The attachment of the Lutheran church of this age to pure doctrine led to a one-sided over-estimation of it, often ending in dead orthodoxy. But a succession of able and learned theologians, who recognised the importance of heart theology as well as sound doctrine, corrected this evil tendency by Scripture study, preaching, and faithful pastoral work. A noble and moderate mysticism, which was thoroughly orthodox in its beliefs, and opposing orthodoxy only where that had become external and mechanical, had many influential representatives throughout the whole country, especially during the first half of it. But also separatists, mystics, and theosophists made their appearance, who were decidedly hostile to the church. Sacred song flourished afresh amid the troubles of the Thirty Years’ War; but gradually lost its sublime objective church character, which was poorly compensated by a more flowing versification, polished language, and elegant form. A corresponding advance was also made in church music.
§ 160.1. Mysticism and Asceticism.—At the head of the orthodox mystics stands John Arndt. His “True Christianity” and his “Paradiesgärtlein” are the most widely read Lutheran devotional books, but called forth the bitter hostility of those devoted to the maintenance of a barren orthodoxy. He died in A.D. 1621, as general superintendent at Celle. He had been expelled from Anhalt because he would not condemn exorcism as godless superstition, and was afterwards in Brunswick publicly charged by his colleague Denecke and other Lutheran zealots with Papacy, Calvinism, Osiandrianism, Flacianism, Schwenckfeldism, Paracelsism, Alchemism, etc. As men of a similar spirit, anticipators of the school of Spener, may be named John Gerhard of Jena, with his “Meditationes Sacræ” and “Schola pietatis,” and Christian Scriver, whose “Gotthold’s Emblems” is well known to English readers. Rahtmann of Danzig maintained that the word of God in Scripture has not in itself the power to enlighten and convert men except through the gracious influence of God’s Spirit. He was supported, after a long delay, in A.D. 1626 by the University of Rostock, but opposed by Königsberg, Jena, and Wittenberg. In A.D. 1628, the Elector of Saxony obtained the opinion of the most famous theologians of his realm against Rahtmann; but his death, which soon followed, brought the controversy to a close.—The Württemberg theologian, John Valentine Andreä, grandson of one of the authors of the Formula of Concord, was a man of striking originality, famous for his satires on the corruptions of the age. His “Order of Rosicrucians,” published at Cassel in A.D. 1614, ridiculed the absurdities of astrology and alchemy in the form of a satirical romance. His influence on the church of his times was great and wholesome, so that even Spener exclaimed: “Had I the power to call any one from the dead for the good of the church, it would be J. V. Andreä.” His later devotional work was almost completely forgotten until attention was called to it by Herder.469
§ 160.2. Mysticism and Theosophy.—A mystico-theosophical tendency, partly in outward connexion with the church, partly without and in open opposition to it, was fostered by the alchemist writings of Agrippa and Paracelsus, the theosophical works of Weigel (§ 146, 2) and by the profound revelations of the inspired shoemaker of Görlitz, Jacob Boehme, philosophus teutonicus, the most talented of all the theosophists. In a remarkable degree he combined a genius for speculation with the most unfeigned piety that held firmly by the old Lutheran faith. Even when an itinerant tradesman, he felt himself for a period of seven days in calm repose, surrounded by the divine light. But he dates his profound theosophical enlightenment from a moment in A.D. 1594, when as a young journeyman and married, thrown into an ecstasy, he obtained a knowledge of the divine mysteries down to the ultimate principles of all things and their inmost quality. His theosophy, too, like that of the ancient gnostics, springs out of the question about the origin of evil. He solves it by assuming an emanation of all things from God, in whom fire and light, bitter and sweet qualities, are thoroughly tempered and perfectly combined, while in the creature derived by emanation from him they are in disharmony, but are reconciled and reduced to godlike harmony through regeneration in Christ. Though opposed by Calov, he was befriended by the Dresden consistory. Boehme died in A.D. 1624, in retirement at Görlitz, in the arms of his family.470—In close connexion with Boehmists, separatists, and Pietists, yet differing from them all, Gottfried Arnold abused orthodoxy and canonized the heretics of all ages. In A.D. 1700 he wrote “The Mystery of the Divine Sophia.” When Adam, originally man and woman, fell, his female nature, the heavenly Sophia, was taken from him, and in his place a woman of flesh was made for him out of a rib; in order again to restore the paradisiacal perfection Christ brought again the male part into a virgin’s womb, so that the new creature, the regenerate, stands before God as a “male-virgin;” but carnal love destroys again the connexion thus secured with the heavenly Sophia. But the very next year he reached a turning-point in his life. He not only married, but in consequence accepted several appointments in the Lutheran church, without, however, signing the Formula of Concord, and applied his literary skill to the production of devotional tracts.
§ 160.3. Sacred Song (§ 142, 3).—The first epoch of the development of sacred song in this century corresponds to the period of the Thirty Years’ War, A.D. 1618-1648. The Psalms of David were the model and pattern of the sacred poets, and the profoundest songs of the cross and consolation bear the evident impress of the times, and so individual feeling comes more into prominence. The influence of Opitz was also felt in the church song, in the greater attention given to correctness and purity of language and to the careful construction of verse and rhyme. Instead of the rugged terseness and vigour of earlier days, we now find often diffuse and overflowing utterances of the heart. John Hermann of Glogau, who died in A.D. 1647, composed 400 songs, embracing these: “Alas! dear Lord, what evil hast Thou done?” “O Christ, our true and only Light;” “Ere yet the dawn hath filled the skies;” “O God, thou faithful God.” Paul Flemming, a physician in Holstein, who died in A.D. 1640, wrote on his journey to Persia, “Where’er I go, whate’er my task.” Matthew Meyffart, professor and pastor at Erfurt, who died in A.D. 1642, wrote “Jerusalem, thou city fair and high.” Martin Rinkart, pastor at Eilenburg in Saxony, who died A.D. 1648, wrote, “Now thank we all our God.” Appelles von Löwenstern, who died A.D. 1648, composed, “When anguished and perplexed, with many a sigh and tear.” Joshua Stegmann, superintendent in Rinteln, who died A.D. 1632, wrote, “Abide among us with thy grace.” Joshua Wegelin, pastor in Augsburg and Pressburg, wrote, “Since Christ is gone to heaven, his home.” Justus Gesenius, superintendent in Hanover, who died in A.D. 1673, wrote, “When sorrow and remorse.” Tob. Clausnitzer, pastor in the Palatinate, who died A.D. 1648, wrote, “Blessed Jesus, at thy word.” The poets named mostly belong to the first Silesian school gathered round Opitz. A more independent position, though not uninfluenced by Opitz, is taken up by John Rist, who died in A.D. 1667. He composed 658 sacred songs, of which many are remarkable for their vigour, solemnity, and elevation; e.g. “Arise, the kingdom is at hand;” “Sink not yet, my soul, to slumber;” “O living Bread from heaven;” “Praise and thanks to Thee be sung.” At the head of the Königsberg school of the same age stood Simon Dach, professor of poetry at Königsberg, who died in A.D. 1659. He composed 150 spiritual songs, among which the best known are, “O how blessed, faithful souls, are ye!” “Wouldest thou inherit life with Christ on high?” The most distinguished members of this school are: Henry Alberti, organist at Königsberg, author of “God who madest earth and heaven;” and George Weissel, pastor in Königsberg, who died in A.D. 1655, author of “Lift up your heads, ye mighty gates.”
§ 160.4. From the middle of the seventeenth century sacred song became more subjective, and so tended to fall into a diversity of groups. No longer does the church sing through its poets, but the poets give direct expression to their individual feelings. Confessional songs are less frequent, and their place is taken by hymns of edification with reference to various conditions of life; songs of death, the cross and consolation, and hymns for the family become more numerous. With objectivity special features of the church song disappear in the hymns of the period; but some of its essential characteristics remain, especially the popular form and contents, the freshness, liveliness, and simplicity of diction, the truths of personal experience, the fulness of faith, etc. We distinguish three groups:
§ 160.5. Sacred Music (§ 142, 5).—The church music in the beginning of the seventeenth century was affected by the Italian school, just as church song was by the influence of Opitz. The greatest master during the transition stage was John Crüger, precentor in the church of St. Nicholas in Berlin, died A.D. 1662. He was to the chorale what Gerhardt was to the church song. We have seventy-one new melodies of his, admirably adapted to Gerhardt’s, Hunnius’s, Franck’s, Dach’s, and Rinkart’s songs, and used in the church till the present time. With the second half of the century we enter on a new period, in which expression and musical declamation perish. Choir singing now, to a great extent, supersedes congregational singing. Henry Schütz, organist to the Elector of Saxony, died A.D. 1672, is the great master of this Italian sacred concert style. He introduced musical compositions on passages selected from the Psalms, Canticles, and prophets, in his “Symphoniæ Sacræ” of A.D. 1629. After a short time a radical reform was made by John Rosenmüller, organist of Wolfenbüttel, died A.D. 1686. A reaction against the exclusive adoption of the Italian style was made by Andr. Hammerschmidt, organist at Zittau, died A.D. 1675, one of the noblest and most pious of German musicians. By working up the old church melodies in the modern style, he brought the old hymns again into favour, and set hymns of contemporary poets to bright airs suited to modern standards of taste. The accomplished musician Rud. Ahle, organist and burgomaster at Mühlhausen, died A.D. 1673, introduced his own beautiful airs into the church music for Sundays and festivals. His sacred airs are distinguished for youthful freshness and power, penetrated by a holy earnestness, and quite free from that secularity and frivolousness which soon became unpleasantly conspicuous in such music.—Continuation, § 167, 7.
§ 160.6. The Christian Life of the People.—The rich development of sacred poetry proves the wonderful fulness and spirituality of the religious life of this age, notwithstanding the many chilling separatistic controversies that prevailed during the terrible upheaval of the Thirty Years’ War. The abundance of devotional literature of permanent worth witnesses to the diligence and piety of the Lutheran pastors. Ernest the Pious of Saxe-Gotha, who died A.D. 1675, stands forth as the ideal of a Christian prince. For the Christian instruction of his people he issued, in the midst of the confusion and horrors of the war, the famous Weimar or Ernestine exposition of the Bible, upon which John Gerhard wrought diligently, along with other distinguished Jena theologians. It appeared first in A.D. 1641, and by A.D. 1768 had gone through fourteen large editions. A like service was done for South Germany by the “Württemberg Summaries,” composed by three Württemberg theologians at the request of Duke Eberhard III., a concise, practical exposition of all the books of Scripture, which for a century and a half formed the basis of the weekly services (Bibelstunden) at Württemberg.—Continuation, § 167, 8.
§ 160.7. Missions.—In the Lutheran church, missionary enterprise had rather fallen behind (§ 142, 8). Gustavus Adolphus of Sweden carried on the Lapp mission with new zeal, and Denmark, too, gave ready assistance. A Norwegian pastor, Thomas Westen, deserves special mention as the apostle of the mission. A German, Peter Heyling of Lübeck, went on his own account as a missionary to Abyssinia in A.D. 1635, while several of his friends at the same time went to other eastern lands. Of these others no trace whatever has been found. An Abyssinian abbot who came to Europe brought news of Heyling. At first he was hindered by the machinations of the Jesuits; but when these were expelled, he found favour at court, became minister to the king, and married one of the royal family. What finally came of him and his work is unknown. Toward the end of the century two great men, the philosopher Leibnitz and the founder of the Halle Orphanage, A. H. Francke, warmly espoused the cause of foreign missions. The ambitious and pretentious schemes of the philosopher ended in nothing, but Francke made his orphanages, training colleges and centres from which the German Lutheran missions to the heathens were vigorously organized and successfully wrought.—Continuation, § 167, 9.