CHARACTERS.

COSTUMES.

Robert. Acts 1 and 2, Uniform of a private. Act 3, Uniform of a colonel.

Rowell. Act 1, Modern dress, change to colonel's uniform. Act 2, Colonel's undress uniform. Act 3, Fashionable dress.

Hosea. Act 1, Make up "fat;" blue coat with brass buttons; nankeen pants; striped vest; white necktie; face florid; nose a little pimply; curly gray wig. Act 3, Something like the same, but figure rather emaciated; cheeks sunken; and a little more bald than in first act.

Hiram Jenks. Act 1, Short jacket, through which his arms protrude; light pants, very short; blue stockings; thick shoes; crop wig; general juvenile appearance. Act 3, Short dress bob-tail coat, &c.; not dandified, but neat; should be an entire change from Act 1.

Crimp. Act 1, Black woolly wig; gray pants; white shirt, sleeves rolled up; wide-rimmed straw hat. Act 2, Disguise of an old darkey; gray wig; gray side-whiskers; blue shirt; white duck pants, with one suspender. Act 3, Black coat and pants; white vest; white necktie.

Gen. Grant. Uniform of major-general, with cloak; military slouch hat, full beard, and make up as usual.

Gaylie Gifford. Act 1, Neat travelling-suit. Act 3, Handsome evening-dress.

Mrs. Trueworth. Black dress, white collar and cuffs, and widow's cap, very neat.

Mattie. Act 1, Muslin dress and white apron; sleeves rolled up. Act 3, Evening dress.

NOTE.—"Enlisted for the War," here presented in its most simple form, can be elaborately produced, if preferred. Where a military display is desirable, the second act will allow of "an awkward-squad drill," "relieving guard," a bayonet-drill, or the introduction of a camp song. At the end of the third act, the returning company might march across the stage, behind windows and door, illuminated with white and red lights, with the chorus "Marching through Georgia."

Act I.—Scene. Interior of farm-house. Door in flat, R. C. Window in flat, L. C. Outside the window arrange flowers in pots, and shrubbery. Inside, muslin curtain draped up at L. Window open; between it and door, bureau or secretary. Lounge or sofa, L. Rocking-chair, R. C. Small table with a chair beside it, L. C.; writing-materials on table. Chair, L. Mrs. Trueworth discovered in rocking-chair, knitting and rocking. Mattie in chair beside table, her arms folded on table, her face hidden in her arms.

Hosea

(outside). It's a downright shame. Look at it; a fine piece of property like this going, going at such a ruinous sacrifice; and I'm only offered nine hundred and fifty dollars for it; literally flowing with milk and honey. Shall I have ten,—ten, do you say? Quick, or you lose it; nine hundred and fifty once, nine hundred and fifty twice, nine hundred and fifty,—going, going, and gone to Wilder Rowell, Esq., for nine hundred and fifty dollars. You've got a bargain.

Mattie

(raising her head). Do you hear, mother? To Wilder Rowell.

Mrs. T.

It's a shame to let it go for that price, and to a stranger.

Mattie.

Mr. Rowell is no stranger, mother. It's now five years since he came to Grainlow with Mr. Gifford.

Mrs. T.

For all that, he's a stranger,—a proud, haughty man, whom nobody likes, nobody has confidence in.

Mattie.

Mr. Gifford had confidence enough to give him the guardianship of his daughter when he died two years ago; and Gaylie likes him. As for being proud and haughty, to me he is always pleasant and condescending.

Mrs. T.

Condescending, indeed! You're just as good as he is. Bless you, child, the Trueworths held their heads as high as the best of folks until our troubles commenced. Your father took to borrowing to experiment with his patent wrinkles, and mortgaged the farm to that mean skinflint, Hosea Jenks. Ah, well! he did it for the best, no doubt. Only six months dead, and now the old farm has gone too.

Mattie.

Mother 'tis hard, 'tis cruel, to leave you homeless in your old age. Had father been wise—

Mrs. T.

Hush, child! not a word against him. He was a good, kind father, and a husband to be proud of. In all his troubles he never would touch a cent of the money we had put by to push Rob through college. That was safely locked up; and the lad came through with all the honors.

Mattie.

What good can his learning do him now?

Mrs. T.

That remains to be seen. When the call came for men, our boy, bless him! stepped out with the first, and enlisted for the war. Then came the hard blow, hardest of all to bear. My own dear, noble husband breathed out his life in my arms, and joined the true and noble in that better land. Hark! I hear Robert's step. (Mattie rises, and goes up to the window. Robert enters slowly door in flat; comes down, places his hand on the back of his mother's chair.)

Rob.

Mother, the farm has gone. We are homeless.

Mrs. T.

(wipes her eyes, and endeavors to suppress emotion). Yes, Rob, the old home is ours no more. Perhaps it is as well we made a change. Now he who, who (rises, and stretches out her arms)—O Rob, Rob! I can't bear it; I can't bear it. (Sobs, and falls upon his neck.)

Rob

(embracing her). O mother! this should not have been. Had I known the worst, I could have prevented it. I have strong arms and a cool head. I could have managed the farm. I thought father was so comfortably settled; and now my enlistment binds me. Oh, I could have done bravely!

Mrs. T.

(recovering). And you will do bravely now, where every true man should stand in the hour of his country's peril, in the ranks of brave defenders. Fear not for us: there's a power of strength in these old arms yet, and a stout heart to struggle; ay, and a brave one. Am I not the mother of a man who leaves all to serve his country?

Rob.

Brave mother, you shall have a son to be proud of.

Mrs. T.

Right, boy. And my prayers and blessing shall cheer you on to victory.

Rob.

Yet you are homeless, mother. Our regiment is ready for the field: it only awaits the appointment of a colonel. I may be called away at an hour's notice. If I could only have secured the old home for you, I should have been content.

Mattie.

Rob, why did you not ask the assistance of Gaylie Gifford? She is rich, and I know would have helped us,—her old home too.

Rob.

Yes, her old home. Dear little girl! how fond we all were of her, and she of us! But she went away to school two years ago, perhaps has forgotten us.

Mrs. T.

Why, Rob, not a week passes but I have a letter from her; such a good, kind letter too!

Rob.

Yes, I know; and yet I could not ask her assistance.

Mattie.

Perhaps you are right, Rob; but it does seem hard, after all the care and attention she has received from mother, she could do nothing for us. But they do say money makes inward changes as well as outward. Thank Heaven, we're out of its temptation!

[Exit R.

Rob

(seating his mother in her chair, and kneeling at her side). Mother, there's one reason why I could not ask Gaylie for assistance. I should like to tell you, for I would want her to know it should I never return.

Mrs. T.

Never return! O Rob! do not say that.

Rob.

That is one of the chances of war, mother. We must think of it. 'Tis the unlucky chance in this game of life, when so much depends on my success. But Gaylie, mother.

Mrs. T.

Well, Rob, what of Gaylie?

Rob.

Mother, you will, perhaps, call me mad; but, since Gaylie left us, a wild and strong desire has taken possession of my heart. I could not see her growing up so good and beautiful, without becoming more and more strongly attached to her. At college my dreams were of her; my waking thoughts again and again fashioned her image into dear companionship; and I have at last dared to believe that I might one day woo her, perhaps win her.

Mrs. T.

Rob, my boy, 'tis a wild dream. She is a rich heiress; in a year will be mistress of that grand estate yonder. (Enter door in flat Wilder Rowell.)

Rob.

Yes, mother; but I am a soldier of the Union; and, out of that glorious majority who are to battle for its rights, the North will pick its trusty leaders. Why may not I rise? Why may not I win rank and glory? and, when that is gained, why may not I dare to ask the hand of her I love so dearly, Gaylie Gifford?

Rowell

(at back). I beg your pardon if I intrude. (Rob rises.) Mr. Jenks asked me to step inside. He will soon join me to complete the sale.

Mrs. T.

(rising). You are in your own house, sir. 'Tis we who intrude.

Rob.

Mr. Rowell, I shall take immediate steps to find another home for my mother and sister. We will not long trespass.

Rowell

(down L.). Oh, take your own time: perhaps 'twill not be necessary to remove.

Rob.

How? I do not understand you.

Rowell.

I will speak with you again: for the present, make yourself perfectly at home in my house.

Rob

(aside). His house. Poor old house! you have fallen among thieves. Come, mother. (Puts his arm about his mother's waist, and they exeunt R. Rowell looks after them, then places his hat on bureau at back, and sits at table.)

Rowell.

Well, I certainly have heard something to my advantage. So, my fine soldier-boy, you love my ward, Gaylie Gifford. So do I. There we are perfectly agreed. But, when it comes to possession, I think we shall quarrel. Forewarned, forearmed. I have purchased this farm for the purpose of pleasing my ward; well knowing, that, had she been informed of the sale, she would have requested its purchase, that in gratitude she might have restored it to her old protectress. Her gratitude to me, for my wise forethought, would, no doubt, bring me one step nearer to my ambition. But this soldier loves her; should she be allowed to carry out her wishes, would love her all the more, perhaps arouse an answering affection. No. I'll keep the farm for my own pleasure; perhaps play the rôle of benefactor myself. Gaylie's large fortune must be shared with me. I never dreamed of this fellow's ambition. He rise? If fortune only smile upon me, I will guard against that.

Crimp

(outside). I'm obleeged to you, Massa Jinks. I jes w-w-want to know w-w-w-whar you gwine t-t-t-ote dis yere farm?

Hosea

(outside). Oh, bother! do you suppose we're going to dig it up, and cart it off, you stupid? (Enter door in flat, followed by Crimp.)

Crimp.

S'pose, s'pose; donno nuffin 'bout s'posin, Massa Jinks. You cum down here, Massa Jinks, betwixt eleben and seben, A.M., into de forenoon. You stick up a red frag ober de do', and you gets up onto de barril; and, when you's onto de barril, you gets a crowd round de barril, and deliber a Fourfe-ob-July speech onto de barril, and you jaw away, and ax 'em for dollars, nine hundred dollars, fify dollars, and tell dat ar assemblin' dis yere farm am gwine, gwine, gwine; and all I ax you for to tole me, whar it am gwine for to go. I'm obleeged to you.

Hosea.

Oh! that's only a figurative expression. I've sold the farm: that's all.

Crimp.

Figger-who? Sole de farm; who tole you? who ax you?

Hosea.

My interest.

Crimp.

In-ter-which? who's he?

Hosea.

I had a mortgage on the property, foreclosed, and sold out.

Crimp.

M-m-m-orgages onto de property. No, sar, don't raise 'em; heaps ob cabbages, but no morgages. I'm obleeged to you.

Hosea.

Well, I've sold the property,—house, land, farming-utensils, and live stock.

Crimp.

Live stock; horses, cows, by golly, and de hogs (Hosea nods), and de chickens and roosters?

Hosea.

Yes, sold them all.

Crimp.

By golly, you don't mean it; w-w-w-what we gwine to do for Fanksgibben? And de ole ram Jim,—he gwine too?

Hosea.

Yes, the old ram Jim.

Crimp.

Golly, dat so? I'm obleeged to you, Massa Jinks. Dat are ole ram Jim am de mos' dyspeptic biped—

Hosea.

Quadruped, Crimp. Bipeds walk on two legs: he goes on four.

Crimp.

Does he, Massa Jinks? You jes' don't know ole Jim: by golly, he's on two legs mos' de time, and gwine for me so (imitates butting), see, so. Hope I may die, Massa Jinks, if dat ar ole Jim didn't creep up a-hind me las' night when I was a-leanin' ober de pig-sty, jes' as easy, and lif' me ober dat ar fence into de mud, afore you could ax no questions. Nearly took away my bref. I'm glad he's gwine; he's too sociable; he is always teasin' folks to take a horn wid him, always wantin' to help gib you a boost. By golly, I's glad ole Jim gwine.

Hosea.

Suppose you go and tell him so.

Crimp.

What, me? Guess not, Massa Jinks. We ain't on speakin' terms; de conbersation am always interrupted wid so many buts, can't get on at all. But I'll jes' go and gib him a hint, Massa Jinks,—wid a stone. By golly, ole Jim gwine! Hi! de jubilum am come. I'm obleeged to you.

[Exit F.

Hosea.

Now, Mr. Rowell, I'm at your service; sorry to have kept you waiting.

Rowell.

It's of no consequence, Jenks: by the way, Miss Mattie Trueworth is a very pretty girl.

Hosea.

Isn't she? If she only went with the farm you'd get the true worth of your money. You see: ha, ha, ha! I'm always doing it: can't help it; will pop out in my office, at my table, even in my dreams. It's a bad habit,—a punicious habit, for which I ought to be punished. There it is again! Ha, ha, ha! I can't help it. I try, but it's no use; in my office, at my table—

Rowell.

I'm to pay you one hundred dollars.

Hosea.

Exactly, to bind the bargain; balance in ten days.

Rowell

(takes out pocket-book). These Trueworths are evidently in a bad way.

Hosea.

Very. Farm gone, all gone. Poor folks! my heart bleeds for them.

Rowell.

Does it, indeed? The farm is sold to pay your claim.

Hosea.

Yes, and you've got a bargain. It's wartimes, and folks ain't a-goin' to put out their money. A year ago, three thousand dollars could not have bought this farm. What's the use of buying land when there's no telling but what the Southern Confederacy will sweep every thing afore the war's over?

Rowell.

Indeed! then you've not much faith in the success of Northern arms?

Hosea.

It does look a leetle black for the North.

Rowell.

If that's your opinion, perhaps I'd better withdraw before the bargain's closed.

Hosea.

What! back out? Don't you do it! It's always blackest just afore day. The right must conquer: it's a magnificent farm. It's only a question of time: a hundred dollars if you have it ready. The Union must be preserved: best cows in the country. Look at the uprising: a million freemen in arms,—ninety acres of meadow-land,—marching on to victory. And we're so far north, you know, it's a safe investment. I'll write a receipt.

Rowell

(throws down money, and rises). There's your money.

Hosea.

That's good. (Snatches the money.) The best investment you ever made. (Sits and writes.) There's your receipt. Thank you. (Rises and shouts.) Hi, sonny, take down the flag: bargain's closed. That's my son out there; a mere boy, but awful smart if he's kept in his place. Hiram Jenks is his baptismal name. I call him Hi, for short: see the pun? ha, ha, ha! Hi Jenks, when I'm in a highly humorous vein,—that's another; and when he's in a teasing humor, I call him Hi, son. There's another! Ha, ha, ha! Can't help it: I'm always doing it. I must be funny; in my office, at my table—

Rowell.

You seem to be a very busy man, Mr. Jenks.

Hosea.

I am. I'm a auctioneer, funeral undertaker, coroner, lawyer, expressman, carpenter, shoemaker, any thing by which I can gain an honest penny. There's only one office that seems necessary to my happiness. I would be a postmaster; and Stamps is on his last legs. Poor fellow! he's nearly stamped out of existence. You see: ha, ha, ha! I can't help it; it will pop out. Perhaps it's better, for humor is dangerous when it strikes in. See? Ha, ha, ha!

Rowell.

Your humor is not of the strikin' kind, Mr. Jenks.

Hosea.

Ha, ha, ha! very good; it's catching. Strike in: that's (looks grave) rather good.

Rowell.

There's a son at the head of this Trueworth family, I believe?

Hosea.

Yes; a splendid fellow, who enlisted a week before his father died. Poor chap! he's awfully cut up. Thought the old folks nicely settled, and was chock full of patriotism. Was disappointed in that, but could not get out of Uncle Sam's clutches. I couldn't afford to lose my money, so foreclosed and sold out. (Enter door in flat Hiram Jenks with a long pole, on which a red auction-flag is rolled, on his shoulder.)

Rowell.

'Twas a hard blow for the family. (Hiram turns to shut the door: pole swings round, and hits Hosea in the head.)

Hosea.

Oh, murder! you clumsy chap, you've broke my head.

Hiram.

'Twas a hard blow for you, dad,—an auctioneer knocked down under his own flag.

"When pole meets poll, then comes the crack of skull."

Hosea.

Shut up, sonny! Where's your manners? Hold up your head. (Hiram obeys the directions as spoken.) Boys should be seen, not heard. Turn out your toes. That was good, though, "when pole meets poll:" ha, ha, ha! He can't help it: takes it from me. I can't help it; in my office, at the table—

Rowell.

I'm anxious to settle this business at once, and get possession of the farm. If you will arrange the papers, my check is ready to-day for the whole amount of purchase.

Hosea.

I like that. My son, hold up your head: here's an example for you; a man who's anxious to pay,—turn out your toes,—who never puts off until to-morrow what can be done to-day. When you grow up, sonny, remember ready is the color of the winning horse on the racecourse of life,—Ready-cash; by whom that dun-colored nag Promise-to-pay is always distanced. Ha, ha, ha! There's a pair of 'em. I can't help it; it will pop out; in my office, at my table—

Rowell.

I'm in something of a hurry.

Hosea.

All right: step over to my office, and we'll settle up at once. Sonny, straighten up! You are released from official business, and may go off fishing. (Pats him on the head.) That's good, Ha, ha, ha! I can't help it; 'twill pop out regardless of time and place. We wits know no pent-up Utaca. You take, hey, Rowell? Ha, ha, ha! I really can't help it; in my office, at my table—

Rowell.

Mr. Jenks, I really must insist—

Hosea.

You can't stand it, hey? Then we'll move on. Sonny, stand by the flag. I'm going, going, gone. Ha, ha, ha! [Exit, followed by Rowell, door in flat.]

Hiram

(stands C., and looks after them). Sonny, sonny! Well, if the old man keeps on his degenerating pace, he'll be in his second childhood in six months. Calls me a boy, a mere boy: twenty last month. Keeps me in a short jacket, and shorter pantaloons. Makes me keep my hair sandpapered like an urchin of ten. It's about time this thing was stopped. If my arm creeps through this jacket much farther, I'm very much afraid it will rise in indignation, and smite my aged sire. "Honor your parents" is a very good maxim, but it may be carried a little too far. I'd go into the army, but he won't let me; swears I shall stand by the old flag. (Clasps the auction-flag in his arms.) No matter: it's only a year, and I am free. Ah! here's Mattie Trueworth, a girl I would lay down my life for, and who laughs at me. Heigho! if I wasn't a boy, I should be very much in love with her. How d'ye do, Mattie? (Enter Mattie R.)

Mattie.

Oh! it's you, Hiram Jenks.

Hiram.

Yes, it's me, Mattie: the standard-bearer, (pompously) bearing the old flag, that has conquered in so many battles; under whose folds so many household gods have fallen, never to rise again.

Mattie.

Pshaw! you'd look more manly bearing the flag of your country.

Hiram.

S'pect I would, Mattie: it's what I'd like. But dad says No.

Mattie.

Oh, indeed! a dutiful son, truly. The house is sold: why do you wait here?

Hiram.

To get a word with you, Mattie. I've a great admiration for you. If I dared, I would tell you that I love you. (Places flag in R. corner back.)

Mattie.

Don't you dare do any such thing. You must know I detest you, a mere boy; why, you're not yet out of jacket and trousers!

Hiram

(stretching up his arms). You're mistaken, Mattie: I'm a long way out of them.

Mattie.

Hiram Jenks, you're a fool.

Hiram.

That's just what dad says, Mattie; but he's awfully mistaken. He's old and queer, so I think it no harm to humor his fancies, though I do get laughed at. He does not know, that, long after he's asleep, the fool is studying by candle-light, way into the night; that, while he's about his business, the fool's ears are open, and his eyes sharp set, watching the kinks and tricks of trade. Only a year, Mattie, and I shall be free,—free to laugh at him, free to win you.

Mattie.

Win me! Hiram Jenks, have you lost your senses?

Hiram.

Sometimes I think I have, Mattie, when I look at you. Don't be hard on me. Think me a boy, if you will: only remember that I love you dearly; for your sake, would die a thousand deaths.

Mattie.

What unparalleled devotion! (Sits in chair R., and turns her back.)

Hiram.

Mattie, Rob must soon leave for the battle-field. You will then need a friend. Let me take his place, be a brother to you; or give me the right to be nearer and dearer. (Kneels, and takes her hand.) Speak, Mattie: I love you dearly, truly. (Enter door in flat Hosea, followed by Rowell.)

Hosea.

Good gracious, boy! what are you about? You're spoiling your trousers. (Hiram jumps up.) Mattie, don't let that boy pester you with his nonsense. Sonny, go home. (Aside.) 'Pon my word, I believe the boy was making love to that girl. I must look after him a little closer. (Aloud.) Hiram, hold up your head, turn out your toes, 'bout face, march! (Hiram looks at his father as if he would defy him, then obediently marches off.) Now, Mr. Rowell, you are in possession. There is the deed (giving paper), where you may read your title clear. What's to prevent? Ha, ha, ha! there it is again! I can't help it; in my office—

[Exit D. in F.

Rowell.

Miss Mattie, will you be kind enough to inform your brother that I would speak with him?

Mattie

(rising). Certainly sir, he's somewhere about the place: I'll find him.

[Exit R.

Rowell.

I will make an attempt to dispose of this farm to advantage. I must be quick: Gaylie is expected home to-day, may return at any moment. If this fellow was only out of the way, 'twould be clear sailing. Yet if I can manage to spike his guns before the prize heaves in sight, the victory is mine. (Sits at table. Enter R. Rob.)

Rob.

You would speak with me, Mr. Rowell?

Rowell.

Yes: take a chair. (Rises, and offers chair to Rob, then goes L., and brings chair to L. of table: both sit.) This farm has passed from the possession of your family into my hands; the purchase-money is all paid; and I now hold by right the title-deed. Here it is. (Lays it on table.)

Rob.

I understand. Your property shall be vacated at once.

Rowell.

Not so fast, my dear fellow: hear me out. You are a brave man; you have enlisted in your country's cause. You must go to the battle-field, and leave your dear ones to the tender mercies of this little world. I cannot be insensible to such patriotism, and I would befriend you in this emergency.

Rob.

You befriend me! I have no claim upon you.

Rowell.

But you have upon my ward. She was reared beneath this roof. Were she here, I think she would uphold me in what I am about to do,—restore to you this farm.

Rob.

Restore it! I have no right to it. 'Tis yours by lawful purchase.

Rowell.

You're right; and as an act of justice to one who gives himself to a great cause, that his dear ones shall not be left helpless, I give you back the farm.

Rob.

You do this, Mr. Rowell: you give me the farm freely, unconditionally?

Rowell.

Not exactly. There is one condition, and only one. (Mattie appears at window outside, with a pair of scissors, and is arranging and clipping her flowers, overhearing the following dialogue.)

Rob.

One condition. Mr. Rowell, before you state that condition, let us understand one another. I do not like you. I have felt an instinctive dislike from the time you first entered this town. I have heard hard stories concerning you,—that you have wronged men, ay, and women too. With all that, I have no right to prevent my mother and sister from remaining in their old home. I will not, can I do so honorably. But I will accept no favor from you. Show me any way in which I can redeem this place, the way to win it back by good service that shall repay in full all expenses you have incurred in its purchase, or encumber it with a mortgage and heavy interest; but give me time to redeem, and I will believe you are my friend, will trust you. Come, I have spoken plainly: now let me hear your condition.

Rowell.

Ha! I like plain speaking. You are an adept at it. You don't like me. Well, then, in place of favor, I will offer a bargain. Here it is: this farm to you and yours forever, for a promise—a pledge—that you never offer your hand to my ward, Gaylie Gifford.

Rob.

Gaylie Gifford,—my hand!—Mr. Rowell, you are jesting.

Rowell.

No, I am serious. When I entered this house for the first time to-day, I heard your confession to your mother. I know how grateful Gaylie is for the kind care bestowed upon her here in childhood; and I would not have her kind heart wounded by the belief that one with whom she has been so intimate should presume upon her friendship, to seek to gain her hand, and with it a fortune.

Rob

(rising). Mr. Rowell, you are insulting.

Rowell.

Come, be reasonable! You can never hope to win her. Give me your promise, and the farm is yours.

Rob.

No! A thousand times no! You know my secret, but you know not me. I do love Gaylie Gifford, and with a hopeless love. The very fortune you taunt me with seeking is a bar to keep me silent.

Rowell.

Then take the farm. I will willingly give it up to purchase your silence. She can never be yours: 'twas her father's wish, that, when she became of age, her hand should be given to another.

Rob.

And that other, yourself. Am I not right, Wilder Rowell?

Rowell.

'Twas a pretty shrewd guess.

Rob.

It is a lie. He had no such wish. My father was with him when he died.

Rowell

(rising). Lie! this to me?

Rob.

Ay, a lie! You like plain speaking. I know he left her free to choose her own mate, and bade you, as her guardian, to respect her choice.

Rowell.

I am her choice. Already she trusts me, with a confidence that only love can bring; and I, I love her, dearer than all else in the world.

Rob.

Except her fortune. You love her, Wilder Rowell, and she is in your power. Poor Gaylie! You shall not win her. She is too good, too pure, to mate with such as you, an adventurer, a fortune-hunter.

Rowell.

Indeed! Come, we are rivals. I will be magnanimous: you shall have the first chance. Speak, tell her of your love. If she says, Yes, I'm silent.

Rob.

O villain! you know your power. Speak to her, tell her of my love; I a poor soldier, she a rich heiress! She would think me as mercenary as I know you to be. No, no, I cannot: I love her dearly, truly, but must still love on in secret. (Falls into chair, and buries his face in his hands on table).

Rowell

(rising. Aside). Honorable to the last! There's no fear of him. (Aloud.) Think well of it, Trueworth. Take the farm, and make your dear ones comfortable. The prize you covet hangs too high. (Aside.) Silent! I'll look in on him again (takes deed): an hour's reflection may awaken a better spirit.

[Exit door in flat, passing Mattie, who enters.

Mattie

(going to Rob). Why, Rob, what's the matter?

Rob.

Nothing, Mattie: I was only thinking over a plan I have for your future.

Mattie.

Gaylie's back, Rob: I just saw her carriage drive up to the house.

[Down R.

Rob.

Indeed! Then I shall see her before I go. Where's mother? (Enter Mrs. Trueworth, R.)

Mrs. T.

Here, Rob. What had Mr. Rowell to say to you?

Rob.

Nothing, mother, to benefit us. I must go out, and look about for a new home. Home! home! that's a hard place to find, when the roof that has so long sheltered us is stripped from our heads.

Mrs. T.

Home is where the heart is, Rob; and, while the old love binds us together, we can bid defiance to adversity, beneath the humblest roof.

Rob

(C.). That's right, mother. Keep up a brave heart. We shall weather the storm. (Aside.) Oh! who will care for these dear ones when I am gone? (Crosses to L.)

Gaylie

(outside). Ha, ha, ha, old Jim! you know me, don't you? keep away! Open, locks, whoever knocks. I'm home, I'm home! (Runs in door in flat.) Home, home again! You dear, good Mother Trueworth! (Runs into Mrs. Trueworth's arms, C.; Mattie R., Rob L.)

Mrs. T.

Dear child, welcome, a thousand times welcome!

Gaylie.

I knew you'd be glad to see me; and Mattie (runs to her R., and embraces her), you dear darling, how rosy you look!

Mattie.

Gaylie, this is a surprise. I'm real glad to see you.

Gaylie.

Of course you are; isn't it jolly? But where's Rob?

Rob

(advancing). Here he is; patiently waiting to be recognized.

Gaylie

(runs to him, and catches his hands, shaking them heartily). Oh, you dear old fellow! How glad I am to see you! Why don't you kiss me?

Rob

(kissing her). That was certainly an oversight. So you are back again, the same dear, good Gaylie. Two years' schooling has made little alteration in you.

Gaylie

(C. with Rob; Mrs. Trueworth sits in rocking-chair; Mattie stands L., with arms akimbo). Yes, it has. I'm spoiled, completely spoiled. Got a beau yet, Mattie?

Mattie.

No, indeed! I hope not.

Gaylie.

Ha, ha, ha! what a girl! sneers at her destiny. She'll get over it. Yes, I'm completely spoiled. Went away a cheild of nature, fresh, buoyant, and all that sort of thing: I've come back a cultivated woman. Ahem! (Struts across stage: comes back.) Oh, my poor little head! it's had Latin squeezed into it, Greek pounded into it, and French, German, Spanish, and Italian filtered through it. Oh, it's a learned head! Then my fingers have been calloused into familiarity with all the ugly notes in the musical scale; my feet twisted and turned about all the figures a French dancing-master could invent; and my poor little figure tortured with elegant movements and graceful poses. Oh, bless you! I'm not myself at all. (Goes back to Rob.)

Rob.

You are our own Gaylie still. I know it; I can feel it in the warm clasp of your hand, in the clear light of your eyes.

Gaylie.

Right, Rob: you're always right. For this dear old home, you, my earliest, best friends, are a part of this my heart; and that not all the teaching in the world could change. (Goes to Mrs. Trueworth, and kneels at her side. Rob goes up stage, and watches her.) So here I am again, mother, at your feet. When my father went to that far-off land, years ago, in search of wealth, he left me here, and asked you to be a mother to his child. How well you took the place of her who died when I was so little, let this testify. I am now the heiress to his wealth; I have a home rich and attractive, servants at my call, much that can make life bright and beautiful: but I could part with all, sooner than lose the right to call this home, and you mother.

Mrs. T.

(putting her arms about her). Dear, dear child! You are my own; still the same fresh, warm heart.

Rob

(aside). She's an angel. Had I but the power to call her mine!

Crimp

(outside). Go 'way dar, you Jim! don't yer shake yer head at me. Go' way dar! help! murder! help! (Tumbles in at door, as if "butted;" jumps up, runs, and shuts door, placing his back against it.) Go 'way, yer fool! Nobody to hum.

Rob.

What's the matter, Crimp?

Crimp.

Dat ole fo-fo, Jim, he will insist on squartin' me to de door, an' I don't want none of his attention. Go 'way, out dar: stop dat knockin' at do'!

Gaylie.

Oh, here's our black Cupid! Why, Crimp, old friend, aren't you going to speak to me?

Crimp

(comes down). Why, bress my soul! No, 'tain't. Yes, it am: it's Miss Gaylie hersel'. You dear little honey! bress us an' save us, am dat yerself?

Gaylie

(taking his hand). Yes, it's your old torment; home again, and ready for a frolic.

Crimp.

Wh-wh-at! bress yer purty face; yer ain't grown a mite; gwine fur a frolic; climb de yapple-trees, ride onto de darky's back. Oh, golly! what times we did hab, to be sho'!

Gaylie.

Only give me a chance, Crimp. I'm as spry as ever.

Crimp.

What! would you, dough, ride onto dis year darky's back? By golly! I'm obleeged to you. I's powerful glad to see ye back, honey. Comfort de ole lady, now Massa Rob gwine fur a sojer.

Gaylie.

What! our Rob a soldier?

Crimp.

Yaas, indeed! Don't you see de uniform? gwine along de tramp, tramp, tramp fellars, he am.

Rob.

Yes, Gaylie, enlisted for the war.

Gaylie.

But where are your shoulder-straps, your sword?

Rob.

I am but a private, Gaylie. The emblems of command are yet to be won: they'll come in time, I hope.

Gaylie.

I know they will. O Rob! I'm proud of you.

Crimp.

Same here, Massa Rob. I'm obleeged to you. Golly! if I was only a white man, I'd jist go down dar, I would. Hi! I'd lay 'em out. I'd go for dem are fellars, like ole Jim, so (butting). But dey don't want no brack guards; oh, no! S'pect dey will, dough, glad to git 'em afore de war am ober; and, when de do, hi! Tumms Jeffsum Crimp am dare, he am.

Rob.

It strikes me, Crimp, you are rather monopolizing the conversation. Fall back, sir.

Crimp.

I'm obleeged to you, Massa Rob. I's dumb. (Goes to window, and in dumb show pesters the imaginary Jim by shaking his fist, throwing things out of the window, &c.)

Rob

(L. C.). Yes, Gaylie, I am expecting daily orders to march. I only hope I shall have time to completely settle mother and Mattie in their new home.

Gaylie

(R. C.). Their new home! what do you mean?

Rob.

The farm has been sold, Gaylie,—sold to-day, to satisfy the claim of Hosea Jenks.

Gaylie.

Sold! Why have I heard nothing of this?

Rob.

You must have known it. Pardon me: I see I have been mistaken. Your guardian—

Gaylie.

Has not written me a word concerning you; not a word have I heard of this. But 'tis not too late: the farm can and must be redeemed. Who is the purchaser?

Rob.

Your guardian, Wilder Rowell.

Gaylie.

He bought it? then it's all right. Dear, good fellow! he knew I could not desert you. That's just splendid! (Enter hurriedly, Rowell, door in F.)

Rowell.

Miss Gaylie, I have this moment heard of your arrival. Welcome home! (Gives his hand.)

Gaylie

(eagerly shaking it). A thousand, thousand thanks, Guardy: you have indeed made me welcome. So, sir, you have a surprise in store for me. Come, disclose it: I am all impatience. It's so splendid to be surprised, when you are all prepared for it!

Rowell.

A surprise? I do not understand.

Gaylie.

O Innocence! thy name is Wilder Rowell. But I know your secret. You have bought this farm.

Rowell.

Yes: a good piece of property, they say.

Gaylie.

Indeed it is! the very investment I should have proposed. Thank you for your thoughtful consideration. So it's my property?

Rowell.

No, it's my property. Not as your agent, but for myself, I bought this farm. I mean to settle down, and become a sober, plodding farmer, and, in time, take to myself a wife. (Looks at Rob, who is in L. corner.)

Gaylie.

Guardy, I have been mistaken. But you will sell me the farm. Come, you never yet refused me a request; and it is one of the dearest wishes I have, to possess this farm.

Rowell.

Sorry I cannot oblige you. But, for particular reasons, I would not sell this farm for ten times the money I gave for it.

Gaylie.

But you are turning from their dear home the best friends I have in the world.

Rowell.

They are not very much attached to it, Gaylie; for, not an hour ago, 'twas offered them on easy terms.

Gaylie.

Offered them, by you?

Rob.

Yes, Gaylie: on terms no honest man could for a moment consider.

Rowell.

I offer it again. Consider, Robert Trueworth, 'tis you who are driving your family from home.

Rob.

You have had your answer. Scoundrel!

Rowell.

That name again!

Rob.

Ay, again and again! Plead no more, Gaylie. Ask no favors for me or mine, of that man: even from your dear hands, I could never take the fair farm which he has polluted by ownership.

Rowell.

Robert Trueworth, you shall repent this. (Comes close to him.) You are making me your enemy.

Rob.

I am satisfied. Better open war than false friendship with a heartless foe.

Gaylie.

No more of this, I beg. You have quarrelled. For my sake, be friends.

Mattie

(R.). Silence, Gaylie! you know not what you ask.

Gaylie.

You too, Mattie? What means this mystery? (They pass to R., and converse in dumb show. Rob goes up stage, and passes round to back of his mother's chair, on which he leans, conversing with her, as Hosea Jenks enters, followed by Hiram. Crimp runs to Hiram, and keeps him back, conversing in dumb show about "Jim;" Crimp going through pantomime, to convey an idea of an attack. Hosea comes down, C.)

Hosea

(speaks as he enters). Oh, here you are, Rowell! I thought I should find you. I've just been down to the post-office. Poor Stamps has gone. He has distributed his last batch, and been transferred to the dead-letter office. Ha, ha, ha! that's a grave pun; but I can't help it; you know my weakness.

Crimp.

Weakness? am you got de lumbago, Massa Jinks? Golly! I had de rheumatiz awful, las' winter. Tell you what you do, Massa Jinks: you jis get a poorhouse plaster; only draw a quarter out ob yer pocket, and all de anguish out ob yer back.

Hosea.

Ha, Ha, Ha! he little understands my facetious humor.

Crimp.

Oh, humor! face itches; den clap it onto yer face. Draw out all de pain, and some ob yer cheek too.

Rob.

Crimp, be silent!

Crimp.

Ob course, ob course! I'm obleeged to you.

Rowell.

So Stamps is dead?

Hosea.

Yes: poor fellow, I grieve for him. Who can take his place?—I should say, his post. Postmaster, see? ha, ha, ha! There it is again! I can't help it.

Rowell.

Mr. Jenks, if you could contrive to drop this jesting humor—

Hosea.

But I can't. I try, but I can't drop it: it's a drop too much. Ha, ha, ha!

Crimp.

Ya, ya, ya! dat's good: de ole man's been drinking jes' a drop too much.

Rowell.

If I understand you, Mr. Jenks, you would be his successor.

Jenks.

That's just it. I know you have influence. See, here's an official envelope addressed to you, and from the war-office too.

Rowell

(snatches and opens it). For me? Ah, good, good! Jenks, I shall remember you. Now comes my turn. Gaylie, I must home at once: will you go with me?

Gaylie.

I prefer remaining here.

Rowell.

As you please. Mr. Trueworth, a word with you. (Rob advances.) I give you one more opportunity to embrace my offer. 'Tis the last chance. This fine property for your silence.

Rob.

I will make no terms with you. When I have won the right, I will speak. (Turns up stage.)

Rowell

(walking up slowly to door). When you have won the right: that time will never come. Fool! you have made an enemy of one who can strike deep and well.

[Exit door in F.

Hosea.

Rowell, Rowell! don't forget me. I must run after him: there's no time to be lost. Come, Hiram! fall in, or we shall fall out. Ha, ha, ha!

[Exit door in F.

Crimp.

Take care, Massa Jinks, you don't fall onto ole Jim's horns! (Looks out at door.) golly, he's a-laying fur him. Dere de go! Go in, ole man; he's a arter ye! By golly, see 'em run: see 'em run! (Exit. Hiram starts for door, stops irresolutely, and then comes, and stretches himself upon lounge.)

Hiram.

It's right comfortable here: I think I'll stop.

Gaylie

(aside). He denies my request. What motive can he have in thus appropriating the property of my friends? I must know more of this. (Aloud.) Come, mother, show me to my old room. I want to talk to you: I've so much to say! I shall not tell you what I have bought for you. Such a cap, a perfect beauty! and such a shawl! You'll be the envy of the town.

Mrs. T.

(rising). Dear, dear child! ever thoughtful of my comfort.

Gaylie.

If I were not, I should not deserve so good a mother. Good-by, Mattie: good-by, Rob! [Exit with arm about Mrs. Trueworth.]

Rob.

Good-by, Gaylie. Bless her dear heart! mother will have one friend when I am gone. Now, Mattie, I'll take a look about, and see if there's a poor but neat tenement to be had: I won't be gone long.

Mattie.

O Rob! where can we go?

Rob.

Trust all to me, Mattie: I will not leave you homeless. (Going.)

Hiram

(on sofa). Sh—sh—sh!

Rob

(returning). Why, Hiram, what's the matter? (Hiram rises, walks on tiptoe to the window, looks out, turns, "Sh!" then walks to the door, and performs the same manœuvre; then comes down C. on tiptoe, beckoning Rob down.)

Mattie.

What ails the boy? is he crazy?

Hiram.

Don't mind me. If the old man should happen about, I'm ruined. But, sh—you want a friend.

Rob.

Well, Hiram, I am not quite destitute.

Hiram.

Sh—if I only dared, I could find a friend for you. If I only dared; but I'm such a coward. No matter, I'll take the risk. You know the Widow Smith place?

Rob.

Yes: 'twas sold at auction six months ago.

Hiram.

Exactly. Sh—it's mine: I bought it.

Rob.

You? why, 'twas knocked down to Crane!

Hiram.

Yes; and Crane crooked his long neck round, and took his cue from me. I bought it: my money paid for it. Never you mind where the money came from; it was an honest purchase. Now you're in trouble: you want a home. Take mine, and welcome; only don't let the old man dream I'm its owner. Crane holds it now; but, when I am free, 'twill be known as my property. Will you have it? Not a cent will I take for it until the war is over. It's a pretty place: not much land; but flowers, good gracious! and woodbine, why, the front is completely covered. Will you take it? Quick! the old man will return, and then I am a boy again.

Rob

(takes his hand). Hiram, you're a man: you are a true friend. Thank you: I will accept your offer.

Mattie.

O Hiram! I've treated you shamefully. Forgive me: I never dreamed you had such a noble heart.

Hiram.

I haven't any heart, Mattie: you had it all long ago. So you'll take the place (enter Gaylie R.), and be my tenant until the war is over. Sh—sh! not a word!

Gaylie.

You're too late, conspirators: I have heard all. Rob, you have found a home?

Rob.

Yes, Gaylie, thanks to a true friend.

Hiram.

Sh—not so loud; the old man drops round mighty sudden.

Gaylie.

Rob, you have done this without consulting me. Why am I shut out from your counsel?

Rob.

Ah, Gaylie! you cannot befriend me. You are not of age, and I will not be indebted to your guardian.

Gaylie.

Tell me, why have you quarrelled with my guardian? What means this enmity between you and him?

Rob.

Gaylie, you must not ask me.

Gaylie.

But I must know: you have no right to keep it from me.

Rob.

I cannot tell you, Gaylie. Let it suffice, we are enemies; that he would do much to crush me and mine.

Gaylie.

Let him dare! I stand between you and him. You go to battle in a noble cause: fear not; if he has the will to wrong the dear ones you leave behind, I have the power to crush him, and I will. Face the enemy in the South with a brave heart, Rob. Against the enemy here, I will be the Home-Guard.

Rob.

You, Gaylie? what can you do, little woman?

Gaylie.

Woman's work. Think you we will sit idle at home, while husbands, fathers, brothers, are in the field? No! there is work for tender hands and willing hearts. To care for the needy, to protect the helpless, at home; to heal the wounds, and charm away the pain, in the hospitals,—this is our work: to it I give my whole heart; my whole fortune, if need be. Henceforth I am the guardian of your mother and your sister. (Enter Crimp door in flat). Alone, if need be, I will stand the Home-Guard, a bulwark against adversity.

Hiram.

You shall not stand alone, Miss Gaylie. They say I'm but a mere boy, but I'm heart and hand with you in this cause.

Crimp.

Same here. I'm obleeged to you; I'll be de drum-major in dat ar corpse.

Gaylie.

See, Rob; they muster at my call. Home-Guard, attention! fall in! (Stands L. C. Hiram steps up beside her; Crimp up stage next him; form in line up and down stage. Mattie sits in rocking-chair, R.; Rob leans upon the back of her chair.)

Rob.

Raw recruits, Gaylie!

Gaylie.

Yes, almost as raw as those who take the field, Rob. Company, attention!

Crimp.

Hole on, Miss Cap'n. Whar's de colors? mus' have a frag. Golly, dis year's de ticket. (Takes auction-flag from corner, and unrolls it). Dar! look at dat; and, as I's de only pusson ob color in dis yer corpse, I'll be de color-bearer.

Gaylie.

Attention, company!

Crimp.

Yes, Missy Cap'n; I's all attention.

Gaylie.

Eyes right: eyes left: salute! (They bring their hands to a salute. Enter door in F. Rowell, in full uniform of a colonel.)

Rowell.

Ah! what new recruits have we here?

Gaylie.

Mr. Rowell, what does this mean?

Rowell.

That an honor for which I have exerted much influence has, at the last moment, been conferred upon me. I am appointed colonel of the 10th. (Bows, and comes to L. corner.)

Gaylie

(C.) Rob's regiment, and his enemy at its head! Oh, this is cruel!

Rob.

He in command! He our colonel! Another blow: fate can do no more. (Goes up C.)

Rowell.

Robert Trueworth, you will join your regiment at once. All furloughs are countermanded. We march at sunrise to-morrow.

Gaylie

(aside). Oh, this is terrible! Rob's bitter foe in command: oh, why have they quarrelled? (Goes to rocking-chair, and leans upon it.)

Rob

(aside). To serve under that man, whom I detest! There is no escape. I must submit. There's one comfort: his position takes him away from Gaylie. (Enter Mrs. Trueworth R.) The time has come, mother. I have orders to join my regiment at once: we march at sunrise. Keep a stout heart, mother. I leave kind friends behind, who will see to it you do not suffer.

Mrs. T.

(her arms about his neck). My brave boy, serve well your country, and do not forget your mother. She gives you up freely, with a prayer that you may be found true to your duty. Heaven bless and keep you, Rob! (They stand together conversing.)

Gaylie.

Mattie, before Rob goes, I must know the meaning of this quarrel between him and my guardian. Why is it kept from me? You must know: I conjure you, as you value my friendship, as you love your brother, speak before 'tis too late.

Mattie.

O Gaylie! I do know; for his sake I will speak. You are the cause of this quarrel. Both these men love you.

Gaylie.

Indeed! Oh, I'm so glad!

Mattie.

Glad! You should be ashamed of yourself. You can't marry them both.

Gaylie.

Oh! you don't know what I can, what I will do.

Rob

(approaching). Mattie, sister, good-by.

Mattie

(rising, and running into his arms. Gaylie slips into her seat, and covers her face). O brother! so soon? what shall we do without you?

Rob.

Keep a good heart, sister. You will do bravely. (Kisses her. Mattie goes to her mother, C. Rob comes down, looks at Gaylie, sighs, and turns up stage.) Good-by, Crimp. (Shakes hands.)

Crimp.

Good-by, Massa Rob. I'm obleeged to you. You'll come home a drum-major, sartin sure.

Rob.

Thank you, Crimp. Good-by, Hiram, and thank you for your friendly aid.

Hiram.

Good-by, Rob. I'll look out for the women-folks, sharp too. (Rob goes to door.)

Gaylie

(running up stage). Rob, Rob! you've forgotten me!

Rob.

True, Gaylie. I had not the heart to say farewell to you. You are so dear—

Rowell.

This is but tardy obedience.

Rob.

Ah! you fear me, Col. Rowell, no more than I fear myself. But am I not bound in honor to be silent? Gaylie, farewell: you have been a kind friend to us, will still be to my dear ones when I am gone. Good-by.

Gaylie.

Rob, is there nothing more you would say to me? (Looks at him tenderly.)

Rob.

Nothing, Gaylie: were you but the poor girl I once thought you; but no, no—

Gaylie.

Rob, whatever you would have said to the poor girl, say to the rich heiress: there's the same heart here.

Rowell.

Confusion! is she leading him on to confession?

Rob.

O Gaylie! am I awake? You give me life; you give me hope: you make me bold to speak. Gaylie, I love you, dearly, truly.

Gaylie

(placing her hands on his shoulders). As dearly and truly as I love you? O Rob! it must be deep and strong.

Rob

(clasping her in his arms). Mine, Gaylie, mine! oh, this is happiness indeed!

Crimp.

Hi, das a fac. De Union foreber!

Rowell.

Girl, are you losing your senses? I forbid this folly.

Gaylie.

And who are you?

Rowell.

Your guardian. You shall not throw yourself away upon a common soldier.

Rob

(comes down). A common soldier! True. I glory in my rank. You leap to a command by power and influence. My spurs must yet be won. I am content. Should I rise by merit, no emblems of rank could shed a brighter glow than gleams from the trusty bayonets of Liberty's common soldiers.

Rowell.

Enough! To your regiment. You forget I am your superior.

Rob.

No, I do not forget it; and I know what to expect,—hard service, and an enemy in command. I am satisfied, for I have won the victory here. (Takes Gaylie's hand.)

Rowell.

Be not so sure of that. You forget the enemy has a long arm, and it may reach even here.

Gaylie.

And, if it does, I fear it not.

Rowell.

Indeed!

Gaylie.

Ay, indeed, Col. Rowell. You are my guardian, true; but you forget my father's will. In one year I am free: even now I have the power of appeal to two noble men, should you distort your power. I will be mistress of my fortune. I will be free to bestow my hand. With the one, I will protect the homeless; with the other, cheer him at whom you sneer, a common soldier. Deny my right at your peril.

Rowell.

No more of this. Quit that man's side. I command you, obey me!

Gaylie.

You command? You forget I am a leader here. I entreat you, in the name of justice, to deal fairly and honorably by this true hero, who leaves all to serve his country, to recognize his right to the hand which I freely give. Come, sir, do we part friends?

Rowell.

Not on such terms as you offer. (Crosses to R.)

Gaylie.

Then beware! you make yourself my enemy. Already you disgrace the rank you've bought, not won. You have command, and my hero in your power. I have love, wealth, and a loyal heart, that abhors injustice. Against all treachery and deceit, against the wily arts you may contrive to shame my hero, I am the Home-Guard, the firm friend, enlisted for the war.

Tableau:

Rob and Gaylie, C. Rob has his right arm about her waist, her left hand in his left; she bends forward, with her right hand outstretched to Rowell, R., defying him. Mrs. Trueworth sits on sofa, L., with her handkerchief to her eyes. Mattie with her hand on her mother's shoulder. Crimp, back R., has the flag rolled up, and is menacing Rowell with it. Hiram catches it in his hand as it descends, and holds him back. Slow curtain.