“Arlington Street, Nov. 13, 1760.
“Even the honeymoon of a new reign don’t produce events every day. There is nothing but the common saying of addresses and kissing hands. The chief difficulty is settled; Lord Gower yields the Mastership of the Horse to Lord Huntingdon, and removes to the Great Wardrobe, from whence Sir Thomas Robinson was to have gone into Ellis’s place, but he is saved. The City, however, have a mind to be out of humour; a paper has been fixed on the Royal Exchange, with these words, ‘No petticoat Government, no Scotch Minister, no Lord George Sackville;’ two hints totally unfounded, and the other scarce true. No petticoat ever governed less, it is left at Leicester-house; Lord George’s breeches are as little concerned; and, except Lady Susan Stuart and Sir Harry Erskine, nothing has yet been done for any Scots. For the King himself, he seems all good-nature, and wishing to satisfy everybody; all his speeches are obliging. I saw him again yesterday, and was surprised to find the levee-room had lost so entirely the air of the lion’s den. This Sovereign don’t stand in one spot, with his eyes fixed royally on the ground, and dropping bits of German news; he walks about, and speaks to everybody. I saw him afterwards on the throne, where he is graceful and genteel, sits with dignity, and reads his answers to addresses well; it was the Cambridge address, carried by the Duke of Newcastle in his Doctor’s gown, and looking like the Médecin malgré lui. He had been vehemently solicitous for attendance, for fear my Lord Westmoreland, who vouchsafes himself to bring the address from Oxford, should outnumber him. Lord Lichfield and several other Jacobites have kissed hands; George Selwyn says, ‘They go to St James’s, because now there are so many Stuarts there.’
“Do you know, I had the curiosity to go to the burying t’other night; I had never seen a royal funeral; nay, I walked as a rag of quality, which I found would be, and so it was, the easiest way of seeing it. It is absolutely a noble sight. The Prince’s chamber, hung with purple, and a quantity of silver lamps, the coffin under a canopy of purple velvet, and six vast chandeliers of silver on high stands, had a very good effect. The Ambassador from Tripoli and his son were carried to see that chamber. The procession, through a line of foot-guards, every seventh man bearing a torch, the horse-guards lining the outside, their officers with drawn sabres and crape sashes on horseback, the drums muffled, the fifes, bells tolling, and minute-guns,—all this was very solemn. But the charm was the entrance of the Abbey, where we were received by the Dean and Chapter in rich robes, the choir and almsmen bearing torches; the whole Abbey so illuminated, that one saw it to greater advantage than by day; the tombs, long aisles, and fretted roof, all appearing distinctly, and with the happiest chiaroscuro. There wanted nothing but incense, and little chapels here and there, with priests saying mass for the repose of the defunct; yet one could not complain of its not being catholic enough. I had been in dread of being coupled with some boy of ten years old; but the heralds were not very accurate, and I walked with George Grenville, taller and older, to keep me in countenance. When we came to the chapel of Henry the Seventh, all solemnity and decorum ceased; no order was observed, people sat or stood where they could or would; the yeomen of the guard were crying out for help, oppressed by the immense weight of the coffin; the Bishop read sadly, and blundered in the prayers; the fine chapter, Man that is born of a woman, was chanted, not read; and the anthem, besides being immeasurably tedious, would have served as well for a nuptial. The real serious part was the figure of the Duke of Cumberland, heightened by a thousand melancholy circumstances. He had a dark brown adonis, and a cloak of black cloth, with a train of five yards. Attending the funeral of a father could not be pleasant: his leg extremely bad, yet forced to stand upon it near two hours; his face bloated and distorted with his late paralytic stroke, which has affected, too, one of his eyes, and placed over the mouth of the vault, into which, in all probability, he must himself so soon descend; think how unpleasant a situation! He bore it all with a firm and unaffected countenance. This grave scene was fully contrasted by the burlesque Duke of Newcastle. He fell into a fit of crying the moment he came into the chapel, and flung himself back in a stall, the Archbishop hovering over him with a smelling-bottle; but in two minutes his curiosity got the better of his hypocrisy, and he ran about the chapel with his glass to spy who was or was not there, spying with one hand, and mopping his eyes with the other. Then returned the fear of catching cold; and the Duke of Cumberland, who was sinking with heat, felt himself weighed down, and turning round, found it was the Duke of Newcastle standing upon his train, to avoid the chill of the marble. It was very theatric to look down into the vault where the coffin lay, attended by mourners with lights. Clavering, the groom of the bedchamber, refused to sit up with the body, and was dismissed by the King’s order.”
The demise of the Crown, of course, dissolved Parliament. Horace Walpole went down to Houghton to be re-elected for Lynn:
“Houghton, March 25, 1761.
“Here I am at Houghton! and alone! in this spot, where (except two hours last month) I have not been in sixteen years! Think, what a crowd of reflections! No; Gray, and forty churchyards, could not furnish so many; nay, I know one must feel them with greater indifference than I possess, to have patience to put them into verse. Here I am, probably for the last time of my life, though not for the last time: every clock that strikes tells me I am an hour nearer to yonder church—that church, into which I have not yet had courage to enter, where lies that mother on whom I doated, and who doated on me! There are the two rival mistresses of Houghton, neither of whom ever wished to enjoy it! There too lies he who founded its greatness, to contribute to whose fall Europe was embroiled; there he sleeps in quiet and dignity, while his friend and his foe, rather his false ally and real enemy, Newcastle and Bath, are exhausting the dregs of their pitiful lives in squabbles and pamphlets.[31]
“The surprise the pictures gave me is again renewed; accustomed for many years to see nothing but wretched daubs and varnished copies at auctions, I look at these as enchantment. My own description of them seems poor; but shall I tell you truly, the majesty of Italian ideas almost sinks before the warm nature of Flemish colouring. Alas! don’t I grow old? My young imagination was fired with Guido’s ideas: must they be plump as Abishag to warm me now? Does great youth feel with poetic limbs, as well as see with poetic eyes? In one respect I am very young, I cannot satiate myself with looking: an incident contributed to make me feel this more strongly. A party arrived, just as I did, to see the house, a man and three women in riding-dresses, and they rode post through the apartments. I could not hurry before them fast enough; they were not so long in seeing for the first time, as I could have been in one room, to examine what I knew by heart. I remember formerly being often diverted with this kind of seers; they come, ask what such a room is called, in which Sir Robert lay, write it down, admire a lobster or a cabbage in a market-piece, dispute whether the last room was green or purple, and then hurry to the inn for fear the fish should be overdressed. How different my sensations! not a picture here but recalls a history; not one, but I remember in Downing-street or Chelsea, where queens and crowds admired them, though seeing them as little as these travellers!
“When I had drunk tea, I strolled into the garden; they told me it was now called the pleasure-ground. What a dissonant idea of pleasure! those groves, those allées, where I have passed so many charming moments, are now stripped up or overgrown—many fond paths I could not unravel, though with a very exact clew in my memory: I met two gamekeepers, and a thousand hares! In the days when all my soul was tuned to pleasure and vivacity (and you will think, perhaps, it is far from being out of tune yet), I hated Houghton and its solitude; yet I loved this garden, as now, with many regrets, I love Houghton; Houghton, I know not what to call it, a monument of grandeur or ruin! How I have wished this evening for Lord Bute! how I could preach to him! For myself, I do not want to be preached to; I have long considered, how every Balbec must wait for the chance of a Mr. Wood. The servants wanted to lay me in the great apartment—what, to make me pass my night as I have done my evening! It were like proposing to Margaret Roper to be a duchess in the court that cut off her father’s head, and imagining it would please her. I have chosen to sit in my father’s little dressing-room, and am now by his scrutoire, where, in the height of his fortune, he used to receive the accounts of his farmers, and deceive himself, or us, with the thoughts of his economy. How wise a man at once, and how weak! For what has he built Houghton? for his grandson to annihilate, or for his son to mourn over. If Lord Burleigh could rise and view his representative driving the Hatfield stage, he would feel as I feel now. Poor little Strawberry! at least, it will not be stripped to pieces by a descendant! You will find all these fine meditations dictated by pride, not by philosophy. Pray consider through how many mediums philosophy must pass, before it is purified—
“My mind was extremely prepared for all this gloom by parting with Mr. Conway yesterday morning; moral reflections or commonplaces are the livery one likes to wear, when one has just had a real misfortune. He is going to Germany: I was glad to dress myself up in transitory Houghton, in lieu of very sensible concern. To-morrow I shall be distracted with thoughts, at least images of very different complexion. I go to Lynn, and am to be elected on Friday. I shall return hither on Saturday, again alone, to expect Burleighides on Sunday, whom I left at Newmarket. I must once in my life see him on his grandfather’s throne.
“Epping, Monday night, thirty-first.—No, I have not seen him; he loitered on the road, and I was kept at Lynn till yesterday morning. It is plain I never knew for how many trades I was formed, when at this time of day I can begin electioneering, and succeed in my new vocation. Think of me, the subject of a mob, who was scarce ever before in a mob, addressing them in the town-hall, riding at the head of two thousand people through such a town as Lynn, dining with above two hundred of them, amid bumpers, huzzas, songs, and tobacco, and finishing with country dancing at a ball and sixpenny whist! I have borne it all cheerfully; nay, have sat hours in conversation, the thing upon earth that I hate; have been to hear misses play on the harpsichord, and to see an alderman’s copies of Rubens and Carlo Marat. Yet to do the folks justice, they are sensible, and reasonable, and civilised; their very language is polished since I lived among them. I attribute this to their more frequent intercourse with the world and the capital, by the help of good roads and postchaises, which, if they have abridged the King’s dominions, have at least tamed his subjects. Well, how comfortable it will be to-morrow, to see my parroquet, to play at loo, and not be obliged to talk seriously! The Heraclitus of the beginning of this letter will be overjoyed on finishing it to sign himself your old friend,
“Democritus.
“P.S. I forgot to tell you that my ancient aunt Hammond came over to Lynn to see me; not from any affection, but curiosity. The first thing she said to me, though we have not met these sixteen years, was, ‘Child, you have done a thing to-day, that your father never did in all his life; you sat as they carried you,—he always stood the whole time.’ ‘Madam,’ said I, ‘when I am placed in a chair, I conclude I am to sit in it; besides, as I cannot imitate my father in great things, I am not at all ambitious of mimicking him in little ones.’ I am sure she proposes to tell her remarks to my uncle Horace’s ghost, the instant they meet.”
The King’s marriage followed a few months later:
“Arlington Street, Sept. 10, 1761.
“When we least expected the Queen, she came, after being ten days at sea, but without sickness for above half-an-hour. She was gay the whole voyage, sung to her harpsichord, and left the door of her cabin open. They made the coast of Suffolk last Saturday, and on Monday morning she landed at Harwich; so prosperously has Lord Anson executed his commission. She lay that night at your old friend Lord Abercorn’s, at Witham in Essex; and, if she judged by her host, must have thought she was coming to reign in the realm of taciturnity. She arrived at St. James’s a quarter after three on Tuesday the 8th. When she first saw the Palace she turned pale: the Duchess of Hamilton smiled. ‘My dear Duchess,’ said the Princess, ‘you may laugh; you have been married twice; but it is no joke to me.’ Is this a bad proof of her sense? On the journey they wanted her to curl her toupet. ‘No, indeed,’ said she, ‘I think it looks as well as those of the ladies who have been sent for me: if the King would have me wear a periwig, I will; otherwise I shall let myself alone.’ The Duke of York gave her his hand at the garden-gate: her lips trembled, but she jumped out with spirit. In the garden the King met her; she would have fallen at his feet; he prevented and embraced her, and led her into the apartments, where she was received by the Princess of Wales and Lady Augusta: these three princesses only dined with the King. At ten the procession went to chapel, preceded by unmarried daughters of peers, and peeresses in plenty. The new Princess was led by the Duke of York and Prince William; the Archbishop married them; the King talked to her the whole time with great good humour, and the Duke of Cumberland gave her away. She is not tall, nor a beauty; pale, and very thin; but looks sensible, and is genteel. Her hair is darkish and fine; her forehead low, her nose very well, except the nostrils spreading too wide; her mouth has the same fault, but her teeth are good.[32] She talks a good deal, and French tolerably; possesses herself, is frank, but with great respect to the King. After the ceremony, the whole company came into the drawing-room for about ten minutes, but nobody was presented that night. The Queen was in white and silver; an endless mantle of violet-coloured velvet, lined with ermine, and attempted to be fastened on her shoulder by a bunch of large pearls, dragged itself and almost the rest of her clothes halfway down her waist. On her head was a beautiful little tiara of diamonds; a diamond necklace, and a stomacher of diamonds, worth three score thousand pounds, which she is to wear at the Coronation too. Her train was borne by the ten bridesmaids, Lady Sarah Lenox, Lady Caroline Russell, Lady Caroline Montagu, Lady Harriot Bentinck, Lady Anne Hamilton, Lady Essex Kerr (daughters of Dukes of Richmond, Bedford, Manchester, Portland, Hamilton, and Roxburgh); and four daughters of the Earls of Albemarle, Brook, Harcourt, and Ilchester,—Lady Elizabeth Keppel, Louisa Greville, Elizabeth Harcourt, and Susan Fox Strangways: their heads crowned with diamonds, and in robes of white and silver. Lady Caroline Russell is extremely handsome; Lady Elizabeth Keppel very pretty; but with neither features nor air, nothing ever looked so charming as Lady Sarah Lenox; she has all the glow of beauty peculiar to her family. As supper was not ready, the Queen sat down, sung, and played on the harpsichord to the Royal Family, who all supped with her in private. They talked of the different German dialects; the King asked if the Hanoverian was not pure—‘Oh, no, sir,’ said the Queen; ‘it is the worst of all.’—She will not be unpopular.
“The Duke of Cumberland told the King that himself and Lady Augusta were sleepy. The Queen was very averse to leave the company, and at last articled that nobody should accompany her but the Princess of Wales and her own two German women, and that nobody should be admitted afterwards but the King—they did not retire till between two and three.
“The next morning the King had a Levee. After the Levee there was a Drawing-Room; the Queen stood under the throne: the women were presented to her by the Duchess of Hamilton, and then the men by the Duke of Manchester; but as she knew nobody, she was not to speak. At night there was a ball, drawing-rooms yesterday and to-day, and then a cessation of ceremony till the Coronation, except next Monday, when she is to receive the address of the Lord Mayor and Aldermen, sitting on the throne attended by the bridesmaids. A ridiculous circumstance happened yesterday; Lord Westmoreland, not very young nor clear-sighted, mistook Lady Sarah Lenox for the Queen, kneeled to her, and would have kissed her hand if she had not prevented him. People think that a Chancellor of Oxford was naturally attracted by the blood of Stuart. It is as comical to see Kitty Dashwood, the famous old beauty of the Oxfordshire Jacobites, living in the palace as Duenna to the Queen. She and Mrs. Broughton, Lord Lyttelton’s ancient Delia, are revived again in a young court that never heard of them. There, I think you could not have had a more circumstantial account of a royal wedding from the Heralds’ Office. Adieu!
“Yours to serve you,
“Horace Sandford,
“Mecklenburgh King-at-Arms.”
The Coronation of the King and Queen took place on the 22nd of September, 1761, a fortnight after their marriage. Walpole writes to Mann:
“Strawberry Hill, Sept. 28, 1761.
“What is the finest sight in the world? A Coronation. What do people talk most about? A Coronation. Indeed, one had need be a handsome young peeress not to be fatigued to death with it. After being exhausted with hearing of nothing else for six weeks, and having every cranny of my ideas stuffed with velvet and ermine, and tresses, and jewels, I thought I was very cunning in going to lie in Palace-yard, that I might not sit up all night in order to seize a place. The consequence of this wise scheme was, that I did not get a wink of sleep all night; hammering of scaffolds, shouting of people, relieving guards, and jangling of bells, was the concert I heard from twelve to six, when I rose; and it was noon before the procession was ready to set forth, and night before it returned from the Abbey. I then saw the Hall, the dinner, and the champion, a gloriously illuminated chamber, a wretched banquet, and a foolish puppet-show. A Trial of a peer, though by no means so sumptuous, is a preferable sight, for the latter is interesting. At a Coronation one sees the peerage as exalted as they like to be, and at a Trial as much humbled as a plebeian wishes them. I tell you nothing of who looked well; you know them no more than if I told you of the next Coronation. Yes, two ancient dames whom you remember, were still ornaments of the show,—the Duchess of Queensberry and Lady Westmoreland. Some of the peeresses were so fond of their robes, that they graciously exhibited themselves for a whole day before to all the company their servants could invite to see them. A maid from Richmond begged leave to stay in town because the Duchess of Montrose was only to be seen from two to four. The Heralds were so ignorant of their business, that, though pensioned for nothing but to register lords and ladies, and what belongs to them, they advertised in the newspaper for the Christian names and places of abode of the peeresses. The King complained of such omissions and of the want of precedent; Lord Effingham, the Earl Marshal, told him, it was true there had been great neglect in that office, but he had now taken such care of registering directions, that next coronation would be conducted with the greatest order imaginable. The King was so diverted with this flattering speech that he made the earl repeat it several times.
“On this occasion one saw to how high-water-mark extravagance is risen in England. At the Coronation of George II. my mother gave forty guineas for a dining-room, scaffold, and bedchamber. An exactly parallel apartment, only with rather a worse view, was this time set at three hundred and fifty guineas—a tolerable rise in thirty-three years! The platform from St. Margaret’s Round-house to the church-door, which formerly let for forty pounds, went this time for two thousand four hundred pounds. Still more was given for the inside of the Abbey. The prebends would like a Coronation every year. The King paid nine thousand pounds for the hire of jewels; indeed, last time, it cost my father fourteen hundred to bejewel my Lady Orford. A single shop now sold six hundred pounds’ sterling worth of nails—but nails are risen—so is everything, and everything adulterated. If we conquer Spain, as we have done France, I expect to be poisoned.”
An observation as awkward as that of Lord Effingham had been made by the beautiful Lady Coventry to George II. “She was tired of sights,” she said; “there was only one left that she wanted to see, and that was a coronation.” The old man, says Walpole, told the story himself at supper to his family with great good humour. As it happened, he outlived Lady Coventry by a few days.
General Taste for Pleasure.—Entertainments at Twickenham and Esher.—Miss Chudleigh’s Ball.—Masquerade at Richmond House.—The Gallery at Strawberry Hill.—Balls.—The Duchess of Queensberry.—Petition of the Periwig-makers.—Ladies’ Head-gear.—Almack’s.—The Castle of Otranto.—Plans for a Bower.—A Late Dinner.—Walpole’s Idle Life.—Social usages.
For some years after the arrival of the Queen, the enlivening influence of a new reign is clearly traceable in Walpole’s letters. The Court, indeed, did not willingly contribute much to the national gaiety. Its plainness and economy soon incurred reproach;[33] while there were intervals in which the first uncertain signs of mental derangement caused the young King to be withdrawn from public observation. Still there were christenings and birthdays, with now and then a wedding, to be celebrated in the royal family; and the State festivities, unavoidable on these occasions, were eagerly emulated by the nobility. The Peace of Paris, too, was not only welcomed with popular rejoicings, but produced a general stir in society by the renewed intercourse which it brought about between France and England. “The two nations,” writes Horace, “are crossing over and figuring-in.” A trifle restrained by the example of the Court and the presence of foreign visitors, the appetite for pleasure became universal among the English higher classes. Lord Bute and the Princess of Wales, Wilkes and the North Briton, the debates on privilege and on general warrants, divided the attention of Walpole’s world with the last entertainment at the Duke of Richmond’s or Northumberland House, with Miss Chudleigh’s last ball, with the riots at Drury Lane Theatre, with the fêtes in honour of the marriage of the Princess Augusta and the Prince of Brunswick, or, somewhat later, of the ill-starred union between the Princess Caroline and the King of Denmark. We hear no more of frolics at Vauxhall, but we find galas, masquerades, ridottos, festinos, displays of fireworks following each other in rapid succession through our author’s pages; sometimes several such scenes are described in the same letter. There is, of course, much sameness in these descriptions, but some passages serve to illustrate the tastes of the age. We will make three or four brief extracts. Our first choice is an account of two entertainments given to French guests of rank, one by Horace himself at Strawberry Hill, the other by Miss Pelham at the country seat celebrated by Pope and Thomson. The whole story is contained in a letter to George Montagu, written in May, 1763:
“‘On vient de nous donner une très jolie fête au château de Straberri: tout étoit tapissé de narcisses, de tulipes, et de lilacs; des cors de chasse, des clarionettes; des petits vers galants faits par des fées, et qui se trouvoient sous la presse; des fruits à la glace, du thé, du caffé, des biscuits, et force hot-rolls.’[34]—This is not the beginning of a letter to you, but of one that I might suppose sets out to-night for Paris, or rather, which I do not suppose will set out thither; for though the narrative is circumstantially true, I don’t believe the actors were pleased enough with the scene, to give so favourable an account of it.
“The French do not come hither to see. A l’Anglaise happened to be the word in fashion; and half a dozen of the most fashionable people have been the dupes of it. I take for granted that their next mode will be à l’Iroquaise, that they may be under no obligation of realising their pretensions. Madame de Boufflers I think will die a martyr to a taste, which she fancied she had, and finds she has not. Never having stirred ten miles from Paris, and having only rolled in an easy coach from one hotel to another on a gliding pavement, she is already worn out with being hurried from morning till night from one sight to another. She rises every morning so fatigued with the toils of the preceding day, that she has not strength, if she had inclination, to observe the least, or the finest thing she sees! She came hither to-day to a great breakfast I made for her, with her eyes a foot deep in her head, her hands dangling, and scarce able to support her knitting-bag. She had been yesterday to see a ship launched, and went from Greenwich by water to Ranelagh. Madame Dusson, who is Dutch-built, and whose muscles are pleasure-proof, came with her; there were besides, Lady Mary Coke, Lord and Lady Holdernesse, the Duke and Duchess of Grafton, Lord Hertford, Lord Villiers, Offley, Messieurs de Fleury, D’Eon, et Duclos. The latter is author of the Life of Louis Onze; dresses like a dissenting minister, which I suppose is the livery of a bel esprit, and is much more impetuous than agreeable. We breakfasted in the great parlour, and I had filled the hall and large cloister by turns with French horns and clarionettes. As the French ladies had never seen a printing-house, I carried them into mine; they found something ready set, and desiring to see what it was, it proved as follows:
“The Press speaks—
“For Madame De Boufflers.
“For Madame Dusson.
“You will comprehend that the first speaks English, and that the second does not; that the second is handsome, and the first not; and that the second was born in Holland. This little gentilesse pleased, and atoned for the popery[35] of my house, which was not serious enough for Madame de Boufflers, who is Montmorency, et du sang du premier Chrétien; and too serious for Madame Dusson, who is a Dutch Calvinist.… The Gallery is not advanced enough to give them any idea at all, as they are not apt to go out of their way for one; but the Cabinet, and the glory of yellow glass at top, which had a charming sun for a foil, did surmount their indifference, especially as they were animated by the Duchess of Grafton, who had never happened to be here before, and who perfectly entered into the air of enchantment and fairyism, which is the tone of the place, and was peculiarly so to-day.
“Thursday.
“I am ashamed of myself to have nothing but a journal of pleasures to send you; I never passed a more agreeable day than yesterday. Miss Pelham gave the French an entertainment at Esher; but they have been so feasted and amused, that none of them were well enough, or reposed enough, to come, but Nivernois and Madame Dusson. The rest of the company were, the Graftons, Lady Rockingham, Lord and Lady Pembroke.… The day was delightful, the scene transporting; the trees, lawns, concaves, all in the perfection in which the ghost of Kent[36] would joy to see them. At twelve we made the tour of the farm in eight chaises and calashes, horsemen, and footmen, setting out like a picture of Wouverman’s. My lot fell in the lap of Mrs. Anne Pitt,[37] which I could have excused, as she was not at all in the style of the day, romantic, but political. We had a magnificent dinner, cloaked in the modesty of earthenware; French horns and hautboys on the lawn. We walked to the Belvidere on the summit of the hill, where a theatrical storm only served to heighten the beauty of the landscape, a rainbow on a dark cloud falling precisely behind the tower of a neighbouring church, between another tower and the building at Claremont. Monsieur de Nivernois, who had been absorbed all day, and lagging behind, translating my verses, was delivered of his version, and of some more lines which he wrote on Miss Pelham in the Belvidere, while we drank tea and coffee. From thence we passed into the wood, and the ladies formed a circle on chairs before the mouth of the cave, which was overhung to a vast height with woodbines, lilacs, and laburnums, and dignified by the tall shapely cypresses. On the descent of the hill were placed the French horns; the abigails, servants, and neighbours wandering below by the river; in short, it was Parnassus, as Watteau would have painted it. Here we had a rural syllabub, and part of the company returned to town; but were replaced by Giardini and Onofrio, who with Nivernois on the violin, and Lord Pembroke on the base, accompanied Miss Pelham, Lady Rockingham, and the Duchess of Grafton, who sang. This little concert lasted till past ten; then there were minuets, and as we had several couples left, it concluded with a country dance. I blush again, for I danced, but was kept in countenance by Nivernois, who has one wrinkle more than I have. A quarter after twelve they sat down to supper, and I came home by a charming moonlight. I am going to dine in town, and to a great ball with fireworks at Miss Chudleigh’s, but I return hither on Sunday, to bid adieu to this abominable Arcadian life; for really when one is not young, one ought to do nothing but s’ennuyer; I will try, but I always go about it awkwardly.”
Two days later this indefatigable chronicler of trifles describes to Conway the fête given by Miss Chudleigh, afterwards known as the Duchess of Kingston, but at that time a maid of honour to the Princess-Dowager of Wales:
“Oh, that you had been at her ball t’other night! History could never describe it and keep its countenance. The Queen’s real birthday, you know, is not kept: this Maid of Honour kept it—nay, while the Court is in mourning, expected people to be out of mourning; the Queen’s family really was so, Lady Northumberland having desired leave for them. A scaffold was erected in Hyde-park for fireworks. To show the illuminations without to more advantage, the company were received in an apartment totally dark, where they remained for two hours.… The fireworks were fine, and succeeded well. On each side of the court were two large scaffolds for the Virgin’s[38] tradespeople. When the fireworks ceased, a large scene was lighted in the court, representing their Majesties; on each side of which were six obelisks, painted with emblems, and illuminated; mottoes beneath in Latin and English.… The lady of the house made many apologies for the poorness of the performance, which she said was only oil-paper, painted by one of her servants; but it really was fine and pretty. Behind the house was a cenotaph for the Princess Elizabeth, a kind of illuminated cradle; the motto, All the honours the dead can receive. This burying-ground was a strange codicil to a festival; and, what was more strange, about one in the morning, this sarcophagus burst out into crackers and guns. The Margrave of Anspach began the ball with the Virgin. The supper was most sumptuous.”
A fortnight afterwards he writes:
“June 7th.
“Last night we had a magnificent entertainment at Richmond House, a masquerade and fireworks. A masquerade was a new sight to the young people, who had dressed themselves charmingly, without having the fear of an earthquake before their eyes, though Prince William and Prince Henry[39] were not suffered to be there. The Duchesses of Richmond and Grafton, the first as a Persian Sultana, the latter as Cleopatra,—and such a Cleopatra! were glorious figures, in very different styles. Mrs. Fitzroy in a Turkish dress, Lady George Lenox and Lady Bolingbroke as Grecian girls, Lady Mary Coke as Imoinda, and Lady Pembroke as a pilgrim, were the principal beauties of the night. The whole garden was illuminated, and the apartments. An encampment of barges decked with streamers in the middle of the Thames, kept the people from danger, and formed a stage for the fireworks, which were placed, too, along the rails of the garden. The ground rooms lighted, with suppers spread, the houses, covered and filled with people, the bridge, the garden full of masks, Whitehall crowded with spectators to see the dresses pass, and the multitude of heads on the river who came to light by the splendour of the fire-wheels, composed the gayest and richest scene imaginable, not to mention the diamonds and sumptuousness of the habits. The Dukes of York and Cumberland, and the Margrave of Anspach, were there, and about six hundred masks.”
In the intervals of these engagements, he is busy at Strawberry Hill. Thus, in arranging a short visit to George Montagu, he says (July 1):
“The journey you must accept as a great sacrifice either to you or to my promise, for I quit the Gallery almost in the critical minute of consummation. Gilders, carvers, upholsterers, and picture-cleaners are labouring at their several forges, and I do not love to trust a hammer or a brush without my own supervisal. This will make my stay very short, but it is a greater compliment than a month would be at another season; and yet I am not profuse of months. Well, but I begin to be ashamed of my magnificence; Strawberry is growing sumptuous in its latter day; it will scarce be any longer like the fruit of its name, or the modesty of its ancient demeanour, both which seem to have been in Spenser’s prophetic eye, when he sung of
“In truth, my collection was too great already to be lodged humbly; it has extended my walls, and pomp followed. It was a neat, small house; it now will be a comfortable one, and, except one fine apartment, does not deviate from its simplicity. Adieu! I know nothing about the world, and am only Strawberry’s and yours sincerely.”
Our next extract shows that, however fond of frequenting large parties, the writer had little inclination to give them, at any rate, in his toy-house:
“We had, last Monday, the prettiest ball that ever was seen, at Mrs. Anne Pitt’s, in the compass of a silver penny. There were one hundred and four persons, of which number fifty-five supped. The supper-room was disposed with tables and benches back to back, in the manner of an ale-house. The idea sounds ill; but the fairies had so improved upon it, had so be-garlanded, so sweetmeated, and so desserted it, that it looked like a vision. I told her she could only have fed and stowed so much company by a miracle, and that, when we were gone, she would take up twelve baskets-full of people. The Duchess of Bedford asked me before Madame de Guerchy, if I would not give them a ball at Strawberry? Not for the universe! What! turn a ball, and dust, and dirt, and a million of candles, into my charming new gallery! I said, I could not flatter myself that people would give themselves the trouble of going eleven miles for a ball—(though I believe they would go fifty).—‘Well, then,’ says she, ‘it shall be a dinner.’—‘With all my heart, I have no objection; but no ball shall set its foot within my doors.’”—Walpole to Lord Hertford, Feb. 24, 1764.
The promised dinner was duly given. “Strawberry,” we read soon afterwards, “has been more sumptuous to-day than ordinary, and banquetted their representative Majesties of France and Spain.… They really seemed quite pleased with the place and the day; but I must tell you, the treasury of the abbey will feel it, for, without magnificence, all was handsomely done.” Mrs. Anne Pitt, the giver of the ball, was present at the banquet. In describing to a foreigner this lady’s strong likeness to her famous brother, Walpole once said happily, “Qu’ils se ressemblaient comme deux gouttes de feu.” Another eccentric entertainer of the day was the Duchess of Queensberry, “very clever, very whimsical, and just not mad.” Of her we are told:
“Last Thursday, the Duchess of Queensberry gave a ball, opened it herself with a minuet, and danced two country dances: as she had enjoined everybody to be with her by six, to sup at twelve, and go away directly.… The only extraordinary thing the Duchess did, was to do nothing extraordinary, for I do not call it very mad that some pique happening between her and the Duchess of Bedford, the latter had this distich sent to her,
“I do not know whether what I am going to tell you did not border a little upon Moorfields.[40] The gallery where they danced was very cold. Lord Lorn, George Selwyn, and I, retired into a little room, and sat comfortably by the fire. The Duchess looked in, said nothing, and sent a smith to take the hinges of the door off. We understood the hint, and left the room, and so did the smith the door. This was pretty legible.”—Walpole to Lord Hertford, March 11, 1764.
A little later on we have more gossip about the humours of the day and of Lady Queensberry. Writing to the same correspondent, under date of February 12, 1765, Horace says:
“If it was not too long to transcribe, I would send you an entertaining petition[41] of the periwig-makers to the King, in which they complain that men will wear their own hair. Should one almost wonder if carpenters were to remonstrate, that since the peace their trade decays, and that there is no demand for wooden legs? Apropos, my Lady Hertford’s friend, Lady Harriot Vernon, has quarrelled with me for smiling at the enormous head-gear of her daughter, Lady Grosvenor. She came one night to Northumberland-house with such display of friz, that it literally spread beyond her shoulders. I happened to say it looked as if her parents had stinted her in hair before marriage, and that she was determined to indulge her fancy now. This, among ten thousand things said by all the world, was reported to Lady Harriot, and has occasioned my disgrace. As she never found fault with anybody herself, I excuse her! You will be less surprised to hear that the Duchess of Queensberry has not yet done dressing herself marvellously: she was at Court on Sunday in a gown and petticoat of red flannel. The same day the Guerchys made a dinner for her, and invited Lord and Lady Hyde, the Forbes’s, and her other particular friends: in the morning she sent word she was to go out of town, but as soon as dinner was over, arrived at Madame de Guerchy’s, and said she had been at Court.”
On February 14th, he adds in the same letter:
“The new Assembly Room at Almack’s was opened the night before last, and they say is very magnificent, but it was empty; half the town is ill with colds, and many were afraid to go, as the house is scarcely built yet. Almack advertised that it was built with hot bricks and boiling water—think what a rage there must be for public places, if this notice, instead of terrifying, could draw anybody thither. They tell me the ceilings were dropping with wet—but can you believe me, when I assure you the Duke of Cumberland was there?—Nay, had had a levee in the morning, and went to the Opera before the assembly! There is a vast flight of steps, and he was forced to rest two or three times. If he dies of it,—and how should he not?—it will sound very silly when Hercules or Theseus ask him what he died of, to reply, ‘I caught my death on a damp staircase at a new club-room.’”
The reader will be inclined to wonder how, with so many distractions, Walpole found time for all this letter-writing, and still more how he managed to come before the public as an author. His, however, was the pen of an extremely ready writer, and, when not otherwise engaged, he plied it with unwearied diligence. This appears in the following letter to Cole, the Cambridge antiquary, in which Horace gives an account of the origin and composition of his well-known romance. The letter shows also the writer’s love of collecting and designing curiosities:
“Strawberry Hill, March 9, 1765.
“I had time to write but a short note with the ‘Castle of Otranto,’ as your messenger called on me at four o’clock, as I was going to dine abroad. Your partiality to me and Strawberry have, I hope, inclined you to excuse the wildness of the story. You will even have found some traits to put you in mind of this place. When you read of the picture quitting its panel, did not you recollect the portrait of Lord Falkland, all in white, in my Gallery? Shall I even confess to you, what was the origin of this romance! I waked one morning, in the beginning of last June, from a dream, of which, all I could recover was, that I had thought myself in an ancient castle (a very natural dream for a head filled like mine with Gothic story), and that on the uppermost bannister of a great staircase I saw a gigantic hand in armour. In the evening I sat down, and began to write, without knowing in the least what I intended to say or relate. The work grew on my hands, and I grew fond of it—add, that I was very glad to think of anything, rather than politics. In short, I was so engrossed with my tale, which I completed in less than two months, that one evening, I wrote from the time I had drunk my tea, about six o’clock, till half an hour after one in the morning, when my hand and fingers were so weary, that I could not hold the pen to finish the sentence, but left Matilda and Isabella talking, in the middle of a paragraph. You will laugh at my earnestness; but if I have amused you, by retracing with any fidelity the manners of ancient days, I am content, and give you leave to think me as idle as you please.…
“When you go into Cheshire, and upon your ramble, may I trouble you with a commission? but about which you must promise me not to go a step out of your way. Mr. Bateman has got a cloister at Old Windsor, furnished with ancient wooden chairs, most of them triangular, but all of various patterns, and carved and turned in the most uncouth and whimsical forms. He picked them up one by one, for two, three, five, or six shillings a-piece from different farm-houses in Herefordshire. I have long envied and coveted them. There may be such in poor cottages, in so neighbouring a county as Cheshire. I should not grudge any expense for purchase or carriage; and should be glad even of a couple such for my cloister here. When you are copying inscriptions in a churchyard in any village, think of me, and step into the first cottage you see—but don’t take further trouble than that.…
“My bower is determined, but not at all what it is to be. Though I write romances, I cannot tell how to build all that belongs to them. Madame Danois, in the Fairy Tales, used to tapestry them with jonquils; but as that furniture will not last above a fortnight in the year, I shall prefer something more huckaback. I have decided that the outside shall be of treillage, which, however, I shall not commence, till I have again seen some of old Louis’s old-fashioned Galanteries at Versailles. Rosamond’s bower, you, and I, and Tom Hearne know, was a labyrinth: but as my territory will admit of a very short clew, I lay aside all thoughts of a mazy habitation: though a bower is very different from an arbour, and must have more chambers than one. In short, I both know, and don’t know, what it should be. I am almost afraid I must go and read Spenser, and wade through his allegories, and drawling stanzas, to get at a picture. But, good night! you see how one gossips, when one is alone, and at quiet on one’s own dunghill!—Well! it may be trifling; yet it is such trifling as Ambition never is happy enough to know! Ambition orders palaces, but it is Content that chats for a page or two over a bower.”
A large part of Walpole’s correspondence was despatched at night after his return from the theatre or a reception. His habits were late. He was a late riser, and he often played cards till two or three o’clock in the morning. Whist he disliked, but gave himself to faro, while that game was in vogue, and afterwards to loo, with all the fervour of a devotee. But when not thus occupied, the hours observed by the fashionable world allowed him to retire early to his desk. How different those hours were then from what they now are, may be gathered from Walpole’s amusing sketch of a retarded dinner, at which he was a sufferer, in 1765: