The hermit was as good as his word; and in two days De Coucy, though certainly unable to forget that he had had a severe fall, was yet perfectly capable of mounting on horseback; and felt that, in the field or at the tournament, he could still have charged a good lance, or wielded a heavy mace. The night before, had arrived at the chapel the strange personage, some of whose cogitations we have recorded in the preceding chapter; and who, having been ransomed by the young knight in the holy land, had become in some sort his bondsman.
On a mistaken idea of his folly, De Coucy had built a still more mistaken idea of his honesty, attributing his faults to madness, and in the carelessness of his nature, looking upon many of his madnesses as virtues. That his intellect was greatly impaired, or rather warped, there can be no doubt; but it seemed, at the same time, that all the sense which he had left, had concentrated itself into an unfathomable fund of villany and malice, often equally uncalled for by others, and unserviceable to himself.
Originally one of the jugglers who had accompanied the second crusade to the Holy Land, he had been made prisoner by the infidels; and, after several years' bondage, had been redeemed by De Coucy, who, from mere compassion, treated him with the greater favour and kindness, because he was universally hated and avoided by every one; though, to say the truth, Gallon the fool, as he was called, was perfectly equal to hold his own part, being vigorous in no ordinary degree, expert at all weapons, and joining all the thousand tricks and arts of his ancient profession, to the sly cunning which so often supplies the place of judgment.
When brought into his lord's presence at the chapel of the Lake, and informed of the accident which had happened to him, without expressing any concern, he burst into one of his wild laughs, exclaiming, "Haw, haw, haw!--Oh, rare!"
"How now. Sir Gallon the fool!" cried De Coucy. "Do you laugh at your lord's misfortune?"
"Nay! I laugh to think him nearly as nimble as I am," replied the juggler, "and to find he can roll down a rock of twenty fathom, without dashing his brains out. Why, thou art nearly good enough for a minstrel's fool. Sire de Coucy!--Haw, haw, haw! How I should like to see thee tumbling before a cour plenière!";
The knight shook his fist at him, and bade him tell the success of his errand, feeling more galled by the jongleur's jest before the fair Isadore of the Mount, than he had ever felt upon a similar occasion.
"The success of my errand is very unsuccessful," replied the jongleur, wagging his nose, and shutting one of his eyes, while he fixed the other on De Coucy's face. "Your uncle, Count Gaston of Tankerville, will not send you a livre."
"What! is he pinched with avarice?" cried De Coucy. "Have ten years had power to change a free and noble spirit to the miser's griping slavery? My curse upon time! for he not only saps our castles, and unbends out sinews, but he casts down the bulwarks of the mind, and plunders all the better feelings of our hearts. What say you, lady, is he not a true coterel--that old man with his scythe and hour-glass?"
"He is a bitter enemy, but a true one," replied Isadore of the Mount. "He comes not upon us without warning.--But your man seems impatient to tell out his tale, sir knight; at least, so I read the faces he makes."
"Bless your sweet lips!" cried the jongleur; "you are the first, that ever saw my face, that called me man. Devil or fool are the best names that I get. Prithee, marry my master, and then I shall be your man."
De Coucy's heart beat thick at the associations which the juggler's words called up; and the tell-tale blood stole over the fair face of Isadore of the Mount; while old Sir Julian laughed loud, and called it a marvellous good jest.
"Come!" cried De Coucy, "leave thy grimaces, and tell me, what said my uncle? Why would he not send the sums I asked?"
"He said nothing," replied the juggler. "Haw, haw haw!--He said nothing, because he is dead, and----"
"Hold! hold!" cried De Coucy;--"Dead! God help me, and I taxed him with avarice. Fool, thou hast made me sin against his memory. How did he die?--when--where?"
"Nobody knows when--nobody knows where--nobody knows how!" replied the juggler with a grin which he could not suppress at his master's grief. "All they know is, that he is as dead as the saints at Jerusalem; and the king and the Duke of Burgundy are quarrelling about his broad lands, which the two fools call moveables! He is dead!--quite dead!--Haw, haw, haw! Haw, haw!"
"Laughest thou, villain!" cried De Coucy, starting up, and striking him a buffet which made him reel to the other side of the hut. "Let that teach thee not to laugh where other men weep!--By my life," he added, taking his seat again, "he was as noble a gentlemen, and as true a knight, as ever buckled on spurs. He promised that I should be his heir, and doubtless he has kept his word; but, for all the fine lands he has left me--nay, nor for broad France itself, would I have heard the news that have reached me but now!"
"Haw, haw, haw! Haw, haw, haw!" echoed from the other side of the hut.
"Why laughest thou, fool?" cried De Coucy. "Wilt thou never cease thy idiot merriment?--Why laughest thou, I say?"
"Because," replied the jongleur, "if the fair lands thou wouldst not have, the fair lands thou shalt not have. The good Count of Tankerville left neither will nor charter; so that, God willing! the king, or the Duke of Burgundy, shall have the lands, whichever has the longest arm to take, and the strongest to keep. So the Vidame of Besançon bade me say."
"But how is it, my son," said the hermit, who was present, "that you are not heir direct to your uncle's feof, if there be no other heirs."
"Why, good hermit," replied De Coucy, "uncle and nephew were but names of courtesy between us, because we loved each other. The Count de Tankerville married my father's sister, who died childless; and his affection seemed to settle all in me, then just an orphan. I left him some ten years ago, when but a squire, to take the holy cross; and though I have often heard of him by letter and by message sent across the wide seas, which showed that I was not forgotten, I now return and find him dead, and his lands gone to others. Well! let them go: 'tis not for them I mourn; 'tis that I have lost the best good friend I had."
"You wrong my regard, De Coucy," said the Count d'Auvergne. "None is or was more deeply your friend than Thibalt d'Auvergne; and as to lands and gold, good knight, is not one half of all I have due to the man who has three times saved my life?--in the shipwreck, in the battle-field, and in the mortal plague; even were he not my sworn brother in arms?"
"Nay, nay! D'Auvergne, De Coucy's poor," replied the knight; "but he has enough. He is proud too, and, as you know, no Vavassour; and, though his lands be small, he is lord of the soil, holding from no one, owing homage and man-service to none--no, not to the king, though you smile, fair Sir Julian. My land is the last terre libre in France."
"Send away your fool juggler, De Coucy," said the Count d'Auvergne: "I would speak to you without his goodly presence."
De Coucy made a sign to his strange attendant, who quitted the hut; and the count proceeded. "De Coucy," said he, "was it wise to send that creature upon an errand of such import? Can you rely upon his tale? You know him to be a crackbrained knave. I am sure he has much malice; and though little understanding, yet infinite cunning. Take my advice! Either go thither yourself, or send some more trusty messenger to ascertain the truth."
"Not I!" cried De Coucy,--"not I! I will neither go nor send, to make the good folks scoff, at the poor De Coucy hankering after estates he cannot have; like a beggar standing by a rich man's kitchen, and snuffing the dishes as they pass him by. Besides, you do Gallon wrong. He is brave as a lion, and grateful for kindness. He would not injure me; and if he would, he has not wit to frame a tale like that. He knew not that I was not my uncle's lawful heir. Oh, no, 'tis true! 'tis true! So let it rest. What care I? I have my lance, and my sword, and knightly spurs; and surely I may thus go through the world, in spite of fortune."
D'Auvergne saw that his friend was determined, and urged his point no farther. His own determination, however, was taken, on the very first opportunity to go himself privately, either to Besançon or Dijon, between which places the estates in question lay, and to make those inquiries for his friend which De Coucy was not inclined to do himself. Nothing more occurred that night worthy of notice; and the next morning the whole party descended to the shepherd's hut, where their horses had been left, mounted, and proceeded towards Vic le Comte, the dwelling of the Counts of Auvergne.
The hermit, whose skill had been so serviceable to De Coucy, mounted on a strong mule, accompanied them on their way.
"I will crave your escort, gentle knights," he said, as they were about to depart. "I am called back against my will, to meddle with the affairs of men--affairs which their own wilful obstinacy, their vile passions, or their gross follies, ever so entangle, that it needs the manifest hand of Heaven to lead them even through one short life. I thought to have done with them; but the king calls for me, and, next to Heaven, my duty is to him."
"What! do we see the famous hermit of the forest of Vincennes?"[9] demanded old sir Julian of the Mount, "by whose sage counsels 'tis hoped that Philip may yet be saved from driving his poor vassals to resistance."
"Famous, and a hermit!" exclaimed the recluse. "Good, my son! if you sought fame as little as I do, you would not have come from the borders of Flanders to the heart of Auvergne. I left Vincennes to rid myself of the fame they put on me;--you quitted your castle and your peasants, to meddle in affairs you are not fit for. Would you follow my counsel, you would forget your evil errand. See your friend--but as a friend; and, returning to your hall, sit down in peace and charity with all mankind!"
"Ha! what! how?" cried the obstinate old man angrily, all his complaisant feelings towards the hermit turned into acrimony by this unlucky speech. "Shall I be turned from my purpose by an old enthusiast? I tell thee, hermit, that were it but because thou bidst me not, I would go on to the death! Heaven's life! What I have said, that I will do, is as immoveable as the centre!"
The Count d'Auvergne here interposed; and, promising the hermit safe escort, at least through his father's territories, he led Sir Julian to the front of the cavalcade, and engaged him in a detail of all the important measures which Philip Augustus, during the last five years, had undertaken, and successfully carried through by the advice of that very hermit who followed in their train--measures with which this history has nothing to do, but which may be found faithfully recorded by Rigord, Wilham the Briton, and William of Nangis, as well as many other veracious historians of that age and country.
Sir Julian and the count were followed by the fair Isadore, with De Coucy by her side, in even a more gay and lively mood than ordinary, notwithstanding the sad news he had heard the night before. Indeed, to judge from his conduct then, it would have seemed that his mind was one of those which, deeply depressed by any of those heavy weights that time is always letting drop upon the human heart, rise up the next moment with that sort of elastic rebound, which instantly casts off the load of care, and spring higher than before. Such, however, was not the case. De Coucy was perplexed with new sensations towards Isadore, the nature of which he did not well understand; and, rather than show his embarrassment, he spoke lightly of every thing, making himself appear to the least advantage, where, in truth, he wished the most to please.
Isadore's answers were brief, and he felt that he was not at all in the right road to her favour: and yet he was going on, when something accidentally turned the conversation to the friend he had lost in the Count de Tankerville. Happily for Isadore's prepossession in the young knight's favour, it did so; for then, all the deeper, all the finer feelings of his heart awoke, and he spoke of high qualities and generous virtues, as one who knew them from possessing them himself. Isadore's answers grew longer: the chain seemed taken off her thoughts,--and then, first, that quick and confident communication of feelings and ideas began between her and De Coucy, which, sweet itself, generally ends in something sweeter still. They were soon entirely occupied with each other, and might have continued so, Heaven knows how long! had not De Coucy's squire, Hugo de Barre, who, as before, preceded the cavalcade, suddenly stopped, and, pointing to a confused mass of bushes which, climbing the side of the hill, hid the farther progress of the road, exclaimed--
"I see those bushes, move the contrary way to the wind!"
"Haw, haw, haw!" cried a voice from behind,--"haw, haw, haw!"
All was now hurry, for the signs and symptoms which the squire descried, were only attributable to one of those plundering ambuscades, which were any thing but rare in those good old times; and the narrowness of road, together with the obstruction of the bushes, totally prevented the knights from estimating the number or quality of their enemies. All then was hurry. The squires hastened forward to give the knights their heavy-armed horses, and to clasp their casques; and the knights vociferated loudly for the archers and varlets to advance, and for Isadore and her women to retire to the rear: but before this could be done, a flight of arrows began to drop amongst them, and one would have certainly struck the lady, or at least her jennet, had it not been for the shield of De Coucy, raised above her head.
De Coucy paused. "Take my shield," he cried, "Gallon the fool, and hold it over the lady! Guard my lance too! There is no tilting against those bushes!--St. Michael! St. Michael!" he shouted, snatching his ponderous battle-axe from the saddle-bow, and flourishing it round his head, as if it had been a willow-wand. "A Coucy! A Coucy! St. Michael! St. Michael!" and while the archers of Auvergne shot a close sharp flight of arrows into the bushes, De Coucy spurred on his horse after the Count d'Auvergne, who had advanced with Sir Julian of the Mount, and some of the light armed squires.
His barbed horse thundered over the ground, and in an instant he was by their side, at a spot where the marauders had drawn a heavy iron chain across the road, from behind which they numbered with their arrows every seemingly feeble spot in the count's armour.
To leap the chain was impossible; and though Count Thibalt spurred his heavy horse against it, to bear it down, all his efforts were ineffectual. One blow of De Coucy's axe, however, and the chain flew sharp asunder with a ringing sound. His horse bounded forward; and his next blow lighted on the head of one of the chief marauders, cleaving through steel cap, and skull, and brain, as if nothing had been opposed to the axe's edge.
It was then one might see how were performed those marvellous feats of chivalry, which astonish our latter age. The pikes, the short swords, and the arrows of the cotereaux, turned from the armour of the knights, as waves from a rock; while De Coucy, animated with the thought that Isadore's eyes looked upon his deeds, out-acted all his former prowess;--not a blow fell from his arm, but the object of it lay prostrate in the dust. The cotereaux scattered before him, like chaff before the wind. The Count d'Auvergne followed on his track, and, with the squires, drove the whole body of marauders, which had occupied the road, down into the valley; while the archers picked off those who had stationed themselves on the hill.
For an instant, the cotereaux endeavoured to rally behind some bushes, which rendered the movements of the horses both dangerous and difficult; but at that moment a loud ringing "Haw, haw, haw! haw, haw!" burst forth from behind them; and Gallon the fool, mounted on his mare, armed with De Coucy's lance and shield, and a face whose frightfulness was worth a host, pricked in amongst them; and, to use the phrase of the times, enacted prodigies of valour, shouting between each stroke, "Haw, haw! haw, haw!" with such a tone of fiendish exultation, that De Coucy himself could hardly help thinking him akin to Satan. As to the cotereaux, the generality of them believed in his diabolical nature with the most implicit faith; and, shouting "The devil!--The devil!" as soon as they saw him, fled in every direction, by the rocks, the woods, and the mountains. One only stayed to aim an arrow at him, exclaiming, "Devil! he's no devil, but a false traitor who has brought us to the slaughter, and I will have his heart's blood ere I die." But Gallon, by one of his strange and unaccountable twists, avoided the shaft; and the coterel was fain to save himself by springing up a steep rock with all the agility of fear.
No sooner was this done, than Gallon the fool, with that avaricious propensity, to which persons in a state of intellectual weakness are often subject, sprang from his mare, and very irreverently casting down De Coucy's lance and shield, began plundering the bodies of two of the dead cotereaux, leaving them not a rag which he could appropriate to himself.
Seeing him in this employment, and the disrespectful treatment which he showed his arms, De Coucy spurred up to him, and raised his tremendous axe above his head: "Gallon!" cried he, in a voice of thunder.
The jongleur looked up with a grin, "Haw, haw! haw, haw!" cried he, seeing the battle-axe swinging above his head, as if in the very act of descending. "You cannot make me wink.--Haw, haw!" And he applied himself again to strip the dead bodies with most indefatigable perseverance.
"If it were not for your folly, I would cleave your skull, for daring to use my lance and shield!" cried De Coucy. "But, get up! get up!" he added, striking him a pretty severe blow with the back of the axe. "Lay not there, like a red-legged crow, picking the dead bodies. Where is the lady? Why did you leave her, when I told you to stay?"
"I left the lady, with her maidens, in a snug hole in the rock," replied the juggler, rising unwillingly from his prey; "and seeing you at work with the cotereaux, I came to help the strongest."
There might be more truth in this reply than De Coucy suspected; but, taken as a jest, it turned away his anger; and bidding Hugo de Barre, who had approached, bring his spear and shield, he rode back to the spot where the combat first began. Gallon the fool had, indeed, as he said, safely bestowed Isadore and her women in one of the caves with which the mountains of Auvergne are pierced in every direction; and here De Coucy found her, together with her father. Sir Julian, who was babbling of an arrow which had passed through his tunic without hurting him.
The Count d'Auvergne had gone, in the mean time, to ascertain that the road was entirely cleared of the banditti; and, during his absence, the lady and her attendants applied themselves to bind up the wounds of one or two of the archers who had been hurt in the affray--a purely female task, according to the customs of the times. The hermit returned with the Count d'Auvergne; and, though he spoke not of it, it was remarked that an arrow had grazed his brow; and two rents in his brown robe seemed to indicate that, though he had taken no active part in the struggle, he had not shunned its dangers.
Such skirmishes were so common in those days, that the one we speak of would have been scarcely worth recording, had it not been for two circumstances: in the first place, the effect produced upon the robbers by the strange appearance and gestures of Gallon the fool; and in the next, the new link which it brought between the hearts of Isadore and De Coucy. In regard to the first, it must be remembered that the appearance of all sorts of evil spirits in an incarnate form was so very frequent in the times whereof we speak, that Rigord cites at least twenty instances thereof, and Guillaume de Nangis brings a whole troop of them into the very choir of the church. It is not to be wondered at, then, that a band of superstitious marauders, whose very trade would of course render them more liable to such diabolical visitations, should suspect so very ugly a personage as Gallon of being the Evil One himself: especially when to his various unaccountable contortions he added the very devil-like act of leading them into a scrape, and then triumphing in their defeat.
But to return to the more respectable persons of my cavalcade. The whole party set out again, retaining, as if by common consent, the same order of march which they had formerly preserved. Nor did Isadore, though as timid and feminine as any of her sex in that day, show greater signs of fear than a hasty glance, every now and then, to the mountains. A slight shudder, too, shook her frame, as she passed on the road three cold, inanimate forms, lying unlike the living, and bearing ghastly marks of De Coucy's battle-axe; but the very sight made her draw her rein towards him, as if from some undefined combination in her mind of her own weakness and his strength; and from the tacit admiration which courage and power command in all ages, but which, in those times, suffered no diminution on the score of humanity.
No lady, of the rank of Isadore of the Mount, ever travelled, in the days we speak of, without a bevy of maidens following her; and as the squires and pages of De Coucy and D'Auvergne were fresh from Palestine, where women were hot-house plants, not exposed to common eyes, it may be supposed that we could easily join to our principal history many a rare and racy episode of love-making that went on in the second rank of our pilgrims; but we shall have enough to do with the personages already before us, ere we lay down our pen, and therefore shall not meddle or make with the manners of the inferior classes, except where they are absolutely forced on our notice.
Winding down through numerous sunny valleys and rich and beautiful scenery, the cavalcade soon began to descend upon the fertile plains of Limagne, then covered with the blossoms of a thousand trees, and bathed in a flood of loveliness. The ferry over the Allier soon landed them in the sweet valley of Vic le Comte; and Thibalt d'Auvergne, gazing round him, forgot in the view all the agonies of existence; while stretching forth his arms, as if to embrace it, he exclaimed--"My native land!"
He had seen the south of Auvergne; he had seen, the mountains of D'Or, and the Puy de Dome,--all equally his own; but they spoke but generally to his heart, and could not for a moment wipe out his griefs. But when the scenes of his childhood broke upon his sight; when he beheld every thing mingled in memory with the first, sweetest impressions in being--every thing he had known and joyed in, before existence had a cloud, it seemed as if the last five years had been blotted out of the Book of Fate, and that he was again in the brightness of his youth--the youth of the heart and of the soul, ere it is worn by sorrow, or hardened by treachery, or broken by disappointment.
The valley of Vic is formed by two branches of the mountains of the Forez, which bound it to the east; and in the centre of the rich plain land thus enclosed, stands the fair city of Vic le Comte. It was then as sweet a town as any in the realm of France; and, gathered together upon a gentle slope, with the old castle on a high mound behind, it formed a dark pyramid in the midst of the sunshiny valley, being cast into temporary shadow by a passing cloud at the moment the cavalcade approached; while the bright light of the summer evening poured over all the rest of the scene; and the blue mountains, rising high beyond, offered a soft and airy background to the whole. Avoiding the town. Count Thibalt led the way round by a road to the right, and, in a few minutes, they were opposite to the castle, at the distance of about half a mile.
It was a large, heavy building, consisting of an infinite number of towers, of various sizes, and of different forms--some round, some square, all gathered together, without any apparent order, on the top of an eminence which commanded the town. The platform of each tower, whether square or round, was battlemented, and every angle which admitted of such a contrivance was ornamented with a small turret or watch-tower, which generally rose somewhat higher than the larger one to which it was attached. Near the centre of the building, however, rose two masses of masonry, distinguished from all the others,--the one by its size, being a heavy, square tower, or keep, four times as large as any of the rest; and the other by its height, rising, thin and tall, far above every surrounding object. This was called the beffroy, or belfry, and therein stood a watchman night and day, ready, on the slightest alarm, to sound his horn, or ring the immense bell, called ban cloque, which was suspended above his head.
From the gate of the castle to the walls of the town extended a gentle green slope, which, now covered with tents and booths, resembled precisely an English fair; and from the spot where D'Auvergne and his companions stood, multitudes of busy beings could be seen moving there, in various garbs and colours, some on horseback, some on foot, giving great liveliness to the scene; while the unutterable multitude of weathercocks, with which every pinnacle of the castle was adorned, fluttered, in addition, with a thousand flags, and banners, and streamers, in gay and sparkling confusion.
Before the cavalcade had made a hundred steps beyond the angle of the town, which had concealed them from the castle, the eyes of the warder fell upon them; and, in an instant, a loud and clamorous blast of the trumpet issued from the belfry. It was instantly taken up by a whole band in the castle court-yard.
D'Auvergne knew his welcome home, and raised his horn to his lips in reply. At the same instant, every archer in his train, by an irresistible impulse, followed their lord's example. Each man's home was before him, and they blew together, in perfect unison, the famous Bienvenu Auvergnat, till the walls, and the towers, and the hills echoed to the sound.
At that moment the gates of the castle were thrown open, and a gallant train of horsemen issued forth, and galloped down towards our pilgrims. At their head was an old man richly dressed in crimson and gold. The fire of his eye was unquenched, the rose of his cheek unpaled, and the only effect of seventy summers to be seen upon him was the snowy whiteness of his hair. D'Auvergne's horse flew like the wind to meet him. The old man and the young one sprang to the ground together. The father clasped his child to his heart, and weeping on his iron shoulder, exclaimed, "My son! my son!"
Let us suppose the welcome given to all, and the guests within the castle of the Count d'Auvergne, who, warned by messengers of his son's approach, had called his cour plenière to welcome the return.
It was one of those gay and lively scenes now seldom met with, where pageant, and splendour, and show were unfettered by cold form and ceremony. The rigid etiquette, which in two centuries after enchained every movement of the French court, was then unknown. Titles of honour rose no higher than Beau Sire, or Monseigneur, and these even were applied more as a mark of reverence for great deeds and splendid virtues, than for wealth and hereditary rank. All was gay and free, and though respect was shown to age and station, it was the respect of an early and unsophisticated age, before the free-will offering of the heart to real dignity and worth had been regulated by the cold rigidity of a law. Yet each person in that day felt his own station, struggled for none that was not his due, and willingly paid the tribute of respect to the grade above his own.
Through the thousand chambers and the ten thousand passages of the château of Vic le Comte, ran backwards and forwards pages, and varlets, and squires, in proportion to the multitude of guests. Each of these attendants, though performing what would be now considered the menial offices of personal service, to the various knightly and noble visiters, was himself of noble birth, and aspirant to the honours of chivalry. Nor was this the case alone at the courts of sovereign princes like the Count D'Auvergne. Parents of the highest rank were in that age happy to place their sons in the service of the poorest knight, provided that his own exploits gave warranty that he would breed them up to deeds of honour and glory. It was a sort of apprenticeship to chivalry.
All these choice attendants, for the half-hour after Count Thibalt's return, hurried, as we have said, from chamber to chamber, offering their services, and aiding the knights who had come to welcome their young lord, to unbuckle their heavy armour, without the defence of which, the act of travelling, especially in Auvergne, was rash and dangerous. Multitudes of fresh guests were also arriving every moment--fair dames and gallant knights, vassals and vavassours;--some followed by a gay train; some bearing nothing but lance and sword; some carrying themselves their lyre, without which, if known as troubadours, they never journeyed; and some accompanied by whole troops of minstrels, jugglers, fools, rope-dancers, and mimics, whom they brought along with them out of compliment to their feudal chief, towards whose cour plenière they took their way.
Numbers of these buffoons also were scattered amongst the tents and booths, which we have mentioned, on the outside of the castle-gate; and here, too, were merchants and pedlars of all kinds, who had hurried to Vic le Comte with inconceivable speed, on the very first rumour of a cour plenière. In one booth might be seen cloth of gold and silver, velvets, silks, cendals, and every kind of fine stuffs; in another, ermines, miniver, and all sorts of furs. Others, again, displayed silver cups and vessels, with golden ornaments for clasping the mantles of the knights and ladies, called fermailles; and again, others exhibited cutlery and armour of all kinds; Danish battle-axes, casques of Poitiers, Cologne swords, and Rouen hauberts. Neither was noise wanting. The laugh, the shout, the call, within and without the castle walls, was mingled with the sound of a thousand instruments, from the flute to the hurdy-gurdy; while, at the same time, every point of the scene was fluttering and alive, whether with gay dresses and moving figures, or pennons, flags, and banners on the walls and pinnacles of the château.
Precisely at the hour of four, a band of minstrels, richly clothed, placed themselves before the great gate of the castle, and performed what was called corner à l'eau, which gave notice to every one that the banquet was about to be placed upon the table. At that sound, all the knights and ladies left the chambers to which they had first been marshalled, and assembled in one of the vast halls of the castle, where the pages offered to each a silver basin and napkin, to wash their hands previous to the meal.
At this part of the ceremony De Coucy, Heaven knows how! found himself placed by the side of Isadore of the Mount; and he would willingly have given a buffet to the gay young page who poured the water over her fair hands, and who looked up in her face with so saucy and page-like a grin, that Isadora could not but smile, while she thanked him for his service.
The old Count d'Auvergne stood speaking with his son; and, while he welcomed the various guests as they passed before him with word and glance, he still resumed his conversation with Count Thibalt. Nor did that conversation seem of the most pleasing character; for his brow appeared to catch the sadness of his son's, from which the light of joy, that his return had kindled up, had now again passed away.
"If your knightly word be pledged, my son," said the old count, as the horns again sounded to table, "no fears of mine shall stay you; but I had rather you had sworn to beard the Soldan on his throne, than that which you have undertaken." The conversation ended with a sigh, and the guests were ushered to the banquet-hall.
It was one of those vast chambers, of which few remain to the present day. One, however, may still be seen at La Brède, the château of the famous Montesquieu, of somewhat the same dimensions. It was eighty feet in length, by fifty in breadth; and the roof, of plain dark oak, rose from walls near thirty feet high, and met in the form of a pointed arch in the centre. Neither columns nor pilasters ornamented the sides; but thirty complete suits of mail, with sword, and spear, and shield, battle-axe, mace, and dagger, hung against each wall; and over every suit projected a banner, either belonging to the house of Auvergne, or won by some of its members in the battle-field. The floor was strewed thickly with green leaves; and on each space left vacant on the wall by the suits of armour was hung a large branch of oak, covered with its foliage. From such simple decorations, bestowed upon the hall itself, no one would have expected to behold a board laid out with as much splendour and delicacy as the most scrupulous gourmand of the present day could require to give savour to his repast.
The table, which extended the whole length of the hall, was covered with fine damask linen--a manufacture the invention of which, though generally attributed to the seventeenth century, is of infinitely older date. Long benches, covered with tapestry, extended on each side of the table; and the place of every guest was marked, even as in the present times, by a small round loaf of bread, covered with a fine napkin, embroidered with gold. By the side of the bread lay a knife, though the common girdle dagger often saved the lord of the mansion the necessity of providing his guests with such implements. To this was added a spoon, of silver; but forks there were none, their first mention in history being in the days of Charles the Fifth of France.
A row of silver cups also ornamented both sides of the board; the first five on either hand being what were called hanaps, which differed from the others in being raised upon a high stem, after the fashion of the chalice. Various vases of water and of wine, some of silver, some of crystal, were distributed in different parts of the table, fashioned for the most part in strange and fanciful forms, representing dragons, castles, ships, and even men, and an immense mass of silver and gold, in the different shapes of plates and goblets, blazed upon two buffets, or dressoirs, as they are called by Helenor de Poitiers, placed at the higher part of the hall, near the seat of the count himself.
Thus far, the arrangements differed but little from those of our own times. What was to follow, however, was somewhat more in opposition to the ideas of the present day. The doors of the hall were thrown open, and the splendid train of knights and ladies, which the cour plenière had assembled, entered to the banquet. The Count d'Auvergne first took his place in a chair with dossier and dais, as it was particularised in those days, or, in other words, high raised back and canopy. He then proceeded to arrange what was called the assiette of the table; namely, that very difficult task of placing those persons together whose minds and qualities were best calculated to assimilate: a task, on the due execution of which the pleasure of such meetings must ever depend, but which will appear doubly delicate, when we remember that then each knight and lady, placed side by side, ate from the same plate, and drank from the same cup.
That sort of quick perception of proprieties, which we now call tact, belongs to no age; and the Count d'Auvergne, in the thirteenth century, possessed it in a high degree. All his guests were satisfied, and De Coucy drank out of the same cup as Isadora of the Mount.
They were deliriating draughts he drank, and he now began to feel that he had never loved before. The glance of her bright eye, the touch of her small hand, the sound of her soft voice, seemed something new, and strange, and beautiful to him; and he could hardly fancy that he had known any thing like it ere then. The scene was gay and lovely; and there were all those objects and sounds around which excite the imagination and make the heart beat high,--glitter, and splendour, and wine, and music, and smiles, and beauty, and contagious happiness. The gay light laugh, the ready jest, the beaming look, the glowing cheek, the animated speech, the joyous tale, were there; and ever and anon, through the open doors, burst a wild swelling strain of horns and flutes--rose for a moment over every other sound, and then died away again into silence.
What words De Coucy said, and how those words were said; and what Isadore felt, and how she spoke it not, we will leave to the imagination of those who may have been somewhat similarly situated. Nor will we farther prolong the description of the banquet--a description perhaps too far extended already--by detailing all the various yellow soups and green, the storks, the peacocks, and the boars; the castles that poured forth wine, and the pyramids of fifty capons, which from time to time covered the table. We have already shown all the remarkable differences between a banquet of that age and one given in our own, and also some of the still more remarkable similarities.
At last, when the rays of the sun, which had hitherto poured through the high windows on the splendid banquet-table, so far declined as no longer to reach it, the old Count d'Auvergne filled his cup with wine, and raised his hand as a sign to the minstrels behind his chair, when suddenly they blew a long loud flourish on their trumpets, and then all was silent. "Fair knights and ladies!" said the count, "before we go to hear our troubadours beneath our ancient oaks, I once more bid you welcome all; and though here be none but true and valiant knights, to each of whom I could well wish to drink, yet there is one present to whom Auvergne owes much, and whom I--old as I am in arms--pronounce the best knight in France. Victor of Ascalon and Jaffa; five times conqueror of the infidel, in ranged battle; best lance at Zara, and first planter of a banner on the imperial walls of Byzantium--but more to me than all--saviour of my son's life--Sir Guy de Coucy, good knight and true, I drink to your fair honour!--do me justice in my cup:" and the count, after having raised his golden hanap to his lips, sent it round by a page to De Coucy.
De Coucy took the cup from the page, and with a graceful abnegation of the praises bestowed upon him, pledged the father of his friend. But the most remarkable circumstance of the ceremony was, that it was Isadore's cheek that flushed, and Isadore's lip that trembled, at the great and public honour shown to De Coucy, as if the whole embarrassment thereof had fallen upon herself.
The guests now rose, and, led by the Count d'Auvergne, proceeded to the forest behind the château, where, under the great feudal oak, at whose foot all the treaties and alliances of Auvergne were signed, they listened to the songs of the various troubadours, many of whom were found amongst the most noble of the knights present.
We are so accustomed to look upon all the details of the age of chivalry as fabulous, that we can scarcely figure to ourselves men whose breasts were the mark and aim of every danger, whose hands were familiar with the lance and sword, and whose best part of life was spent in battle and bloodshed, suddenly casting off their armour, and seated under the shadow of an oak, singing lays of love and tenderness in one of the softest and most musical languages of the world. Yet so it was, and however difficult it may be to transport our mind to such a scene, and call up the objects as distinct and real, yet history leaves no doubt of the fact, that the most daring warriors of Auvergne--and Auvergne was celebrated for bold and hardy spirits--were no less famous as troubadours than knights; and, as they sat round the count, they, one after another, took the citharn, or the rote, and sung with a slight monotonous accompaniment one of the sweet lays of their country.
There is only one, however, whom we shall particularise. He was a slight fair youth, of a handsome but somewhat feminine aspect. Nevertheless, he wore the belt and spurs of a knight; and by the richness of his dress, which glittered with gold and crimson, appeared at least endowed with the gifts of fortune. During the banquet, he had gazed upon Isadore of the Mount far more than either the lady beside whom he sat, or De Coucy, admired; and there was a languid and almost melancholy softness in his eye, which Isadore's lover did not at all like. When called upon to sing, by the name of the Count de la Roche Guyon, he took his harp from a page, and sweeping it with a careless but a confident hand, again fixed his eyes upon Isadore, and sang with a sweet, full, mellow voice, in the Provençal or Langue d'oc, though his name seemed to bespeak a more northern extraction.
"My love, my love, my lady love!
What can with her compare;
The orbs of heaven she's far above,
No flower is half so fair.
Her cheeks are like the summer sky,
Before the sun goes down--
Faint roses, like the hues that lie
Beneath night's tresses brown.
Her eye itself is like that star,
Which, sparkling through the sky,
Lifts up its diamond look afar,
Just as day's blushes die.
Her lip alone, the new born rose;
Her breath, the breath of spring;
Her voice is sweet as even those
Of angels when they sing.
A thousand congregated sweets
Deck her beyond compare;
And fancy's self no image meets
So wonderfully fair.
I'd give my barony to be
Beloved for a day:
But, oh! her heart is not for me!
Her smile is given away."
"By my faith! she must be a hard-hearted damsel, then!" said old Sir Julian of the Mount, "if she resist so fair a troubadour.--But, Sir Guy de Coucy, let not the Langue d'oc carry it off entirely from us of the Langue d'oyl. So gallant a knight must love the lyre. I pray thee! sing something, for the honour of our Trouvères."
De Coucy would have declined, but the Count Thibalt pressed him to the task, and named the siege of Constantinople as his theme. At the same time the young troubadour who had just sung offered him his harp, saying, "I pray you, beau sire, for the honour of your lady!"
De Coucy bowed his head, and took the instrument, over the strings of which he threw his hand, in a bold but not unskilful manner; and then, joining his voice, sung the taking of Zara and first siege of Constantinople; after which he detailed the delights of Greece, and showed how difficult it was for the knights and soldiers to keep themselves from sinking into the effeminacy of the Greeks, while encamped in the neighbourhood of Byzantium, waiting the execution of their treaty with the Emperor Isaac and his son Alexis. He then spoke of the assassination of Alexis, the usurpation of Murzuphlis, and the preparation of the Francs to punish the usurper. His eye flashed; his tone became more elevated, and drawing his accompaniment from the lower tones of the instrument, he poured forth an animated description of the last day of the empire of the Greeks.
De Coucy then went on to describe the shining but effeminate display of the Greek warriors on the walls, and the attack of the city by sea and land. In glowing language he depicted both the great actions of the assault and of the defence; the effect of the hell-invented Greek fire; of the catapults, the mangonels, the darts of flame shot from the walls; as well as the repeated repulses of the Francs, and the determined and unconquerable valour with which they pursued their purpose of punishing the Greeks. Abridging his lay as he went on, he left out the names of many of the champions, and touched but slightly on the deeds of others.
But with increasing energy at every line, he proceeded to sing the mixed fight upon the battlements, after the Francs had once succeeded in scaling them, till the Greeks gave way, and he concluded by painting the complete triumph of the Francs.
All eyes were bent on De Coucy;--all ears listened to his lay. The language, or rather dialect, in which he sang, the Langue d'oyl, was not so sweet and harmonious as the Langue d'oc, or Provençal, it is true, but it had more strength and energy. The subject, also, was more dignified; and as the young knight proceeded to record the deeds in which he had himself been a principal actor, his whole soul seemed to be cast into his song:--his fine features assumed a look between the animation of the combatant and the inspiration of the poet. It seemed as if he forgot every thing around, in the deep personal interest which he felt in the very incidents he recited: his utterance became more rapid; his hand swept like lightning over the harp; and when he ended his song, and laid down the instrument, it was as if he did so but in order to lay his hand upon his sword.
A pause of deep silence succeeded for a moment, and then came a general murmur of applause; for, in singing the deeds of the Francs at Constantinople, De Coucy touched, in the breast of each person present, that fine chord called national vanity, by which we attach a part of every sort of glory, gained by our countrymen, to our own persons, however much we may recognise that we are incompetent to perform the actions by which it was acquired.