Shall I sonnet-sing you about myself?
Do I live in a house you would like to see?
Is it scant of gear, has it store of pelf?
"Unlock my heart with a sonnet-key?"
Invite the world, as my betters have done?
"Take notice: this building remains on view,
Its suites of reception every one,
Its private apartment and bedroom too;
"For a ticket, apply to the Publisher."
No: thanking the public, I must decline.
A peep through my window, if folk prefer;
But, please you, no foot over threshold of mine!
I have mixed with a crowd and heard free talk
In a foreign land where an earthquake chanced
And a house stood gaping, naught to balk
Man's eye wherever he gazed or glanced.
The whole of the frontage shaven sheer,
The inside gaped: exposed to day,
Right and wrong and common and queer,
Bare, as the palm of your hand, it lay.
The owner? Oh, he had been crushed, no doubt!
"Odd tables and chairs for a man of wealth!
What a parcel of musty old books about!
He smoked,—no wonder he lost his health!
"I doubt if he bathed before he dressed.
A brasier?—the pagan, he burned perfumes!
You see it is proved, what the neighbors guessed:
His wife and himself had separate rooms."
Friends, the goodman of the house at least
Kept house to himself till an earthquake came:
'T is the fall of its frontage permits you feast
On the inside arrangement you praise or blame.
Outside should suffice for evidence:
And whoso desires to penetrate
Deeper, must dive by the spirit-sense—
No optics like yours, at any rate!
"Hoity-toity! A street to explore,
Your house the exception! 'With this same key
Shakespeare unlocked his heart,' once more!"
Did Shakespeare? If so, the less Shakespeare he!

SHOP

So, friend, your shop was all your house!
Its front, astonishing the street,
Invited view from man and mouse
To what diversity of treat
Behind its glass—the single sheet!
What gimcracks, genuine Japanese:
Gape-jaw and goggle-eye, the frog;
Dragons, owls, monkeys, beetles, geese;
Some crush-nosed human-hearted dog:
Queer names, too, such a catalogue!
I thought "And he who owns the wealth
Which blocks the window's vastitude,
—Ah, could I peep at him by stealth
Behind his ware, pass shop, intrude
On house itself, what scenes were viewed!
"If wide and showy thus the shop,
What must the habitation prove?
The true house with no name a-top—
The mansion, distant one remove,
Once get him off his traffic-groove!
"Pictures he likes, or books perhaps;
And as for buying most and best,
Commend me to these city chaps!
Or else he 's social, takes his rest
On Sundays, with a Lord for guest.
"Some suburb-palace, parked about
And gated grandly, built last year:
The four-mile walk to keep off gout;
Or big seat sold by bankrupt peer:
But then he takes the rail, that 's clear.
"Or, stop! I wager, taste selects
Some out-o'-the-way, some all-unknown
Retreat: the neighborhood suspects
Little that he who rambles lone
Makes Rothschild tremble on his throne!"
Nowise! Nor Mayfair residence
Fit to receive and entertain,—
Nor Hampstead villa's kind defence
From noise and crowd, from dust and drain,—
Nor country-box was soul's domain!
Nowise! At back of all that spread
Of merchandise, woe 's me, I find
A hole i' the wall where, heels by head,
The owner couched, his ware behind,
—In cupboard suited to his mind.
For why? He saw no use of life
But, while he drove a roaring trade,
To chuckle "Customers are rife!"
To chafe "So much hard cash outlaid,
Yet zero in my profits made!
"This novelty costs pains, but—takes?
Cumbers my counter! Stock no more!
This article, no such great shakes,
Fizzes like wildfire? Underscore
The cheap thing—thousands to the fore!"
'T was lodging best to live most nigh
(Cramp, coffinlike as crib might be)
Receipt of Custom; ear and eye
Wanted no outworld: "Hear and see
The bustle in the shop!" quoth he.
My fancy of a merchant-prince
Was different. Through his wares we groped
Our darkling way to—not to mince
The matter—no black den where moped
The master if we interloped!
Shop was shop only: household-stuff?
What did he want with comforts there?
"Walls, ceiling, floor, stay blank and rough,
So goods on sale show rich and rare!
'Sell and scud home,' be shop's affair!"
What might he deal in? Gems, suppose!
Since somehow business must be done
At cost of trouble,—see, he throws
You choice of jewels, every one,
Good, better, best, star, moon, and sun!
Which lies within your power of purse?
This ruby that would tip aright
Solomon's sceptre? Oh, your nurse
Wants simply coral, the delight
Of teething baby,—stuff to bite!
Howe'er your choice fell, straight you took
Your purchase, prompt your money rang
On counter,—scarce the man forsook
His study of the "Times," just swang
Till-ward his hand that stopped the clang,—
Then off made buyer with a prize,
Then seller to his "Times" returned;
And so did day wear, wear, till eyes
Brightened apace, for rest was earned:
He locked door long ere candle burned.
And whither went he? Ask himself,
Not me! To change of scene, I think.
Once sold the ware and pursed the pelf,
Chaffer was scarce his meat and drink,
Nor all his music—money-chink.
Because a man has shop to mind
In time and place, since flesh must live,
Needs spirit lack all life behind,
All stray thoughts, fancies fugitive,
All loves except what trade can give?
I want to know a butcher paints,
A baker rhymes for his pursuit,
Candlestick-maker much acquaints
His soul with song, or, haply mute,
Blows out his brains upon the flute!
But—shop each day and all day long!
Friend, your good angel slept, your star
Suffered eclipse, fate did you wrong!
From where these sorts of treasures are,
There should our hearts be—Christ, how far!

PISGAH-SIGHTS

When sanctioning a volume of Selections from his poems, Browning made a third of Pisgah-Sights to consist of the Proem to La Saisiaz.

I
Over the ball of it,
Peering and prying,
How I see all of it,
Life there, outlying!
Roughness and smoothness,
Shine and defilement,
Grace and uncouthness:
One reconcilement.
Orbed as appointed,
Sister with brother
Joins, ne'er disjointed
One from the other.
All 's lend-and-borrow;
Good, see, wants evil,
Joy demands sorrow,
Angel weds devil!
"Which things must—why be?"
Vain our endeavor!
So shall things aye be
As they were ever.
"Such things should so be!"
Sage our desistence!
Rough-smooth let globe be,
Mixed—man's existence!
Man—wise and foolish,
Lover and scorner,
Docile and mulish—
Keep each his corner!
Honey yet gall of it!
There 's the life lying,
And I see all of it,
Only, I 'm dying!
II
Could I but live again
Twice my life over,
Would I once strive again?
Would not I cover
Quietly all of it—
Greed and ambition—
So, from the pall of it,
Pass to fruition?
"Soft!" I 'd say, "Soul mine!
Three-score and ten years,
Let the blind mole mine
Digging out deniers!
Let the dazed hawk soar,
Claim the sun's rights too!
Turf 't is thy walk 's o'er,
Foliage thy flight 's to."
Only a learner,
Quick one or slow one,
Just a discerner,
I would teach no one.
I am earth's native:
No rearranging it!
I be creative,
Chopping and changing it?
March, men, my fellows!
Those who, above me,
(Distance so mellows)
Fancy you love me:
Those who, below me,
(Distance makes great so)
Free to forego me,
Fancy you hate so!
Praising, reviling,
Worst head and best head,
Past me defiling,
Never arrested,
Wanters, abounders,
March, in gay mixture,
Men, my surrounders!
I am the fixture.
So shall I fear thee,
Mightiness yonder!
Mock-sun—more near thee,
What is to wonder?
So shall I love thee,
Down in the dark,—lest
Glowworm I prove thee,
Star that now sparklest!

FEARS AND SCRUPLES

In answer to a letter of inquiry, addressed to him by Mr. W. G. Kingsland, Browning wrote the following in regard to the meaning of this poem: "I think, that the point I wanted to illustrate was this: Where there is a genuine love of the 'letters' and 'actions' of the invisible 'friend,'—however these may be disadvantaged by an inability to meet the objections to their authenticity or historical value urged by 'experts' who assume the privilege of learning over ignorance,—it would indeed be a wrong to the wisdom and goodness of the 'friend' if he were supposed capable of overlooking the actual 'love' and only considering the 'ignorance' which, failing to in any degree affect 'love,' is really the highest evidence that 'love' exists. So I meant, whether the result be clear or no."

Here's my case. Of old I used to love him,
This same unseen friend, before I knew:
Dream there was none like him, none above him,—
Wake to hope and trust my dream was true.
Loved I not his letters full of beauty?
Not his actions famous far and wide?
Absent, he would know I vowed him duty;
Present, he would find me at his side.
Pleasant fancy! for I had but letters,
Only knew of actions by hearsay:
He himself was busied with my betters;
What of that? My turn must come some day.
"Some day" proving—no day! Here 's the puzzle.
Passed and passed my turn is. Why complain?
He 's so busied! If I could but muzzle
People's foolish mouths that give me pain!
"Letters?" (hear them!) "You a judge of writing?
Ask the experts! How they shake the head
O'er these characters, your friend's inditing—
Call them forgery from A to Z!
"Actions? Where 's your certain proof" (they bother)
"He, of all you find so great and good,
He, he only, claims this, that, the other
Action—claimed by men, a multitude?"
I can simply-wish. I might refute you,
Wish my friend would,—by a word, a wink,—
Bid me stop that foolish mouth,—you brute you!
He keeps absent,—why, I cannot think.
Never mind! Though foolishness may flout me,
One thing 's sure enough: 't is neither frost,
No, nor fire, shall freeze or burn from out me
Thanks for truth—though falsehood, gained—though lost.
All my days, I 'll go the softlier, sadlier,
For that dream's sake! How forget the thrill
Through and through me as I thought "The gladlier
Lives my friend because I love him still!"
Ah, but there 's a menace some one utters!
"What and if your friend at home play tricks?
Peep at hide-and-seek behind the shutters?
Mean your eyes should pierce through solid bricks?
"What and if he, frowning, wake you, dreamy?
Lay on you the blame that bricks—conceal?
Say 'At least I saw who did not see me,
Does see now, and presently shall feel'?"
"Why, that makes your friend a monster!" say you:
"Had his house no window? At first nod,
Would you not have hailed him?" Hush, I pray you!
What if this friend happened to be—God?

NATURAL MAGIC

All I can say is—I saw it!
The room was as bare as your hand.
I locked in the swarth little lady,—I swear,
From the head to the foot of her—well, quite as bare!
"No Nautch shall cheat me," said I, "taking my stand
At this bolt which I draw!" And this bolt—I withdraw it,
And there laughs the lady, not bare, but embowered
With—who knows what verdure, o'erfruited, o'erflowered?
Impossible! Only—I saw it!
All I can sing is—I feel it!
This life was as blank as that room;
I let you pass in here. Precaution, indeed?
Walls, ceiling and floor,—not a chance for a weed!
Wide opens the entrance; where 's cold now, where 's gloom?
No May to sow seed here, no June to reveal it,
Behold you enshrined in these blooms of your bringing,
These fruits of your bearing—nay, birds of your winging!
A fairy-tale! Only—I feel it!

MAGICAL NATURE

Flower—I never fancied, jewel—I profess you!
Bright I see and soft I feel the outside of a flower.
Save but glow inside and—jewel, I should guess you,
Dim to sight and rough to touch: the glory is the dower.
You, forsooth, a flower? Nay, my love, a jewel—
Jewel at no mercy of a moment in your prime!
Time may fray the flower-face: kind be time or cruel,
Jewel, from each facet, flash your laugh at time!

BIFURCATION

We were two lovers; let me lie by her,
My tomb beside her tomb. On hers inscribe—
"I loved him; but my reason bade prefer
Duty to love, reject the tempter's bribe
Of rose and lily when each path diverged,
And either I must pace to life's far end
As love should lead me, or, as duty urged,
Plod the worn causeway arm-in-arm with friend.
So, truth turned falsehood: 'How I loathe a flower,
How prize the pavement!' still caressed his ear—
The deafish friend's—through life's day, hour by hour,
As he laughed (coughing) 'Ay, it would appear!'
But deep within my heart of hearts there hid
Ever the confidence, amends for all,
That heaven repairs what wrong earth's journey did,
When love from life-long exile comes at call.
Duty and love, one broad way, were the best—
Who doubts? But one or other was to choose,
I chose the darkling half, and wait the rest
In that new world where light and darkness fuse."
Inscribe on mine—"I loved her: love's track lay
O'er sand and pebble, as all travellers know.
Duty led through a smiling country, gay
With greensward where the rose and lily blow.
'Our roads are diverse: farewell, love!' said she:
''T is duty I abide by: homely sward
And not the rock-rough picturesque for me!
Above, where both roads join, I wait reward.
Be you as constant to the path whereon
I leave you planted!' But man needs must move,
Keep moving—whither, when the star is gone
Whereby he steps secure nor strays from love?
No stone but I was tripped by, stumbling-block
But brought me to confusion. Where I fell,
There I lay flat, if moss disguised the rock,
Thence, if flint pierced, I rose and cried 'All's well!
Duty be mine to tread in that high sphere
Where love from duty ne'er disparts, I trust,
And two halves make that whole, whereof—since here
One must suffice a man—why, this one must!'"
Inscribe each tomb thus: then, some sage acquaint
The simple—which holds sinner, which holds saint!

NUMPHOLEPTOS

The Browning Society became so puzzled over the interpretation of this poem that through Dr. Furnivall it applied to the poet for an explanation and he replied: "Is not the key to the meaning of the poem in its title νυμφόληπτος [caught or rapt by a nymph] not γυναικεραστής [a woman lover]? An allegory, that is, of an impossible ideal object of love, accepted conventionally as such by a man who, all the while, cannot quite blind himself to the demonstrable fact that the possessor of knowledge and purity obtained without the natural consequences of obtaining them by achievement—not inheritance,—such a being is imaginary, not real, a nymph and no woman; and only such an one would be ignorant of and surprised at the results of a lover's endeavor to emulate the qualities which the beloved is entitled to consider as pre-existent to earthly experience, and independent of its inevitable results. I had no particular woman in my mind; certainly never intended to personify wisdom, philosophy, or any other abstraction; and the orb, raying color out of whiteness, was altogether a fancy of my own. The 'seven spirits' are in the Apocalypse, also in Coleridge and Byron,—a common image."

Still you stand, still you listen, still you smile!
Still melts your moonbeam through me, white awhile,
Softening, sweetening, till sweet and soft
Increase so round this heart of mine, that oft
I could believe your moonbeam-smile has past
The pallid limit, lies, transformed at last
To sunlight and salvation—warms the soul
It sweetens, softens! Would you pass that goal,
Gain love's birth at the limit's happier verge,
And, where an iridescence lurks, but urge
The hesitating pallor on to prime
Of dawn!—true blood-streaked, sun-warmth, action-time,
By heart-pulse ripened to a ruddy glow
Of gold above my clay—I scarce should know
From gold's self, thus suffused! For gold means love.
What means the sad slow silver smile above
My clay but pity, pardon?—at the best,
But acquiescence that I take my rest,
Contented to be clay, while in your heaven
The sun reserves love for the Spirit-Seven
Companioning God's throne they lamp before,
—Leaves earth a mute waste only wandered o'er
By that pale soft sweet disempassioned moon
Which smiles me slow forgiveness! Such, the boon
I beg? Nay, dear, submit to this—just this
Supreme endeavor! As my lips now kiss
Your feet, my arms convulse your shrouding robe,
My eyes, acquainted with the dust, dare probe
Your eyes above for—what, if born, would blind
Mine with redundant bliss, as flash may find
The inert nerve, sting awake the palsied limb,
Bid with life's ecstasy sense overbrim
And suck back death in the resurging joy—
Love, the love whole and sole without alloy!
Vainly! The promise withers! I employ
Lips, arms, eyes, pray the prayer which finds the word,
Make the appeal which must be felt, not heard,
And none the more is changed your calm regard:
Rather, its sweet and soft grow harsh, and hard—
Forbearance, then repulsion, then disdain.
Avert the rest! I rise, see!—make, again
Once more, the old departure for some track
Untried, yet through a world which brings me back
Ever thus fruitlessly to find your feet,
To fix your eyes, to pray the soft and sweet
Which smile there—take from his new pilgrimage
Your outcast, once your inmate, and assuage
With love—not placid pardon now—his thirst
For a mere drop from out the ocean erst
He drank at! Well, the quest shall be renewed.
Fear nothing! Though I linger, unembued
With any drop, my lips thus close. I go!
So did I leave you, I have found you so,
And doubtlessly, if fated to return,
So shall my pleading persevere and earn
Pardon—not love—in that same smile, I learn,
And lose the meaning of, to learn once more,
Vainly!
What fairy track do I explore?
What magic hall return to, like the gem
Centuply-angled o'er a diadem?
You dwell there, hearted; from your midmost home
Rays forth—through that fantastic world I roam
Ever—from centre to circumference,
Shaft upon colored shaft: this crimsons thence,
That purples out its precinct through the waste.
Surely I had your sanction when I faced,
Fared forth upon that untried yellow ray
Whence I retrack my steps? They end to-day
Where they began, before your feet, beneath
Your eyes, your smile: the blade is shut in sheath,
Fire quenched in flint; irradiation, late
Triumphant through the distance, finds its fate,
Merged in your blank pure soul, alike the source
And tomb of that prismatic glow: divorce
Absolute, all-conclusive! Forth I fared,
Treading the lambent flamelet: little cared
If now its flickering took the topaz tint,
If now my dull-caked path gave sulphury hint
Of subterranean rage—no stay nor stint
To yellow, since you sanctioned that I bathe,
Burnish me, soul and body, swim and swathe
In yellow license. Here I reek suffused
With crocus, saffron, orange, as I used
With scarlet, purple, every dye o' the bow
Born of the storm-cloud. As before, you show
Scarce recognition, no approval, some
Mistrust, more wonder at a man become
Monstrous in garb, nay—flesh disguised as well,
Through his adventure. Whatsoe'er befell,
I followed, wheresoe'er it wound, that vein
You authorized should leave your whiteness, stain
Earth's sombre stretch beyond your midmost place
Of vantage,—trode that tinct whereof the trace
On garb and flesh repel you! Yes, I plead
Your own permission—your command, indeed,
That who would worthily retain the love
Must share the knowledge shrined those eyes above,
Go boldly on adventure, break through bounds
O' the quintessential whiteness that surrounds
Your feet, obtain experience of each tinge
That bickers forth to broaden out, impinge
Plainer his foot its pathway all distinct
From every other. Ah, the wonder, linked
With fear, as exploration manifests
What agency it was first tipped the crests
Of unnamed wildflower, soon protruding grew
Portentous 'mid the sands, as when his hue
Betrays him and the burrowing snake gleams through;
Till, last ... but why parade more shame and pain?
Are not the proofs upon me? Here again
I pass into your presence, I receive
Your smile of pity, pardon, and I leave ...
No, not this last of times I leave you, mute,
Submitted to my penance, so my foot
May yet again adventure, tread, from source
To issue, one more ray of rays which course
Each other, at your bidding, from the sphere
Silver and sweet, their birthplace, down that drear
Dark of the world,—you promise shall return
Your pilgrim jewelled as with drops o' the urn
The rainbow paints from, and no smatch at all
Of ghastliness at edge of some cloud-pall
Heaven cowers before, as earth awaits the fall
O' the bolt and flash of doom. Who trusts your word
Tries the adventure: and returns—absurd
As frightful—in that sulphur-steeped disguise
Mocking the priestly cloth-of-gold, sole prize
The arch-heretic was wont to bear away
Until he reached the burning. No, I say:
No fresh adventure! No more seeking love
At end of toil, and finding, calm above
My passion, the old statuesque regard,
The sad petrific smile!
O you—less hard
And hateful than mistaken and obtuse
Unreason of a she-intelligence!
You very woman with the pert pretence
To match the male achievement! Like enough!
Ay, you were easy victors, did the rough
Straightway efface itself to smooth, the gruff
Grind down and grow a whisper,—did man's truth
Subdue, for sake of chivalry and ruth,
Its rapier-edge to suit the bulrush-spear
Womanly falsehood fights with! O that ear
All fact pricks rudely, that thrice-superfine
Feminity of sense, with right divine
To waive all process, take result stain-free
From out the very muck wherein ...
Ah me!
The true slave's querulous outbreak! All the rest
Be resignation! Forth at your behest
I fare. Who knows but this—the crimson-quest—
May deepen to a sunrise, not decay
To that cold sad sweet smile?—which I obey.

APPEARANCES

And so you found that poor room dull,
Dark, hardly to your taste, my dear?
Its features seemed unbeautiful:
But this I know—'t was there, not here,
You plighted troth to me, the word
Which—ask that poor room how it heard.
And this rich room obtains your praise
Unqualified,—so bright, so fair,
So all whereat perfection stays?
Ay, but remember—here, not there,
The other word was spoken!—Ask
This rich room how you dropped the mask!

ST. MARTIN'S SUMMER

No protesting, dearest!
Hardly kisses even!
Don't we both know how it ends?
How the greenest leaf turns serest,
Bluest outbreak—blankest heaven,
Lovers—friends?
You would build a mansion,
I would weave a bower
—Want the heart for enterprise.
Walls admit of no expansion:
Trellis-work may haply flower
Twice the size.
What makes glad Life's Winter?
New buds, old blooms after.
Sad the sighing "How suspect
Beams would ere mid-Autumn splinter,
Rooftree scarce support a rafter,
Walls lie wrecked?"
You are young, my princess!
I am hardly older:
Yet—I steal a glance behind!
Dare I tell you what convinces
Timid me that you, if bolder,
Bold—are blind?
Where we plan our dwelling
Glooms a graveyard surely!
Headstone, footstone moss may drape,—
Name, date, violets hide from spelling,—
But, though corpses rot obscurely,
Ghosts escape.
Ghosts! O breathing Beauty,
Give my frank word pardon!
What if I—somehow, somewhere—
Pledged my soul to endless duty
Many a time and oft? Be hard on
Love—laid there?
Nay, blame grief that 's fickle,
Time that proves a traitor,
Chance, change, all that purpose warps,—
Death who spares to thrust the sickle
Laid Love low, through flowers which later
Shroud the corpse!
And you, my winsome lady,
Whisper with like frankness!
Lies nothing buried long ago?
Are yon—which shimmer 'mid the shady
Where moss and violet run to rankness—
Tombs or no?
Who taxes you with murder?
My hands are clean—or nearly!
Love being mortal needs must pass.
Repentance? Nothing were absurder.
Enough: we felt Love's loss severely;
Though now—alas!
Love's corpse lies quiet therefore,
Only Love's ghost plays truant,
And warns us have in wholesome awe
Durable mansionry; that's wherefore
I weave but trellis-work, pursuant
—Life, to law.
The solid, not the fragile,
Tempts rain and hail and thunder.
If bower stand firm at Autumn's close,
Beyond my hope,—why, boughs were agile;
If bower fall flat, we scarce need wonder
Wreathing—rose!
So, truce to the protesting,
So, muffled be the kisses!
For, would we but avow the truth,
Sober is genuine joy. No jesting!
Ask else Penelope, Ulysses—
Old in youth!
For why should ghosts feel angered?
Let all their interference
Be faint march-music in the air!
"Up! Join the rear of us the vanguard!
Up, lovers, dead to all appearance,
Laggard pair!"
The while you clasp me closer,
The while I press you deeper,
As safe we chuckle,—under breath,
Yet all the slyer, the jocoser,—
"So, life can boast its day, like leap-year,
Stolen from death!"
Ah me—the sudden terror!
Hence quick—avaunt, avoid me,
You cheat, the ghostly flesh-disguised!
Nay, all the ghosts in one! Strange error!
So, 't was Death's self that clipped and coyed me,
Loved—and lied!
Ay, dead loves are the potent!
Like any cloud they used you,
Mere semblance you, but substance they!
Build we no mansion, weave we no tent!
Mere flesh—their spirit interfused you!
Hence, I say!
All theirs, none yours the glamour!
Theirs each low word that won me,
Soft look that found me Love's, and left
What else but you—the tears and clamor
That 's all your very own! Undone me—
Ghost-bereft!

HERVÉ RIEL

This ballad was printed first in the Cornhill Magazine for March, 1871. In a letter to Mr. George Smith, one of the publishers of the magazine, Browning stated that he intended to devote the proceeds of the poem to the aid of the people of Paris suffering from the Franco-German war. The publisher generously seconded his resolve and paid one hundred pounds for the poem.

I
On the sea and at the Hogue, sixteen hundred ninety-two,
Did the English fight the French,—woe to France!
And, the thirty-first of May, helter-skelter through the blue,
Like a crowd of frightened porpoises a shoal of sharks pursue,
Came crowding ship on ship to Saint Malo on the Rance,
With the English fleet in view.
II
'T was the squadron that escaped, with the victor in full chase;
First and foremost of the drove, in his great ship, Damfreville;
Close on him fled, great and small,
Twenty-two good ships in all;
And they signalled to the place
"Help the winners of a race!
Get us guidance, give us harbor, take us quick—or, quicker still,
Here 's the English can and will!"
III
Then the pilots of the place put out brisk and leapt on board;
"Why, what hope or chance have ships like these to pass?" laughed they:
"Rocks to starboard, rocks to port, all the passage scarred and scored,
Shall the 'Formidable' here with her twelve and eighty guns
Think to make the river-mouth by the single narrow way,
Trust to enter where 't is ticklish for a craft of twenty tons,
And with flow at full beside?
Now, 't is slackest ebb of tide.
Reach the mooring? Rather say,
While rock stands or water runs,
Not a ship will leave the bay!"
IV
Then was called a council straight.
Brief and bitter the debate:
"Here 's the English at our heels; would you have them take in tow
All that 's left us of the fleet, linked together stern and bow,
For a prize to Plymouth Sound?
Better run the ships aground!"
(Ended Damfreville his speech).
"Not a minute more to wait!
Let the Captains all and each
Shove ashore, then blow up, burn the vessels on the beach!
France must undergo her fate.
V
"Give the word!" But no such word
Was ever spoke or heard;
For up stood, for out stepped, for in struck amid all these
—A Captain? A Lieutenant? A Mate—first, second, third?
No such man of mark, and meet
With his betters to compete!
But a simple Breton sailor pressed by Tourville for the fleet,
A poor coasting-pilot he, Hervé Riel the Croisickese.
VI
And "What mockery or malice have we here?" cries Hervé Riel:
"Are you mad, you Malouins? Are you cowards, fools, or rogues?
Talk to me of rocks and shoals, me who took the soundings, tell
On my fingers every bank, every shallow, every swell
'Twixt the offing here and Grève where the river disembogues?
Are you bought by English gold? Is it love the lying 's for?
Morn and eve, night and day,
Have I piloted your bay,
Entered free and anchored fast at the foot of Solidor.
Burn the fleet and ruin France? That were worse than fifty Hogues!
Sirs, they know I speak the truth! Sirs, believe me there 's a way!
Only let me lead the line,
Have the biggest ship to steer,
Get this 'Formidable' clear,
Make the others follow mine,
And I lead them, most and least, by a passage I know well,
Right to Solidor past Grève,
And there lay them safe and sound;
And if one ship misbehave,
—Keel so much as grate the ground,
Why, I 've nothing but my life,—here 's my head!" cries Hervé Riel.
VII
Not a minute more to wait.
"Steer us in, then, small and great!
Take the helm, lead the line, save the squadron!" cried its chief.
Captains, give the sailor place!
He is Admiral, in brief.
Still the north-wind, by God's grace!
See the noble fellow's face
As the big ship, with a bound,
Clears the entry like a hound,
Keeps the passage as its inch of way were the wide sea's profound!
See, safe through shoal and rock,
How they follow in a flock,
Not a ship that misbehaves, not a keel that grates the ground,
Not a spar that comes to grief!
The peril, see, is past,
All are harbored to the last,
And just as Hervé Riel hollas "Anchor!"—sure as fate,
Up the English come—too late!
VIII
So, the storm subsides to calm:
They see the green trees wave
On the heights o'erlooking Grève.
Hearts that bled are stanched with balm.
"Just our rapture to enhance,
Let the English rake the bay,
Gnash their teeth and glare askance
As they cannonade away!
'Neath rampired Solidor pleasant riding on the Rance!"
How hope succeeds despair on each Captain's countenance!
Out burst all with one accord,
"This is Paradise for Hell!
Let France, let France's King
Thank the man that did the thing!"
What a shout, and all one word,
"Hervé Riel!"
As he stepped in front once more,
Not a symptom of surprise
In the frank blue Breton eyes,
Just the same man as before.
IX
Then said Damfreville, "My friend,
I must speak out at the end,
Though I find the speaking hard.
Praise is deeper than the lips:
You have saved the King his ships,
You must name your own reward.
'Faith, our sun was near eclipse!
Demand whate'er you will,
France remains your debtor still.
Ask to heart's content and have! or my name 's not Damfreville."
X
Then a beam of fun outbroke
On the bearded mouth that spoke,
As the honest heart laughed through
Those frank eyes of Breton blue:
"Since I needs must say my say,
Since on board the duty 's done.
And from Malo Roads to Croisic Point, what is it but a run?—
Since 't is ask and have, I may—
Since the others go ashore—
Come! A good whole holiday!
Leave to go and see my wife, whom I call the Belle Aurore!"
That he asked and that he got,—nothing more.
XI
Name and deed alike are lost:
Not a pillar nor a post
In his Croisic keeps alive the feat as it befell;
Not a head in white and black
On a single fishing-smack,
In memory of the man but for whom had gone to wrack
All that France saved from the fight whence England bore the bell.
Go to Paris: rank on rank
Search the heroes flung pell-mell
On the Louvre, face and flank!
You shall look long enough ere you come to Hervé Riel.
So, for better and for worse,
Hervé Riel, accept my verse!
In my verse, Hervé Riel, do thou once more
Save the squadron, honor France, love thy wife the Belle Aurore!

A FORGIVENESS