Albigensian crusade, 99
American and Chinese art, 74
Architecture, domestic, 183
——, styles in, 180
Art and Christianity, 87
—— and the Franciscan movement, 87, 88
—— and Poetry, 194
——, associated ideas in, 159
——, classic, 159
——, emotion and form in, 194
——, public indifference to, 168
——, Realistic, 159
——, Romantic, 159
Artist and the community, 168
——, pure, 175
Asselin, 158
Associated ideas in art, 159
Assisi, upper church at, 103
——, great church at, 87
Assyrian art, 80
“Athenæum,” 52
Author and Cézanne, 191
—— and Gauguin, 191
—— and Impressionists, 190
—— and the public, 192
—— and Old Masters, 190, 191
—— and Seurat, 191
—— and van Goch, 191
—— and Mr. Walter Sickert, 190
—— and Mr. Wilson Steer, 190
Author’s æsthetic, 188, 189
—— house, 180
Aztecs and Incas, 70

Babelon, M., 77
Babylon and Nineveh bas-reliefs, 78
Baldovinetti, 126
—— and Ucello, 126
Baldovinetti’s Madonna and Child, 126
—— portrait in Nat. Gall., 126
—— Trinity; Accademia, Florence, 126
Balfour, Mr., 60
Baroque architect, 136
—— art and Catholic reaction, 138
—— art and Poussin, 138
—— idea and El Greco, 135-139
—— idea and Michelangelo, 136, 138
—— idea and Signorelli, 138
—— in Spanish and Italian art, 138
Bartolommeo, Fra, 164
Bastien-Lepage, 17
Beardsley and Antonio Pollajuolo, 153
—— and Mantegna, 153
—— and Nature, 153
Beardsley’s art, influences on, 153
Beauty, nature of, 193, 194
Beethoven, 19
Bell, Mr. Clive, book on art, 195, 199
Bellini, Giovanni, and Dürer, 133
Berenson, Mr., 100
Bernini and El Greco, 135, 136, 137
Besnard, M., 96, 97
Blake and the Byzantine style, 142
—— and Giotto, 111, 142
—— and the Old Testament, 140, 141
—— and Michelangelo, 141
—— and Tintoretto, 141
—— on poetry, 143
Blake’s temperament, 141
Bleek, Miss, 64
Blow, Mr., 180
Bobrinsky, Prince, 79, 80
Bode, Dr., 134
Bourgeois attitude to art, 168
Bramante, 136
Braque, 158
Bridges, Robert, 147
British public, 190
Browning, 42
Brunelleschi, 4
Bumble, 42
Bushman and Assyrian art, 58
—— and Palæolithic art, 61-63
Byzantine style and Blake, 142

Cabaner, 172
Caravaggio, 5
Cézanne, 42, 158
—— and Delacroix, 173
—— and El Greco, 139
—— and Ingres, 173
—— and Marchand, 184
—— and Poussin, 173
—— and Renoir, 177, 178
—— and Rubens’ method, 173
—— and Tintoretto’s method, 173
—— and Zola, 172
——, criticism of, 156
—— misunderstood by his contemporaries, 169
——, Poussin and El Greco, 138, 139
—— the perfect type of artist, 168, 171
Cézanne’s character, 169, 170, 171
Chateaubriand, 6
Charpentier family, by Renoir, 178
Chelsea Book Club, 65
Chinese and American art, 74
—— and Negro cultures, 67
—— art and Matisse, 158
—— landscape, Claude and, 150
—— painting, 21
Chosroes relief, 78, 79
Christianity and art, 87
Cimabue and Giotto, 103, 106, 107n
Cinematograph, 13
Cinquecento art and Giotto, 114
Classic art, 159
Claude and Chinese landscape, 150
—— and Corot, 150
—— and Turner, 146
Claude and Whistler, 150
——, Ruskin on, 145, 146
—— and Leonardo da Vinci, 146
—— and Rembrandt, 146
—— “Liber Veritatis,” 149
——, influence of Virgil on, 148, 152
Claude’s articulations, 145
—— figures, 146
—— romanticism, 150
Coco style, 29
Colour, Giotto’s, 114
Conceptual art, 62, 63
Contour in painting, 160, 161
Copée, 172
Corot and Claude, 150
—— as a draughtsman, 165
Corot’s drawing of a seated woman, 165
Cosima Tura, 176
Cosmati, 99, 100, 104
Cossa, 132
Credi, Lorenzo di, and Dürer, 133
Critic’s function, 189
Cubism, 192
—— and Marchand, 186
—— and Ucello, 124

Daddi, Bernardo, and Giotto, 108n
Dante, 2, 97, 98, 108, 110, 116
David, 5
“Decorators,” 190
Degas, 20, 176, 190
—— as a draughtsman, 165
Delacroix and Cézanne, 173
Derain, 158, 159, 193
—— and Marchand, 185
Dickens, 175
Dickey Doyle, 153
Doucet, 158
Drama, Italian, beginning of, 101n
Drawing of contours, great examples, 166
—— of the figure, 164
—— of Italian Primitives, 163
—— of Renoir and Ingres compared, 178
——, Persian, 163
Druet’s, M., photographs, 158
Duccio and Giotto, 106
Dürer and the Gothic tradition, 129
—— and Leonardo da Vinci, 127
—— and Lorenzo di Credi, 133
—— and Giovanni Bellini, 133
Dürer and Jacopo de’Barbari, 133
—— and Mantegna, 131, 132
—— and Pollajuolo, 133
—— and Raphael, 127
—— and Schongauer, 132
Dürer’s “Beetle,” 164
—— letters and diary, 127

El Greco and Baroque idea, 135-139
—— and Bernini, 135, 136, 137
—— and British public, 134
—— and Cézanne, 139
——, Poussin and Cézanne, 138, 139
Emotion and form in art, 194, 197
England and French Impressionism, 190
English Art considered, 190

Fatimite textiles, 79
Figure drawing, 164
Filippino Lippi, 163
Flaubert, 199
Flemish and Florentine art, 124
—— painting and Giotto, 110
Florentine art, a characteristic of, 125
—— and Flemish art, 124
Forli, Melozzo da, 104
Form in art, 107
Francesca, Piero della, 4
Franciscan movement and art, 87, 88
Francis, St., 2, 87, 88, 112
French art classic, 158, 159, 184
French, English and Russian art compared, 158

Gamp, Mrs., 97
Gauguin, 158, 175
Germans, the, 129
Ghiberti’s commentary, 87
Giorgione, 175
Giotto and Barnardo Daddi, 108n
—— and Blake, in, 142
—— and Cimabue, 103, 106, 107n
—— and Cinquecento art, 114
—— and classical architecture, 113
—— and Duccio, 106
—— and European art, 115
—— and Flemish painting, 110
—— and Leonardo da Vinci, 116
—— and Lorenzetti, 113
—— and Masaccio, 113
—— and pre-Raphaelitism, 103
Giotto and Raphael, 115
—— and Rembrandt, 110
—— as draughtsman, 115, 116
Giotto’s colour, 114
—— figure of Joachim, 111
—— invention of Tempera, 105
—— Pietà, 110, 198
—— place as an artist, 116
Goethe, 197, 198
Gothic tradition and Dürer, 129, 130
Græco-Roman art, 76, 77, 78
Grunwedel, Dr., 76
Guatemala and Yucatan, 71

Head, Henry, F.R.S., 62
Herbin, 158
Hermitage, 79
Holmes, Mr. C. J., 134
Homer, 97
House, author’s, 180
Houses, architects’, 179
——, builders’, 179
——, dwelling, 180
Huxley, 8

Jacquemart-André collection, 123-126
“Jane Eyre,” 185
Jeremiah of Michelangelo, 23
Johnson, Dr., 65
Joyce, Mr., 69, 73, 75

Kaiser Friedrich Museum, 47, 134
——, the, 47
Karlsruhe Museum, 78
Keats, 147
Keene, Charles, as a draughtsman, 165
Kingsborough, Lord, 71
Kraft’s stonework, 129
Krell, Oswald, 130
Kunsthistorisches Akademie, Vienna, 129

Incas and Aztecs, 70
Ingres, 164
—— and Cézanne, 173
—— as a designer, 163
—— as a draughtsman, 162
——, effect of poverty on his art, 162
Ingres’ drawing, The Apotheosis of Napoleon, 163
—— painting and drawing compared, 163

Lecoq, Dr., 76
Leeche’s drawings, 28
Lehmann, Dr., 74
Leonardo da Vinci, 4, 24
—— and Claude, 146
—— and Dürer, 127
—— and Giotto, 116
L’Hote, 158
——, M., writings of, 192
“Liber Veritatis” of Claude, 149
Limoges enamels, 77
Lincoln Cathedral, 78
Line, the function of, in drawing, 160
——, qualities of, 115
——, rarity of great design expressed in, 163
Loewy, Prof., 56, 57
Lorenzetti and Giotto, 113

Malatesta, Sigismondo, 87
Mantegna and Beardsley, 153
—— and Dürer, 131, 132
—— and Rembrandt, 132
Marchand, 158
——, a classic artist, 184
—— and Cézanne, 184
—— and Cubism, 186
—— and Derain, 185
Masaccio and Giotto, 113
Matisse, 158, 193
—— and Chinese art, 158
—— as a draughtsman, 167
Maya art, 71, 72, 73
Melozzo da Forli, 105
Meredith, 28
Mesopotamian art, 79
Michelangelo, 19, 23, 24, 109
—— and Baroque idea, 136, 138
—— and Blake, 141
Middle Ages, 29
Millais’ drawing, 165
Milton, 147
Minzel as a draughtsman, 165
Modigliani as a draughtsman, 167
Monet, 17, 190
Money, Mr., 48
Music, 15
——, psychology of, 199

National Gallery, 134
Nature, 24, 25
Naturalists, 190
Navicella mosaic, 104
Negro and European sculpture, 66
Neolithic art, 63
Nuremberg school, 130

Old Testament and Blake, 140, 141
Ottley’s prints, 142
Oxford movement, 6

Pall Mall Gazette, 154
Parapluies, Les, by Renoir, 176
Patine, 38, 39
Pelliot, M., 76
Perspective, 124, 125
Picasso, 157, 158, 193
Pietà, by Giotto, 110
Pindar, 87
Pliny on painting, 160, 161
Podsnap, Mr., 179
Poetry and art, 194
——, Blake on, 143
Pollajuolo, Antonio and Beardsley, 153
——, 147
—— and Dürer, 133
Pompeii, 30, 79
Post-Impressionism, 194
Post-Impressionists at the Grafton Gallery, 191, 193
——, criticism of, 156, 157
Poussin, 159
—— and Baroque art, 138
—— and Cézanne, 173
——, El Greco, and Cézanne, 138
Pre-Raphaelite movement, 190
Primitives, study of, in England, 198
Primum Mobile in Tarocchi prints, 133
Psychologists and art, 54
Public indifference to art, 168

Racine, 147
Raphael, 19, 164
—— and Dürer, 127
Raphael’s “Transfiguration,” 196, 198
Realistic art, 159
Rembrandt, 5, 20, 147
—— and Claude, 146
—— and Giotto, 110
—— and Mantegna, 132
—— as a draughtsman, 165, 166
Rembrandt’s characteristics, 165
Renaissance, 76
Renoir and Cézanne, 177, 178, 190
—— and Titian, 178
Renoir compared to Giorgione and Titian, 175
Renoir’s “Charpentier Family,” 178
—— “Les Parapluies,” 176, 178
Robida, 153
Rodin, 38
Romans, the, 129
Romantic art, 159
Romanticism, Claude’s, 150
Ross, Dr. Denman, 21
Rossetti’s relationship to Millais, 165
Rousseau, 156
Rowlandson’s style in drawing, 165
Rubens, 164, 175
Ruskin, 14, 38
—— on Claude, 145, 146

S. Bonaventura, 87, 101, 102
S. Francis, 2, 87, 88, 112
S. Peter’s Crucifixion, by Giotto, 107
Sassanid art, 76, 77, 78, 79, 80
Schongauer and Dürer, 132
Scrovegni, 110
Sculpture, Greek, 57
Shakespeare, 147
Shaw, Mr. Bernard, 41
Shelley, 42
Sickert, Mr. Walter, 175
Sicily, 77
Siegfried, 153
Sigismondo Malatesta, 87
“Significant Form,” 199
Signorelli and Baroque idea, 138
—— and Florence, 126
—— and Ucello, 126
—— and Umbrian art, 126
Signorelli’s Holy Family, 126
Smith, Robertson, 9
Song, psychology of, 199
Spectator of a picture, psychology of, 196, 197
Spencer, Herbert, 8, 9
Stefaneschi, Cardinal, 103, 104, 105, 108n
Stein, Dr., 76
Storr’s woodwork, 129, 130
Subject picture, 53
Sung, 32

Tahiti, 175
Tarrocchi engravings, 132
Tempera, Giotto’s invention, 105
Tennyson, 24, 26
Tiepolo, 161, 162
Tintoretto and Blake, 141
Titian, 19, 175
—— and Renoir compared, 178
Tolstoy, 16, 18, 19
Tolstoy’s “What is Art?” 193, 199
Todi, Jacopone di, 87
Tondo of Michelangelo, 23
Tongue, Miss, 57, 59
Tura, Cosima, 177
Turner and Claude, 146
Tussaud, Mme., 5

Ucello, 4
—— and Baldovinetti, 126
—— and Cubism, 124
Ucello and Van Eyck, 124
—— and perspective, 124, 125
—— and Signorelli, 126
Ucello’s “St. George,” 123, 125

Vandyke, 164
Van Eyck and Ucello, 124
—— Gogh, 158
Varnish, 139
Vasari, 87, 169
—— and Ucello, 123
Victorians and art, 65
Viollet-le-Duc, 185
Virgil’s influence on Claude, 148, 152
Von Tschudi, 139

Waldus, Petrus, 99, 100
Watteau, 164
Wells, H. G., 36
“What is Art?” by Tolstoy, 18
Whistler, 7
—— and Beardsley, 154
—— and Claude, 150
—— and Ruskin, 190
Whistler’s Impressionism, 190
Whittier, 26

Young, Brigham, 74
Yucatan and Guatemala, 71

Zola, 5
—— and Cézanne, 172
Zuloaga, Señor, 155

THE END

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