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Beyond the Bell Tower a broad window, with balcony, will be noticed in the adjacent King’s House. This gives light to a room known as the Council Chamber, in which Guy Fawkes and his fellow conspirators were tried and condemned to the rack. Above the fireplace in this room an elaborate carving preserves the features of the first Stuart who sat on the English throne, and, near by, the many virtues—lest their existence should be doubted by unbelievers—of that amiable monarch are set forth for all to read who may. In this room Pepys “did go to dine” (February 1663-4) with Sir J. Robinson, then Lieutenant of the Tower, “his ordinary table being very good.” James, Duke of Monmouth, taken as a fugitive after Sedgemoor, was imprisoned in this house (1685) till his execution, and here he parted from his wife and children during the last sad hours.
Traitor’s Gate and St. Thomas’s Tower.—If any were asked what impressed them most during their visit to the Tower, or what they desired to see when planning that visit, I think that they would name the Traitor’s Gate. It is certainly the best preserved of the Tudor portions, has been least spoiled by intrusion of irrelevant things, and is left in its quietness to the doves that incessantly flit in and out of the crevices of its stones and rest upon the bars of its massive gateway. Above it rises the great arch, sixty-two feet span, supporting St. Thomas’s Tower, built, as has already been stated, by Henry III., and named after St. Thomas of Canterbury. This “Watergate,” as it was at one time called, was the only direct way of entering the Tower from the river, and, before the draining of the moat, the gate here was always partly covered by water, and boats were brought right up to the steps in front of the Bloody Tower. They were moored to the heavy iron ring that is still to be seen at the left of the archway of the tower just mentioned. The older steps will be noticed beneath the more modern stone-facings laid upon them, and those steps have been trodden by some of the most famous men and women in our history. It will be remembered that between these steps and the
gloomy archway leading up to Tower Green, the condemned Sir Thomas More met, on his way to the Bell Tower, his daughter, who, in a frenzy of grief, thrust her way through the guards and flung herself on her father’s neck, crying, in despair, “O my father, my father!” Those who record the scene say that even the stern warders were moved to tears when the father gave his child his last blessing and she was led away from him. To these steps came Anne Boleyn; Cromwell, Earl of Essex; Queen Katherine Howard; Seymour, Duke of Somerset; Lady Jane Grey, Princess Elizabeth, Devereux, Earl of Essex; the Duke of Monmouth, and the Seven Bishops. In the room above the Gate, Lord Grey de Wilton died (1614), after eleven years of imprisonment on the mere accusation of wishing to marry Arabella Stuart, “without permission of King James I.” St. Thomas’s Tower at one time, as is evident from the old piscina discovered there, contained a chapel; the tower has been carefully restored, without and within, and is now the residence of the Keeper of the Crown Jewels.
The Bloody Tower.—In Henry VIII.’s reign this was known as the Garden Tower, and took its name from the Constable’s garden, now the Parade in front of the King’s House; but since Elizabeth’s time it has been called the Bloody Tower, owing, it is surmised, to the suicide therein of Henry Percy, eighth Earl of Northumberland, in 1585. But that is the least of its mysteries. It was within this tower that the young Princes disappeared in July, 1483. They had been removed from the royal palace near this tower when Richard assumed kingship, and placed within these grim chambers. They were closely watched; all help from without would be offered in vain; their spirits drooped, and the feeling crept upon them that they would never leave their prison-house alive. Sir Robert Brackenbury had become Lieutenant of the Tower: to him Richard, who was riding towards Gloucester, sent a messenger with letters asking him if he would be willing to rid the King of the Princes. This messenger had delivered his papers to the Lieutenant as he knelt at prayer in the Chapel of St. John in the White Tower. Brackenbury refused the King’s request, and said he would be no party to such an act even if his refusal cost him his life. The messenger returned in haste, spurring his horse westward, and overtook Richard at Warwick. The King finding Brackenbury obdurate, sent off Sir James Tyrrell with a warrant to obtain possession of the keys of the Tower for one night. The keys were given to him, and he assumed command of the place for the time. Two ruffians, John Dighton and Miles Forrest—some say a third was there, reminding one of the mysterious third murderer in Macbeth—crept into the bedroom of the sleeping boys and smothered them with the bedclothes. Shakespeare has painted the scene so vividly that, though the actual manner of death is unknown, this one is accepted as probably nearest the truth. Tyrrell saw the dead bodies, gave orders that they should be buried secretly “at the foot of the stairs,” then, resigning the keys, rode off to give the news to Richard. Tyrrell came himself to death on Tower Hill in later years, and his accomplices died in misery. In Charles II.’s days two skeletons were found “under the steps,” not of this tower but of the White Tower, and were laid in Westminster Abbey.
Sir Walter Raleigh was a captive in the Bloody Tower from 1604-1616, and in its chambers he wrote the portion of his History of the World that he was able to finish before his later troubles and death put an end to his labours. It is pleasant to hear of Raleigh spending his days, with his great work to cheer him, at one time sitting in the Constable’s garden, at another conversing from the walls with those who passed to and fro below. But his writings were not sufficient to satisfy the energies of this son of an energetic age. He set up a laboratory, with retorts and furnaces, and made chemical experiments; and so it happened that at this time, to quote the elder Disraeli, “Raleigh was surrounded, in the Tower, by the highest literary and scientific circle in the nation.” These men of mark in the earlier years of the first Stuart King came as guests to the Tower, or had the misfortune to be detained there “during the King’s pleasure.” Raleigh’s wife and son lived with him, and they had their own servants to wait on them. But the Lieutenant of the Tower, Sir George Harvey, with whom Raleigh had spent long evenings and with whom he had made warm friendship, was succeeded by Sir William Waad, who seems to have taken a personal dislike to Sir Walter, and contrived to make his life as miserable as possible. In 1610 Raleigh was kept a close prisoner for three months, and his wife and child, no longer allowed to share his captivity, were “banished the Tower”—a decree that would prove only too welcome to many—and lived for some time in a house on Tower Hill. In 1615 the King consented to release Raleigh, and allow him to command an expedition to El Dorado, which set off in 1617. What the result of that unfortunate voyage was all know: mutiny and despair may best describe its end. The King was furious; his greed for Spanish gold was unsatisfied; Spain demanded the head of “one who had been her mortal enemy.” A decision had to be made whether Raleigh should be delivered to the Spaniard or put back in the Tower. His wife planned escape for the husband she had sacrificed every comfort to aid. On a Sunday night, when Sir Walter was detained in the City—in his wife’s house in Broad Street—he put on disguise, crept through the narrow lanes to Tower Hill, went down by Allhallows Church to Tower Dock, where a boat was waiting to receive him and take him to a ship at Tilbury. But when the watermen put out into the river they saw a second boat following them closely; Sir Walter was betrayed by a man he had trusted, and found himself a prisoner in the Tower once again. He was shut up in the Brick Tower, where he awaited his trial, then removed to the Gate House, by Westminster Hall. When his sentence was passed and he had but a few days to live, his wife remained with him, and they parted at the midnight before execution. In the morning the Dean of Westminster gave him his last Communion, and at eight o’clock he went out to Old Palace Yard, cheerfully prepared for what was to follow.
In the Bloody Tower Sir Thomas Overbury was poisoned in 1613. This is one of the blackest crimes that stain Tower history. Overbury had been a friend of Raleigh’s, and had often visited him in his confinement; now Sir Thomas himself, because he had condemned the marriage between the Earl of Somerset and Lady Frances Howard, was brought to the same tower. Lady Frances determined to have Overbury put out of the way, and a notorious quack and procuress of the period, Mrs. Turner, had been hired to administer the drug. But this slow-poisoning proving too lengthy a process, two hired assassins ended Overbury’s sufferings by smothering him, at night, with the pillows of his bed. Some time afterwards, by the confession of a boy who had been at the time in the employment of the apothecary from whom the drugs were bought, the crime was disclosed. Horror and indignation caused a public outcry for vengeance: the Lieutenant of
the Tower, Elwes, with Mrs. Turner and the two murderers, were all put to death. Somerset and his Countess were imprisoned in the room in the Bloody Tower, where Overbury had died; they were eventually pardoned and “lived in seclusion and disgrace.”
Another victim, who died in this tower during Charles I.’s reign, was Sir John Eliot, a man of great abilities and at one time Vice-Admiral of Devon. He had already been imprisoned, and released, before his entry to the Tower in 1629, and he passed away, in his cell, in 1632. Mr. Trevelyan has said of him, “His letters, speeches, and actions in the Tower reveal a spirit of cheerfulness and even of humour, admirable in one who knows that he has chosen to die in prison in the hands of victorious enemies.” During his last months he contracted consumption in his unhealthy quarters and suffered harsh treatment. Even when Sir John had died the hard-hearted King refused to allow his body to be given to his relatives for burial, and commanded him “to be buried in the parish in which he died.” He was laid to rest in the Chapel on Tower Green, which may be called the parish church of the Tower.
Felton, the murderer of Buckingham, was thrown into this tower in 1628 and Archbishop Laud was prisoner here from December 16, 1640, to January 10, 1644. Here, also, in July, 1683, Arthur Capel, Earl of Essex “cutt his own throat,” as the Register of St. Peter ad Vincula shows. The infamous Judge Jeffreys came here as prisoner in 1688, having been “taken” in a low ale-house in Wapping, and is reported to have spent his days in Bloody Tower “imbibing strong drink,” from the effects of which employment he died in 1689. This old tower has tragedy and misery enough in its records to deserve its name, and it is a mistake on the part of Tower authorities to allow so interesting a building to be closed altogether to the public. The narrow chamber above the archway on the south side still contains all the machinery for raising and lowering the portcullis which, when down, would at one time have prevented all access to the Inner Ward. This is believed to be the only ancient portcullis in England that is still in working order.
The Wakefield Tower.—The lower portion of this tower is, with the White Tower, one of the oldest portions of all the buildings, and was laid down in Norman times. Henry III. rebuilt the upper part, and it served as the entrance to his palace, which lay to the east. During the Commonwealth the great hall in which Anne Boleyn was tried, and which was attached to this tower, was demolished. The name “Wakefield” was given to the tower after the battle of Wakefield in 1460, when the captive Yorkists were lodged here. In former times the tower had been called the Record Tower and the Hall Tower. In the octagonal chamber where the Crown Jewels are now kept, the recess to the south-east was at one time an oratory. In Tower records of the thirteenth century it is so spoken of. Here tradition asserts that Henry VI. was murdered by Duke Richard of Gloucester, who, entering the chamber from the palace, found Henry at prayer and treacherously stabbed him to death. To the dungeon beneath this tower the men who were “out in the Forty-Five,” and who were taken captive after that rebellion which was crushed at Culloden, were brought and huddled together with so little regard for the necessity of fresh air that many of them died on the damp earthen floor of the cell. The walls of this dungeon are thirteen feet thick; from floor to vaulted roof, within, there is only ten feet space. Those men who survived even the terrors of this place, and whose hearts remained true to the royal house of Stuart, were shipped off to the West Indies, and so ended “an auld sang.” The wonder, the bravery, the sacrifice and sadness of it all is set down for after ages to marvel at in Waverley. Happy those who fell at Culloden, for they, at least, rest under the heather; they escaped the miserable English dungeons and the wickednesses of the plantations.
As we leave the Wakefield Tower we pass down under the archway of the Bloody Tower, and, in going eastwards and turning to the left a few yards farther on, come to the foot of the grassy slope at the top of which stands the great White Tower, tinkered at by Wren, but otherwise, to-day, much as the Conqueror left it. In this now open ground, where has been placed the gun-carriage on which the body of Queen Victoria was carried from Windsor railway station to St. George’s Chapel on that memorable 2nd of February, 1901, rose, in Plantagenet and Tudor days, the Royal Palace in the Tower, and the Hall in which the Courts of Justice sat. The Court of Common Pleas was held in this great hall by the river, a Gothic building, dating, probably, from the reign of Henry III.; the Court of King’s Bench being held in the Lesser Hall “under the east turret of the Keep”—or White Tower. At certain times “the right of public entry” of all citizens to the Tower was insisted on. But a certain ceremonial had to be observed beforehand. The “aldermen and commoners met in Allhallows Barking Church, on Tower Hill, and chose six sage persons to go as a deputation to the Tower, and ask leave to see the King, and demand free access for all people to the courts of law held within the Tower.” It was also “to be granted that no guard should keep watch over them, or close the gates”—a most necessary precaution. Their request being granted by the King “the six messengers returned to Barking Church ... and the Commons then elected three men of standing to act as spokesmen. Great care was taken that no person should go into the royal presence who was in rags or shoeless. Every one was to have his hair cut close and his face newly shaved. Mayor, aldermen, sheriff, cryer, beadles, were all to be clean and neat, and every one was to lay aside his cape and cloak, and put on his coat and surcoat.”
The White Tower or Keep.—This is the very heart and centre of the Tower buildings, and all the lesser towers and connecting walls, making the Inner and Outer Wards, and the broad moat encircling all, are but the means of protection and inviolable security of this ancient keep. Within its rock-like walls a threatened king could live in security. Here were provided the elementary necessaries of life—a storehouse for food, a well to supply fresh water, a great fireplace (in the thickness of the wall), and a place of devotion, all within the walls of this one tower. The doorway by which we enter, after passing the ridiculous ticket-box and unnecessary policeman, was cut through the solid wall in Henry VIII.’s time. At the foot of the stairs giving access, the bones of the murdered Princes were found in a small chest, some ten feet below the ground, during Charles II.’s reign.
The winding stairway within the wall leads us to the western end of the Chapel of St. John, which is, with the possible exception of the Lady Chapel at Durham, the finest Norman chapel in England. It has a beautiful arcading, with heavy circular pillars, square capitals and bases, and a wide triforium over the aisles. Here is a perfect Norman church in miniature. The south aisle at one time communicated with the royal palace, and the gallery with the State apartments of the keep. It is only within recent years that the sanctity of the place has been again observed, and now visitors behave here as in any other consecrated building; but it was for many years used as a sort of store chamber, and the authorities at one time proposed turning it into a military tailors’ workshop! That was in the mid-nineteenth century, when England in general had fallen into a state of artistic zopf and the daughters of music were brought low. So low, too, had the guardians of the nation fallen in their ideas that this beautiful building meant nothing more to them than a place, a commodious place, of four stone walls, that was lying idle and might be “put to some practical use”! The Prince Consort made timely intervention and the desecration was not persisted in. It was in this chapel that the rabble in Richard II.’s time found Archbishop Sudbury at prayer; at prayer, too, in this chapel, knelt Brackenbury when the messenger from King Richard III. brought demands for the Princes’ murder; here Elizabeth of York, Queen of Henry VII., lay in state after death; here Queen Mary, after the death of her brother, Edward VI., attended Mass and gave thanks for the suppression of revolt; and here the vacillating Northumberland, father-in-law of Lady Jane Grey, declared himself a Roman Catholic lest he should lose his life, but without the effect he desired. In this solemn place, too, those who aspired to knighthood watched their arms at the altar, passing the night in vigil before the day when the king would elect them to the order. This was the place of worship of our Norman and Plantagenet kings. Could any other building in the country claim like associations? Yet these things slip the mind of a generation, and then is the hallowed ground made desolate.
The large rooms entered from the chapel are the former State apartments, now given over to the housing of a collection of weapons and armour which is described on the show-cases, and therefore need not be detailed here. In these rooms Baliol in the reign of Edward I., and King David of Scotland in that of Edward III., were kept prisoners, but not in the strictest sense. Other notable captives here were King John of France (after the battle of Poitiers), Prince (afterwards King) James of Scotland, and Charles, Duke of Orleans—all of whom have been spoken of in the previous chapter. Several models of the Tower buildings, made at various periods, will be found in these rooms. The larger—western—apartment,
in which are preserved the block and axe used at the last execution on Tower Hill, in 1747, is the Banqueting Hall of the Keep, and was the scene, so some maintain, of the trial of Anne Boleyn, in May, 1536. Raleigh, in 1601, watched the execution of Essex from one of its western windows. A mounted figure of Queen Elizabeth, dressed as on the occasion of her progress to St. Paul’s Cathedral to render thanks for the destruction of the Armada, has been removed from this room to a dark corner of the crypt of St. John’s Chapel; its place is taken by an illuminated show-case in which the Coronation robes of the reigning sovereign are displayed. Models of the instruments of torture—the rack, thumb-screws, scavenger’s daughter, iron neck-collar, and so forth—are shown in this room, reminding us that though torture was never legal punishment in England, it was practised in Tower dungeons, especially in Tudor times, when, in the wisdom of those in power, occasion demanded it. But the whole business is too despicable to dwell upon.
A continuation of the winding stairway in the south-west angle of the wall gives access to the upper floor and ancient Council Chamber, which is the room entered first. Here Richard II. abdicated in favour of Henry IV. Froissart, describing the ceremony, says, “King Richard was released from his prison and entered the hall which had been prepared for the occasion, royally dressed, the sceptre in his hand and the crown on his head, but without supporters on either side.” He said, after raising the crown from his head and placing it before him, “Henry, fair cousin, and Duke of Lancaster, I present and give to you this crown with which I was crowned King of England, and all the rights dependent on it.” When all was over and Henry “had called in a public notary that an authentic act should be drawn up of the proceedings,” Richard was led back “to where he had come from, and the Duke and other lords mounted their horses to return home.” It was in this Council Chamber of the White Tower, also, that Richard III. enacted that dramatic scene on which the curtain fell with the death of Hastings, the Lord Chamberlain. The lords were seated at council when Richard entered the broad, low room in anger, and exclaimed, to their astonishment, “What are they worthy to have that compass and imagine my destruction?” The lords, sore amazed at this, sat dumb, and none dared speak lest he be accused. Then the irate Richard bared his withered arm and called on all to look what sorcery had done. His protestation had, however, been somewhat overacted, and his lords in the Chamber of Council saw that he was but in a fit of spleen and hasty to pick a quarrel with any. Still, Lord Hastings took courage to stand and reply, “If any have so heinously done, they are worthy of heinous punishment.” “What!” said Richard, starting up; “thou servest me ill, I ween, with ‘ifs.’ I tell thee they have so done, and that I will make good on thy body, traitor.” In great anger he strode to a table and hit it heavily with his clenched fist. At this signal a great number of armed men, who had been cunningly hid in the stone passage that lay within the thickness of the wall, entered the room and blocked the doorways. Richard, coming into the centre of the chamber and pointing to Hastings, exclaimed, “I arrest thee, traitor!” “What, me, my lord?” replied the Chamberlain. “Yea, thee, traitor.” And Hastings being seized and made prisoner, “I will not to dinner,” continued his accuser, “till I see thy head off.” Without time to say a word on his own behalf, Lord Hastings, in order that the repast of Richard should not be unduly delayed, was hurried down the narrow, winding stairway in the north-east turret of the White Tower and led out upon what is now the parade ground, below. It is told that the way to the block on Tower Green near by was greatly obstructed by stones and much timber then being used in rebuilding houses within the Tower walls. Richard was watching with impatience, from a window in the Council Chamber, the progress of his victim to death, and, in order to avoid delay, Hastings was compelled by his captors to lay his head on a rough log of wood that blocked the path. So was he brought to the axe ere Richard, satisfied, and himself again, went to dine.
The crypt of St. John’s Chapel (which, with the dungeons, is shown only to those who have obtained an order and are accompanied by a special warder), a very dark place before the comparatively modern windows were put in, was used as a prison cell, and here were confined those captured in the Wyatt rebellion. Prisoners’ inscriptions may still be seen on the wall on either side of the smaller dungeon, erroneously termed “Raleigh’s Cell.” This grim chamber, hollowed out of the wall of the crypt, would, when the door was shut and all light of day excluded, have been the most unwelcome hole for any human being to linger in. To assert that Raleigh sat and wrote here, by rushlight, is drawing too heavily on our credulity. Even “that beast Waad” would not have put his famous prisoner into such a place of darkness. The crypt has a remarkable barrel-shaped roof, the stones of which are most cunningly set together. The walls are of amazing thickness, as may be seen by the depth of the window recesses. Some few years ago a quantity of stained glass was found in this crypt; some of it of sixteenth-century date, the remainder modern and of little value. Fragments of this glass have been put together with care and skill and placed in the small windows of the Chapel of St. John, above.
The larger dungeons of the Keep are entered beneath the stairway that leads to the parade-ground from the level of the crypt we have just visited. These lower places of confinement have been sadly modernised, white-washed, and have all the appearance of respectable wine-cellars, lit by electric light. In these once gloomy chambers, deep down below the level of the ground, stood the rack; the cries of victims would not be heard beyond the massive walls. This instrument of torture was an open frame of solid oak about three feet high. The prisoner was laid within it, on the bare ground, his wrists and ankles being tied to rollers at each extremity. By means of levers these rollers were moved in opposite directions and the body of the prisoner was thereby raised to the level of the frame. While his body was thus suspended he was questioned, and if his replies came tardily a turn or two of the rollers, which threatened to pull his joints from their sockets, was considered necessary to extract from the sufferer any information desired. In this place, and in this way, Guy Fawkes was racked after Gunpowder Plot, and, between the periods of torture, was confined in a small cell called Little Ease, which was constructed so skilfully that the captive could neither lie down nor stand up with any satisfaction, but was compelled to exist there in a cramped and stooping posture. This miserable cell lay between the dungeon containing the rack and the great dungeon under the crypt of St. John’s Chapel. Though the formidable iron-studded door of Little Ease, with its ingenious system of locks and bolts, is still to be seen, the cell itself has been broken through to give entrance to the black vault beyond. Yet even to-day, in spite of foolish “improvements,” some idea of the power of Little Ease to administer suffering can be gained. In this, at one time, circumscribed space, Guy Fawkes spent his last weeks, with no fresh air to breathe and no glimmer of light to cheer. The gloomy dungeon, to which Little Ease now gives access, under St. John’s crypt, was the foulest and blackest of all the Tower cells. Even now it is a place of horror, though an attempt has been made to enlarge the single window, high up on the eastern side, and admit a little more light. Hundreds of Jews were shut up here in King John’s time, charged, as has already been stated in the previous chapter, with tampering with the coinage of the realm. No light of any kind entered the place in those days, the earthen floor was carefully kept damp for greater inconvenience, the air was poisonous, and the place was at all times infested with rats. This cell rivals in horror the Black Hole of Calcutta, and in it men were, to use a Meredithian expression, chilled in subterranean sunlessness. In the basement chambers, to the west of this dungeon and of the torture chamber, a well has, within recent years, been discovered, together with a secret passage leading towards the moat and the river. In connection with the discovery of this passage it is stated that a grated cell had been found in which the waters of the Thames flowed and receded with the tide. It is possible that some poor sufferer may have been put, for a time, in this place of horror, but we may be thankful that, as no details have survived time’s ravages, it is not necessary for us to demand definite information on the subject. There are certain corners of Tower history that are better left unexplored. The dungeons of the White Tower might conceivably have been left in something of their original state. The “modernisation” they have undergone has robbed them of all appearance of age. They have the look (with the exception of the Jews’ dungeon) of store cellars constructed last week. Utility has done its best to kill romance.
Tower Green.—Beneath the western wall of the White Tower there is massed together, and now railed in, a curious collection of old guns and mortars, mostly trophies won from France, Spain and Portugal. Some are early examples of English cannon found in the Mary Rose, wrecked off Spithead in 1545. Two solemn ravens hover about these old guns day by day, and perch at times, with significant gravity, on the site of the block near by. Tower Green was the place of private, as Tower Hill was the place of public, execution, and was reserved for culprits of Royal rank. This open space in the centre of the buildings saw prisoners led from cell to cell, saw many a headless body carried on rude stretcher to burial
in St. Peter’s, and was the place of revels on far-off coronation eves when the King of the morrow was feasting in the Keep above or in the Palace. It saw, also, the last sad moments of three Queens of England. In the far corner, towards the Bloody Tower, lay the Constable’s Garden in which Raleigh walked, and in which the proud Princess Elizabeth had paced along the paths that her favourite of later days had been sent by the prouder Queen to tread. Farther westward, and marked by a sentry-box at the door, is the King’s House, in which lives the present Major of the Tower. It was from this house that Lord Nithsdale escaped, on the eve of his execution, in 1716. His wife, who had ridden in bitter, wintry weather from Scotland in order to make appeal to King George on her husband’s behalf, found only disappointment as a result of the appeal to royal clemency. But she was not to be daunted by her rebuff at Court. Though the attempt seemed quite a hopeless one, she was determined to make all effort possible to save her lord from the scaffold. From her lodgings in Drury Lane she walked to the Tower, accompanied by her landlady, Mrs. Mills, and a friend, Mrs. Morgan. Mrs. Morgan consented to wear a dress belonging to Mrs. Mills above her own dress, and Lady Nithsdale proposed to get her husband away from the Tower disguised in this extra dress. When she reached the King’s House she was allowed to take in with her only one friend at a time, and so brought in Mrs. Morgan, who had, she explained, come to bid Lord Nithsdale farewell. When the custodian of the prison room had retired, Lord Nithsdale was hastily dressed in the spare set of female garments and Mrs. Morgan was sent out to bring in “her maid, Evans.” Mrs. Mills came upstairs in answer to the call, and held a handkerchief to her face “as was natural,” wrote Lady Nithsdale when describing the events afterwards, “for a person going to take a last leave of a friend before execution. I desired her to do this that my lord might go out in the same manner. Her eyebrows were inclined to be sandy, and as my lord’s were dark and thick, I had prepared some paint to disguise him. I had also got an artificial head-dress of the same coloured hair as hers, and rouged his face and cheeks, to conceal his beard which he had not had time to shave. All this provision I had before left in the Tower. I made Mrs. Mills take off her own hood and put on that which I had brought for her. I then took her by the hand and led her out of my lord’s chamber. In passing through the next room, in which were several people, with all the concern imaginable, I said, ‘My dear Mrs. Catherine, go in all haste and send me my waiting-maid; she certainly cannot reflect how late it is. I am to present my petition to-night; to-morrow it is too late. Hasten her as much as possible, for I shall be on thorns till she comes.’... When I had seen her safe out I returned to my lord and finished dressing him. I had taken care that Mrs. Mills did not go out crying, as she came in, that my lord might better pass for the lady who came in crying and afflicted; and the more so that as he had the same dress that she wore. When I had almost finished dressing my lord, I perceived it was growing dark, and was afraid that the light of the candle might betray us, so I resolved to set off. I went out leading him by the hand, whilst he held his handkerchief to his eyes. I spoke to him in the most piteous and afflicted tone, bewailing the negligence of my maid Evans, who had ruined me by her delay. Then I said, ‘My dear Mrs. Betty ... run quickly and bring her with you. I am almost distracted with this disappointment.’ The guards opened the door, and I went downstairs with him, still conjuring him to make all possible despatch. As soon as he had cleared the door, I made him walk before me, for fear the sentinel should take notice of his walk. At the bottom of the stairs I met my dear Evans, into whose hands I confided him.” Lord Nithsdale, now safely out of the walls and on Tower Hill, was hurried to a convenient lodging in the City. Lady Nithsdale, having sent “her maid Betty” off, returned to her lord’s room, and, alone there, pretended to converse with her husband, imitating his voice so well that no suspicions were aroused. She continues her narrative thus: “I then thought proper to make off also. I opened the door and stood half at it, that those in the outward chamber might hear what I said, but held it so close that they could not look in. I bade my lord formal farewell for the night, and added that something more than usual must have happened to make Evans negligent, on this important occasion, who had always been so punctual in the smallest trifles; that I saw no other remedy but to go in person; that if the Tower was then open, when I had finished my business, I would return that night; but that he might be assured I would be with him as early in the morning as I could gain admittance to the Tower, and I flattered myself I should bring more favourable news. Then, before I shut the door, I pulled through the string of the latch, so that it could only be opened on the inside.” On her way out Lady Nithsdale told one of the servants that candles need not be taken in to his master “until he sent for them,” and so left the King’s House, crossed Tower Green in the dusk of the evening, and was soon safely in London streets. Lord Nithsdale eventually escaped, disguised as a footman, in the suite of the Venetian Ambassador, from Dover. Lady Nithsdale bravely returned to Dumfriesshire, and, at great risk, for “the King was great insensed at the trick she had played,” recovered valuable papers buried in a garden there, then joined her husband in Rome. By her splendid intrepidity she had saved her lord from the scaffold on the very eve of execution, had baffled the King’s emissaries, and altogether gave King George cause to complain that she had given him more trouble than “any other woman in the whole of Europe.”
Beauchamp Tower.—This tower lies in the centre of the western Ballium Wall, and is entered at the foot of a flight of steps leading down from the level of the Green. A narrow winding stairway, which is typical of the means of ingress and egress in all the lesser towers on the walls, brings us to the large prison-chamber of this tower, the only portion shown to the public. In Tudor days the Beauchamp Tower was set aside specially as the place of detention of captives of high estate in the realm. It is the least gloomy of the towers. It must at all times have had a good supply of light, if we may judge by the delicacy of the inscriptions and carvings that those imprisoned there have left upon its walls. On entering the prison-room an inscription bearing the word “Peveril” will be seen on the wall to the left. This caught the eye of Sir Walter Scott when visiting the Tower, and suggested the title for the then unwritten novel, the scenes of which are laid in the time of Charles II. In that book a description is given, in chapter xl, of the King’s visit to the fortress. “In the meantime the royal barge paused at the Tower; and, accompanied by a laughing train of ladies and of courtiers, the gay monarch made the echoes of the old prison-towers ring with the unwonted sounds of mirth and revelry.... Charles, who often formed manly and sensible resolutions, though he was too easily diverted from them by indolence or pleasure, had some desire to make himself personally acquainted with the state of the military stores, arms, etc., of which the Tower was then, as now, the magazine.... The King, accompanied by the Dukes of Buckingham, Ormond, and one or two others, walked through the well-known hall [in the White Tower] in which is preserved the most splendid magazine of arms in the world, and which, though far from exhibiting its present extraordinary state of perfection, was even then an arsenal worthy of the great nation to which it belonged.” In the same chapter the Tower legend of the King’s discovery of Coleby (who had helped the King at Worcester fight) as a warder in the Tower is told. Sir Walter adds a footnote to the tale: “The affecting circumstances are, I believe, recorded in one of the little manuals which are put into the hands of visitors.” In this room of the Beauchamp Tower, Nigel, Lord Glenvarloch, is imprisoned as narrated in The Fortunes of Nigel, which pictures earlier days—the times of James I. Nigel “followed the lieutenant to the ancient buildings on the western side of the parade, and adjoining to the chapel, used in those days as a State prison, but in ours [this was written in 1822] as the mess-room of the officers of the guard upon duty at the fortress. The double doors were unlocked, the prisoner ascended a few steps, followed by the lieutenant and a warder of the higher class. They entered a large, but irregular, low-roofed and dark apartment, exhibiting a very scanty proportion of furniture.... The lieutenant, having made his reverence with the customary compliment that ‘He trusted his lordship would not long remain under his guardianship,’ took his leave.... Nigel proceeded to amuse himself with the melancholy task of deciphering the names, mottoes, verses and hieroglyphics with which his predecessors in captivity had covered the walls of their prison-house. There he saw the names of many forgotten sufferers mingled with others which will continue in remembrance until English history shall perish. There were the pious effusions of the devout Catholic, poured forth on the eve of his sealing his profession at Tyburn, mingled with those of the firm Protestant about to feed the fires of Smithfield.... It was like the roll of the prophet, a record of lamentation and mourning, and yet not unmixed with brief interjections of resignation, and sentences expressive of the firmest resolution.” There are ninety-one names on the walls of this room in the Beauchamp Tower, and the earliest date, 1462, is cut beside the name of Talbot. Other notable inscriptions are those of the Pole family (No. 33), of which two members died in
captivity here; the Dudley carving (No. 14), consisting of a frame made up of a garland of roses, geraniums, honeysuckle, and oak leaves. Within are a bear and lion supporting a ragged staff, which is the Dudley crest. Beneath is the name of the carver, John Dudley—the eldest of five Dudley brothers imprisoned in this chamber. This John, Earl of Warwick, died here, a prisoner. The Bailly inscription (No. 17) dates from Elizabeth’s reign, and was carved by Charles Bailly, involved in plots to liberate Mary Queen of Scots after her coming to England. He has carved these words on the stone: “Wise men ought circumspectly to see what they do, to examine before they speake, to prove before they take in hand, to beware whose company they use, and, above all things, to whom they truste.” The Earl of Arundel, one of the devout Catholics mentioned by Scott, died, in this room, after ten years’ imprisonment in the Tower. His inscription is in Latin, and dated June 22, 1587. The words may be translated, “The more suffering for Christ in this world, the more will be the glory with Christ in the next. Thou hast crowned him with honour and glory, O Lord! In memory everlasting he will be just.” Another carving (No. 26), of April 22, 1559, concludes thus: “There is an end of all things, and the ende of a thing is better than the beginin. Be wyse and pacyente in troble, for wysdom defends the as well as mony. Use well the tyme of prosperite, ande remember the tyme of misfortewn.” This inscription bears some resemblance to another of Bailly’s (No. 51), where he has recorded on his prison wall that, “The most unhapy man in the world is he that is not pacient in adversities; for men are not killed with the adversities they have, but with the impacience which they suffer.... Hope to the end and have pacience.” If any were in need of patience and of hope they were these poor prisoners in the Beauchamp Tower. Another captive, T. Salmon, in 1622 recorded that he had been kept “close prisoner here, 8 months, 32 weeks, 224 days, 5,376 hours.” The husband of Lady Jane Grey carved on these walls (No. 85) the one word “Jane,” and this in its simplicity is the saddest of all the writings on the wall. This tower, which was restored by Salvin in 1854, still retains an original Edward III. window and much other ancient work; its name is derived from the Thomas Beauchamp, Earl of Warwick, imprisoned towards the end of the fourteenth century. During the time of the Wyatt rebellion it appears to have been known as the Cobham Tower, but that name did not adhere to it long. It consists of three floors, the main prison-room being on the second storey, and possesses a battlemented roof. In this tower a secret passage has been discovered, in the wall, where spies could hover and overhear the talk of prisoners. To the north of it, and opposite the Chapel, stands the Chaplain’s House, and that portion of Tower Green immediately adjoining was at one period a burial-ground for “Tower parishioners.”
Chapel of St. Peter ad Vincula.—The crypt of the present chapel was built in the reign of Henry III.; all that stands above it is of the Tudor period. In 1867 it received its last careful restoration, but apart from its tragic associations it is not a very inspiring bit of ecclesiastical architecture. There is a peculiar stiffness about the building and an oppressive gloom in the place that makes one regard it rather as a large tomb than as a church for living men and women to worship in. Strangely enough, one has none of this feeling when visiting the Chapel of St. John in the White Tower, which is a place that never fails to lead the thoughts to another world than this. In St. Peter’s one is haunted by generations of spectres who have passed from life to death by violent means, and one has also the fear that Macaulay is lingering in some corner and moralising on the pathos of it all. Under the pavement of this church, as was discovered at the 1876 restoration, the victims from the scaffold, of royal blood or otherwise, were very hastily and carelessly interred, at no great depth. The bones of Queen Anne Boleyn were identified and now lie in front of the altar with those of Queen Katherine Howard, and the Dukes of Northumberland and Somerset. Mr. Doyne Bell, describing the discovery of the remains of Anne Boleyn, says, “The forehead and lower jaw were small and especially well formed. The vertebræ were particularly small, especially one joint, which was that next to the skull, and they bore witness to the Queen’s ‘lyttel neck.’” The skeletons of the aged Countess of Salisbury and of the Duke of Monmouth were also found. A list of the notable people buried in this church will be seen on the west wall near the door, and here, too, are preserved portions of the leaden coffin lids of the Scots lords who were the last victims of the block on Tower Hill. Several very interesting memorials of those famous in Tower annals will be noticed on the east and south walls near the chancel. The elaborate tomb to the left, within the altar rails, is erected in memory of Sir Richard Blount and of Sir