Acanthus Foliage, 38, 263
“    Leaf (Greek) 264
“      “  (Roman) 266
“      “ (Byzantine) 267
Romanesque, 268
Gothic, 268
Italian Renaissance, 279
French Renaissance, 280
Jacobean, 280
Louis XIV, 283
Louis XV, 284
Louis XVI, 284
Grinling Gibbons, 285
Adam, 286
System of the, 286
Adam, Robert, 123
Alberti, Leo Battista, 76
Ancient Pottery, 8
Animals in Art, 331, 334
“        “  Compound, 336
Angelo, M., 79
Anthemion, The, 262
Anthemius, 45
Apathy, Public, 8
Appliqué, 296
Appreciation of Design, 288
Architecture, Egyptian, 22
Chaldean, 25
Greek, 28
Roman, 35
Byzantine, 43
Romanesque, 49
Gothic, 59
Renaissance, Italian, 75
“      Florentine, 76
“      Roman, 78
“      Venetian, 80
“      French, 85
“      in England, 88
“      Elizabethan, 91
“      Jacobean, 93
“      English, 102
“      Louis XIII, 103
“      Louis XIV, 106
“      Louis XV, 110
“      Later English, 113
Architectural Drawing, 158, 363
Architectural Features, Abacus, The, 173, 175, 178
Arch, 20
“  Pointed, 58
“  Decorated, 64
“  Perpendicular, 68
“  184
Arcades, 200
“      Vaulted, 201
Architrave, 161, 164, 169, 172, 211
Archivolt, The, 186, 187
Attic, The, 208
Baluster, The, 191
Balustrading, 193
Battlement, The, 66
Base, The Doric, 181
“  The Ionic, 182
“  The Corinthian, 183
Basement, The, 207
Buttress, The, 59
Capital, The Doric, 173
“      The Ionic, 175
“      The Corinthian, 178
Clerestory, The, 51, 67
Column, The, 172
“    Employment of, 194
“    Disposition and Spacing of, 195
Corinthian Order, The, 163
Cornice, 161, 164, 169, 171, 209
Doric Order, The, 161
Doors, 211
Entablature, The Doric, 164
“      The Ionic, 169
“      The Corinthian, 171
Frieze, The, 161, 164, 167, 169, 171, 213, 226
Impost, The Doric, 185
“    The Ionic, 186
“    The Corinthian, 187
Ionic Order, The, 163
Keystone, The, 187
Lintel, The, 19
Mouldings, 61, 64, 68, 97, 107
“      Profiles, 138
“      Purpose of, 139
“      Decoration of, 143
“      Employment of 147
Mutule, The, 164
Order, The, 160
“    The Doric, 161
“    The Ionic, 163
“    The Corinthian, 163
Pedestal, The, 188
Pedestal, The Doric, 189
“    The Ionic, 190
“    The Corinthian, 190
Pediment, The, 209
Piers, 60, 184, 200, 205
Pilaster, The, 160, 199, 235
Plynth, The, 161, 181, 183, 184, 188, 190, 191, 193, 204, 208
Rustication, 205
Subsidiary Order, The, 202
Superimposed Orders, 197, 204
System of Proportion, 159
Triforium, The, 53, 60, 67
Vault, The, 20, 36, 53
“    Treatment of, 224
Vaulting, Fan, 68
Volute, The, 175
Windows, 60, 213
“      Plate Tracery, 61
“      Tracery of, 63, 64
Art, Interest in, 1
Definition of, 5
As an Appeal, 5
Ethical Side of, 14
Desire for Novelty in, 15
Egyptian, 23
Chaldean, 25
Greek, 33
Roman, 38
Græco-Roman, 40
Byzantine, 45
Artistic Phases of Expression, 10
Aureole, The, 340

Baluster, The, 153, 191, 246
Bank of Ireland, 136
Base, The Doric, 181
Base, The Ionic, 182
“  The Corinthian, 183
Basement, The, 207
Battlement, The, 66
Bazzi Gian Antonio (Sodoma), 83
Berain, Claude, 106
“    Jean, 106
Bernini, 80
Book Decoration, 300
Borders, 227
“    Treatment, 233
Boule, André Charles, 106, 109
“    Work, 298
Bramante, 78
Branching, Types of, 273
Brunelleschi, 76
Buttress, The, 59
Byzantine, Art, 45

Caduceus, The, 342.
Cannibalism, 336
Capital, The, 22, 50
Capital, Doric, 173
Ionic, 175
Corinthian, 178
Carved Work, 301
Design for, 302
Ceilings, Jacobean, 97
Louis XIII, 105
Louis XIV, 108
Louis XV, 112
Treatment of, 218
Centaur, The, 339
Chaldean Art, 25
Chambers, Sir William, 136
Chambord, Chateau de, 86
Champleve Enamel, 47
Chenonceaux, sur Loire, 86
Chimney-piece, Jacobean, 94
Chippendale, 121
Choragic Monument, 32
Christian Art, Early, 46
Circle, Symbolic meaning of, 340
Cipriani, 126
Clerestory, The, 51, 67
Colour, Symbolism of, 345
Use of, 353
Opaque, 360
Column, The, 172
Employment of, 194
Disposition and Spacing of, 195
Commercial Production, 6
Intercourse, 12
Convention, 292
Accepted, 351
Cornucopia, The, 346
Corinthian, Order, 163
Entablature, 171
Capital, 178
Base, 184
Pedestal, 190
Impost, 187
Craft Restriction, 256
Cressent, Charles, 111
Cross, The, 343
Crozier, The, 344
Crux Ansata, 343
Customs, Survival of, 311
Early Burial, 322

Dance, George, 136
Decorative, Materials, 289
Deities, Egyptian, 318
Deities, Greek and Roman, 316
Scandinavian, 317
Pan, 339
Delorme, Philibert, 87
Dentils, 146
Design, Mental vision in, 1
Inspired, 2
Process and material in, 2, 8
Considerations in, 3
Public demand, 3
Training in, 4
Influence in, 4, 8, 12, 18
Architectural influence in, 14
Appreciation of, 288
Structural, 363
Domes, Byzantine, 43
Treatment of, 224
Domestic Conditions, 54, 72, 74
Donatello, 76
Doors, Jacobean, 96
Proportions and Treatment, 211
Doric Order, 28, 161
Entablature, 164
Capital, 173
Base, 181
Pedestal, 189
Impost, 185

Ecole de Médécine, 132
Echo, 319
Egyptian Art, 22
Enamel, Byzantine, 47
Endymion, 319
Enlarging Drawings, 360
Equipment, Mathematical, 365
Eurydice, 324
Evangelists, 331
Evolute Scroll, The, 234, 261

Farnese Palace, 79
Fates, 318, 320
Figure Composition, 244
Filagree Jewellery, 258
Flowers, in Ornament 270
Fontainebleau, Palace of, 86
Forms in the round, 245
Four Courts, Dublin, 136
French Renaissance, 85
Louis XIII, 103
Louis XIV, 106
Régence, 111
Louis XV, 110
Louis XVI, 127
Empire, 135
Frieze, The, 226, 266
Furniture, Egyptian, 24
Chaldean, 27
Greek, 32
Roman, 39
Middle Age, 54
Decorated Gothic, 66, 73
Italian Renaissance, 84
English Renaissance, 92
Jacobean, 98
Louis XIII, 105
Louis XIV, 108
Louis XV, 113
English (Dutch Influence) 118
Queen Anne, 120
Chippendale, 121
Lacquered, 113, 126
Painted, 126
Sheraton, 127
Louis XVI, 133
Empire, 135

Gallo, Antonio San, 79
Gallo, Giuliano di San, 79
Gandon, James, 136
Gems, Symbolism of, 345
Gibbons, Grinling, 114, 137, 285
Gibbs, James, 115
Giocondo, 79
Giotto, 83
Gondouin, Jacques, 132
Gouthière, 133
Graces, Christian, 329
Græco-Roman Art, 40
Greek Art, 28
Grimani Palace, 80
Growth, Consistency in, 273

Half Figures in Ornament, 278
Halo, The, 340
Hamadryads, 339
Hampton Court Palace, 114
Hand, Symbolism of the, 341
Harpy, The, 320, 338
Hawksmoor, Nicholas, 115
Hepplewhite, 126
Heraldry, 348
Holbein, 89
Holkham, Norfolk, 121
Holt, Thomas, 91
Horse Guards, Whitehall, 121
Husk Leaf, The, 269

Impost, Doric, 185
Ionic, 186
Corinthian, 187
Impressionism, Early, 10
Influence of Material, 8, 258
Political, 12, 17, 71
Religious, 12, 17
Commercial, 12, 17, 71
Civic, 70
Of the Crusades, 56
Of Fashion, 352
Inspiration, Belief in, 2
Intarsia, 297
Interior treatment, Græco-Roman, 39
Romanesque Church, 51
Domestic, Tudor, 73
Italian Renaissance, 83
Jacobean, 94
Louis XIII, 104
Louis XIV, 107
Louis, XV, 112
Wren Period, 116
Georgian, 121
Adam, 126
Louis, XVI, 133
Walls, 216
Ceilings, 218, 221, 222
Vaults and Domes, 224
Ionic Order, Greek, 32
Renaissance, 159
Proportions of, 163
Entablature, 169
Capital, 175
Base, 182
Pedestal, 190
Impost, 186
Italian Renaissance, 75, 78, 80

Jewellery, Filagree, 258
Jones, Inigo, 81, 102, 137

Kauffman, Angelica, 126
Kent, William, 121

Lace, 297
Lacquered Furniture, 113, 126
Lares, Roman, 322
Leaves, Employment of, 275
Treatment of, 293
Lebrun, 106
Legend, 323, 333
Lepautre, 106
Limitations, Human, 1
Lintel, The, 19
Louvre, 80, 86

Maderno, Carlo, 79
Madrid, Chateau de, 86
Magical Qualities, Belief in, 325
Mainwaring, 123
Majano, Benedetto da, 77
Mansart, Jules Hardouin, 106
Mansion House, London, 136
Marble, Byzantine use of, 47, 300
Marquetry, 298
Marot, Daniel, 106, 109
Martyrdom, Symbols of, 345
Masks, 346
Mathematical Equipment, 365
Material in Design, 258
Mayhew, 123
Medusa, 346
Metal Work, Bronze, 42
Byzantine, 47
Repoussé, 304
Cast, 306
Mounts in Furniture, 108, 135
Methods of Expression, 292
Micheli, San, 80