Present Seal of the
Borough of Hedon.
What sort of life did the townsfolk lead five centuries ago? Suppose the townsfolk of to-day could suddenly be transported back five hundred years, what would be the things likely to strike them as most strange?
One of these would certainly be the way in which the town was cut off, as it were, from the surrounding district. Thus Hedon was cut off by two Havens, one natural, the other artificial, and by another artificial watercourse called the Town Moat. Beverley was entirely surrounded by a similar moat, part of which remains in our own day, and entrance to the town was gained by Bars spanning the roads. Those at Beverley were known respectively as the North Bar, Newbiggyn Bar, Keldgate Bar, Norwood Bar, and South Bar.
| Photo by] | North Bar Without, Beverley. | [C.W. Mason |
How early these Bars were built we do not know, but there have recently been discovered the complete accounts for the rebuilding of North Bar in 1409. This is the Bar which exists to-day, and it has, in its five hundred years’ existence, undergone little change, except for the cutting through it of two side-passages for foot traffic. It still has the massive oak folding doors which were shut every night at sunset, and the groove can yet be seen in which the portcullis worked. If you ride on through the Bar to York, you will enter that city by the Walmgate Bar, and above your head as you pass through this you may see the bottom spikes of its still remaining portcullis.
Hull was defended even more strongly than Beverley; for in 1322 the King granted to its townsfolk leave to defend themselves with a wall as well as a moat. A portion of the wall which they built is represented on the old plan of Hull reproduced in part on the opposite page.
This plan shows the town as it was about the year 1380, and makes very clear the difference between a town and a village five centuries ago. On the left bank of the river Hull is the village of Dripole, with its church and few scattered houses; on the right bank is the town of Kyngeston-upon-Hull, with its churches, houses, and gardens closely packed together within a castellated wall, and protected by a riverside battery armed with three small cannon. The shipping on the river is seen to be also protected, and this with an iron chain drawn across the mouth of the river.
In the part of the plan not here given, there is shown a more ominous sign of authority. Outside the Beverley Gate stands a gibbet on which hang the bodies of three culprits as warnings of the fate that comes to evil-doers.
To those accustomed to the wide and well-paved streets of our modern towns, the streets of a mediæval town would appear very strange. On the plan of Hull the two main streets, then known as Aldgate and Lowgate, are shown fairly wide. But High Street, which follows regularly in its course the windings of the river Hull, is much narrower; and the by-streets of the town are so narrow as not to appear at all.
Part of a Fourteenth-Century Plan of Hull.
High Street, Hull.
Showing the ancient King’s Head Inn, now pulled down.
Streets in mediæval times were astonishingly narrow. The ‘High Street’ of Hull has changed little during the last five hundred years, and to-day there are portions in which two carts cannot pass each other. The extreme width of the western half of Grimsby Lane, one of the by-streets connecting High Street and the Market Place, named after Simon de Grymesby, Mayor of Hull in 1391, is only nine feet. So also the main street in Beverley now barely allows two vehicles to pass each other, and some of the side lanes entering it, such as Laundress Lane and Tindall Lane, are even narrower than the Grimsby Lane just mentioned.
In all these cases the roadway has remained practically the same width for a space of five centuries. But five centuries ago the condition of the road and the amount of air-space above it were very different from what they are to-day. Mediæval houses were built of thick beams of timber, with the intervening spaces filled in with brick and plaster, and security of the floors was obtained by making the second story project a foot or two beyond the first, and the third project similarly beyond the second. The result was a very firmly built house, but a very narrowly confined roadway.
Sections of a Mediæval and a Modern Street.
The difference between the mediæval and the modern style of road planning is shown in the above diagram, which gives to scale the building-lines of High Street and King Edward Street—the oldest and the newest business streets in the city of Hull.
Mediæval streets were paved with round cobble stones—such stones as still form the pavement of the market-places of Beverley and Hedon. It is on record that in the year 1400 two Dutch ships brought into Hull cargoes of these stones amounting to 56,000 in number. But the method of drainage was then exactly the opposite of what it is to-day; for the middle of the road was the gutter, or kennel. If we imagine that there were then no ‘dust-carts,’ and that each householder got rid of refuse by the simple process of casting it out into the kennel for the next shower of rain to wash away, we shall come to some idea of the general condition of the streets in a mediæval town.
Little wonder that in mediæval towns were bred foul diseases that broke out at intervals and sometimes carried off half the population in the course of a few months. In 1349—the year of the ‘Black Death’—1361, 1369, and 1451 the Plague visited the East Riding, and there are to be seen in the chancel floor of Holy Trinity Church, Hull, the tombstone and brasses of a merchant named Richard Byll, who was one of its victims in the last-mentioned year.
Five centuries ago one of the privileges of a free borough was the holding of a market for the sale of goods by people who were not burgesses of the town. Every free borough had its market-place, which usually lay under the shadow of the parish church, as it does to-day at Beverley, Driffield, Hedon, Howden and Hull. The markets were held on certain fixed days of the week, and Tuesdays and Fridays have been the market-days at Hull since the granting of King Edward I.’s charter in the year 1299.
While the position of the market, and probably also its general appearance, have not altered during all these centuries, certain of its adornments have entirely disappeared. Beverley is the only town in the East Riding that has preserved its market cross. From all the towns of the East Riding have disappeared the stocks, the pillory, and the ducking-stool.
Parish Stocks preserved in Beverley Minster.
To the stocks and the pillory went in former times such men and women as ‘John Fleshewer, butcher,’ of Hedon, who in 1420 was brought before the town bailiffs on the charge that he ‘did sell flesh not useable, old, useless, and worthless,’ and ‘Agnes, wife of John Piese, schipman,’ also of Hedon, who ‘did sell two penny wheat loaves of bread, not useable and fusty.’ In the ducking-stool went to the town moat or the river the scolding woman whose temper and tongue were equally beyond their owner’s control. So the stocks, pillory, and ducking-stool proved themselves to be not only ornamental but also very useful.
The daily work of wage-earners five hundred years ago was very different from what it is to-day. There were then no such things as our huge factories in which thousands of ‘hands’ are employed day after day at the same monotonous toil. Work was more varied and the conditions were much freer. But hours were longer and pay was considerably less. The legal hours of the day labourer from March to September were 5 a.m. to 7 p.m., with two hours allowed for breakfast and dinner. On the other hand, ‘Bank Holidays’—or Holy-Days, as they were then called—were far more numerous. Holy-days, in fact, reduced the working-days of the year to only 264 in number.
The building-accounts for the Beverley North Bar in 1409 give a record of all the wages paid; and from these we find that the wages of a bricklayer were 6d. per day, of a labourer 4d., and of a carter with his horse and cart 12d.[40] What would the ‘British workman’ of to-day think of the following scale of wages, which formed the statute yearly wages in 1444:—
| With food and clothing. |
|||||
| s. | d. | s. | d. | ||
| Bailiff of husbandry | 23 | 4 | or | 5 | 0 |
| Hind, carter, shepherd | 20 | 0 | ” | 4 | 0 |
| Labourer | 15 | 0 | ” | 3 | 4 |
| Woman servant | 10 | 0 | ” | 4 | 0 |
| Child under 14 | 6 | 0 | ” | 3 | 0 |
The work of the Trade Gilds in regulating the trade and industries of a town will be described in another chapter, but here is the place to refer to the work of the Religious or Social Gilds which were so prominent a feature of mediæval town life. These were voluntary associations of men and women, who undertook to pay sums of money into a common fund, on which all members could draw during old age or during periods of sickness. In other words they were the Friendly Societies—the ‘Hearts of Oak,’ ‘Ancient Order of Foresters,’ and ‘Oddfellows’—of our own times.
At Hull there were six of these Gilds, the most important being the Gild of St. John Baptist, the Gild of Corpus Christi, and the Gild of the Holy Trinity. In the case of the first of these a member undertook to pay two shillings of silver each year, in four instalments, and derived the following benefits, on becoming ‘infirm, bowed, blind, deaf, dumb, maimed, ... either in youth or age.’:—
(1) weekly, one halfpenny of silver;
(2) at the Festival of St. Martin in winter 5s. of silver for one garment.
The entrance fee to this Gild was 13s. 4d., but that to the Gild of Corpus Christi was 3 lbs. of silver. Here, however, the ‘sick pay’ was correspondingly higher, being 14d. weekly; and if any brother or sister was in need 20s. was ‘granted on loan.’
In the reign of Edward VI. nearly all the Religious Gilds came to an end. Henry VIII. had intended their suppression, but it fell to the lot of Protector Somerset to be their actual destroyer. On the plea that they were engaged in religious services not in accordance with Government ideas, they suffered the fate of the monasteries; and their property in lands, houses, and plate—their invested funds we should call it to-day—was diverted to other purposes.
Of the Gilds at Hull the sole one to survive was the Gild of the Holy Trinity, which was founded in 1369 and later became identical with the Shipman’s Gild. This identity with the Shipman’s Gild in 1547 saved its life, and in place of being swept away its privileges were increased. It had many private benefactors, chief among whom was Thomas Ferries, who in 1631 gave it the estate of the Whitefriars on which its buildings now stand. King Charles II. granted it a charter in which it is stated that the Gild
hath much tended to the furtherance of Navigation, the increase of shipping, and the well breeding of Seamen in that Town and Port.
Arms of the Hull Trinity House.
The Corporation of the Hull Trinity House consists of twelve Elder Brethren, six Assistants, and an indefinite number of Younger Brethren. From the Elder Brethren two Wardens are chosen annually. They maintain several almshouses for mariners and their dependents, and one of the best navigation schools in the country; they also grant out-pensions to a large number of worn-out seamen.
We have dealt with the work of the townsfolk in the fifteenth century, but what of their amusements? Here they were certainly nothing like so well off as their descendants of the twentieth century. Of theatres and kinematograph shows they had none. Football matches they had occasionally. But it was with this difference—that a football match then was not one in which thirty men played while thirty thousand looked on and yelled their applause or disapproval. A football match in those days meant one in which the ‘field’ was the main street of the town, the ‘goals’ were the town wall or moat at either end of the street, and the ‘players’ were the whole body of townsfolk. Such a match is still played annually in at least one town of Northern England.
For the rest the people had their Church-Ales, their Miracle Plays, and their Fairs. Church-Ales were parish feasts held in and around the church on the eve of the church’s saint’s-day; and to them each parishioner contributed his share—a dozen loaves, a cheese, or a few gallons of ale—the whole being then sold as required, while all present made merry. Church-Ales were, in other words, the ‘Parish-Teas’ and the ‘Knife-and-Fork Suppers’ of our own degenerate days.
As has been said, there were in mediæval towns no theatres. Still the townsfolk had their plays. In very early times the play-house was the church, the plays were representations of events recorded in the Scriptures, and the performers were the clergy.
In the thirteenth century, however, it became the custom for these Miracle-Plays, as they were called, to be performed no longer in the church, but on moveable platforms, known as ‘pageants,’ in streets and market-places, or on village greens, at the different fairs and festivals throughout the country. Yorkshire seems to have taken a prominent share in their creation; for we have to-day a manuscript of forty-eight plays performed regularly at York for two hundred years, and another of thirty plays performed at Wakefield. We know also that at Beverley such plays were produced each year on the festival of Corpus Christi—the Thursday after Trinity Sunday—from 1407 to 1604, and that at Hull the play of Noah was performed in the streets once each year for a space of three centuries.
A Miracle Play in the Olden Time.
What the performance of a Miracle Play was like may be judged pretty well from the accompanying illustration. The pageant was a large ‘two-decker’ vehicle, which could be drawn by men or horses from one ‘station’ to another.
Noah’s Ark.
(From an old French Miracle Play).
It was the custom at York for the first play in the series—God the Father Almighty Creating and Forming the Heavens—to begin on Corpus Christi morning at 5 o’clock. This was at the gates of the Priory of Holy Trinity. When this part of the Creation had been satisfactorily got through, its pageant passed on to take up its second station ‘at the door of Robert Harpham’; while another play showing God the Father Creating the Earth took its place. And so on through the whole series, each play being thus performed at twelve different stations during the course of the day.
The performers of these plays were the members of the various Trade Gilds of a town. So far as the number of plays allowed, each Gild might have its own play, and the plays were as far as possible appropriately distributed. Thus at York the Goldsmiths had allotted to them The Three Kings Coming from the East, the Vintners had The Turning of Water into Wine, and the Butchers had The Crucifixion. At both York and Hull the Shipmen, or Mariners, had the play of Noah.
Stage properties were well looked after. The ‘ark’ used in a French performance of The Deluge is here shown, while that used in the corresponding play produced each ‘Plough Monday’[41] by the Hull Shipmen was equally elaborate though built more in resemblance to an ordinary ship. It had mast and rigging, and pictures of the animals that ‘went in two by two’ hung round its sides painted on boards. From one festival to another it remained suspended from the roof of Holy Trinity Church.
Some curious items occur in the old accounts of the Hull Trinity House in this connection:—
| To Robert Brown, playing God | 6d. |
| To Noah and his wife | 1s. 6d. |
| To a shipwright for clinking Noah’s ship, one day | 7d. |
| For three skins for Noah’s coat, making it, and a rope to hang the ship in the kirk | 2s. 5d. |
When, in 1494, the Gild of the Holy Trinity had to purchase a new Ark, the accounts show also that the cost amounted to the tremendous sum of £7 4s. 11d.
The lower stage of the pageant is, in the illustration, shown to be curtained off. This lower stage was the actors’ dressing-room, and also served very conveniently as the ‘lower regions’ from which through a trap-door the Devil would emerge with horns and tail complete. God was stationed on a raised platform at the back of the upper stage, and appeared in the full dress of a Pope, saints had gilded hair and beards, and angels were dressed in white surplices through which their gilded wings projected.
Most impressive and realistic these must have seemed in the eyes of the beholders. But there were also ‘realistic effects’ to be seen—lightning, earthquakes, and the destruction of the world by fire—as the following items show:—
| Payd for the baryll for the yerthequake | iiijd. |
| Payd for starche to make the storm | vjd. |
| Payd for settynge the world of fyer | vd. |
How realistic also must have been the crossing of the Red Sea! For the children of Israel did actually cross it in the sight of all. ‘Halfe a yard of Rede Sea’—there it is down in black and white among the properties belonging to Israel in Egypt.
A Fourteenth Century ‘Show.’
(From an old Manuscript).
The mediæval Miracle Plays have long been dead in our country, but we still have with us the remains of the great mediæval Fairs. In the days when few people travelled if they could possibly stay at home, and when for the whole of the winter months the state of the country roads prohibited all travelling except that on horseback, fairs were a necessity. The right to hold an annual fair was therefore an eagerly sought privilege.
Thus Beverley, Bridlington, Hedon, Howden, Hull—all these towns very early obtained the right to hold annual fairs. The Hedon townsfolk had their fair every year ‘on the feast of St. Mary Magdalen, and for seven days after,’ from the year 1162; and this fair continued to be held on Magdalen Hill down to 1878. The charter for the holding of a fair at Hull was granted in 1299, and the eleventh day of October, 1911, saw Hull Fair still in full swing.
To these mediæval fairs would come a large concourse of merchants, minstrels, pedlars, jugglers, and rogues. To them would come also householders and the stewards of manor-house and castle, eager to buy cloth, silks, ribbons, pots and pans, boots and shoes, wine, wax, malt, a store of butter to last over the winter, or a store of salt for preparing the winter meat supply.
Bear-Baiting.
A fifteenth century wood-carving in St. Mary’s Church, Beverley.
Among the entertainment providers would come the owner of the ‘wild beast show’—the show consisting of a solitary elephant or dromedary, or, much more frequently, an ape and a bear. If it is a bear that is the showman’s stock-in-trade, then there will be a chance for dogs that have grown sated with indulgence in the sport of bull-baiting to experience a new sensation.[42]
Hither also would come that strange product of the middle ages—the pardoner. He professes to have from the Pope power to grant pardons for sins committed, or even for sins to be committed, if only satisfactory payment is forthcoming. To prove his genuineness he has a wallet full of parchments, brought straight from Rome, and all duly stamped with large seals. And if that is not enough for his credulous audience he has holy relics to show—a piece of the sail of St. Peter’s boat, and a feather from the wing of the angel Gabriel.
He has also the shoulder bone of a holy Jew’s sheep, which is guaranteed to cure disease in any cow, calf, ox, or sheep, if the bone be but washed in a bucket of water and the sick animal’s tongue well cleaned with this water. ‘One penny’ is all his charge. ‘Bring your buckets full of water. Now’s your chance! If you lose it, your sick cow, calf, ox, or sheep may be dead in the morning, and you’ll be sorry ever afterwards that you didn’t take my advice.’
Thus does the rascal do a roaring trade.