"Ad. Slack to the Lady Bowes.

"Right worll.

"I understand that one Raphe Cleaton ys curate of the chappell at Buxton; his wages are, out of his neighbour's benevolence, about vli yearely: Sr Charles Cavendishe had the tythes there this last yeare, ether of his owne right or my Lords, as th' inhabitants saye. The minister aforenamed differeth litle from those of the worste sorte, and hath dipt his finger both in manslaughter and p'jurie, &c. The placinge or displacing of the curate there resteth in Mr. Walker, commissarie of Bakewell, of which churche Buxton is a chappell of ease.

"I humbly thanke yor Worpp for yore lre to the justices at the cessions; for Sr Peter Fretchvell, togither wth Mr. Bainbrigg, were verie earnest against the badd vicar of Hope; and lykewyse Sr Jermane Poole, and all the benche, savinge Justice Bentley, who use some vaine —— on his behalfe, and affirmed that my La. Bowes had been disprooved before My Lord of Shrowesburie in reports touching the vicar of Hope; but such answere was made therto as his mouthe was stopped: yet the latter daie, when all the justic's but himselffe and one other were rysen, he wold have had the said vicar lycensed to sell ale in his vicaredge, althoe the whole benche had comanded the contrarye; whereof Sr Jermane Poole being adv'tised, retyrned to the benche (contradicting his speeche) whoe, wth Mr. Bainbrigge, made their warrant to bringe before them, him, or anie other person that shall, for him, or in his vicaridge, brue, or sell ale, &c. He ys not to bee punished by the Justices for the multytude of his women, untyll the basterds whereof he is the reputed father bee brought in. I am the more boulde to wryte so longe of this sorrie matter, in respect you maye take so much better knowledge of Sr Jo. Bentley, and his p'tialytie in so vile a cause; and esteeme and judge of him accordinge to yr wisdome and good discretion. Thus, humbly cravinge p'don, I com̄itt yr good Wors. to the everlasting Lorde, who ever keepe you. This 12th of Octob. 1609.

"Yor La' humble poore tenant, at comandmt.

"Ad. Slack.[93:A]

That men who could thus debase themselves should be held in little esteem, and their services ill requited, cannot excite our wonder; and we consequently read without surprise, that in the days of Elizabeth, the minstrel and the cook were often better paid than the priest;—thus on the books of the Stationers' Company for the year 1560, may be found the following entry:

  s. d.
"Item, payd to the preacher vi 2
Item, payd to the minstrell xij 0
Item, payd to the coke xv 0" [93:B]

Let us not conclude, however, that the age of Shakspeare was without instances of a far different kind, and that religion and virtue were altogether excluded from what ought to have been their most favoured abode; it will be sufficient to mention the name of Bernard Gilpin, the most exemplary of parish-priests, whose humility, benevolence, and exalted piety were never exceeded, and whose ministerial labours were such as to form a noble contrast to the shameful neglect of the pastoral care which existed around him. Indeed we are inclined to infer, notwithstanding the numerous individual instances of profligacy and dissipation which may be brought forward, that the country clergy then, as now, if considered in the aggregate, possessed more real virtue and utility than any other equally numerous body of men; but that aberrations from the stricter decency of their order were, as is still very properly the case in the present day, marked with avidity, and censured with abhorrence. To the younger clergy in the country, also, was frequently committed the task of education, a labour of unspeakable importance, but in the period of which we are writing, attended too often with the most undeserved contumely and contempt. In the Scholemaster of Ascham may be found the most bitter complaints of the barbarous and disgraceful treatment of the able instructor of youth; and the following sketches of the clerical tutor from Peacham and Hall, will still further heighten and authenticate the picture. The former of these writers observes, "Such is the most base and ridiculous parsimony of many of our Gentlemen, (if I may so terme them) that if they can procure some poore Batchelor of Art from the Universitie to teach their children to say grace, and serve the cure of an impropriation, who wanting meanes and friends, will be content upon the promise of ten pounds a yeere at his first comming, to be pleased with five; the rest to be set off in hope of the next advouson, (which perhaps was sold before the young man was borne): Or if it chance to fall in his time, his lady or master tels him; 'Indeed Sir we are beholden unto you for your paines, such a living is lately falne, but I had before made a promise of it to my butler or bailiffe, for his true and extraordinary service.'

"Is it not commonly seene, that the most Gentlemen will give better wages, and deale more bountifully with a fellow who can but a dogge, or reclaime a hawke, than upon an honest, learned, and well qualified man to bring up their children? It may be, hence it is, that dogges are able to make syllogismes in the fields, when their young masters can conclude nothing at home, if occasion of argument or discourse be offered at the table."[95:A]

The domestic chaplain of Bishop Hall is touched with a glowing pencil, and while it faithfully exhibits the servile and depressed state of the poor tutor, is, at the same time, wrought up with much point and humour.

"A gentle squire would gladly entertaine
Into his house some trencher-chapelaine;
Some willing man, that might instruct his sons.
And that would stand to good conditions.
First, that he lie upon the truckle-bed,
While his young maister lieth o'er his head:
Second, that he do, upon no default,
Never presume to sit above the salt:
Third, that he never change his trencher twise;
Fourth, that he use all common courtesies;
Sit bare at meales, and one half rise and wait:
Last, that he never his young maister beat;
But he must aske his mother to define
How manie jerks she would his breech should line.
All these observ'd, he could contented be,
To give five markes, and winter liverie."[95:B]

From the description of the character of the country clerical tutor, it is an easy transition to that of the rural pedagogue or schoolmaster, a personage of not less consequence in the days of Elizabeth, than in the present period. He frequently combined, indeed, in the sixteenth century, the reputation of a conjuror with that of a schoolmaster, and accordingly in the Comedy of Errors, Pinch, in the dramatis personæ, is described as "a schoolmaster, and a conjuror," and the following not very amiable portrait of his person is given towards the conclusion of the play:—

"They brought one Pinch; a hungry lean-faced villain,
A meer anatomy, a mountebank,
A thread-bare juggler, and a fortune-teller;
A needy, hollow-eye'd, sharp-looking wretch,
A living dead man: this pernicious slave,
Forsooth, took him on as conjuror."[96:A]

Ben Jonson also alludes to this union of occupations when he says, "I would have ne'er a cunning schoolemaster in England, I mean a Cunningman as a schoolemaster; that is, a Conjurour."[96:B]

A less formidable figure of a schoolmaster has been given us by Shakspeare, under the character of Holofernes, in Love's Labour's Lost, where he has drawn a full-length caricature of the too frequent pedantry of this profession. Yet Holofernes, though he speak a leash of languages at once, is not deficient either in ability or discrimination; he ridicules with much good sense and humour the literary fops of his day, the "rackers of orthography;" and his conversation is described by his friend, Sir Nathaniel, the Curate, as possessing all the requisites to perfection. "Sir: your reasons at dinner have been sharp and sententious; pleasant without scurrility, witty without affection, audacious without impudency, learned without opinion, and strange without heresy."[96:C] "It is very difficult," remarks Dr. Johnson, "to add any thing to this character of the schoolmaster's table-talk, and perhaps all the precepts of Castiglione will scarcely be found to comprehend a rule for conversation so justly delineated, so widely dilated, and so nicely limited."[96:D]

The country-schoolmasters in the reigns of Elizabeth and James, were, however, if we trust to the accounts of Ascham and Peacham, in general many degrees below the pedagogue of Shakspeare in ability; tyranny and ignorance appear to have been their chief characteristics; to such an extent, indeed, were they deficient in point of necessary knowledge, that Peacham, speaking of bad masters, declares, "it is a generall plague and complaint of the whole land; for, for one discreet and able teacher, you shall finde twenty ignorant and carelesse; who (among so many fertile and delicate wits as England affordeth) whereas they make one scholler, they marre ten."[97:A]

Ascham had endeavoured, by every argument and mode of persuasion in his power, to check the severe and indiscriminate discipline which prevailed among the teachers in his time; it would seem in vain; for Peacham, about the year 1620, found it necessary to recommend lenity in equally strenuous terms, and has given a minute and we have no doubt a faithful picture of the various cruelties to which scholars were then subjected; a summary of the result of this conduct may be drawn, indeed, from his own words, where he says, "Masters for the most part so behave themselves, that their very name is hatefull to the scholler, who trembleth at their comming in, rejoyceth at their absence, and looketh his master (returned) in the the face, as his deadly enemy."[97:B]

To the charges of undue severity and defective literature, we must add, I am afraid, the infinitely more weighty accusation of frequent immorality and buffoonery. Ludovicus Vives, who wrote just before the age of Shakspeare, asserts, that "some schoolmasters taught Ovid's books of love to their scholars, and some made expositions, and expounded the vices[97:C];" and Peacham, at the close of the era we are considering, censures in the strongest terms their too common levity and misconduct: "the diseases whereunto some of them are very subject, are humour and folly (that I may say nothing of the grosse ignorance and insufficiency of many) whereby they become ridiculous and contemptible both in the schoole and abroad. Hence it comes to passe, that in many places, especially in Italy, of all professions that of pedanteria is held in basest repute: the schoole-master almost in every comedy being brought upon the stage, to paralell the Zani or Pantaloun. He made us good sport in that excellent comedy of Pedantius, acted in our Trinity Colledge in Cambridge, and if I be not deceived, in Priscianus Vapulans, and many of our English plays.

"I knew one, who in winter would ordinarily in a cold morning, whip his boyes over for no other purpose than to get himselfe a heat: another beat them for swearing, and all the while he sweares himself with horrible oathes, he would forgive any fault saving that.

"I had I remember myselfe (neere S. Albanes in Hertfordshire, where I was borne) a master, who by no entreaty would teach any scholler he had, farther than his father had learned before him; as, if he had onely learned but to reade English, the sonne, though he went with him seven yeeres, should goe no further: his reason was, they would then proove saucy rogues, and controule their fathers; yet these are they that oftentimes have our hopefull gentry under their charge and tuition, to bring them in science and civility."[98:A]

We must, I apprehend, from these representations, be induced to conclude, that ignorance, despotism, and self-sufficiency were leading features in the composition of the country-schoolmaster, during this period of our annals; it would not be just, however, to infer from these premises that the larger schools were equally unfortunate in their conductors; on the contrary, most of the public seminaries of the capital, and many in the large provincial towns, were under the regulation of masters highly respectable for their erudition, men, indeed, to whom neither Erasmus nor Joseph Scaliger would have refused the title of ripe and good scholars.

We shall now pass forward, in the series of our rural characters, to the delineation of one of great importance in a national point of view, that of the substantial Farmer or Yeoman, of whom Harrison has left us the following interesting definition:—"This sort of people have a certaine preheminence, and more estimation than labourers and the common sort of artificers, and these commonlie live wealthilie, kéepe good houses, and travell to get riches. They are also for the most part farmers to gentlemen, or at the leastwise artificers, and with grazing, frequenting of markets, and kéeping of servants (not idle servants, as the gentlemen doo, but such as get both their owne and part of their masters living) do come to great welth, in somuch that manie of them are able and doo buie the lands of unthriftie gentlemen, and often setting their sonnes to the schooles, to the universities, and to the Ins of the court; or otherwise leaving them sufficient lands whereupon they may live without labour, doo make them by those meanes to become gentlemen: these were they that in times past made all France afraid. And albeit they be not called master, as gentlemen are, or sir as to knights apperteineth, but onelie John and Thomas, &c.: yet have they beene found to have doone verie good service: and the kings of England in foughten battels, were woont to remaine among them (who were their footmen) as the French kings did amongst their horssemen: the prince thereby shewing where his chiefe strength did consist."[99:A]

After this description of the rank which the farmer held in society, we shall proceed to state the mode in which he commonly lived in the age of Elizabeth; and in doing this we have chosen, as usual, to adopt at considerable length the language of our old writers; a practice to which we shall in future adhere, while detailing the manners, customs, &c. of our ancestors, a practice which has indeed peculiar advantages; for the authenticity of the source is at once apparent, the diction possesses a peculiar charm from its antique cast, and the expression has a raciness and force of colouring, which owes its origin to actual inspection, and which, consequently, it is in vain to expect, on such subjects, from modern composition.

The houses or cottages of the farmer were built, in places abounding in wood, in a very strong and substantial manner, with not more than four, six, or nine inches between stud and stud; but in the open and champaine country, they were compelled to use more flimsy materials, with here and there a girding to which they fastened their splints, and then covered the whole with thick clay to keep out the wind. "Certes this rude kind of building," says Harrison, "made the Spaniards in quéene Maries daies to wonder, but chéeflie when they saw what large diet was used in manie of these so homelie cottages, in so much that one of no small reputation amongst them said after this manner: 'These English (quoth he) have their houses made of sticks and durt, but they fare commonlie so well as the king.' Whereby it appeareth that he liked better of our good fare in such coarse cabins, than of their owne thin diet in their prince-like habitations and palaces."[100:A] The cottages of the peasantry usually consisted of but two rooms on the ground-floor, the outer for the servants, the inner for the master and his family, and they were thatched with straw or sedge; while the dwelling of the substantial farmer was distributed into several rooms above and beneath, was coated with white lime or cement, and was very neatly roofed with reed; hence Tusser, speaking of the farm-house, gives the following directions for repairing and preserving its thatch in the month of May:

"Where houses be reeded (as houses have need)
Now pare of the mosse, and go beat in the reed:
The juster ye drive it, the smoother and plaine,
More handsome ye make it, to shut off the raine."[100:B]

A few years before the era of which we are treating, the venerable Hugh Latimer, describing in one of his impressive sermons the economy of a farmer in his time, tells us that his father, who was a yeoman, had no land of his own, but only "a farm of three or four pounds by the year at the utmost; and hereupon he tilled so much as kept half a dozen men. He had a walk for an hundred sheep; and my mother milked thirty kine. He kept his son at school till he went to the university, and maintained him there; he married his daughters with five pounds or twenty nobles a piece; he kept hospitality with his neighbours, and some alms he gave to the poor; and all this he did out of the said farm."[101:A]

Land let, at this period, it should be remembered, at about a shilling per acre; but in the reign of Elizabeth its value rapidly increased, together with a proportional augmentation of the comfort of the farmer, who even began to exhibit the elegancies and luxuries of life. Of the change which took place in rural economy towards the close of the sixteenth century, the following faithful and interesting picture has been drawn by the pencil of Harrison, who, noticing the additional splendour of gentlemen's houses, remarks,—"In times past the costlie furniture staied there, whereas now it is descended yet lower, even unto manie farmers, who by vertue of their old and not of their new leases, have for the most part learned also to garnish their cupbords with plate, their ioined beds with tapistrie and silke hangings, and their tables with carpets and fine naperie, whereby the wealth of our countrie (God be praised therefore, and give us grace to imploie it well) dooth infinitlie appeare. Neither doo I speake this in reproch of anie man, God is my judge, but to shew that I do rejoise rather, to see how God hath blessed us with his good gifts; and whilest I behold how that in a time wherein all things are growen to most excessive prices, and what commoditie so ever is to be had, is daily plucked from the commonaltie by such as looke in to everie trade, we doo yet find the means to obtein and atchive such furniture as here to fore hath beene unpossible. There are old men yet dwelling in the village where I remaine, which have noted three things to be marvellouslie altered in England within their sound remembrance; and other three things too too much encreased. One is, the multitude of chimnies latelie erected, wheras in their yoong daies there were not above two or three, if so manie in most uplandish townes of the realme, (the religious houses, and manor places of their lords alwaies excepted, and peradventure some great personages) but ech one made his fire against a rere dosse in the hall, where he dined and dressed his meat.

"The second is the great (although not generall) amendment of lodging, for (said they) our fathers (yea and wee ourselves also) have lien full oft upon straw pallets, on rough mats covered onlie with a shéet, under coverlets made of dagswain or hop harlots (I use their owne termes) and a good round log under their heads instead of a bolster or pillow. If it were so that our fathers or the good man of the house, had within seven yeares after his mariage purchased a matteres or flockebed, and thereto a sacke of chaffe to rest his head upon, he thought himselfe to be as well lodged as the lord of the towne, that peradventure laie seldome in a bed of downe or whole fethers; so well were they contented, and with such base kind of furniture: which also is not verie much amended as yet in some parts of Bedfordshire, and elsewhere further off from our southerne parts. Pillowes (said they) were thought méet onelie for women in child bed. As for servants, if they had anie shéet above them it was well, for seldome had they anie under their bodies, to kéepe them from the pricking straws that ran oft through the canvas of the pallet, and rased their hardened hides.

"The third thing they tell of, is the exchange of vessell, as of treene platters into pewter, and wodden spoones into silver or tin. For so common was all sorts of tréene stuff in old time, that a man should hardlie find four péeces of pewter (of which one was peradventure a salt) in a good farmer's house, and yet for all this frugalitie (if it may so be justly called) they were scarce able to live and paie their rents at their daies without selling of a cow, or an horsse, or more, although they paid but foure pounds at the uttermost by the yeare. Such also was their povertie, that if some one od farmer or husbandman had béene at the alehouse, a thing greatlie used in those daies, amongst six or seven of his neighbours, and there in a braverie to shew what store he had, did cast downe his purse, and therein a noble or six shillings in silver unto them (for few such men then cared for gold because it was not so readie paiment, and they were oft inforced to give a penie for the exchange of an angell) it was verie likelie that all the rest could not laie downe so much against it: whereas in my time, although peradventure foure poundes of old rent be improved to fortie, fiftie, or an hundred pounds, yet will the farmer as another palme or date trée thinke his gaines verie small toward the end of his terme, if he have not six or seven yeares rent lieing by him, therewith to purchase a new lease, beside a faire garnish of pewter on his cupbord, with so much in od vessell going about the house, thrée or foure feather beds, so manie coverlids and carpets of tapistrie, a silver salt, a bowle for wine (if not an whole neast) and a dozzen of spoones to furnish up the sute."[103:A]

To this curious delineation of the furniture and household accommodation of the farmer, it will be necessary, in order to complete the sketch, to add a few things relative to his diet and hospitality. Contrary to what has taken place in modern times, the hours for meals were later with the artificer and the husbandman than with the higher order of society; the farmer and his servants usually sitting down to dinner at one o'clock, and to supper at seven, while the nobleman and gentleman took the first at eleven in the morning, and the second at five in the afternoon.

It would appear that, from the cottage to the palace, good eating was as much cultivated in the days of Elizabeth as it has been in any subsequent period; and the rites of hospitality, more especially in the country, were observed with a frequency and cordiality which a further progress in civilisation has rather tended to check, than to increase.

Of the larder of the cotter and the shepherd, and of the hospitality of the former, a pretty accurate idea may be acquired from the simple yet beautiful strains of an old pastoral bard of Elizabeth's days, who, describing a nobleman fatigued by the chase, the heat of the weather, and long fasting, adds that he—

"Did house him in a peakish graunge,
Within a forrest great:
Wheare, knowne, and welcom'd, as the place
And persons might afforde,
Browne bread, whig, bacon, curds, and milke,
Were set him on the borde:
A cushion made of lists, a stoole
Half backed with a houpe,
Were brought him, and he sitteth down
Besides a sorry coupe.
The poor old couple wish't their bread
Were wheat, their whig were perry,
Their bacon beefe, their milke and curds
Weare creame, to make him mery."[104:A]

The picture of the shepherd youth is so exquisitely drawn that, though only a portion of it is illustrative of our subject, we cannot avoid giving so much of the text as will render the figure complete.

"Sweet growte, or whig, his bottle had
As much as it might hold:
A sheeve of bread as browne as nut,
And cheese as white as snowe,
And wildings, or the season's fruite,
He did in scrip bestow:
And whil'st his py-bald curre did sleepe,
And sheep-hooke lay him by,
On hollow quilles of oten strawe
He piped melody:—
— — — — — — — With the sun
He doth his flocke unfold,
And all the day on hill or plaine
He merrie chat can hold:
And with the sun doth folde againe;
Then jogging home betime,
He turnes a crab, or tunes a round,
Or sings some merrie ryme:
Nor lackes he gleeful tales to tell,
Whil'st round the bole doth trot;
And sitteth singing care away,
Till he to bed hath got.
Theare sleeps he soundly all the night,
Forgetting morrow cares,
Nor feares he blasting of his corne
Nor uttering of his wares,
Or stormes by seas, or stirres on land,
Or cracke of credite lost,
Not spending franklier than his flocke
Shall still defray the cost.
Wel wot I, sooth they say that say:
More quiet nightes and daies
The shepheard sleepes and wakes than he
Whose cattel he doth graize."[105:A]

The lines in Italics allude to the favourite beverage of the peasantry, and the mode in which they recreated themselves over the spicy bowl. To turne a crab is to roast a wilding or wild apple in the fire for the purpose of being thrown hissing hot into a bowl of nut-brown ale, into which had been previously put a toast with some spice and sugar. To this delicious compound Shakspeare has frequently referred; thus in Love's Labour's Lost one of his designations of winter is,

"When roasted crabs hiss in the bowl:"[105:B]

and Puck, describing his own wanton tricks in Midsummer Night's Dream, says—

"And sometime lurk I in a gossip's bowl,
In very likeness of a roasted crab,
And when she drinks, against her lips I bob."[106:A]

The very expression to turn a crab will be found in the following passages from two old plays, in the first of which the good man says he will

"Sit down in his chaire by his wife faire Alison,
And turne a crabbe in the fire;"[106:B]

and in the second, Christmas is personified

—— "sitting in a corner turning crabs,
Or coughing o'er a warmed pot of ale."[106:C]

Nor can we omit, in closing this series of quotations, the following stanza of a fine old song in the curious comedy of Gammer Gurton's Needle, first printed in 1575:

"I love no rost, but a nut brown toste,
and a crab layde in the fyre;
A lytle bread shall do me stead,
much bread I not desyre.
No froste nor snow, no winde, I trow,
can hurte me if I wolde,
I am so wrapt, and throwly lapt
of joly good ale, and olde.
Back and syde go bare, go bare,
booth foote and hande go colde;
But belly, God sende thee good ale ynoughe,
whether it be newe or olde."[106:D]

To tell gleeful tales, "whilst round the bole doth trot," was an amusement much more common among our ancestors, during the age of Elizabeth, and the subsequent century, than it has been in any later period. The Winter's Tale of Shakspeare owes its title to this custom, of which an example is placed before us in the first scene of the second act.

Her. Come Sir—
—— Pray you, sit by us,
And tell 's a tale.
Mam. Merry, or sad, shal't be?
Her. As merry as you will.[107:A]

And Burton, the first edition of whose Anatomy of Melancholy was published in 1617, enumerates, among the ordinary recreations of Winter, "merry tales of errant knights, queens, lovers, lords, ladies, giants, dwarfs, thieves, cheaters, witches, fayries, goblins, friars, &c.—which some delight to hear, some to tell; all are well pleased with;" and he remarks shortly afterwards, "when three or four good companions meet, they tell old stories by the fire-side, or in the sun, as old folks usually do, remembering afresh and with pleasure antient matters, and such like accidents, which happened in their younger years."[107:B] Milton also, in his L'Allegro, first printed in 1645, gives a conspicuous station

—— "to the spicy nut-brown ale,
With stories told of many a feat:"

and adds,

"Thus done the tales, to bed they creep,
By whispering winds soon lull'd to sleep."[107:C]

The farmer's daily diet may be drawn with sufficient accuracy from the curious old Georgic of Tusser, a poem which, more than any other that we possess, throws light upon the agricultural manners and customs of the age. In Lent, says this entertaining bard, the farmer must in the first place consume his red herring, and afterwards his salt fish, which should be kept in store, indeed, and considered as good even when Lent is past, and with these leeks and peas should be procured for pottage, with the view of saving milk, oatmeal, and bread: at Easter veale and bacon are to be the chief articles; at Martilmas salted beef, "when country folk do dainties lack:" at Midsummer, when mackrel are out of season, grasse (that is sallads, &c.) fresh beef and pease: at Michaelmas fresh herring and fatted [108:A]crones: at All Saints pork and souse, sprats and spurlings: at Christmas he enjoins the farmer to "plaie and make good cheere," and he concludes by advising him, as was the custom in Elizabeth's time, to observe Fridays, Saturdays, and Wednesdays as fish-days; to "keep embrings well and fasting dayes," and of fish and fruit be scarce, to supply their want with butter and cheese.[108:B] To these recommendations he adds, in another place, that

"Good ploughmen look weekly of custom and right,
For rostmeat on sundaies, and thursday at night:"

and he subsequently gives directions for writing what he terms "husbandlie posies," that is, economical proverbs in rhyme, to be hung up in the Hall, the parlour, the Ghest's chamber, and the good man's own bed chamber.[108:C]

If the farmer have a visitor, our worthy bard is not illiberal in his allowance, but advises him to place three dishes on his table at dinner, well dressed, which, says he, will be sufficient to pleese your friend, and will become your Hall.[109:A]

On days of feasting and rejoicing, however, it appears to have been a common custom for the guests to bring their victuals with them, forming as it were a pic-nic meal; thus, Harrison, describing the occasional mirth and hospitality of the farmer, says,—"In feasting the husbandmen doo exceed after their maner: especiallie at bridales, purifications of women, and such od meetings, where it is incredible to tell what meat is consumed and spent, ech one bringing such a dish, or so manie with him as his wife and he doo consult upon, but alwaies with this consideration, that the léefer fréend shall have the better provision. This also is commonlie séene at these bankets, that the good man of the house is not charged with any thing saving bread, drink, sauce, houseroome, and fire. (He then gives us the following naïve and pleasing picture of their festivity and content.) The husbandmen are sufficientlie liberall, and verie fréendlie at their tables, and when they méet, they are so merie without malice, and plaine without inward Italian or French craft and subtiltie, that it would doo a man good to be in companie among them. Herein only are the inferiour sort somewhat to be blamed, that being thus assembled, their talke is now and then such as savoureth of scurrilitie and ribaldrie, a thing naturallie incident to carters and clowns, who thinke themselves not to be merie and welcome, if their foolish veines in this behalfe be never so little restreined. This is moreover to be added in these meetings, that if they happen to stumble upon a péece of venison, and a cup of wine or verie strong beere or ale (which latter they commonlie provide against their appointed daies) they thinke their chéere so great, and themselves to have fared so well, as the lord Maior of London, with whome when their bellies be full they will not often sticke to make comparison, (saying, I have dined so well as my lord maior) because that of a subject there is no publike officer of anie citie in Europe, that may compare in port and countenance with him during the time of his office."[109:B]

The dress of the farmer during the middle of the sixteenth century was plain and durable; consisting, for common purposes, of coarse gray cloth or fustian, in the form of trunk-hose, frock, or doublet.

To this account of the farmer's mode of living, it will be proper to add a brief description of his coadjutor in domestic economy, the English housewife, a personage of no small importance; for, as honest Tusser has justly observed,

"House keping and husbandry, if it be good,
must love one another, as cousinnes in blood.
The wife to, must husband as well as the man,
or farewel thy husbandry, doe what thou can."[110:A]

Of the qualifications necessary to constitute this useful character, Gervase Markham has given us a very curious detail, in his work entitled "The English Housewife;" which, though not published until the close of the Shakspearian era, appears, from the dedication to Frances, Countess Dowager of Exeter, to have been written long anterior to its transmission to the press; for it is there said, "That much of it was a manuscript which many years ago belonged to an honourable Countess, one of the greatest glories of our[110:B] kingdom." It is a delineation which, as supposed of easy practical application, does honour to the sex and to the age. After expatiating on the necessity of a religious example to her household, on the part of the good housewife, he thus proceeds:

"Next unto her sanctity and holiness of life, it is meet that our English Housewife be a woman of great modesty and temperance, as well inwardly as outwardly; inwardly, as in her behaviour and carriage towards her husband, wherein she shall shun all violence of rage, passion and humour, coveting less to direct than to be directed, appearing ever unto him pleasant, amiable and delightful; and, tho' occasion of mishaps, or the mis-government of his will may induce her to contrary thoughts, yet vertuously to suppress them, and with a mild sufferance rather to call him home from his error, than with the strength of anger to abate the least spark of his evil, calling into her mind, that evil and uncomely language is deformed, though uttered even to servants; but most monstrous and ugly, when it appears before the presence of a husband: outwardly, as in her apparel, and dyet, both which she shall proportion according to the competency of her husband's estate and calling, making her circle rather strait than large: for it is a rule, if we extend to the uttermost, we take away increase; if we go a hairs bredth beyond, we enter into consumption: but if we preserve any part, we build strong forts against the adversaries of fortune, provided that such preservation be honest and conscionable: for as lavish prodigality is brutish, so miserable covetousness is hellish. Let therefore the Housewife's garments be comely and strong, made as well to preserve the health, as to adorn the person, altogether without toyish garnishes, or the gloss of light colours, and as far from the vanity of new and fantastick fashions, as near to the comely imitation of modest matrons. Let her dyet be wholesome and cleanly, prepared at due hours, and cook'd with care and diligence, let it be rather to satisfie nature, than her affections, and apter to kill hunger than revive new appetites; let it proceed more from the provision of her own yard, than the furniture of the markets; and let it be rather esteemed for the familiar acquaintance she hath without it, than for the strangeness and rarity it bringeth from other countries.

"To conclude, our English Housewife must be of chast thoughts, stout courage, patient, untired, watchful, diligent, witty, pleasant, constant in friendship, full of good neighbour-hood, wise in discourse, but not frequent therein, sharp and quick of speech, but not bitter or talkative, secret in her affairs, comfortable in her counsels, and generally skilful in the worthy knowledges which do belong to her vocation."[111:A]

These knowledges, he then states, should consist in an intimacy with domestic physic, with cookery, with the distillation of waters, with the making and preserving of wines, with the making and dying of cloth, with the conduct of dairies, and with malting, brewing, and baking; for all which he gives very ample directions. Markham, indeed, seems to have taken the greater part of this picture from his predecessor Tusser, in whose poems on husbandry may be found, among many others, the following excellent precepts for the conduct of the good house-wife:—