EXCURSUS I.
ON THE PARENTAGE AND EXTRACTION OF MINOS.

In former portions of this work, I have argued from the name and the Phœnician extraction of Minos, both to illustrate the dependent position of the Pelasgian race in the Greek countries[652], and also to demonstrate the Phœnician origin of the Outer Geography of the Odyssey[653]. But I have too summarily disposed of the important question, whether Minos was of Phœnician origin, and of the construction of the verse Il. xiv. 321. This verse is capable grammatically of being so construed as to contain an assertion of it; but upon further consideration I am not prepared to maintain that it ought to be so interpreted.

Genuineness of Il. xiv. 317-27.

The Alexandrian critics summarily condemned the whole passage (Il. xiv. 317-27), in which Jupiter details to Juno his various affairs with goddesses and women. ‘This enumeration,’ says the Scholiast (A) on verse 327, ‘is inopportune, for it rather repels Juno than attracts her: and Jupiter, when greedy, through the influence of the Cestus, for the satisfaction of his passion, makes a long harangue.’ Heyne follows up the censure with a yet more sweeping condemnation. Sanè absurdiora, quam hos decem versus, vix unquam ullus commentus est rhapsodus[654]. And yet he adds a consideration, which might have served to arrest judgment until after further hearing. For he says, that the commentators upon them ought to have taken notice that the description belongs to a period, when the relations of man and wife were not such, as to prevent the open introduction and parading of concubines; and that Juno might be flattered and allured by a declaration, proceeding from Jupiter, of the superiority of her charms to those of so many beautiful persons.

Heyne’s reason appears to me so good, as even to outweigh his authority: but there are other grounds also, on which I decline to bow to the proposed excision. The objections taken seem to me invalid on the following grounds;

1. For the reason stated by Heyne.

2. Because, in the whole character of the Homeric Juno, and in the whole of this proceeding, it is the political spirit, and not the animal tendency, that predominates. Of this Homer has given us distinct warning, where he tells us that Juno just before had looked on Jupiter from afar, and that he was disgusting to her; (v. 158) στυγερὸς δέ οἱ ἔπλετο θυμῷ. It is therefore futile to argue about her, as if she had been under the paramount sway either of animal desire, or even of the feminine love of admiration, when she was really and exclusively governed by another master-passion.

3. As she has artfully persuaded Jupiter, that he has an obstacle to overcome in diverting her from her intention of travelling to a distance, it is not at all unnatural that Jupiter should use what he thinks, and what, as Heyne has shown, he may justly think, to be proper and special means of persuasion.

4. The passage is carefully and skilfully composed; and it ends with a climax, so as to give the greatest force to the compliment of which it is susceptible.

5. All the representations in it harmonize with the manner of handling the same personages elsewhere in Homer.

6. The passage has that strong vein of nationality, which is so eminently characteristic of Homer. No intrigues are mentioned, except such as issued in the birth of children of recognised Hellenic fame. The gross animalism of Jupiter, displayed in the Speech, is in the strictest keeping with the entire context; for it is the basis of the transaction, and gives Juno the opportunity she so adroitly turns to account.

7. Those, who reject the passage as spurious, because the action ought not at this point to be loaded with a speech, do not, I think, bear in mind that a deviation of this kind from the strict poetical order is really in keeping with Homer’s practice on other occasions, particularly in the disquisitions of Nestor and of Phœnix. Such a deviation appears to be accounted for by his historic aims. To comprehend him in a case of this kind, we must set out from his point of departure, according to which, verse was not a mere exercise for pleasure, but was to be the one great vehicle of all knowledge: and a potent instrument in constructing a nationality. Thus, then, what the first aim rejected, the second might in given cases accept and even require. Now in this short passage there is a great deal of important historical information conveyed to us.

We may therefore with considerable confidence employ such evidence as the speech may be found to afford.

Let us, then, observe the forms of expression as they run in series,

οὐδ’ ὁπότ’ ἠρασάμην Ἰξιονίης ἀλόχοιο[655].
οὐδ’ ὅτε περ Δανάης καλλισφύρου Ἀκρισιώνης[656].
οὐδ’ ὅτε Φοίνικος κούρης τηλεκλείτοιο[657].
Sense of Il. xiv. 321.

Taken grammatically, I presume the last verse may mean, (1) The daughter of the distinguished Phœnix: or (2) The daughter of a distinguished Phœnician: or (3) A distinguished Phœnician damsel.

a. Against the first it may be urged, that we have no other account from Homer, or from any early tradition, of this Phœnix, here described as famous.

b. Against the second and third, that Homer nowhere directly declares the foreign origin of any great Greek personage.

c. Also, that in each of the previous cases, Homer has used the proper name of a person nearly connected in order to indicate and identity the woman, whom therefore it is not likely that he would in this single case denote only by her nation, or the nation of her father.

d. Against the third, that, in the only other passage where he has to speak of a Phœnician woman, he uses a feminine form, Φοίνισσα: ἔσκε δὲ πατρὸς ἐμοῖο γυνὴ Φοίνισσ’ ἐνὶ οἴκῳ (Od. xv. 417). But Φοίνιξ is grammatically capable of the feminine, as is shown by Herod. i. 193[658].

e. Also that Homer, in the few instances where he uses the word τηλεκλειτὸς, confines it to men. He, however, gives the epithet ἐρικυδὴς to Latona.

The arguments from the structure of the passage, and from the uniform reticence of Homer respecting the foreign origin of Greek personages, convince me that it is not on the whole warrantable to interpret Φοίνιξ in this place in any other manner, than as the name of the father of Minos.

The name Φοίνιξ, however, taken in connection with the period to which it applies—nearly three generations before the Troica—still continues to supply of itself no trifling presumption of the Phœnician origin of Minos.

It cannot, I suppose, be doubted that the original meaning of Φοίνιξ, when first used as a proper name in Greece, probably was ‘of Phœnician birth, or origin.’ But, if we are to judge by the testimony of Homer, the time, when Minos lived, was but very shortly after the first Phœnician arrivals in Greece; and his grandfather Phœnix, living four and a half generations before the Troica, was in all likelihood contemporary with, or anterior to, Cadmus. At a period when the intercourse of the two countries was in its infancy, we may, I think, with some degree of confidence construe this proper name as indicating the country of origin.

Collateral evidence.

The other marks connected with Minos and his history give such support to this presumption as to bring the supposition up to reasonable certainty. Such are,

1. The connection with Dædalus.

2. The tradition of the nautical power of Minos.

3. The characteristic epithet ὀλοόφρων; as also its relation to the other Homeric personages with whose name it is joined.

4. The fact that Minos brought a more advanced form of laws and polity among a people of lower social organization; the proof thus given that he belonged to a superior race: the probability that, if this race had been Hellenic, Homer would have distinctly marked the connection of so distinguished a person with the Hellenic stem: and the apparent certainty that, if not Hellenic, it could only be Phœnician.

The positive Homeric grounds for believing Minos to be Phœnician are much stronger, than any that sustain the same belief in the case of Cadmus: and the negative objection, that Homer does not call him by the name of the country from which he sprang, is in fact an indication of the Poet’s uniform practice of drawing the curtain over history or legend, at the point where a longer perspective would have the effect of exhibiting any Greek hero as derived from a foreign source, and thus of confuting that claim to autochthonism which, though it is not much his way to proclaim such matters in the abstract, yet appears to have operated with Homer as a practical principle of considerable weight.