5.
Mourning, choreographic expression of, Greeks (ancient), 13.
Spanish Gipsies, 126.
Arabs, 207.
Mozarabe, see Church.
Mozart, musical composer, collaborated with Noverre, 106.
Municipal ballets, 6, 8.
Murray Anderson Turn, the, figure of One-Step, 281.
Music, analogy to, see Expression.

Nagel, Fred, dancer, 188.
Nagel, Mrs. Fred, dancer, 188.
Napoleon (Emperor), ballet in Egypt, 109.
Naturalism, consideration of. See Ballet, Classic.
Nautch Dance (India), 221.
Nemours, Duke of, Ballet of Gouty, 49.
Nicomedes, mother a dancer, 8.
Nijinski, Waslaw, dancer, 247, 248.
Noblet, dancer, 109.
Noverre, M., ballet-master. Reforms in French ballet, 103.
Collaboration with Gluck, 105.
Ballet compositions, 106.

Obertass, the, Polish dance, 192.
Oiseau (le) de Feu, ballet drama, 268.
One-step, the, social dance. Directions for execution, 277-283 incl.
Opera, ballet’s place in, 118, 119.
See also Metropolitan Opera.
Otero, dancer, 139, 239.
Otero, Jose, teacher, writer on Spanish dancing, 124.
Oriental dancing: distinguished from Occidental, 213-215.
See also St. Denis, Composition.
Ostrander, H. C., traveller, 208, 217.

Pas de Cheval, 85.
Pas de Chat, 85.
Pas de Basque (step), 74, 75.
Pas de Bourrée (step), 74.
Passecaille, the, court dance, 52.
Passepied, the, court dance, 52.
Pantomime, distinguished from abstract expression, 62 et seq.
Noverre, 107.
Spanish Gipsy, 125.
Arabic, 200 et seq.
Greek, 249, 250.
Rome, 250.
Augustin Daly’s interest in, 306.
See also Expression.
Pantalone, Doctor, 157.
Panaderos, los, Spanish dance, 149.
Pavane, the, court dance, 43, 56;
influence on social dancing of to-day, 271.
Pavillon (le) d’Armide, 268.
Pavlowa, Anna, dancer; academic discipline, 89.
Instance of virtuosity, 92.
Part in Romantic movement, 248.
Metropolitan Opera, 254.
Expression as to tendency of ball-room dancing, 303.
Canadian Royal Opera Company, 314.
Perchtentanz of Salzburg, 184, 185, 186.
Philip of Macedon, wife a dancer, 8.
Pirouette, defined, 76, 79.
Fouetté p., 76, 77;
variations, 78.
P. sur le Cou-de-pied, 79, 80;
P. composées, 81.
Pito, finger-snapping, accompaniment Spanish dancing, 131.
Plato, his valuation of dancing, 4, 7.
Plié, 75, 76.
Piqué tour, 89.
Pointe, sur la: in ancient Greece, 88;
erroneous ideas concerning, 93;
instances of, barefoot, 93, 94.
Poland, see Slavonic dances.
Polka, the, 181.
Pirouette, 76-81, 83.
Pope Alexander VI.
Pope Eugenius IV, 31.
Pope Leo X, 45.
Pope Sixtus IV, 45.
Pope Zacharias, 32.
Prince Igor, ballet drama, 266.
Prevost, Françoise, dancer, 49.
Public (American) in relation to dancing, 229, 232, 233, 269, 304 et seq.
Pylades, 25 et seq.
Pyrrhic, group of ancient Greek dances, 15.

Quadrille, see Contredanse.

Raphael, stage decorations, 44.
Rasch, Albertina, dancer, 314.
Reel, the, Irish dance, 174 et seq.
Reel, the, Scotch dance, 170.
Reel of Tulloch, the, Scotch dance, 170.
Relevé, 69, 70.
Religions, non-Christian, Greek, 6 et seq.
Religions, non-Christian, relation to dancing. Egyptian, 4.
Greek, 4, 11 et seq.
Roman, 24, 25.
Mohammedan, 196 et seq.
Dervishes, 216.
Hamadsha, 208 et seq.
India, 224.
René, King of Provence, 36.
Renversé, its æsthetic significance, 61.
Revolution, French, effect on dancing, 108.
Riario, Cardinal, composed ballet, 45.
Richelieu, Cardinal, composer ballet, 49.
Rimski-Korsakov, musical composer, 248.
Rinnce Fadha, the, early Irish dance, 177.
Roger (Sir) de Coverley, the, English dance, 177.
Rome, dance in, 22 et seq.
Romantic Revolution, the Russian. See Russian Ballet.
Romeo, Angelo, dancer, 80.
Rond de Jambe, 81.
Rose and the Dagger, The, pantomime, 139.
Russian Ballet, for comparison, see also Ballet, Classic.
Russia, characteristic dances, see Slavonic dances.
Russia, Court Dance of, 195.
Russian Ballet. One field of its new material, 58.
Artistic sanity, 99.
Isadora Duncan, influence, 241-247.
Re-creates best of Greek drama, 251.
Plays in Paris, 252.
Metropolitan Opera, 254.
Misrepresentative appearances, 255.
Relation to Imperial Academy, 257 et seq.
Compared with Classic, 263.
Scope, 266-268.
Influence on social dancing, 269, 270.
See also Ballet, Classic.
Russian (Imperial) Ballet Academy: favored ward of government, 245;
conditions of entrance, 257, 258;
disposal of pupils, 258, 259;
curriculum, 259-261;
care of pupils, 262;
synopsis of history, 262, 263.
Influence of Romanticism, 263-266.

Sailor’s Hornpipe, see Hornpipe.
St. Basil, dance in his Epistle to St. Gregory, 30.
See also Church.
St. Carlo Borroméo, canonisation of, 35 et seq.
St. Denis, Ruth, dancer. Influence, 199.
Cobra dance, 220.
Her contribution to art, 221, 222, 223.
St. Isidore, choreographic composer, see Church.
Salic priests, 24.
Sallé, de, Marie, dancer, 49.
Sallust, observations, 27.
Saltarello, the, Italian dance, 43, 163.
Samuel, Book of, 5.
Saraband, the, court dance, 52, 54.
Saracco-Brignole, Elise, dancer, teacher, 156.
Saracco, George, dancer, ballet-master, 233.
Serpentine, see Fuller.
Saturnalia, dances of ancient Rome, 25.
Scandinavian, dances of, 180 et seq.
Scissors, the (las Tijeras, les Ciseaux), figure of Argentine Tango, 295, 296.
Scheherazade, ballet drama: Volinine in, 86;
in character, 268.
Scotch Reel, the, see Reel.
Seguidillas, type of Spanish dance, 136, 141, 144.
Seises of Seville, see Church.
Seville Cathedral, see Church.
Sevillanas, las, Spanish dance, 136-140 incl.
Instance of a competition, 94.
Sex, dance in relation to, 8, 24.
Ellsler and Camargo contrasted, 110, 111, 115.
Spanish Classic and Flamenco contrasted, 128.
Chicago World’s Fair, 199, 238.
Arabian Handkerchief Dance, 205.
One manager’s belief, 239.
Siciliana, the, Italian dance, 43, 163.
Sikinnis. Ancient Greek dance, 20.
Simplicity, Greek and Roman compared, 22 et seq.
Sixtus IV, see Pope.
Schuhplatteltanz of Bavaria, 187 et seq.
Shean Treuse, the, Scotch dance, 171.
Shiloh, daughters of. See Judges.
Skansen, the, 180.
Skralât, the, Swedish dance, 181.
Slavonic dances, 190 et seq.
Socrates, 8.
Soleares, las, Spanish dance, 152.
Sophocles, 8.
Spanish dancing costume, details of, 135, 142, 143, 149, 153.
Spanish dancing, its place in history: Carthaginian province, Roman entertainment, 121;
Moorish influence, 122;
Century of Gold, 122.
Spanish—put in Rome.
Spear, ancient Greek dance of, 19.
Spectre (le) de la Rose, ballet drama, 268.
Square, the, figure of One-Step, 279.
Spilled Meal, dance of, 19.
Staats, Léo, dancer, ballet-master, 80.
Steps, classes of, definition of, 67, 68.
Stoige, Otto, see Pirouette.
Strathspey, the Scotch dance, 171.
Style, ballet, some elements of, 91, 92, 93, 96, 97.
Russian and Classic compared, 263-266.
Sur la pointe, les pointes, position, æsthetic significance, 61.
In ancient Greece, 88.
Sweden, dances of, 180 et seq.
Sword Dance (Scotch), the, 167.
Sword Dance (Turkish), 216.
Sylphide, la, ballet, 116.
Sylphides, les, ballet, 268.
Szolo, the, Hungarian dance, 193.

Tabourot, Jehan. See Arbeau.
Taglioni, Marie, dancer, contributor to ballet steps, 58, 112.
Reference by Thackeray, 110.
Individuality, 111.
Rivalry with Ellsler, 114 et seq.
Performance for Queen Victoria, 118.
Influence, 228.
Tango, the, Spanish dance, 127 et seq.
Tango, The Argentine, social dance: history, 271;
progress hampered by its varied execution, 275;
moral aspect, 291, 292, 293;
execution, 294-300.
Tarantella, the, Italian dance, 158.
Tcherepnin, musical composer, 248.
Temps, definition, 67.
Tencita, dancer, 154.
Time markers, 17.
See also Castanets.
Toe-dancing. See pointe, sur.
Tordion, the, court dance, 52, 54.
Toreo Español, Spanish dance, 155.
Tour, see Pirouette.
Tourists, dancing for. Tangier, etc., 205.
Egypt, 210.
Treaty, Anglo-French concerning dancers’ contracts, 109.
Tulloch, see Reel.
Turkey, dancing in, 216.
Turkey Trot, The, see One-Step.
Turn, the, of One-Step, 277.

Vafva Vadna, the, Swedish dance, 181.
Vestris, Auguste, dancer, 102.
Vestris, Gaëtan, dancer, teacher, 102.
Victoria (Queen) influence on dancing, 118.
Vingakersdans, the, Swedish dance, 182.
Virginia Reel, the, American dance, 177.
Vito, el, Spanish dance, 155.
Volinine, Alexander; instance of virtuosity, 86;
academic basis, 89;
part in Romantic movement, 248.
Metropolitan Opera, 254.
Volte, the, court dance, 52.
Volteo, el, figure of Argentine Tango, 300.

Walk, the (el paseo, le promenade), figure of Argentine Tango, 294.
Waltz, the. Probable origin, 75.
Universality, 183.
The Rheinlander Waltz, 188.
See also Boston; Hesitation Waltz.
White Fawn, The, ballet spectacle, 233.
World’s Fair, Chicago, 238.

Zambelli, Carlotta, dancer, 78.
Zarabanda, the, old Spanish dance, 122.
See also Saraband.
Zourna, dancer, 199 et seq.