| CHAPTER I. |
| Introduction. |
| Origin of Modern Literature |
3 |
| Its Origin in Spain |
4 |
| Its earliest Appearance there |
5 |
| Two Schools |
5 |
| The National School |
6 |
| It appears in troubled Times |
6 |
| The Arab Invasion |
7 |
| Christian Resistance |
8 |
| Christian Successes |
8 |
| Battle of Navas de Tolosa |
9 |
| Earliest National Poetry |
10 |
| CHAPTER II. |
| Early National Literature. |
| Appearance of the Castilian |
11 |
| Poem of the Cid |
12 |
| Its Hero |
13 |
| Its Subject |
15 |
| Its Character |
16 |
| Book of Apollonius |
24 |
| Saint Mary of Egypt |
25 |
| Three Holy Kings |
26 |
| All anonymous |
27 |
| Gonzalo de Berceo |
28 |
| His Works |
28 |
| His Versification |
29 |
| His San Domingo |
30 |
| His Milagros de la Vírgen |
30 |
| CHAPTER III. |
| Alfonso the Wise, or the Learned. |
| His Birth |
35 |
| Letter to Perez de Guzman |
36 |
| His Death |
38 |
| His Cántigas |
39 |
| Galician Dialect |
40 |
| Querellas and Tesoro |
44 |
| His Ultramar |
45 |
| Castilian Prose |
46 |
| Fuero Juzgo |
47 |
| Setenario |
49 |
| Espejo |
49 |
| Fuero Real |
49 |
| Siete Partidas |
49 |
| Character of Alfonso |
54 |
| CHAPTER IV. |
| Lorenzo Segura and Don Juan Manuel. |
| Juan Lorenzo Segura |
56 |
| His Anachronisms |
57 |
| His Alexandro |
58 |
| Los Votos del Pavon |
60 |
| Sancho el Bravo |
61 |
| Don Juan Manuel |
61 |
| His Life |
62 |
| His Works |
64 |
| Letter to his Brother |
68 |
| His Counsels to his Son |
69 |
| His Book of the Knight |
69 |
| His Conde Lucanor |
70 |
| His Character |
74 |
| CHAPTER V. |
| Alfonso the Eleventh. — Archpriest of
Hita. — Anonymous Poems. — The Chancellor Ayala. |
| Alfonso the Eleventh |
76 |
| Poetical Chronicle |
77 |
| Beneficiado de Ubeda |
78 |
| Archpriest of Hita |
78 |
| His Works |
79 |
| His Character |
84 |
| Rabbi Don Santob |
86 |
| La Doctrina Christiana |
88 |
| Una Revelacion |
88 |
| La Dança General |
89 |
| Fernan Gonzalez |
91 |
| Poema de José |
95 |
| Rimado de Palacio |
99 |
| Castilian Literature thus far |
103 |
| Its Religious Tone |
103 |
| Its Loyal Tone |
103 |
| Its Popular Character |
104 |
| CHAPTER VI. |
| Old Ballads. |
| Popular Literature |
106 |
| Four Classes of it |
108 |
| First Class, Ballads |
108 |
| Theories of their Origin |
109 |
| Not Arabic |
110 |
| National and Indigenous |
111 |
| Redondillas |
111 |
| Asonantes |
112 |
| Easy Measure and Structure |
113 |
| General Diffusion |
114 |
| Their Name |
115 |
| Their History |
116 |
| Their great Number |
118 |
| Preserved by Tradition |
119 |
| When first printed |
120 |
| First Ballad-book |
126 |
| Other Ballad-books |
128 |
| Romancero General |
128 |
| Not to be arranged by Date |
129 |
| CHAPTER VII. |
| Old Ballads concluded. |
| Ballads of Chivalry |
131 |
| On Charlemagne |
132 |
| Historical Ballads |
134 |
| On Bernardo del Carpio |
135 |
| On Fernan Gonzalez |
138 |
| On the Infantes de Lara |
139 |
| On the Cid |
140 |
| On various Historical Subjects |
145 |
| Loyalty of the Ballads |
145 |
| Ballads on Moorish Subjects |
146 |
| On National Manners |
148 |
| Character of the Old Ballads |
153 |
| Their Nationality |
154 |
| CHAPTER VIII. |
| Chronicles. |
| Second Class of Popular Literature |
156 |
| Chronicles and their Origin |
157 |
| Royal Chronicles |
157 |
| Crónica General |
158 |
| Its Divisions and Subjects |
159 |
| Its Poetical Portions |
161 |
| Its Character |
166 |
| Chronicle of the Cid |
166 |
| Its Origin |
167 |
| Its Subject |
169 |
| Its Character |
172 |
| CHAPTER IX. |
| Chronicles continued. |
| Chronicles of Alfonso the Wise,
Sancho the Brave, and Ferdinand the Fourth |
173 |
| Chronicle of Alfonso the Eleventh |
175 |
| Chronicles of Peter the Cruel,
Henry the Second, John the First, and Henry the Third |
177 |
| Chronicle of John the Second |
183 |
| Chronicles of Henry the Fourth |
187 |
| Chronicles of Ferdinand and Isabella |
189 |
| Royal Chronicles cease |
190 |
| CHAPTER X. |
| Chronicles concluded. |
| Chronicles of Particular Events |
192 |
| El Passo Honroso |
193 |
| El Seguro de Tordesillas |
195 |
| Chronicles of Particular Persons |
197 |
| Pero Niño |
197 |
| Alvaro de Luna |
198 |
| Gonzalvo de Córdova |
200 |
| Chronicling Accounts of Travels |
202 |
| Ruy Gonzalez de Clavijo |
203 |
| Columbus |
206 |
| Balboa, Hojeda, and Others |
211 |
| Romantic Chronicles |
212 |
| Don Roderic |
212 |
| Character of the Chronicles |
215 |
| CHAPTER XI. |
| Romances of Chivalry. |
| Origin of Romantic Fiction |
218 |
| Appearance in Spain |
220 |
| Amadis de Gaula |
221 |
| Its Date |
221 |
| Its Author, Lobeira |
221 |
| Portuguese Original lost |
223 |
| Translated by Montalvo |
223 |
| Its Success |
224 |
| Its Story |
225 |
| Its Character |
229 |
| Esplandian |
231 |
| Family of Amadis |
233 |
| Influence of the Amadis |
234 |
| Palmerin de Oliva |
235 |
| Primaleon and Platir |
236 |
| Palmerin of England |
236 |
| Family of Palmerin |
238 |
| CHAPTER XII. |
| Romances of Chivalry concluded. |
| Various Romances |
241 |
| Lepolemo |
242 |
| Translations from the French |
243 |
| Carlo Magno |
244 |
| Religious Romances |
245 |
| The Celestial Chivalry |
246 |
| Period of Romances |
249 |
| Their Number |
249 |
| Founded in the State of Society |
250 |
| Knight-errantry no Fiction |
251 |
| Romances believed to be true |
252 |
| Passion for them |
253 |
| Their Fate |
254 |
| CHAPTER XIII. |
| The Early Drama. |
| Religious Origin of the Modern
Drama |
255 |
| Its Origin in Spain |
257 |
| Earliest Representations |
258 |
| Mingo Revulgo |
260 |
| Rodrigo Cota |
261 |
| The Celestina |
262 |
| First Act |
263 |
| The Remainder |
264 |
| Its Character |
267 |
| Its Popularity |
268 |
| Imitations of it |
269 |
| CHAPTER XIV. |
| The Early Drama continued. |
| Juan de la Enzina |
273 |
| His Works |
274 |
| His Representaciones |
275 |
| Eclogues in Form |
276 |
| Religious and Secular |
276 |
| First acted Secular Dramas |
277 |
| Their Character |
278 |
| Portuguese Theatre |
282 |
| Gil Vicente |
282 |
| Writes partly in Spanish |
283 |
| Auto of Cassandra |
285 |
| O Viudo |
289 |
| Other Dramas |
290 |
| His Poetical Character |
292 |
| CHAPTER XV. |
| The Early Drama concluded. |
| Slow Progress of the Drama |
293 |
| Escriva |
293 |
| Villalobos |
294 |
| Question de Amor |
294 |
| Torres Naharro |
295 |
| His Propaladia |
295 |
| His Eight Dramas |
296 |
| His Dramatic Theory |
296 |
| La Trofea |
298 |
| La Hymenea |
299 |
| Intriguing Story and Buffoon |
301 |
| His Versification |
303 |
| His Plays acted |
304 |
| No Popular Drama founded |
305 |
| CHAPTER XVI. |
| Provençal Literature in Spain. |
| Provence |
306 |
| Its Language |
307 |
| Connection with Catalonia |
308 |
| With Aragon |
309 |
| Provençal Poetry |
310 |
| Its Character |
311 |
| In Catalonia and Aragon |
312 |
| War of the Albigenses |
312 |
| Provençal Poetry under Peter
the Second |
313 |
| Under Jayme the Conqueror |
314 |
| His Chronicle |
315 |
| Ramon Muntaner |
318 |
| His Chronicle |
318 |
| Provençal Poetry decays |
322 |
| CHAPTER XVII. |
| Catalonian and Valencian Poetry. |
| Floral Games at Toulouse |
326 |
| Consistory of Barcelona |
328 |
| Poetry in Catalonia and Valencia |
329 |
| Ausias March |
331 |
| His Poetry |
332 |
| Jaume Roig |
333 |
| His Poetry |
334 |
| Decay of Catalonian Poetry |
337 |
| Decay of Valencian |
338 |
| Influence of Castile |
338 |
| Poetical Contest at Valencia |
338 |
| Valencians write in Castilian |
340 |
| Preponderance of Castile |
340 |
| Prevalence of the Castilian |
343 |
| CHAPTER XVIII. |
| Courtly School in Castile. |
| Early Influence of Italy |
346 |
| Religious |
347 |
| Intellectual |
348 |
| Political and Commercial |
349 |
| Connection with Sicily |
350 |
| With Naples |
351 |
| Similarity in Languages |
351 |
| Italian Poets known in Spain |
351 |
| Reign of John the Second of Castile |
352 |
| His Poetical Court |
354 |
| Troubadours and Minnesingers |
355 |
| Poetry of John |
356 |
| Marquis of Villena |
357 |
| His Arte Cisoria |
360 |
| His Arte de Trobar |
361 |
| His Trabajos de Hércules |
362 |
| Macias el Enamorado |
364 |
| CHAPTER XIX. |
| The Courtly School continued. |
| The Marquis of Santillana |
366 |
| Connected with Villena |
370 |
| Imitates the Provençals |
371 |
| Imitates the Italians |
372 |
| Writes in the Fashionable Style |
373 |
| His Comedieta de Ponza |
375 |
| His Proverbs |
377 |
| His Letter to the Constable of
Portugal |
378 |
| His Character |
378 |
| Juan de Mena |
379 |
| Relations at Court |
380 |
| His Works |
382 |
| Poem on the Seven Deadly Sins |
383 |
| His Coronation |
383 |
| His Labyrinth |
384 |
| His Character |
387 |
| CHAPTER XX. |
| Courtly School continued. |
| Progress of the Language |
389 |
| Villasandino |
391 |
| Francisco Imperial |
393 |
| Other Poets |
393 |
| Prose-writers |
394 |
| Gomez de Cibdareal |
395 |
| His Letters |
395 |
| Perez de Guzman |
398 |
| His Friends the Cartagenas |
399 |
| His Poetry |
400 |
| His Generaciones y Semblanzas |
401 |
| CHAPTER XXI. |
| The Manriques, the Urreas, and Juan de Padilla. |
| Family of the Manriques |
403 |
| Pedro Manrique |
403 |
| Rodrigo Manrique |
404 |
| Jorge Manrique |
406 |
| His Coplas |
406 |
| Family of the Urreas |
410 |
| Lope de Urrea |
411 |
| Gerónimo de Urrea |
411 |
| Pedro de Urrea |
411 |
| Padilla el Cartuxano |
412 |
| CHAPTER XXII. |
| Prose-writers of the Latter Part of
the Fifteenth Century. |
| Juan de Lucena |
415 |
| His Vita Beata |
416 |
| Alfonso de la Torre |
417 |
| His Vision Deleytable |
417 |
| Diego de Almela |
418 |
| His Valerio de las Historias |
419 |
| Alonso Ortiz |
420 |
| His Tratados |
420 |
| Fernando del Pulgar |
420 |
| His Claros Varones |
421 |
| His Letters |
422 |
| Romantic Fiction |
424 |
| Diego de San Pedro |
424 |
| His Carcel de Amor |
424 |
| Question de Amor |
426 |
| CHAPTER XXIII. |
| The Cancioneros and the Courtly
School concluded. |
| Fashion of Cancioneros |
428 |
| Cancionero of Baena |
428 |
| Cancioneros of Estuñiga, etc. |
430 |
| First Book printed in Spain |
431 |
| Cancionero General |
432 |
| Its different Editions |
433 |
| Its Devotional Poetry |
433 |
| Its First Series of Authors |
435 |
| Its Canciones |
437 |
| Its Ballads |
438 |
| Its Invenciones |
438 |
| Its Motes |
439 |
| Its Villancicos |
440 |
| Its Preguntas |
440 |
| Its Second Series of Authors |
441 |
| Its Poems at the End |
442 |
| Number of its Authors |
443 |
| Rank of many of them |
443 |
| Character of their Poetry |
444 |
| Reign of Ferdinand and Isabella |
444 |
| State of Letters |
445 |
| CHAPTER XXIV. |
| Discouragements of Spanish Culture
at the End of this Period, and its General Condition. |
| Spanish Intolerance |
446 |
| Persecution of Jews |
446 |
| Persecution of Moors |
446 |
| Inquisition, its Origin |
447 |
| Its Establishment in Spain |
448 |
| Its first Victims Jews |
448 |
| Its next Victims Moors |
449 |
| Its great Authority |
450 |
| Punishes Opinion |
451 |
| State of the Press |
451 |
| Past Literature of Spain |
452 |
| Promise for the Future |
453 |