep out of delicate draperies; and in the centre, the gaudiest of all, the royal pavilion, “as high as three lances,” blazing with cloth of gold, trimmed with feathers and flowers, the flag of Castile and Leon floating overhead, beside the emblazoned Nodo of Castile, and the French lilies impanelled on the same shield—the interior protected from the sun by tinted awnings, under which rise three crimson thrones, for the king, queen, and queen-mother, “Matrique” to the bride, and all around the soft whispering of leaves, the cooing of doves and pigeons, brought, Moorish fashion, in cages, and the splash of abundant waters.
The time fixed for the tournament was at the setting of the sun, but from the earliest dawn the populace had crowded into every available space, and been entertained with seguidillas and zambras danced by bronzed gitanas to the clink of castanets, and there were races of tame elephants with silken howdahs, jumpers and tossers of ball, and Moorish jugglers whose tricks were wonderful and set all the peasants agape with joy.
It was known that the king’s brother, the Grand Master, would break a lance, and it was thought that the young king himself would run at the ring in honour of his bride. But this was said only by those who did not know, for in the first place Don Pedro, a young warrior full of conceit and constantly risking his life in battles, disdained all these courtly pageants; and in the second place, he had arrived at Valladolid in so bad a temper that his attendants feared to approach him.
Never was a royal bridegroom so ill-disposed for mirth as Don Pedro when, habited in a royal mantle draped over a crimson surcoat trimmed with fur, and wearing a helmet encircled by a crown, panached with snowy feathers, he took his seat on his throne in the centre of the pavilion, Albuquerque, his padrino or god-father, behind him, to the cry of “Castilla! Santiago! Santiago! Viva el Rey Justiciar!”
Beside him, on a less elevated seat, sat his mother, Queen Maria.
As the bride-queen, white as her name, and trembling in every limb, advances to place herself on a chair of state on his right hand, the king—who now sees her for the first time, having purposely delayed his entrance into Valladolid until the last possible moment—rises to salute her; when, at the aspect of terror depicted on her face, in evident wrath he suddenly turns to address Albuquerque, pointing contemptuously to the poor princess who sinks back into the arms of Claire.
“Sangre de Dio! Signor Conte,” mutters the king, loud enough to be heard, “a pretty consort you have chosen. I am not wont to be considered an ogre in ladies’ eyes, but doubtless the Lady Blanche, spite of her baby-face, has met some damoisel at her father’s court whose remembrance turns me to a monster in her eyes. By my Patron Saint (if I have one), before the day is over I will assure myself who is the cuckoo who has soiled my nest.”
“My lord, these are most unworthy suspicions,” returns Albuquerque, with that calm dignity of manner before which the king’s petulant humour so often yields. But not so now. Surrounded by those who have fostered his evil passions, he knows that his every look and movement will be duly reported by her brother, Don Garcia, to Maria de Padilla.
From this moment to the end of the pageant he hardly addresses himself to Blanche or turns towards her, but with an angry scowl, his steely eyes wander unceasingly over the crowd of brilliant knights who, singly or together, gallop past the royal estrado to salute him and the queen.
Spite of herself, Blanche, revived by the strong essences Claire used to restore her, begins to be attracted by the brilliant show. She is the chief figure in this mimic war; the noblest dames of Castile are there to do her homage; the queen-mother comforting her with gentle words, and when Claire, who stands behind her chair, whispers into her ear, “Do you see him, there under the flag-staff in the centre? He wears a long white mantle over his armour, and your scarf upon his arm. Oh! is he not charming?” a mist passes before her eyes, the tell-tale colour mounts to her cheeks, and forgetting Don Pedro and all her fears past, present, and to come, she leans forward, a wild look in her eyes, towards the spot where Don Fadique has reined up his charger, to head the knights of Santiago preparing to salute the king and the new queen. This passed in an instant, but not before Don Pedro had noted it, and his naturally pallid face grows white with rage.
“Madam,” says he, addressing Blanche for the first time, who, at the sound of his harsh voice, starts back aghast, “it seems that the favour you deny me, you accord to my brother. Happy youth! Doubtless he will know how to profit by it.”
Utterly unable to reply, Blanche shrank back, as if about to faint, but terror so far gave her strength that she found voice to reply that at Narbonne it was her duty towards his Grace to receive his brother well.
“I doubt it not, madam,” answers Don Pedro with a bitter sneer. “Yes, at Narbonne you made good use of your time, doubtless. I was a cursed fool to send him there,” he mutters. Then, turning his back upon her, he addresses himself to Don Juan, the big tears streaming slowly down poor Blanche’s cheeks.
Alas! alas! This insult seems the last drop in her cup of misery. Poor little queen! her heart is bursting, and nothing but her horror of the king, whose cold eyes follow her wherever she turns, prevents her sobs from being heard by all the court.
At this moment, amid the blare of trumpets, the roll of drums and clash of cymbals, the chimes of all the bells of the city clashing, and the frantic shouts of the mob, pressing forward at every point where they can find standing room along the barriers, a gallant company of knights, attended by their esquires, galloped into the centre of the field in a general mêlée; the Knight of the Dragon, Don Juan de Cerda—who, could he have foreseen the future, would then and there have forfeited his fealty to a recreant king; the Knight of the White Rose, Don Diego de Guzman; the unknown knight, his turban protected by chains of finest steel interwoven with the folds of dazzling white, and white his tunic and mantle, on his left arm a shield, in his right hand a slender lance, mounted on a raven-black charger, and attended by two slaves in Moorish dress, black from casque to toe, his visor down—said to be the Moorish king of Granada, Ben Hade, come in disguise, to break a lance with the Christians; the two Medinas, Celi and Sidonia, a tribe of Aguilars, every man of the name a hero in the track of war, the de Cuevas, Cipuntes, Cabras, Perez del Pulgar, and the great southern noble, Ponce de Leon, arrived from the plains of Xeres, where he ruled more powerful than the king; the judges of the lists, stranger knights, marshals, swordsmen, bowmen; pages, gorgeous in silk and samite, heralds in gold and embroidered tabards; and last, and chiefest, in splendid armour, the Lord of the Tournament, the Grand Master de Santiago, attended by the knights of his order in the absence of the king.
Small of stature, but light and elegant, his heavy accoutrements can not conceal the grace of every movement, or the mastery with which he manages his horse, a fiery chestnut, curveting and prancing, as he takes his place in the centre of the lists amid cries of “Plaza! Plaza por los Infante! Santiago! Santiago!”
Conscious that Blanche’s eyes are upon him, and knowing nothing of what has just passed between her and Don Pedro, and that her poor little heart is melting in fear, he takes advantage of every opportunity to place himself before the royal pavilion, thirsting for one look of her sweet eyes, a gesture, a sign, to feel the assurance of her love; but he looks in vain.
Many tilts are run. The stranger knight unhorses several riders. When called on by the herald to raise his visor he courteously declines, rides three times round the field, displaying his colours, the Moorish cognisance of yellow on a black ground, then vanishes through the open gates, his black slaves after him. Many sharp blows are then exchanged and wounds inflicted in this mimic warfare, to the delight of the king, who rises to his feet loudly laughing and clapping his hands as the vanquished knights are carried from the field.
Then, to the cries of Dios y España, four cavaliers ride forth, with violet surcoats over their coats of mail, and run a Moorish tilt with reeds instead of lances, an elegant pastime of Granada worthy of the courtly Moslems with whom Don Pedro is so much in league, while stringed instruments strike up a joyful measure, and castanets are played by the gitanos who dance a seguidilla before the king.
Many of the great nobles, offended at the insolent bearing of Don Pedro, have not, as yet, taken their lances out of rest, but have only ridden round at the opening of the lists, at which great wonder is expressed among the spectators, and much discontent amid their followers.
Now, all are in honour bound to break a lance, in the Grande Mêlée, with Don Fadique, who takes his place in the centre of the field. Whether it is out of courtesy to his youth and royal rank, or that, by a kind of miracle, his lady-love being present, his arm is strengthened to do wonders in her eyes, many a famous noble has the worst of it, at which wild cries are again heard of “Santiago! Viva el Gran Maestro! Viva el Infante!”
A grand procession ends the tournament, around the golden pole set up in the centre, from which depends a laurel crown woven with pearls, which, according to the rules, ought to be presented to the victor by the young queen. But Don Pedro, in savage mood (for the success of his brother has deeply angered him), has willed it otherwise.
With his large eyes fixed in a disdainful stare he gives no heed to the tilting, and scarcely responds to the salutations of the noble knights who gather under the pavilion.
When Don Fadique stations himself in front to salute him and the two queens, Don Pedro—who at that moment is talking eagerly with the Lord of Monteney, from time to time turning towards Albuquerque, as if to inform him of some important fact—turns and fixes his eyes upon him with such a glare of rage that Don Fadique never advances at all to claim the guerdon he was to receive, and retreats to his tent, the king at the same time suddenly rising, and signalling to the gaudy herald, displaying his particoloured costume in the last rays of the sunset which light up the west, to the delight of the townsfolk, to approach.
Like all the world the herald dreads the king, and comes riding as fast as his horse can carry him.
“Vain knave!” says Don Pedro surveying his brilliant garb, “can you find nothing better with which to fill your time, than serving as a popinjay to the people? Break up the lists. I have had enough of it; and see you do it quickly.”
And now, slowly, as the day falls, along the river bank under the shade of the poplar avenues, passes the procession, winding into the deep and narrow streets of Burgos.
Before the cathedral, public tables are spread with highly flavoured viands such as Spaniards love, to be washed down by strong Xeres wine served out of great earthen jars, so big it seems as if thousands could be satisfied.
Don Pedro would have ridden alone into the city, but for the remonstrances of Albuquerque and of his mother, who, with tears implored him not to rouse the suspicions of his subjects by such a disregard of royal custom as to allow his bride to return alone.
Thus while all the citizens wait beside the tables (none caring to fall to until the king’s return) a flourish of clarions and trumpets suddenly announces his presence, preceded by a troop of men-at-arms in the low cap and close-setting jerkin of that warlike time. Don Pedro himself mounted on a coal-black war-horse, the jewelled reins held by two great nobles, the Lord of Bertrayo and the Sevillian Don Enrique de la Cerda, husband of Doña Maria de Coronel.
Beside him, but somewhat in the rear, rides the queen, her bridal veil enveloping her like a shroud, and it is well so, for her ashen cheeks and sunken eyes would tell a tale of suffering no words could express.
Following after her comes the queen-mother, mounted on a white mule shod with gold, her eyes cast down, and with a visage full of sorrow.
As the young queen passes, the word goes round that she is an unwilling bride. “And no wonder, poor soul,” answers a richer burgher, who has pushed himself forward and looks into her white face, “if she knows the sort of husband she is espousing. He kills all who come to him.”
“An ill-omened couple,” whispers a fat countrywoman into his ear. “Look at the king, he never turns his eyes on the poor young thing, but rides straight on, and so fast her horse cannot keep pace with him. Why does he marry her? It is plain to see he hates her. I wonder how the young queen will like his harem? They say he lives like a Moor, and keeps a whole bevy of slaves shut up in the castle of Carmona.”
“Poor soul, I would not be in her shoes, and have to face his mistress, Maria de Padilla,” says another woman; “and after all, why should the king flout her if he likes a pretty face?”
“Belike some one has cast a spell on him,” observes a little man in a black capa and mantle, the city medico.
“Aye,” is the reply, “a jealous woman has overlooked her.”
And so it came to be understood among the crowd that the king had been bewitched and never would care for his girl queen.
“God grant he may not murder her,” are the last words of the fat countrywoman as they all move on to where the tables are spread.
The king meanwhile is hurrying in the most unseemly fashion, indifferent to the discomfort he causes to those behind, especially to the Lady Blanche, who with her two royal rein-holders, the Grand Master Don Fadique and the Infante of Aragon, not daring to look up, is now separated from him, which greatly mars the effect of the pageant.
The knights, having changed their armour while Queen Blanche was in her retiring room, reappear in fanciful suits of many-coloured silk and brocade, their helmets replaced by graceful caps, ornamented with gems and pearls, in readiness for the nuptial banquet.
Don Juan de Mañara is most conspicuously attired in the excess of the mode, of no great beauty, but with so bold an eye, it is said of him he fears neither the living nor the dead. In all his wildest excesses Don Juan is the king’s companion, but never for murder, injustice, or spoil. No wantonness is too great for him where women are concerned, and woe to the wife or maid who takes his fancy.
No one can rival Don Juan in the jewels he wears except the southern lord, Ponce de Leon, whose robe of pale silver tissue is covered with uncut stones, and his head encircled by a wreath of orient pearls taken from a Moorish emir whom he has slain.
Don Enrique de la Cerda, the king’s favourite before Don Juan, but so much better than he that the people of Seville call him jeeringly El Santo, is attired in a dark velvet suit quite at variance with his usual magnificence. It is rumoured that he is out of favour on account of his beautiful wife, Doña Maria de Coronel, upon whom the king has cast eyes of love, a distinction which, contrary to fealty and allegiance as understood in those times, Cerda has not appreciated, and has not only shut her up in his castle of Cerda, but is inclined to listen to the overtures of Enrique of Trastamare and forsake the king altogether.
The board blazes with flowers, Moresque porcelain, and glittering plate; precious candelabras of sculptured silver shed a soft light, and jewelled vases and golden cups give it back in intensest colours, as the king and queen enter to the sound of trumpets and take their place in the centre, beside them the royal princes and the Infante of Aragon, the ministers of state, and such ambassadors and envoys as have been invited to the tournament.
Wonderful to relate, Blanche is wreathed in smiles. This is Claire’s doing. She has contrived to convey to her a message from the Grand Master, promising an interview for the morrow, when the king rides to Segovia. As the brother of the king, Don Fadique sits at her side. For an instant their hands meet, and such a thrill of pleasure shoots through her little heart as gives her courage to face every mishap. Child as she is, she clings to happiness. The future is an unveiled mystery. Why despair?
From Don Fadique her eyes wander to Don Pedro, placed on her other side. He has the same smooth face as his brother, but sterner and loftier, and a majesty of expression all his own. He is not frowning now, and the change is marvellous. No one could compare the two brothers.
“Who knows,” Blanche begins to ask herself, peeping at him from under her long eyelashes, “if he really is such a monster as report gives out? Can anything be more perfect? His long wavy hair hanging in heavy curls.” At this moment he is leaning over her in conversation with Don Fadique. No shade of displeasure is on his face, as he casts on her such a glance as brings blushes to her cheek. Alas! alas! could she but read the treachery of his heart as he plays with the lace tissue of her robe, and lowers his voice to a soft whisper as he addresses her, she would flee from the hall, the city, and the land.
Little did the light-hearted daughter of Navarre understand the passions, deep down and fierce, of the Spaniards. Not voluble and capricious like the French, but sullen, silent, sinister, hiding all emotion under a mask. This she did not understand, nor that she had mortally offended Don Pedro, who but dissembled his revenge, storing up each word and look she thoughtlessly addressed to Don Fadique.
Poor Blanche!—her bright little head, encircled with the regal diadem—let her enjoy her brief moment of triumph. Little by little her heart is yielding to the fascinations of Don Pedro, the most brilliant cavalier she could have conjured up even in her dreams, and she feels that if he would but take her to his arms, she would tell him all her tale; how every one has frightened her, and that now she is ready to love him for ever and aye. It is all right now, and she feels so happy, she talks incessantly to Don Fadique in the pauses, telling him all she feels, which makes him inexpressibly wretched, and he casts on her the most longing glances, as a precious treasure he has lost, and heaves great sighs as he raises his eyes to her laughing face—at which she is really grieved, trying by all possible means to console him.
Don Pedro looks on with a strange, fixed smile. Now and then he even joins in the conversation with a loud harsh laugh, which, to say the truth, frightens Blanche, but, delighted at the change in his bearing towards herself, she interprets it all as “men’s ways,” and hopes in time to grow accustomed to him. Every one could not be so gentle as the Grand Master, who, after all, was half a priest, so Claire said; and of the two, ignorant Blanche said in her heart, how much more she admired the rough blunt ways of the king.
Once indeed, when talking with Don Fadique, she turned round quickly to address Don Pedro, and met his eyes riveted on her with such a cruel stare, she grew cold all over. And it was strange that when he gave the signal for the company to separate, instead of leading her to the bridal chamber, as she had been told he would, he made her a low bow and retired attended by Don Juan de Mañara and Don Garcia de Padilla.
“I wonder if I have offended him,” she whispers to Claire, who is in waiting behind her chair. “I am afraid something must be wrong. Surely he ought not to have left me on our wedding night? What have I done? In the morning he was wroth without a cause, to-night he is gracious with still less reason.”
“You might have spoken less with the Grand Master,” is Claire’s reply. “I cannot abide Don Pedro,” Claire says, when they have reached the solitude of the queen’s apartment. “I am sure he has some secret chamber where he hangs up those who do not please him, like Blue Beard in his castle. For the sake of your life be on your guard, my queen. You may depend on the Grand Master, but the king is not to be trusted.”
“Oh, dear Claire, I am sure you are mistaken! Now I am as unhappy as ever, just when I thought all was coming right! Why did not the queen-mother come to the banquet? She is kind and gracious. I could have taken courage to consult her. I have no friend but Fadique, and now I am afraid even of him.”
And once again the tell-tale tears gather in her eyes, as she buries herself in Claire’s arms.
“Mind, Claire, we must not meet Fadique to-morrow. It might anger the king. And oh! he is so charming, I would do anything to please him.”
“Who?” asks Claire, leaning down to where the queen’s curly head rests on her arm.
“Why, Don Pedro, of course,” is the answer. “No one can compare to him! Terrible but beautiful! Oh! if he would but love me! Alas! why did he go?” So, murmuring to each other, the queen calls in her tiring women, and prepares for rest.