“You are an Englishman,” he answered briefly. “You shall see it in English.”

He made a path through the praying crowd, and I followed him without, and my breath failed me as I became aware that the Holy House was inclosed in a precious outer casing of marble, carved with beautiful reliefs of the life and death of the Virgin, holding all round its four lofty walls niches with statues of prophets and sybils and other gleaming altars, each with its surf of worshippers, and that this marvellous screen, so rich in the work of the Masters, was itself engirdled by a vast high-domed church with rich-dyed windows, gilded like a Venetian palace and full of arches and pillars and altars and chapels and mosaics and statues and busts and thick-populated frescoes, while from the centre of the choir windows a haloed Lady in a blue mantle gazed down upon her white-hooded ghostly worshippers filling the nave. And all around her from the interlacing of the arches and from the painted walls haloes gleamed like a firmament of crescent moons.

“Behold there!” said the beadle, pointing with his staff, and I saw that round the projecting base of the marble walls ran two deep parallel furrows. “Worn in the stone by the knees of six centuries of pilgrims,” he said pleasantly. “Of course there are not many to-day, being an ordinary Sunday, but in the year there are a hundred thousand, and in the season of the pilgrimages, or on the Feast of the Assumption——” An expressive gesture wound up the sentence.

We passed along the aisles, just peeping into the copious chapels, all pervaded by the ubiquitous Maria in picture or mosaic, in statue or bas-relief—Maria Immaculate, Maria the Virgin, Maria the Mother of God, Maria the Compassionate, Maria the Mediatress, Maria Crowned; and the marriage of Maria, and her death, and the visit to Elizabeth, and the Annunciation, and her family tree, and the disputes of the Sorbonne over the dogmas concerning her. And as we walked the organ began pealing, and priests and choristers chanted.

“Ecco!” cried the beadle, as he stopped in the left aisle and pointed to a great black-framed slate between two altars. “In your own English!”

I looked and read the headline of white letters:

“The Wondrous Flitting of the Kirk of our Blest Ledy of Lavreto.”

Underneath ran in parallel columns these two sentences:

“By decree of the Meikle Werthy Monsignor Vincent Casal of Bolonia Ruler of This Helly Place Vnder the protection of the Mest Werthy Cardinal Moroni.”

“I Robert Corbington Priest of the Companie of Jesvs in the Zeir MDCXXXV Heve Trvlie translated the premisses of the Latin Storie Hangged vp in the seyd Kirk.”

And underneath these parallel statements were the words, “To the Praise and Glorie of the Mest Pvre and Immaculate Virgin.”

Then began the story proper:

“The Kirk of Lavreto was a caumber of the hovse of the blest Virgin near Jerusalem in the towne of Nazaret in which she was borne and treined vp and greeted of the angel and hairin also Conceaved and norisht har sonne Jesvs.”

My eye ran impatiently over these known details and lighted at a lower point of the great dimly lit slate.

“Pavl de Sylva an eremyt of micle godliness, wha woned in a cell near by this Kirk whair daily he went to mattins, seyd that for ten zeirs, one the eight of September, twelve hovrs before day, he saw a light descend frem heaven vpon it, whilk he said was by the bu weathair shawed har selfe [sic] one the feest of har birth. In proof of all whilk twa verteous men of the seyd towne of Recanah many times avowed to me Rvler of Terreman and Govenor of the forseyd Kirk as followeth. Ane of them, nemmed Pavle Renallvci, affirmed that his grandsyres grandsyre sawe when the angels broght it over sea setting it in the forseyd wood and hed oft frequented it thair, the other nemmed Francis Prior sicklik seyd that his Grandsyre, being a hunder and twaintie zeirs awd hed also meikle havnted it in the same place and for a mere svr testimony that it had beine thair he reported that his grandsyres grandsyre hed a hovse beside it wharin he dwelled and that in his dayes it was beared by the angels frae thence to the hill of they tweye brothers whar they set it as seyd. . . .”

“The angels seem to have carried it about more than once,” I interrupted.

“Già,” said the beadle. “At first they placed it on the hill of Picino, in a grove of laurels which bowed before it and remained in adoration. But so many thieves and assassins took cover under them to plunder the pious pilgrims of their offerings that the laurels raised their heads again, and after a stay of only eight months the Holy House moved.”

“And came here?”

“Not yet. It moved first to a pleasant hill belonging to the brothers Artici, ancestors of Leopardi.”

“Ah, the hill of they tweye brothers,” I murmured.

“But the treasure heaped upon it dazzled them. They might have fought over it like Cain and Abel. So the house moved on.”

“And yet even Leopardi chanted the Madonna,” I said.

“Lo credo,” said the beadle, unastonished. “And there is still an inscription on the hill, but it does not console the neighbourhood any more than the chapel at Ravinizza.”

“The chapel at Ravinizza?”

“Did I not say? That was where it stopped first—near Dalmatia.”

“Quite a wandering Jew-house,” I murmured.

“That was in 1291, when the Holy Land fell into the power of the Infidel”

“Ah, that was why it left Palestine!”

“Naturally. And you may imagine the agony of the Dalmatians when they returned from the Crusades to find the Holy House no longer in Ravinizza. Even to-day the pilgrims sail out in little boats singing, ‘Return to us, Maria, with thy house!’ But how could it return to Dalmatia, seeing that seventy-five years before it left Palestine the blessed St. Francis had foretold its coming here by his word Picenum, which is a region on our side of the Adriatic, and being, moreover, interpreted by Latin scholars is a prophetic acrostic?”

“It seems a pity the house did not come straight to Loreto,” I ventured.

“We are fortunate it did not go straight back to Nazareth after the battle of Lepanto,” he said simply. “It was after our Lady’s victory over the Turks that this marble screen was placed around it. Here is the Treasury.” And thrusting roughly through the press of congregants, he opened a door and ushered me into a palatial room where under the ceiling-frescoes of Pomerancio of Pesaro I saw what seemed a vast bazaar of every precious article known to humanity.

“The New Treasury,” he said apologetically. “The old treasure was seized by Napoleon. It was worth 96,000,000 lire.” He looked sad.

“And how much is this worth?”

“Only 4,000,000.” And the unctuous catalogue recommenced. “A Genoese family had given this case of jewellery; it was worth 100,000 lire. These were the copes and vestments of Pio Nono (150,000 lire). This was the diadem of Maria, Queen of Spain, wife of Carlo IV—behold the amethysts, the brilliants, the rubies. These Oriental pearls were from the Princess of Würtemberg. Each pearl cost 150,000 lire and there were forty-three pearls—the signore could calculate for himself. This diamond tiara with an Oriental pearl in the centre was given by Maria Louisa, Duchessa di Parma. It was worth 420,000 lire.”

“Restoring some of her first husband’s plunder,” I interrupted.

“Già. And the Madonna Nera was given back too. And this pearl and gold covering for her is from Maria Theresa, Archduchess of Austria. It is worth 12,000 lire. And Giuseppe Napoleon’s wife gave us this monstrance. And this cup is from Prince Maximilian of Austria, and these regalia——”

The list went on, and I studied a coral model of the Santa Casa with the Mother and Son riding on the roof, while from the church came a boy’s voice soaring heavenward.

“And do you refuse offerings from those who are not royal?” I broke in at last.

“Ah, no,” he said seriously. “See! In that glass case are a thousand rings from a thousand pilgrims, and this standard is from a pilgrim of Budapest, and this little wooden ship—the Maria—was given by a sailor, and this pearl showing the Madonna and her Son was found inside a fish by a fisherman, and these ornaments painted with the juice of grass are the work of priests, and this beautiful bronze candelabrum was given by the Guild of Blacksmiths of Bologna. A Capuchin father from South America brought us these great bouquets of flowers made of the wings of Brazilian birds, and a Roumanian noble this little Byzantine brass Madonna, and Prince Carraciolo of Naples——”

“Basta!” I cried hurriedly, for he was back in the “Almanach de Gotha,” and, slipping a large piece of silver with a royal portrait on it into his hand, I moved towards the door.

His face shone. “But you have not seen the cups in the Santa Casa from which the Holy Family drank. And their little bells, and——”

“I have seen enough,” I said.

“And the cannon-ball,” he went on in undiminished gratitude. “The cannon-ball which shattered the pavilion of Pope Julius II when he was besieging a city, but which by the grace of the Blessed Virgin left him un——”

I escaped into the crowd of snooded peasant women and worked my way along the aisle till I stood outside the portal under a gigantic Madonna and Child.

But the beadle was beside me.

“Go and look at the Fontana della Santa Casa.” And he pointed in parting gratitude to the centre of the piazza. “Bellissima!”

I did not go, but I looked at the great marble fountain with its grotesque beasts and Cupids and basins, and remembering the humble village fountain at which the carpenter’s daughter had filled her urn, I turned sharply to the right and found myself descending a long sordid street of shops and stalls, all doing a busy trade—despite the Sunday—in crosses, rosaries, crucifixes, chaplets, picture-postcards, medals, and all the knick-knacks of holiness. Sometimes through open windows of the ugly one-storey houses I caught sight of the landscape below—the path descending to the sea, bordered with buttercups and a-flutter with birds, the rolling olive-plains, the strip of blue sea, the wonderful headland. Never had I seen a lovelier view shut out by meaner buildings. With its patches of refuse and its dreary shops and booths it seemed the ugliest street in all Italy, bearing on its face the mark of its bastard origin—a city grown up not from natural healthy human life, but for the exploitation of a miracle.

And this it was that drew gold like water from the crowned heads of Europe. And this it was that had drawn hither even Descartes, the first Apostle of Philosophic Doubt. Surely “Non cogito, ergo sum,” is the motto of Faith, I thought.

I stood in a vast ancient market-place among canvas-covered stalls, by a lovely fountain with a smiling little Bacchus that faced an old cathedral, and I gazed like ten thousand others at a lovely open-air pulpit that rose in the shadow of a tall campanile. From a bronze capital it rose, girdled with beautiful marble reliefs of dancing children by Donatello and protected from the sun by a charming circular roof, and in this delectable coign of vantage stood a priest holding something that fevered the perspiring mob.

“La sacra cintola! La sacra cintola!”

I knew what the Virgin’s girdle would be like, for had I not seen her handing it to St. Thomas in Lippo Lippi’s picture in this same town of Prato, as she flew up to heaven in the radiance of her youth and beauty, standing on cherubs’ heads and escorted by angels? But now so far as I could see this tasselled belt, it seemed to correspond ill with the waist measurement of the little mother of Nazara.

Some white pigeons fluttered round the priest’s head and settled on the pulpit, and a great sigh of ecstasy went up from the people.

I looked round at the little Bacchus. But he was still smiling.

I stood before an altar in a little church, but this time a sweet-faced woman in a wimple stood beside me.

“The wall is behind the altar,” she said. “And once a year the miraculous image of the Madonna of the Bed is shown to the people of Pistoja and the pilgrims, exactly as Our Lady of the Graces impressed it on this piece of wall here when she appeared to the sick girl. Very beautiful is she in her crown and mantle, clasping to her arms the crowned Bambino as she flies upwards.”

“And where is the bed?”

“The bed was removed from this sanctuary, which it blocked up disproportionately. A separate little chapel was built for it.”

We passed to the bed-chapel by way of the old cloisters of the Ospedale, and saw in a small room a heavy brownish wooden bed with a red quilt, made as for an occupant. A Madonna and Child was painted on the headpiece, and a Madonna and Child at the foot, and a Madonna and Child hung on the wall.

“And when was the miracle wrought?” I asked.

“In 1336.”

The very year of the death of Cino, the poet of Pistoja and the friend of Dante, I remembered. And Dante and Cino had receded into the dim centuries while this bed with its prosaic quilt and pillows stood stolid, inscribed at head and foot with inscriptions dated 1336 and 1334, begging me to pray for the souls of Condoso Giovanni and Fra Ducchio.

“Here,” explained the sweet-faced sister, “the poor girl had lain many long years, incurable, when one day the Virgin appeared in dazzling beauty, holding the Child, and told two little boys who happened to be in the hospital to fetch brother Jacopo della Cappa. The venerable brother, being busy confessing, refused to be disturbed, whereupon the Virgin sent a second message bidding him come at once, for she desired him to predict a pestilence in Pistoja, of which he would die in a month. So he came forthwith, but he had scarcely entered the room when the dazzling apparition disappeared. But she left the invalid girl in perfect health, and her holy image on the wall.”

“And did Fra Jacopo duly die?”

“To the day. And so great was the plague that there was scarcely any one left to administer the last office.”

“As disproportionate as the bed to the church,” I thought, “to kill off all Pistoja and save one bedridden girl.” But how utter such a thought to this sweet-faced sister?

“Since then the bed and the image on the wall have wrought many miracles,” she said. “The blind have had their sight, the deaf their hearing, the paralysed their limbs. That was why the name was changed from Our Lady of the Bed to Our Lady of the Graces. And countless were the pilgrims that came. But in 1780 the wicked Scipione Ricci, who was a secret Jansenist, was made our bishop, and he tried to destroy the faith in our sanctuary and in the Girdle of Prato. But our neighbours of Prato rose against him, rushed into the cathedral, smashed his episcopal chair, and sacked his palace. He had to resign his bishopric, and so our faith was purged of the heretic, and Maria was avenged. Ah, that jubilee of her Immaculate Conception in 1904! It was a day of Paradise.”

Again a haze disturbs my vision. For a moment I see the little olive-eyed Jewess of Nazara, racked between husband and son, wringing her impotent hands; then my vision clears, and I am reading a printed Italian prayer before a chapel of the Madonna in a mighty fane.

I seemed to be back in Asia on a burning June day fifteen hundred years before this prayer was written, much pushed about by the crowd that surged round a church.

“Is it the Whitsuntide service?” I asked a priest at last in the Greek I heard on all sides.

“Nay; art a barbarian or a worshipper of the Temple of Diana that thou knowest not the Church of the Theotokos, and the great Imperial Council of Bishops that is sitting there to avenge the insults of Nestorius to the Virgin?”

“What insults?” I murmured.

“Surely thou hast snored in the cave in the Pion Hill with our Seven Sleepers! This blasphemous Patriarch of Constantinople denies our Lady the title Theotokos, would argue that she is not Mother of God, but that the Christ born through her was only the human part of Him, not the Eternal Logos.” His voice trembled, his beady eyes flamed with passion. “And he dares come defend his thesis here—in Ephesus, where the Holy Virgin lies buried! But our saintly Cyril of Alexandria hath drawn up twelve anathemas and will stamp him out as he stamped out that minx Hypatia.”

“Is Cyril here too, then?”

“Ay, and what an ambrosial homily he preached! ‘Hail, Mary, Mother of God, spotless dove! Hail, Mary, perpetual lamp at which was kindled the Sun of Justice! Hail, Mary! Thanks to Thee, the archangels rejoice and sing; thanks to Thee, the Magi followed the star; thanks to Thee the college of Apostles was established. . . .’ ” His voice died away in reminiscent ecstasy.

“Then Cyril and Nestorius are now in debate?”

“Nay, the heretic shrinks from appearing—he pretexts that all the bishops are not arrived, and he induced the Emperor’s commissioner to protest against the sitting. But as thou seest, the Council is going on—hath been going on from early morn—there are two hundred bishops.”

“There are only a hundred and fifty,” put in a voice. “It is scandalous.”

“Ay,” assented another voice. “Where is the Patriarch of Antioch?”

The priest turned on the Nestorians. “It is beasts like you with whom Paul fought here,” he said.

“Beast thyself,” retorted a physician in a long robe, “to suggest that God could be contained in the womb.” It was the beginning of a scuffle that grew to a bloody battle between the Nestorian minority and the orthodox. Daggers and scimitars gleamed in the air. I saw a group of Nestorians take refuge in a church, but fly from it again, leaving a trail of bleeding corpses along the aisle. The survivors made for the harbour, hoping doubtless for safety in the multitude of boats and ships.

And ever thicker grew the crowd surging round the Council-chamber, till at last as the long summer day closed, a rumbling as of distant thunder was heard from within—“Anathema! Anathema!” And the cry passed to the crowd—“Anathema! Anathema!”—till the whole firmament seemed to crash and rock with it and men cheered and danced and tossed their weapons in air. And as the venerable figures began to troop out and the word came that Nestorius was deposed, a thousand torches leapt as by magic into flame, and men escorted the Bishops to their lodgings, leaping and singing, and lo! round the whole city blazed illuminations and bonfires.

And my eyes, piercing through the future, beheld Italian bottegas with immortal Masters and Pupils, turning out through the centuries portraits of the Madonna and Child, to be blazoned henceforward inseparable, a symbol of the true faith: delectable, innumerable, filling the whole earth with their glory.

The close smell of the studios gave way again to the odour of crowded humanity and I was in the arena of Seville. But never, not even at Easter, had I seen the populace so joyous, the ladies shrouded in such rich mantillas or flirting such precious fans, the picadors so gaily caparisoned, the toreadors so daring, the bulls maddened with so many banderillas or disembowelling so many horses. It was the mutual ecstasy of slaughter. And from all parts of the city penetrated the chiming of bells, while the thunder of festive cannon sometimes drowned even the roar of the ring. And at every thrilling stroke or perilous charge there came from parted lips, “Ave Maria purissima” or “Viva nuestra Señora,” and from all around rose the instinctive reply: “Sin peccado concebida.”

Gradually, as I listened to the conversation in the intervals of the bull fights, I became aware of the sense of the Fiesta. All this overflow of religious rapture sprang not from the bulls but the Bull—Regis Pacifici—which after centuries of passionate controversy had at last been launched by Paul V in this sixteen hundred and seventeenth year from the bearing of the Virgin, forbidding the opponents of Immaculate Conception to sustain their doctrine in public. Maria had been conceived without sin. The last flaw had been removed from her perfection.

“Heaven rewards us for expelling the last of the Moors,” cried a lovely Señora with a dazzling flash of eyes and teeth. “And now that we have purged Spain and placed her and her mighty possessions under the protection of the Immaculate Conception, her future shall be even more glorious than her past.”

But my reply was drowned by the roar of the ring as the dead bull was trailed off at a gallop.

“Ave Maria purissima!”

“Sin peccado concebida!”

I am still in Spain, watching Señor Bartholomé Estéban Murillo polish off his Madonnas for country fairs or South American convents. Presently under the guidance of Señor Pacheco, Holy Inquisitor of pictures, he paints the popular dogma of the day, in the shape of little angels floating below a lovely lady in a blue mantle standing with clasped hands on the earth-ball, and the scene shifts to France where two centuries later the picture is purchased at a fabulous price by the Louvre, just before Pio Nono from his refuge at Gaeta publishes the Bull Ineffabilis, definitely declaring that the freedom of the Virgin from original sin is a divine revelation. Cheap coloured pictures of the “Immaculate Conception” multiply, and Bernadette, a pious young shepherdess in the French Pyrenees, beholds in a grotto by a spring a White Lady, veiled from head to foot, with a cerulean floating scarf, a chaplet with golden links, and two golden roses on her naked feet, who announces herself as “The Immaculate Conception” and demands a Procession to her shrine.

And before my eyes unrolls the long panorama, painted in immortal colours by the epical brush of Zola: the mushroom Lourdes of hotels and holy shops replacing the rude village, the Hospital of our Lady of Sorrows, the crowned statue of our Lady of Salvation, the Fathers of the Grotto, the Blue Sisters, the Church of the Rosary, the Basilica swathed in splendid banners, glittering with golden hearts innumerable, and jewels and marbles and marvellous lamps; the unending masses and litanies, the three hundred thousand pilgrims a year, the thaumaturgic bathing pools, unclean, abominable, the White Train rolling through the night with its hideous agglomeration of human agonies, amid ecstatic canticles to the Madonna, the thirty thousand tapers winding round in leagues of flame to the rhythm of interminable invocations, the perpetual thunder of supplication breaking frenziedly on the figure of the Madonna framed in the ever-blazing Grotto.

The thunder continued but it was again the roar of an arena, though by the towered old palaces round the great semi-circle of cobbled piazza and by the fountain with the bas-reliefs of Christian virtues I knew I was back in Italy, in my beloved Siena. But what was this smoky flame that shot skyward and what was this tree near the Christian fountain that they were breaking up to throw on the bonfire? What was this dreadful sport that had replaced the Palio?

In a vast pyre burnt a great huddle of writhing figures, whose shrieks were drowned by the fiendish roar of the drunken mob.

“Viva Maria! Viva Maria!”

And I remembered that Siena had peculiarly dedicated itself to the Holy Mother, was the civitas Virginis, and that the Madonna was its feudal suzerain, formally presented with the keys of its gates. Visions from the old chronicles floated before me—the dedication of 1260, the weeping Syndic in his shirt, a rope round his neck, prostrate with the Bishop before the altar of the Virgin, or walking behind her as she was carried in the great barefoot procession to the chanting of Ave Marias; and the victory over Florence that duly followed, when, throwing her white mantle of mist over her city, she enabled her faithful feudatories to slay ten thousand Florentines “as a butcher slays animals in a slaughter house,” so that the Malena ran bank-high with blood, and the region, polluted by the carcases of eighteen thousand horses, was abandoned to the wild beasts, and coins were struck in her honour; and the renewed dedications whenever the Commune was in peril, the gorgeous processions and “Te Deums,” the great silk standard showing the Madonna rising into heaven over the city, the Cardinal, the Prior, the Captain of the People, the Signoria in violet and cloaked as on Good Friday, the trumpeters trumpeting in the striped Duomo, the feudal keys in a silver basin, the fifty poor damsels in white, dowered annually so long as the Virgin did her duty as suzerain⁠——

But the shrieks from the bonfire brought me back to the moment.

“Whom are they burning?” I cried in horror.

“Only Jews,” replied my neighbour reassuringly, and indeed, I could now distinguish the Hebrew death-cries of the victims.

“Hear, O Israel, the Lord Our God, the Lord is One.”

“We burn them and the Tree of Liberty together!” my neighbour chuckled. “No godless French Republic for us!” A fierce yell from the crowd underlined his remark. He craned forward, beaming, exalted.

“They have found another! O Blessed Virgin of Comfort, they have found another!”

And I perceived, dragged along towards the pyre by her greying hair, a little olive-eyed Jewish mother, whose worn face I seemed to recognise under her dishevelled head-shawl.

“Viva Maria! Viva Maria! Viva la Madre di Dio!”

The spectacle was too horrible. With a convulsive shudder I shook off these visions and rose, cramped, to my feet. The sun was dipping beyond the mountains of Vicenza, the peaceful bell from below was still tolling, the air was cool and delicious. Now I could continue my climb to the church of Our Lady of the Mountain. And the loving epithets recommenced—“Debellatrix Incredulorum,” “Janua Coeli,” “Turris Davidica,” without pause, without end. And as I walked, other of her countless names began crowding upon me, from “Our Lady of Snows” to “Our Lady of Sorrows,” from “Our Lady of the Porringer” to “The Queen of the Angels,” and all the symbols of her, from the Pomegranate to the Sealed Book, from the Dove to the Porta Clausa; and all the myriads of churches and altars that had been dedicated to her from Rome to Ecuador—from Milan Cathedral with its hundred spires to the humblest wayside shrine of Sicily or Mexico—and all the feasts, all the “Months of Maria,” all the Pilgrimages, with all the medals and missals, all the effigies in wood or wax or bronze, all the marbles and mosaics, from the crude little black sacrosanct Byzantine figures to the exquisitely tender marble Pietà of Michelangelo, and all the convents and orders she had created, all the Enfants de Marie, and Serviti di Maria, and Sisters of the Immaculate Conception, and all the hymns, antiphons, litanies, lections, carols, canticles. The air was full of organ sounds and the melody of soaring voices. “Ave Maris Stella” they sang, and “Salve Regina” and “Stabat Mater,” and then in an infinite incantation, sounding and resounding from all the spaces of the world: “Sancta Maria, ora pro nobis! Sancta Maria, ora pro nobis!” And her figure floated before me, pure, radiant, loving, as it has floated before millions of households for hundreds of years, consoling, blessing, vitalising.

And I thought of her long adventure to reach this marvellous apotheosis: in what a strange little source this mighty river had begun; how that looseness of the Septuagint translator in rendering the Hebrew for “maiden” by “virgin” in an utterly irrelevant passage of Isaiah had led to Mary’s virginity; how she had remained a virgin through all the vicissitudes of her married life, Joseph turning into a man of eighty with children by his former wife, or even remaining virgin himself, the brothers of Jesus changing into his cousins; how her son had been born as a ray of light or even as an illusive appearance; how, with the growth of theology and Mariolatry and nunneries and monasteries, she had grown holier and holier, immaculate, impeccable, a model to men and maidens, the Queen of Heaven, mighty beyond all the saints, giving four feast-days to the Church, entering into the liturgy, redeeming souls from purgatory on Assumption Day, and even sustaining the saintly with her milk; how her final purification from the taint of original sin had been a stumbling block for the more rigid theologians, St. Bernard opposing the festival, Aquinas and the Dominicans denying the dogma against Duns Scotus and the Franciscans; but how the “intellectuals”—so serviceable to the mob when their logic found contorted reasons for the popular faith—were sooner or later swept aside, the harsh definers of heresy themselves left heretics, when they ran counter to the popular emotion, the popular festivals, the popular instinct for an ideal of purity and perfection. What a curious play and interplay of schoolman-logic and living emotion, working ceaselessly through the centuries, combining or competing to re-shape and sublimate the carpenter’s wife till she was wrought to the mould of the popular need, her very parents, unknown to the Gospels, becoming, as Joachim and Anna, the centre of a fresh cycle of legends, pictures, Church festivals. And what uncountable volumes of monumental learning and jejune controversy, from Augustus and Anselm and the venerable Bede to the two thousand and twelve pages of Carlo Passaglia of Lucca, the respondent to Renan!

And my thoughts turned from the theologians to the poets and painters, to the Vergine Bella e di sol vestita—the beautiful Apocalyptic Virgin, clothed with the sun—of Petrarch, and the weeping Virgin of Tasso, and the Vergine Madre Figlia del tuo Figlio of Dante, and the images in all these forms created by the artists, for whom the Madonna sufficed to open all the mansions of art; who could cluster all the poetry of the world round her glory or her grief, were it rural loveliness or the beauty of lilies, or lofty architecture, or space-rhythm, or begemmed and brocaded attire, or the sculptural nude; who set her rich-carved throne, adorned with arabesques or hued in strange green and gold, amid palatial pillars under diapered ceilings or within glamorous landscapes, or in the bowers of roses or under the shadow of lemon-trees; who even crowned her with the Papal tiara.

But none of these images would stay with me: for not even the triple crown, surmounted by the golden globe and cross, not even this symbol of temporal, spiritual, and purgatorial authority, could banish the worn face of the carpenter’s wife under the cheap head-shawl, the little olive-eyed mother in Israel, in whose ears sounded and resounded the terrible words: “Woman, what have I to do with thee?”

From the swinging of the bronze lamp in the nave of Pisa Cathedral Galileo caught the idea of measuring Time by the pendulum; by the telescope he made at Padua he mapped Space. Within a decade of the burning of Giordano Bruno the heavens were opened up to show the infinity of worlds, and the heliocentric teaching of Copernicus was confirmed by the revelation of Jupiter’s satellites. What the Sidereus Nuncius of Galileo announced was the end of an era. By this terrible book and his terrible telescope the poor little earth was pushed out of the centre of the stage. The moon—no longer teres atque rotunda—lost her beautiful spheric smoothness, her very light was a loan—unrepaid. Great Sol, himself, the old lord of creation, gradually sank to the obscure coryphæus of some choric dance veering towards and around some ineffable pivot in a measureless choragium. The ninefold vault engirdling Dante’s universe was shrivelled up. The cosy cosmos was replaced by a maze of solar systems, glory beyond glory, of milky ways that were but clouds of worlds, thick as a haze of summer insects or a whirl of sand in the Sahara. The poor human brain reeled in this simoom of stars, and to complete its confusion, the philosophers hastened to assure it that with the universe no longer geocentric, man could no longer flatter himself to be its central interest.

appeared disproportionate to Milton’s Adam. Homo could not be the Master-Builder’s main concern—the great human tragedy was a by-product. A sad conclusion, and possibly a true—but a conclusion utterly unwarranted by these premises. More sanely did the beneficent and facile Raphael remind the doubting Adam,

The noble astronomic questionings in the eighth book of “Paradise Lost” testify to the ferment among the first inhabitants of the new cosmos—Milton was born in the same year as the telescope and met Galileo at Florence—but despite the poet’s half-hearted protests, man has swallowed too humbly the doctrine that our earth is not the centre of the universe. Pray do not confound me with those pious pundits whose proofs of the flatness of the earth are still the hope of a lingering sect, and a witness to the immortality of human stupidity. I am no Muggletonian whose sun is four miles from the earth. I have no lance to tilt against the mathematicians and their tubes. But I fail to see how the mere broadening out of our universe can displace Terra from the centre. Till we have the final and all-inclusive chart of the heavens—and worlds immeasurable are still beyond our ken, worlds whose light speeding to us at eleven million miles or so a minute is still on its way—how can any one assert conclusively that our earth is not in the exact centre of all the systems? That it goes round the sun—instead of being the centre of the sun’s revolution—is nothing against its supremacy or central status. The fire exists for the meat, though the spit revolves and not the fire.

And if the earth be not in the centre of the systems, it assuredly remains at the centre of Space. For by that old definition of Hermes Trismegistus to which Pascal gave currency, every point of an infinite area is really its centre, even as no point is its circumference. And in a psychological sense too, wherever a spectator stands is the centre of the universe.

But grant the earth be not the centre of Space or the systems! What then? How does it lose its lofty estate? Is London at the globe’s kernel? Did the axis pass through Rome? Kepler wasted much precious time under the current philosophic obsession that the orbits of the planets must be circular—since any figure less perfect than a circle were incompatible with their dignity. Hence the cumbrous hypotheses to explain their apparent deviation from perfection, hence was the sphere girt

The same fallacy of symmetry surely underlies the notion that the earth is dethroned from its hegemony of the stellar system merely because the lines drawn to it from every ultima Thule of the universe are unequal. ’Tis a confusion of geometric centre with centre of forces. It may be that just this asymmetric station was necessary for the evolution of the universe’s crowning race.

For if the Universe has not its aim and centre in man, pray to what other end all this planetary pother? If man is but a by-product of the cosmic laboratory, what is the staple? Till this question is answered, we may safely continue anthropocentric.

Man abased forsooth by this whirl of mammoth worlds! Nay, ’tis our grandeur that stands exalted, our modesty that stands corrected. We did not dream that our facture required such colossal machinery, that to engender us a billion billion planets must be in experimental effervescence. A fig upon their size! Do we rank Milton inferior to the megatherium? Can a man take thought by adding a cubit to his stature? The ant is wiser than the alligator, and the sprawling saurians of the primal slime may have their analogue in the huge weltering worlds that have never evolved a human brain. And had the earth swollen herself to the gross amplitude of the sun, her case were no better: she would still be—in the infinite wash of Space—a pebble, even as a pebble is a stellar system in miniature. There lies the paradox of infinity. Nothing in it is large enough to be important—if quantity is the criterion of importance. To be in one spot of Space is as dignified or undignified as to be in another. Why, I wonder, has position in Time escaped this invidious criticism. As well assert that nothing important can happen or nothing that happens can be important, because everything must happen at a mere point of Time, which is not even Time’s central point. It was a truer sense of values that made Christendom and Islam boldly place their foundation at Time’s central point, up to which or back to which all the ages lead. The year One begins with Christ’s birth, with Mohammed’s Hegira. In the same spirit, though with a more literal belief, did the old cartographers draw their world round Jerusalem as a centre. Position in Time or Space is not the measure of importance, but importance is the measure of position in Time or Space. Where the highest life is being lived, there is the centre of the world, and unless a higher life is lived elsewhere, the centre of the universe. Not, where are we in Space, but are we on the central lines of cosmic evolution? That is the question.

Theology, then, stands where it did, wherever Terra stands. Not the mythical theology of sacred books, but the scientific theology of sacred facts. The expansion of the universe from a mapped parish to a half-uncharted wilderness of worlds cannot shake religion—a Deity is more suitably lodged in infinity than on a roof-garden—but it did shake the Church, so recklessly committed to a disprovable cosmogony. And the Church burnt books and men with its habitual consuming zeal, denying the motion of the earth as it had denied the Antipodes, clinging to an earth surrounded by menial planets, as it had clung to the flat plane of “Christian Topography.”

But is there nothing to be said for the Churchmen? Were they mere venomous obscurantists? Nay, they were patriots fighting for their father-world, for the cosmos of their ancestors, pro aris et focis. They saw their little universe threatened by the rise of a great stellar empire. They saw themselves about to be swallowed up and lost in its measureless magnificence. And so in a frenzy of chauvinism they gagged Galileo and burned Giordano Bruno, those traitors in the camp, in league with Reason, emperor of the stars.

But despite the Church’s defeat, our little globe still maintains a sturdy independence. And until you bring me evidence of a superior genus, I shall continue to regard our good red earth as the centre of creation, and man as the focus of inter-celestial planetary forces.

Millions of spiritual creatures may walk the earth unseen, as Milton asserts, and millions more may be invisible in Mars and the remoter seats of the merry-go-round, but de non apparentibus et de non existentibus eadem est ratio. It is William James who of all philosophers in the world would argue our fates regulated by superior beings with whom we co-exist as with us our cats and dogs. The analogy has not even one leg to stand on. The cat and the dog have solid proof of our existence, they see and hear us, and we share with them a large segment of existence. Our anatomy and theirs are much of a muchness. They divide with us our food and our drink and bask at the same fire, nay, it requires a vast conceit to look them in the face and deny our kinship. But who save Gulliver hath beheld a bodily Superman or partaken of his meals? Even with our spiritual superiors, with our Shakespeares and Beethovens, we have a substantial basis of identity. The range of thought which circumscribes ours must at the same time partially coincide with it, and though our thoughts be not wholly their thoughts, their thoughts must needs be partially ours.

God may be infinitely more than man, but He is not finitely less. Even a God without humour would be—to that extent—man’s inferior. Matthew Arnold’s gibe of the “magnified non-natural man” is groundless. I do not become a magnified non-natural dog because I have attributes in common with my terrier. The God of theology is already divested of man’s matter; deflate Him likewise of man’s spirit, and what remains? In robbing their Deity of all human traits the de-anthropomorphic philosophers have overshot the mark and reduced Him to a transcendental nullity who can neither be comprehended by His creatures nor comprehend them.

Or if they allow Him ideas and passions, they neutralise and sterilise them in a frenzy of scholastic paradox. “Amas, nec æstuas,” cries St. Augustine, “zelas et securus es; pænitet te et non doles; irasceris et tranquillus es.” God repents, but without regret; He is angry but perfectly tranquil. To evade the limitations of any attribute we endow Him at the same time with its opposite, as who should say a white negro. But such violent assaults upon the unthinkable yield no prize either of understanding or of satisfaction.

If “the love that moves the sun and the other stars” be not that same love which a noble man may feel for his fellow-creatures of every order of being, if it be a love that is at the same time indifference, or even hate, then it may equally be expressed as “the hate which moves the sun and the other stars” (and which is at the same time love). Or it may find far honester expression as the agnostic’s unknowable—the X that moves the sun and the other stars. If God’s justice be not man’s justice, then it is no justice. It must be our justice—if it is justice at all—our justice, only occupied and obscured by innumerable pros and cons to us unknown, and extending over times and spaces beyond our ken, so that were we placed in possession of all the evidence we should applaud the verdict. The philosophers do but narrow their God under illusion of broadening Him—or rather they broaden Him so tenuously that He becomes an infinite impalpability, whose accidental evaporation would scarcely be noted. It was a more consistent mystic who said: “God may not improperly be styled nothing.”

So that our circumnavigation of the infinite brings us back to our noble selves and our own door-step. The sun is still there to give us light by day, and the moon and stars still shine to give us light by night. Nor is it less their function to nourish us with beauty and with mystery.