CHAPTER VII. ENTER A BEAUTIFUL WOMAN

A reddening zone in the East silhouetted the serrated line of the distant elevated structure, as Shirley walked along the gray street, his thoughts busy with the possibilities of applying his new certainty.

He had reached Sixth Avenue, and was just passing one of the elevated pillars when a black touring car crept up behind him. The clanging bell and the grinding motors of an early surface car drowned the sound of the automobile in his rear. Suddenly the big machine sprang forward at highest speed. A man leaned from the driver's seat, and snatched the grip from his hand.

The motorman, cursing, threw on the emergency brake, in time to barely graze the machine with his fender as it shot across the street before him.

Shirley's view was cut off, until he had run around the street-car—then he beheld the big automobile skidding in a half-circle, as it turned down Fifth Avenue. It was too far away to distinguish the number of the singing license tag.

“Much good may the bricks do them! Perhaps they will help to build the annex necessary up the river, when these gentry go there for a long visit.”

Shirley laughed at the joke on his pursuers, and turned into a little all-night grill for a comforting mutton chop of gargantuan proportions, with an equally huge baked potato. He was a healthy brute, after all his morbid line of activities! Later, at the Club, he submitted to the amenities of the barber, whose fine Italian hand smoothed away, in a skilful massage, the haggard lines of his long vigil. As he left the club house for William Grimsby's residence he looked as fresh and bouyant as though he had enjoyed the conventional eight hours' sleep.

“You are this Montague Shirley?” was the querulous greeting from the old gentleman, when he was admitted to the drawing-room. “You kept me in anguish the entire night, with your silly words. The telephone bell rang at intervals of half an hour until dawn: I may have missed some important business deal by not replying What do you mean? Is this some blackmail game?”

“No, sir. It has to deal with blackmailing, however—but not for my profit.”

“Explain quickly. I am a busy man. My motor is waiting now to take me to my office.”

“Look here, Mr. Grimsby, at this memorandum book,” said Shirley, holding forward the list which he had copied from the joy-party article in the theatrical paper. “With some friends of yours, you held merry carnival to Venus and Bacchus at an all-night lobster palace not long ago. Have I the right names?”

“This is rank impertinence. How dare you? Get out of my house.”

“Not so fast, my dear sir, until you understand my drift. Throughout Club circles you and Mr. Van Cleft, with these other cronies are sarcastically referred to as the Lobster Club. Did you know that?”

Grimsby's face was purple with angry mortification, but Shirley would not be gainsaid. “I am acting in this matter as a friend of Howard Van Cleft,” he continued. “Your three friends have met their deaths at the hand of a cunning conspirator. Last night, white I talked with you on the telephone, young Van Cleft was receiving advice over another wire from a person who pretended to be William Grimsby—advising him to hush the matter up and drop the investigation. But—Captain Cronin the famous detective—has received a tip that the number of victims would be increased very soon—frankly, now: do you want to be the fourth?”

Grimsby's face changed to ashen gray, as he timidly clutched Shirley's sleeve.

“Then cooperate with me. You understand now the nature of this villain's work: to rob and assassinate his victim in the company of a girl, so that this would endeavor to hush the scandal, without reporting it to the police. His progress is unchecked, and afterwards he would have untold opportunity for continuing a demand for hush money on the surviving relatives. May I count on you to help?”

“You may count on me to leave the city within the next two hours.”

“Good! But I want to have you disappear so quietly that this cunning unknown will not know of it. He is watching your house now, without a doubt.”

Grimsby strode to the window, with his characteristic limp, and drew the heavy curtains aside, to peer out nervously.

“No one is in sight.”

“The man is as unseen in his work as a germ. But he is not unheard: he uses the telephone to locate his victims, that is why I advised you to let your instrument ring unanswered.”

“I'll do what I can, if I can keep out of more danger. An old man craves life more than a young one. I fought through the Civil War and brought a medal from Congress and this wounded knee out of it, Mr. Shirley. I didn't fear anything then, but times have changed!”

“Here is my plan, then,” continued Shirley, his lips twitching with sub-strata amusement, “I want to impersonate you, when you leave, so that this man tries to send me after the other three. Don't interrupt, let me finish—You will say that it is impossible to deceive any one at close range. Surely, it does sound melodramatic, like a lurid tale of a paper back novel. But I have studied the photographs of your friends. You and I bear the closest resemblance of any in the group. Your weight is about the same as mine—your shoulders are a trifle stooped and you walk with a curious drag of your left foot. Your hair is white but thick: the contour of our faces is quite similar, and so with dry cosmetics, some physical mimicry, and the use of a pair of horn-rimmed glasses like yours I can make a comparatively good double. The only exposure to the sharp eyes of your enemies will be, first, when I substitute myself for you and take your automobile back home; second, when I go down to the theatrical district, to visit a well-known tearoom where I learn you are a frequent guest. There the wall tables are shrouded by decorations, and I shall keep in the shadow and talk as little as possible. Behind those dark glasses, and entering the place with your peculiarly spotted fur coat, I will resemble you more than you believe. If to add to the illusion, I show hospitable prodigality with drinks for the others, it is probable that their observation will be less analytical. Then, third in the line of activities, I will go to the theatre, sit in a darkened box, and let them take me where they will in whatever automobile turns up. Thus you see my campaign.”

“How much do I have to pay you?”

“I might have expected that,” was the laughing retort. “You are noted for the fortunes you waste on stupid show girls, while times are hard with you in your offices where young and old men struggle along to support honest families. Have no fear, Mr. Grimsby, my income is enough for my simple wants. I am entering this hunt for big game, just as I have gone to India and East Africa, for jungle trophies. It will not cost you a nickel.”

“I had better contribute a little,” began Grimsby, embarrassed, as he drew out a check-book. But Shirley negatived with emphasis.

“How about your servants? Can you trust them with the secret?”

“They have been with me for twenty-five years or more. My wife is in California, and the rest of the servants, except two maids and a butler, up at my country home on the Hudson.”

“Fine: then, in two hours from now, meet me at the Hotel Astor, where I have rooms, in the name of Madden. Bring down an extra suit of clothes, and an extra overcoat, for I want to wear your fur one, which I see there on the davenport. On the downward trip instruct your chauffeur to drive your car up to your country place, as soon as he has made the return trip from the hotel. You will be there before he gets up, on the country roads and he will be none the wiser. Goodbye, Mr. Grimsby.”

At the club Shirley made some necessary disposition of his private matters, for he knew this case would run longer than a day. From his rooms he sent a note by messenger to his theatrical friend, Dick Holloway, which read simply.

“Dear Holloway:—The experiment with the movies won the blue ribbon. I have a new plan on foot. You can help me in this, as well. I want you to engage for me a beautiful, clever and daring actress, afraid of nothing under the sun or moon, and absolutely unknown on Broadway. No amateurs or stage-struck heiresses or manicurists: you are the one impresario who can fill my bill. I will call at your office in fifteen minutes, so have the compact sealed by then. Who finally won the loot, last night?

                             Your friend, Montague Shirley.”

The manager was forced to go through the note twice, to make sure that his senses were not leaving him. Then he turned in the chair, toward the unusual young woman who sat in his private office, observing with mingled amusement and curiosity the fleeting expressions upon his face.

“In view of your mission in America, this may interest you,” was his amused comment, as he handed her the missive. “It is from the most curious man in New York.”

He studied the downcast lashes, as she read the letter. Hers was a face which had stirred a continent, yet he had never met her until this memorable day. She might have been twenty-three years old—and again, might have been three years younger or older. Rippling red-gold waves of hair separated in the center of her smooth brow to caress with a soft wave on either side the blooming cheeks, whose Nature-grown roses were unusual in this world-weary vicinity of Broadway. A sweet mouth with a sensuous smile at one corner, and a barely perceptible droop of pathos at the other, lent an indescribable piquance to her dimpled smile. The blue orbs which raised to his own with a Sphinxian laugh in their azure depths thrilled him—Holloway, the blase, the hardened theatrical manager, flattered and cajoled by hundreds of beautiful women on the quest of stage success!

Adroitly veiled beneath the silken folds of the clinging gown, redolent with the bizarre artistry of a Parisian atelier, was the shapely suggestion of exquisite physical perfection which did not escape the connoisseur glance of Holloway.

“He is a literary man: I know that from the small, yet fluent writing, and the cross marks for periods show that he has written for newspapers and corrected his own proofs—He is unusually definite in what he desires and accustomed to having his imperious way about most things. In this case, he is easily pleased—merely perfection is his desire.”

“Shirley is generally prompt, and is apt to breeze in here any second now, with his two hundred pounds and six feet of brawn and ginger. I wonder—”

“Why do you suppose such a paragon is desired by your friend? Who is he? What is he like, not an ordinary actor—” and the wondrous eyes darkened with a curious thought.

“My dear lady, no one has discovered the mental secrets of Montague Shirley. He apparently wastes his life as do other popular society men with much money and more time on their hands. Yet, somehow, I always feel in his presence as one does when standing on the bow of an ocean liner, with the salt breeze whizzing into your heart. He is a force of nature, yet he explains nothing: a thorough man of the world; droll, sarcastic, generous and I believe for democracy he is unequaled by any Tammany politician: he knows more policemen, dopes, conductors, beggars, chauffeurs, gangsters, bartenders, jobless actors, painters, preachers, anarchists, and all the rest of New York's flotsam and jetsam than any one in the world. He is always the polished gentleman, and yet they take him man for man.”

“What does this unusual person do for a living?”

“Nothing but living!”

Her interest was naturally undiminshed by this perfervid tribute, and she clapped her dainty hands together with sudden mirth.

“You know why I came here, and why to you, Mr. Holloway. You know who I am, and although I answer none of those exorbitant terms except that I am not known by sight along your big street Broadway, why not recommend me for the position?”

“But you, of all people!” Holloway's face was a study in amazement. “You can't tell what wild project he has in view. Shirley is a wild Indian, in many things you know—just when you least expect it. I have known him a dozen years.”

He paused to weigh the matter, and his sense of humor conquered. He roared with mirth, which was joined in more sedately by the unknown girl. “That settles it. You couldn't start on your campaign in a better way. You shall be the Lady of Mystery in this story! I will not breathe a hint of your identity to Shirley, and no one else knows, of course. What a ripping good joke: I'm glad you came here the first hour after your landing in New York.”

“What shall I call myself? I have it—a romantic name, which will be worth laughing over later—let me see—Helene Marigold. Is that flowery enough?”

“Shirley will be sure you are an actress when he hears that. Mum is the word, may you never have stage fright and never miss a cue—Here he comes now!”

The criminologist rushed into the office impetuously, dropping his bag on the floor, and doffing his hat as he beheld the pretty companion of Holloway.

“On time to the minute, as usual, Shirley. Your note came, and I followed your instructions. Let me present to you your new star, Miss Helene Marigold, who just disembarked on the steamer from England this morning. You have secured a young lady who is making all Europe sit up and rub its eyes. I believe I have at last found a match for you, Prince of the Unexpected!”

Shirley held forth his fervent hand, and was surprised at the almost masculine sincerity with which the delicately gloved fingers returned the pressure. He looked into the blue eyes with a challenging scrutiny, and received as frank an answer!

Dick Holloway indulged in an unobserved smile, as he turned to look out of the window, lost for the nonce in mirthful speculation.





CHAPTER VIII. WHEN GREEK MEETS GREEK

“Dick, you can help me further, with your dramatic knowledge. I feel in duty bound to tell Miss Marigold that she is risking her life, if she takes up this task.”

Instead of hesitancy, which Shirley half expected, the girl's face flushed with quickened interest, and her eyes sparkled with enjoyment as he unfolded the situation. At the mention of Grimsby, Holloway grunted with disgust—it may have been a variety of professional jealousy. Who knows? However, the problem fascinated the mysterious young woman, who blushed, in spite of herself, when Shirley put his blunt question to her.

“And you are willing to assume for a time the character of one of these stage moths, whom rich men of this type pursue and woo, wine, dine and boast about? Will it interfere with your own work? Any salary arranged by Mr. Holloway is agreeable, for this unusual task.”

“The game, not the money, is the attraction. I will be ready when you pronounce my cue.”

“Splendid. Dick, will you assist Miss Marigold in selecting an attractive apartment in a theatrical hotel this afternoon. I will call for her at four-thirty, to take her to tea. She may not know me, at first glance: that depends upon the help you give me at the Astor. I will expect you there in an hour. I haven't acted since I left the college shows: with a hundred chances to one against my success, even I am not bored.”

He hurried from the office, and Holloway noted the glow in the girl's glance which followed his stalwart figure. Holloway was a good tactician: there were reasons why he enjoyed this new role of match-maker de luxe, yet he played his hand far more subtly than at poker. Which was well!

Ensconced in the Astor, Shirley was soon busy before the cheval glass, from which were suspended three photographs of William Grimsby, obtained from a photographic news syndicate.

Coat and waistcoat had been removed, as he discriminatingly applied the dry cosmetics with skill which suggested that he had disguised himself for daylight purposes far more than he would admit. By the time he had powdered his thick locks with the white pulverized chalk, and donned a pair of horn-rim glasses of amber tint, his whole personality had changed. The similarity was startling to the prototype who was admitted to the room a few minutes later.

“Why, I beg pardon—I have come to the wrong suite,” were Grimsby's apologetic words, as he essayed to retreat.

“You are the first victim of the mirage. Do you like the caricature?”

“Astounding, my friend!” gasped Grimsby, sinking into the chair. Shirley drew him to the mirror, to make a closer study of the lines of senility and late hours. A few delicate touches of purple and blue, some retouching of the nostrils, and he drew on the suit provided by his elder. Dick Holloway was announced, and Shirley ordered some wine and a dinner for one! At Grimsby's surprise, Shirley, smiled indulgently.

“I am selfish—I will have a little supper party by myself, and spare you in nothing. I want you to eat, to drink, to pour wine, to take out your wallet, to walk, to sit down, to laugh, to scold! You have a task, sir: I will imitate you move by move! This is a rare experiment.”

“Great Scott! Which is you?” cried Holloway who entered with the burdened waiter.

“Neither. We're both me!” chuckled the criminologist. “But let me introduce you to my twin—”

The two men exchanged formalities with an undercurrent of dislike. Shirley lost no time. He compelled the old man to run through his paces, as Holloway criticized each study in miming. Just as the capitalist would swing his arms, limp with his left leg, shift his head ever so little, from side to side in his walk, so Shirley copied him. A word here, an exhortation there, and Shirley improved steadily under Holloway's analytical direction. At last the lesson was ended, with the manager's pronounciamento of “graduation cum lauda.”

“I'll have to star you, Monty,” he declared, as Shirley put on the fur greatcoat of the old man, grasping the gold headed cane, and drooping his shoulders in a perfect imitation of the other's attitude.

“Perhaps it will be necessary. The chorus men have invaded society with their fox-trots and maxixe steps. We club men will have to countercharge the enemy, for self-preservation, to play heavy villains upon the stage. Eh?”

He turned toward Grimsby, who was well wearied with the trying ordeal, and evidencing a growing nervousness about his own escape.

“You know how to leave, according to my plan? Wrap the muffler well around the lower part of your face, button this second overcoat closely about your neck, and enter the private carriage which I ordered for 'Mr. Lee,' waiting now at the Forty-fifth Street Side. Then drive leisurely to the West Forty-second Street Ferry, where you can catch the late afternoon train for your country place.”

“Good-bye, Mr. Shirley. I have been an old curmudgeon with you, I fear. You have taught this old dog new tricks in several ways, young man. Neither I nor my friends will forget your bravery. They are all out of the city by now, according to word from my private secretary. Your field is clear. Good luck, sir!”

Shirley and Holloway left the rooms first. Neither addressed the other on the lift, as it descended to the street level. Holloway casually followed Monty as he stiffly walked to the big red limousine waiting at the Forty-fourth Street entrance of the hostelry. The chauffeur sprang out, opening the door with a respectful salute. The disguise was successful!

“Home!” grunted Shirley, sinking back into the car, with collar high about his neck and the soft hat half concealing his eyes. He scrutinized the faces of the passers-by, photographing in that receptive memory of his the ugly features of two men, who peered into the limousine from under the visors of their black caps. The car sped up town through the bewildering maze of street traffic. The chauffeur helped him up the steps of the brownstone mansion, while Grimsby's old butler swung open the glass door, with a helping hand under the feeble arm.

Shirley puffed and grunted impatiently until he heard the door close behind him. Then straightening up, he turned upon the startled butler.

“Well, my man. Go out and tell the chauffeur to leave for the country at once, as Mr. Grimsby already ordered him to do.”

“My Gawd, sir!” exclaimed the servant, paling perceptibly. “What's come over you, sir?—Oh, I beg pardon, sir, you're the other gentleman. You certainly fooled me, sir—You're bloody brave, sir, to do all this for the master. Are we in any danger?”

“Not a bit—whatever happens will be outside the house. Just keep up the secret, as you value your master's life. Go, and tell the man. I must kill time here in the library, reading until four o'clock.”

Shirley threw aside the greatcoat, and walked to the window of the small reception room which faced the street, to draw aside the curtains and watch the chauffeur, as he entered the machine to speed away. A black automobile slowly passed the house, bearing two men on the driver's seat. From under the visors of their black caps they scrutinized the building, to hastily look away as they observed the face at the window.

Shirley made a note of the number of the machine. He could have sworn that this was the same car which had passed him that morning at dawn when the grip was snatched from his hand.

He returned to the library, where he lost himself in the rare old volumes of Grimsby's life collection: the criminologist was a booklover and the hours drifted by as in a happy playtime, until the butler came to tell him the time.

“Great Scott! I must hurry. Call a taxi, for me. I will go to Holloway's office to learn where Miss Marigold has been ensconced.”

He sat in the machine before the office building, as he sent the chauffeur up to Dick's office, to inquire for a message to “Mr. Grimsby.” A note was brought down, informing him that the girl awaited him in the Hotel California, a few blocks above. The machine started off once more, and Shirley laughed at the droll situation in which he found himself.

“I wonder who Helene Marigold can be? I wonder what Holloway meant precisely when he predicted that I would meet my match. I am not seeking one kind—and blue eyes, surrounded by red-gold hair and peaches and cream will not shake my determination.”

But the best laid determinations of bachelor hearts gang aft agley!

Down at the Hotel California, famous for its rare collection of attractive feminine guests and the manifold breach-of-promise suits which had emanated from the palm bedecked entrance, Helene Marigold was indulging herself in a delighted, albeit highly amused, inspection of sundry large boxes which had been arriving from shops in the neighborhood.

“As nearly as I can imagine this must look like the bower of a Broadway Phryne. All that is missing is a family portrait in crayon of the father who was a coal miner, the presence of a buxom financial genius for the stage mother, and a Chinese chow-dog on a cerise velvet cushion. But who ever attains perfection here below?”

She lifted some filmy gowns which had arrived in the latest parcel to her chin, peering over the sheerness of the lacy cascade, into the mirror of the dressing-table.

“If good old Jack could see me now? Poor, old, stupid, dear, silly Jack! I must write to him at once, for he is largely responsible for my present unusual surroundings. How pleased this would not make him, the old dear.”

With the thought, she sat down before the escritoire, dipping a pearl and gold pen, as she paused for the words with which to begin the note. Another knock came at the door. It could not be another gown. She had told Holloway to keep all her personal baggage at the steamer dock until she had finished her lark! At the portal a diminutive messenger delivered a large white box, ornately bound in lavender ribbons. When she unwrapped it, hidden in the folds of many reams of delicate tissue, she found a gorgeous bunch of orchids.

“How beautiful! I wonder who could have—” then she found a white card, and read it aloud, with a mirthful peal of laughter.

“To Lollypop's little Bonbon Tootems—from her foolish old Da-Da!”

Helene turned toward the window, to gaze out over the mysterious, foreign motley array of roofs and obtruding skyscrapers of this curious district.

“This mysterious man plays his part with a sense of humor. If only he will be different and not mean the flowers, ever!”

And she forgot to finish the note which was to have gone to faraway, stupid, dear old Jack.

Ten minutes later an aged gentleman entered the gorgeous foyer of the Hotel California, impatiently presenting his card to the bell-boy, for announcement to Miss Marigold. The lad, true to tradition, quietly confided the name to the interested clerk, before doing so. As the visitor was shown to the elevator, the clerk turned to his assistant with a nudge.

“There's the easiest spender of the Lobster Club. That means good trade here, with this new peach in the crate. These old ginks are hard as Bessemer armor-plate in business, but oh, how soft the tumble for a new shade of peroxide.”

“Mr. Grimsby” was soon sitting on the velour divan, at a comfortable distance from possible eavesdroppers at the door. She was putting the finishing touches to her preparation for the butterfly role. Shirley felt an unexpected thrill at this little intimacy of their relations: the rooms were permeated with the most delicate suggestion of a curious perfume, which was strange to him. Somehow it fitted her personality so effectually: for despite the physical appeal of her beauty, now accentuated by the risque costume which she had donned, at the professional suggestion of Dick Holloway, there was a pervasive spirituality in the girl's face, her hands, and the tones of her soft voice.

She turned to smile at him, her dimples playing hide and seek with the white pearls beneath the unduly scarlet lip.

“Isn't this a ripping good situation for a novel?” she began.

“Yes, too good at present, Miss Marigold. There are too many, important people to be affected for it ever to be given to the public, for the identities would all be exposed ruthlessly. Besides, no one would believe it: it seems too improbable, being real life. It will be more improbable before we finish the adventure, I suspect. Can I trust your discretion to keep it secret? You know, I have a deal of skepticism about the best of women.”

Helene reddened under that keen glance, and he saw that he had offended her.

“I beg your pardon: I know that we shall work it out together, with absolute mutual trust.”

Such an earnest vibrance was in his voice that somehow she was reminded of another voice: her mind went back to the neglected letter to Jack. What could have caused her to be so remiss? She would not let herself dwell on the subject—instead, with a surprising deftness, she caught up Shirley's own cue, for a staggering question of her own.

“Are you sure that you have absolutely confided in me? Did you start at the beginning, when you told the story to-day.”

“What do you mean?” and Shirley caught the glance sharply.

“Your unusual rapidity of action, Mr. Shirley, for a mere interested friend! It is queer how wonderfully your mind has connected this work, and the various accidental happenings, to evolve this clever ruse in which I am to assist. It doesn't seem so amateurish as you would make it. You seem mysterious to me.”

“Do you think I am the voice? Here is a chance for real detective work, if you can double the game, and capture me?” was the laughing retort. “I don't believe you trust me.”

The girl stood up before him, and after one deep look, her eyes fell before his. Those exquisite lashes sent a tiny flutter through the case-hardened heart of the club man, despite his desperate determination to be a Stoic.

“I do trust you,” the voice was impetuous, almost petulant. “You are a real man: I merely give you credit for being better than the class of rich young men of whom you pretend to be an absolute type. But there, I waste words and time. Is my costume for this little opera boufe satisfactory to you? Do you like my warpaint and battle armor?”

She stood before him, a glorious bird of paradise. The wanton display of a maddening curve of slender ankle, through the slash of the clinging gown imparted just the needed allurement to stamp her as a Vestal of the temple of Madness. The cunning simplicity of the draping over her shoulders—luminous with the iridiscent gleam of ivory skin beneath, accentuated by the voluptuous beauty of her youthful bosom—the fleeting change of colors and contours as she slowly turned about in this maddening soul-trap of silk and laces—all these were not lost on the senses of Shirley. As the depths of those blue eyes opened before his gaze, a mad, a ridiculous aching to crush her in his arms, surprised the professional consulting criminologist! For this swift instant, all memory of the Van Cleft case, of every other problem, was driven from his mind, as a blinding blast of seething desire surged about him.

Then the old resolution, the conquering will of the man of one purpose, beat back the flames of this threatening conflagration. His eyes narrowed, his hands dropped to his side, and he squinted at her with the frigid dissective gaze of an artist studying the curves of a model.

“You must rouge your cheeks more, blue your eyelids and redden your lips even yet. Then be generous with the powder—and that wonderful perfume.”

An inscrutable smile played about the sensitive lips, as Helene turned to her dressing-table. Shirley stood with his face to the window; he did not observe it, nor would he have understood its menace to his own peace of mind. Helene, however, did. She was a woman.

“May I smoke a cigarette? I am afraid I am almost a fiend, for I seem to crave the foolish comfort that I imagine they give, in times of nervous drain.”

“No, Lollypop's little Bonton Tootems enjoys their fragrance. Don't ever ask me again. I have completed the mural decoration with futurist extravagance in the color scheme. My cloak, sir!”

He tossed it about her, and took up his hat and gold-headed stick. With a final glance at his own careful make-up, he started after her for the street.

“Some chikabiddy!” was the remark of the clerk to the head bell-boy. The words reached the ears of Shirley and Helene. Her hand trembled on his arm as they entered a waiting taxicab. She looked pathetically at him, as she asked.

“Don't you think I am interested, sincere and loyal, to brave such remarks as these, and the other worse things they will say before long? I wouldn't dare do this, if I were not sure that no one in America but you and Mr. Holloway knows me. To wear this horrid stuff on my face—to dress in these vulgar clothes—to impersonate such a girl! You know I'm not nearly as bad as I'm painted!”

Shirley clasped her white-gloved hand and nodded. He was studying the pedestrians for a familiar twain of faces. He was not disappointed, as the car swung into Broadway.

“Look—those two men have been following me wherever I have gone. They are a pair of old-fashioned pirates. Don't forget their faces!”





CHAPTER IX. IN THE GARDEN OF TEMPTATION

Their destination, one of the score of tango tea-rooms which had sprung to mushroom popularity within the year, was soon reached. Leaning heavily upon his stick, limping like his aged model, and spluttering impatiently, Shirley was assisted by the uniformed door man into the lobby. Helene followed meekly. Four hat boys from the check-room made the conventional scramble for his greatcoat, hat and stick, nearly upsetting him in their eagerness. Then Shirley led the way into the half light of the tropical, indoor garden, picking a way through the tables to a distant wall seat, embowered with electric grapes and artificial vines.

“Sit down, my darling child,” said the pseudo Grimsby, as he dropped into a seat behind the table, which was protected from the lights, and furthest away from any possible visitors. “We are early, avoiding the crush. Soon the crowd will be here. We must have some champagne at once, to assist me in my defensive tactics. You will have to do most of the talking. Remember, we are going to the Winter Garden musical review when we leave here: you may tell this to whom you will.”

Helene looked about curiously, as the big tea-room began to fill with its usual late afternoon crowd of patrons,—young, old and indeterminate in age. Women of maturely years, young misses from “finishing” schools, demimondaine, social “bounders” deluded by the glitter of their own jewelry and the thrill of their wasted money that they were climbing into New York society—these and other curious types rubbed elbows in this melting pot of folly. The tinkle of glasses, the increasing buzz of conversation, the empty laughter of too many emptied cocktail glasses mingled with the droning music of an Hawaiian string quartette in the far corner.

Suddenly, with banging tampani and the crash of cymbals, rattle of tambourines and beating of tomtoms, the barbaric Ethiopians of the dancing orchestra began their syncopated outrages against every known law of harmony—swinging weirdly into the bewitching, tickling, tingling rhythm of a maxixe.

“How strange!” murmured Helene, as the waiter brought them some champagne and indigestible pastries—the true ingredients of 'dansant the'.

“Yes, on with the dance-let joy be unrefined! The fall of the Roman Empire was the bounce of a rubber nursery ball, compared with this New York avalanche of luxurious satiation! Now, my child, old Da-da, is going to become too intoxicated to talk three words to any of these gallants and their lassies. Grimsby did not write a monologue for me, so I must pantomime: you will have to carry the speaking part of our playlet. Flatter them—but don't leave my side to dance!”

The first bottle of wine had been carried away by the waiter, (half emptied it is true,) as he filled a second order. Shirley shielded his face beneath a drooping spray of artificial blooms from the top of their wallbower. Several young men were approaching them, and the criminologist noted with relief that they evidenced their afternoon libations even so early. Eyes dulled with over-stimulus were the less analytical. Chance was favoring him. The newcomers were garbed in that debonair and “cultured” modishness so dear to the hearts of magazine illustrators. Faces, weak with sunken cheek lines, strong in creases of selfishness, darkened by the brush strokes of nocturnal excesses and seared, all of them with the brand mark of inbred rascality, identified them to Shirley as members of that shrewd class of sycophants who feast on the follies of the more amateurish moths of the Broadway Candles.

“Hello, old pop Grimsby!”

“You're in the dark of the moon, Grimmie! I couldn't make you out but for those horn rimmed head lights.”

“Welcome to the joy-parlor, old scout.”

The greetings of the juvenile buzzards varied only in phraseology: their portent was identical: “Open wine.”

“Poor Mr Grimsby is so ill this afternoon, but sit down and have something with us,” volunteered Helene tremulously.

The bees gathered about the table to feast on the vinous honey, while Shirley, mumbling a few words, maintained his partial obscurity, with one hand to his forehead.

“Fine boysh, m'deah. Boysh, meet little Bonbon—my protashsh!”

Little Bonbon was a pronounced attraction. Her vivacious charm drew the eyes away from Shirley, who studied the expressions of the weasel faces about him. The girl's heart sickened under the brutal frankness of a dozen calculating eyes, yet she valiantly maintained her part, while Shirley marveled at her clever simulation of silly, giggly, semi-intoxication. One youth deserted them to disappear through the distant dining room entrance. The comments about the table were interesting to the keen-eared masquerader.

“Old Grimsby's picked a live one, this time!”—“What show is she with?”—“Won't Pinkie be sore?” The criminologist was not left to wonder as to the identity of “Pinkie,” for an older man, walking behind a red-headed girl in a luridly modern gown, approached the table with the absent guest. The men were talking earnestly, the girl staring angrily at Shirley's, beautiful companion.

“Hey, here come's Reggie! Sit down, Reg. Pop has passed away, but his credit is still strong.”

“There's Pinkie—come, my dear, and join the Ladies' Aid Society and have a lemonade,” jested another youth, making a place for the girl in the aisle.

Pinkie's dark-haired companion sank somewhat unsteadily into a chair next the girl. He frowned and rubbed his forehead, as though to clear his mind for needed concentration. He shook Shirley's arm, and spoke sharply.

“Look up; Grimmie. I never saw you feel your wine so early in the afternoon. It was a lucky day for me on Wall Street, so I celebrated myself. You are here earlier than usual. Everybody have some champagne with me.”

As he beckoned to the waiter, the red-haired girl bestowed a murderous look upon Helene, who was sniffing some flowers which she had drawn from the vase on the table.

“Who's that Jane?” she demanded, her voice-shaking with jealousy. “Grimmie, you act as if you were doped. Introduce us to your swell friend. Wake him, Reg Warren.”

Helene's jeweled white hand protected the safety-first dozing of her companion, as, through the interstices of his fingers, he studied the inscrutable difference between the face of Warren and the other youths about them.

“Let Pop dream of a new way to make a million!” laughed one young man. “His money grows while he sleeps.”

“Yes, let him dream on,” laughed Helene, with a shrill giggle. “When he makes that extra million he can star me on Broadway, in my own show. He, he!”

“You'll have to spend half of it at John the Barber's getting your voice marceled and your face manicured,” snarled Pinkie. “Come, Reg, and dance with me: these bounders bore me.”

“Run along, Pinkie, and fox-trot your grouch away with Shine Taylor. Here comes the wine I ordered—What's your name, girlie? Where did you meet Grimsby?”

“Oh, we're old friends,” and Helene maliciously spilled a bottle over the interrogator's waistcoat, as she reached forward to shake his hand. “My name's Bonbon, you wouldn't believe me if I told you my real name, anyway. Who are you?”

“I'm not Neptune,” he retorted, as he mopped the bubbles with a napkin. “You've started in badly.” Shirley mentally disagreed. His stupor still obsessed him, but he noted with interest that Warren paid the check for his bottle with a new one-hundred dollar bill. Warren could elicit nothing from Helene but silly laughter, and so he arose impatiently, as Shine Taylor returned to whisper something in his ear. “I must be getting back to my apartment. Bring Grimsby up to it to-night: a little bromo will bring him back to the land of the living. I'll have a jolly crowd there—top floor of the Somerset, on Fifty-sixth Street, you know, near Sixth Avenue. Come up after the show.”

“We're going to the Winter Garden,” suggested Helene, at a nudge from Shirley, and Warren nodded.

“I'll try to see you later, anyway. Goodbye!”

Losing interest in the proceedings, as the time for reckoning the bill approached, the other gallants followed these two. Alone, again, Shirley ordered some black coffee, and smiled at his assistant.

“He told the truth for once.”

“What do you mean?”

“He will try to see us later. That man is a member of the murderous clan whom we seek. 'To-night is the night' for the exit of William Grimsby—but, perhaps we may have a stage wait which will surprise them.”

Gradually the guests thinned out in the tea-room, but Shirley cautiously waited until the last.

“Do you believe these young men are all members of the gang?” asked the girl. “Why do you suppose these men are all criminals? They surely look a bad lot.”

“There are two general reasons why men go wrong. One is hard luck, aided by tempting opportunity—they hope to make a success out of failure, and then keep on the straight path for the rest of their lives. Such men are the absconders, the forgers, the bank-wreckers, and even the petty thieves. But once branded with the prison bars and stripes, they seldom find it possible to turn against the tide in which they find themselves: so they become habitual offenders. They are the easiest criminals to detect. The second class are the born crooks, who are lazy, sharp-witted and without enough will-power to battle against the problems of honesty in work. It is easy enough to succeed if a man is clever and unscrupulous without a shred of generosity. The hard problem is to be affectionate, human, and conquer every-day battles by remaining actively honest, when your rivals are not straight. The born crook is safer from prison than the weakling of the first class.” He looked down at the coffee, and then continued.

“I do not believe all these young men are in this curious plot. They are merely the small fry of the fishing banks: they are petty rascals, with occasional big game. But somewhere, behind this sinister machine, is a guiding hand on the throttle, a brain which is profound, an eye which is all-seeing and a heart as cold as an Antartic mountain. There is the exceptional type of criminal who is greedy—for money and its luxurious possibilities; selfish—with regard for no other heart in the world; crafty—with the cunning of an Apache, enjoying the thrill of crime and cruelty; refined and vainglorious—with pride in his skill to thwart justice and confidence in his ability to continually broaden the scope of his work. Crime is the ruling passion of this unknown man. And the way to catch him is by using that passion as a bait upon the hook. I am the wriggling little angle worm who will dangle before his eyes to-night. But I do not expect to land him—I merely purpose to learn his identity, to draw the net of the law about him, in such a way as to keep the Grimsby and Van Cleft names from the case.”

“And how can that be done?”

“That, young lady, is my 'fatal secret.' The subplot developing within my mind is still nebulous with me,—you would lose all interest, as would I, if you knew what was going to happen. But the time has passed, and now we can go to the theatre. I bought the tickets by messenger this afternoon. I will let you do the talking to the chauffeur and the usher.”

They left the tea-room, the last guests out.

It was a touching sight to see the elderly gentleman supported on one side by a fat French waiter, and on the opposite, by the solicitous girl. The old Civil War wound was unusually troublesome.