CHAPTER X. WHEN IT'S DARK IN THE PARK

At the entrance of the restaurant the starter tooted his shrill whistle, and a driver began to crank his automobile in the waiting line of cars. According to the rules of the taxi stands he was next in order. But, as is frequently the custom in the hotly contested district of “good fares” another car “cut in” from across the street. This taxi swung quickly around and drew up before the waiting criminologist.

Grunting and mumbling, as though still deep in his cups, Monty allowed himself to be half pushed, half lifted into the car by the attendant. Helene followed him. “Winter Garden,” she directed, and the machine sped away, while the thwarted driver in the rear sent a volley of anathemas after his successful competitor.

Shirley scrutinized the interior of the machine, but there seemed nothing to distinguish it from the thousands of other piratical craft which pillage the public with the aid of the taximeter clock on the port beam! Soon they were at the big Broadway playhouse, where Shirley floundered out first, after the ungallant manner of many sere-and-yellow beaux. He swayed unsteadily, teetering on his cane, as Helene leaped lightly to the sidewalk beside him. The driver stood by the door of the car, leering at him.

“Here, keep the change,” and Shirley handed him a generous bill.

“Shall I wait fer ye, gov'nor? I ain't got no call to-night. I'll be around here all evening.”

The criminologist nodded, and the chauffeur handed Helene the carriage number check.

“Don't let 'em steal de old gink, inside, girlie. He's strong fer de chorus chickens.”

Helene shuddered before the hawk-like glare of his malevolent eyes, but in her part, she shook her head with a laugh, and followed airily after her escort.

“Good-evening, sir. Back again to-night, I see,” volunteered the ticket taker, to whom William Grimsby was a familiar visitant. Shirley reeled with steadied and studied equilibrium, into the foyer of the theatre, as he nodded. Their seats were purposely in the rear of a side box, well protected from the audience by the holders of the front positions. The criminologist appeared to relapse into dreams of bygone days, while his companion peered into the vast audience and then at the nimble limbed chorus on the stage with piquant curiosity.

“For years I wanted to see an American stage and an American audience,” she confided in an undertone, “and to think that when I do so, it is acting myself, on the other side of the footlights in a stranger, more dramatic part than any one else in the theatre. A curious world, isn't it?”

Shirley breathed deeply, drinking in the maddening perfume of her glorious hair, so perilously near his own face. The shimmer of her shoulders, the adorable curves of that enticing scarlet mouth murmuring so near his own, and yet so far away, in this soul-racking game of make-believe, stirred his blood as nothing else had done in all the kalaediscopic years.

“Yes, a more than curious world. How things have changed since last evening when I planned a sleepy evening at the opera. I wonder what the outcome will be?”

Helene looked up at him quickly, then as suddenly toward the Russian danseuse within the golden frame of the great proscenium. The orchestra, with its maddening Slavic music, stirred her pulses with a strange telepathy. The evening wore along, until the final curtain. Shirley, with cumbersome effort helped her with her cloak, dropping his hat and stick more than once in simulated awkwardness. The electric numerals of the carriage call soon brought the grimy-faced chauffeur.

“Jack on the spot, gov'nor, that's me!” and he swung the door open.

“We'll go get some supper—no, we'll take little 'scursion in Central Park, first,” and his voice was thick, “correct, cabbie. Drive us shru Central Park.”

“Are you going to take a chance in a dark park?” Helene asked him, as they sat within the car, while the chauffeur cranked. Shirley was sharply observing the man. A pedestrian crossed directly in front of the machine, brushing against the driver, as he fumbled with the lamp. If there were an interchange of words, the criminologist could not detect it.

“Surely. The park is good. We can be free of interference from the police. Are you afraid?”

“No—” yet, it was a pardonably weak little voice which uttered the valiant monosyllable.

“Here, Miss Marigold. Take this revolver. Don't use it until you have to, but then don't hesitate a second.”

The machine started slowly up the street. Shirley groped about the sides and bottom of the car, to make sure that no one could be concealed within it. They were advancing up Broadway in leisurely fashion. It might have been for the purpose of allowing some to follow. Shirley wondered, then sniffed the air suspiciously. The girl looked at him with a silent question.

“Quick, tear off your glove and let me have that diamond ring I noticed on your finger, the large solitaire, not the dinner ring.”

Unquestioningly she obeyed. There was a strange Oriental odor in the car—suggestive of an incense. The car was gliding up Central Park West, toward one of the road entrances into the Park proper. Shirley's hand clutched the ring, tensely. The driver, tactfully looking straight to the front, gave no heed to the occupants of the Death Car. He was, by this time speeding too rapidly for either of his passengers to have leaped out without injury. Shirley understood the smoothness of the voice's system, by now. His hand slid to the top of the glass door pane, on the right. Down the glass, across the bottom, down from the other corner, and then over the top line, he cut with the diamond, using a peculiar pressure. He rose to his feet, gave the lower part of the pane a sharp tap. The glass, practically cut loose from its case, now dropped and would have slid out to the roadway with a crash had he not dexterously caught it, to draw it into the car. Quickly he repeated the operation with the door pane at the left. A nauseating, weakening something in the car sent Helene's head spinning; she choked for breath and lay back weakly, despite her will. Shirley turned to the small glass square in the rear. This came out more easily. He lay the glass with the others, on the floor of the car. The good clear air whirled through the openings, reviving the girl.

“Keep your eyes open, and that revolver ready. Now is the time. Pretend to sleep.”

Shirley had drawn his own automatic by this time, and he realized that the machine was slowing down. The chauffeur, as they passed a walk light, looked back, observing that the two were apparently unconscious. He slowed down still more, and tooted his horn three times. A large touring car passed them, to stop some distance ahead. Then it sped on, as Shirley's taxi followed lazily.

A figure suddenly came out of the darkness of the road. The driver stopped the taxi, and walked around the front, as though to adjust the lamp. The door opened slowly. A face covered with a black handkerchief obtruded. A hand slid up the detective's knee, along his side toward the abdomen, and a protruding thumb began a singular pressure directly below the criminologist's heart. Shirley's analysis for Dr. MacDonald had been correct! But jiu-jitsu is essentially a game for two.

Shirley's left hand suddenly shot forth to the neck of his assailant. His muscular fingers closed in a deft and vice-like pinch directly below the silk handkerchief. It was the pneumogastric nerve, which he reached: a nerve which, when deadened by Oriental skill, paralyzes the vocal chords. Not a sound emanated from the mysterious man, even when Shirley's right hand shot forward, under the chin of the other, for a deft blow across the thorax. The other tumbled backward.

“What's wrong, Chief? Too much gas?” cried the chauffeur rushing to the side of the fallen man. As the driver dropped to his knees, Shirley flung himself like a tiger upon the rascal's back. The struggle was brief—the same silent silencer accomplished its purpose. Before the man knew what had happened to him, he was dragged inside the car, and another deft pinch sent him to oblivion!

“Hit him over the forehead with the butt of the revolver if he opens his mouth,” grunted Shirley. “This is the chauffeur, now I'll get the other one.”

Just then a cry came from the darkness: it was a passing patrolman.

“What you doing in that auto?”

But Shirley waited for no parley-explanations, showing his hand, laying the whole scandal before the morning edition of the newspapers, were all out of question now. He must take up the pursuit later. He caught up, the chauffeur's cap, sprang into the driver's seat, and the car shot forward like a race horse as he threw forward the lever. The astonished policeman was within twenty-five yards of the spot, when the auto disappeared in the darkness. He pursued it vainly.

A few moments later, a man with a handkerchief across his face, groaned and then raised himself on his elbow, there in the roadway. He could not remember where he was, nor why. Slowly he crawled on hands and knees, into the rhododendrons by the roadside, where he again lost consciousness.

A big touring car rounded the curve of the roadway.

“Not a sign of the Chief,” said the driver. “He must have gone back to the garage with the Monk. But that's a fool idea. Let's get down there right away.”

The injured man's memory returned, and he rose stiffly to his feet. He limped out of the Park, putting away the handkerchief, muttering profanity and trying to fathom the mystery. As nearly as he could reason it out, he must have been struck by another machine from the rear.

Far up in the northernmost driveway of the Park, where shrub grown banks and rocky uplands shelter the thoroughfares, Shirley stopped his runaway taxicab.

“Let me have his rubber coat, for I'm going to hide this car out on Long Island. It's a long ride, but this man and his machine will disappear as completely as though they had been dumped in the ocean.”

Shirley manacled the prisoner, and gagged him with a tightly knotted handkerchief. He put the greatcoat of Grimsby's about Helene's shoulders, as he brought her to the front seat of the machine. Then he shut the doors on the prisoner, and drove the automobile out through the Easterly entrance of the park.

“I'm not really brave, Mr. Montague,” said the tired voice at his side. “I'm so glad I'm sitting by you, instead of back inside. We will be home soon, won't we? I'm so exhausted—my first day in a strange country, you know.”

Shirley, with the skill of a racing expert, guided the machine through the maze of streets toward the Bridge over the East River. The touch of that sweet shoulder, as it unconsciously nestled against his own, sent through him a tremor which he had not experienced during the weird silent battle in the dark.

“A strange night, in a strange country. Are you sorry you tried it?”

With a sidelong glance, he caught the starry light in her eyes as she looked up at him: there seemed more than the mere reflection of passing street lamps.

“A wonderful night: I'm glad, so glad, not sorry,” was her dreamy response. She lapsed into silence as the somnolent drone of the motor and the whirr of the wheels caused the tired eyes to close sleepily.

When he looked at her again, as they were speeding down the bridge Plaza in Long Island City, she was dozing. The drowsy head touched his shoulder; she seemed like a child, worn out with games, trustingly asleep in the care of a big, strong brother.





CHAPTER XI. A TURN IN THE TRAIL

Helene was still asleep when Shirley stopped the engine of the taxi before a stately Colonial mansion seated back among the pines of a beautiful Long Island estate. They had been driving for more than an hour. The girl stirred languorously as he strove to awaken her. She murmured drowsily:

“No, Jack, dear. Emphatically no. Let's not talk about it any more, dear boy.”

“Who can Jack be?” and a surprising pang shot through Montague Shirley's heart. “Jack, dear! Well, and what's it my business. She is a stranger. She lives her life and I mine. But, at any rate, that settles some silly things I've been thinking. I'm less awake than she is.”

This time he tried with better success, and Helene rubbed her eyes, with hands stiffened by the brisk bite of the chill wind. She gazed at the dimly lit house, at the big figure beside her, as Shirley sprang to the ground—then remembered it all, and trembled despite herself.

“Oh, it's you, Mr. Shirley,” and she summoned up a little throaty laugh, as she arose stiffly. “What a queer place to be in!”

“We are a long way from New York's white lights, Miss Marigold. This is the country home of a good old friend of mine. You can remain here for the rest of the night, as his wife's guest. To-morrow, when you are rested, he can send you to the city in one of his cars.”

“You are the most curious man in two continents. I am bewildered. First, you kidnap a chauffeur and privateer his car, then me. Now you besiege a friend and wish to leave me on his doorstep as a foundling.”

“I'm sorry—it's the exigency of war! We must finish what we started. This is the only place I know where I could thoroughly hide my trail. We must wake up Jim, but first I will have a look at our guest.”

Shirley walked around the car, shooting the beam from his pocket flashlight in through the open window of the taxi, to be met by the wicked black eyes of his prisoner, who uttered volumes of unpronounceable hatred.

“You are still with us, little bright eyes. A pleasant trip, I trust? I hope you found the air good—I tried to improve the ventilation for your benefit, as well as my own.” Only a subdued gurgle answered him.

“Oh, what will they think of me—in this immodest gown, with this paint on my face, and at this hour of night?” pleaded Helene, as he started toward the door of the mansion.

“It would be awful at that,” and Shirley paused at the beseeching tone of the girl. “I want you to meet Mrs. Jim as well as Jim. I am afraid they would think this was the echo of an old college escapade, and misjudge you. Let me think—”

He led her to a little summer-house close by, and tucked the big coat about her as he added: “It's dark here—the wind doesn't reach you, and I'll take you back to town in five minutes. Will that do?”

As she nodded, he hurried to the door where he yanked vigorously at the bell. An angry head protruded from an upper story, after many encores of the peals.

“Aw, what the dickens? Go some place else and find out!”

“Jim, Jim. It's Monty! Come down and let me in quick.”

The window closed with a bang as the head was withdrawn, while a light soon appeared in the beveled panes of the big front door.

“You poor boob,” was the cheerful greeting as it swung wide, “What brings you out here? I thought it was the usual joy party which had lost its way. They always pick me out for an information bureau. Come on in!”

Shirley spoke rapidly, in a low tone. The girl in the dark summer-house marveled at the rapid change of mien, as Jim suddenly ran down the steps to gaze into the taxicab, then nodding to Shirley. The house-holder as promptly returned through his front door, while Shirley swiftly unmanacled the prisoner enough to let him walk, stiff and awkward from the long ordeal in the car. The stern grip, of his captor prompted obedience.

Friend Jim had appeared with warmer garments, carrying a lantern. At the door of the stable Jim's stentorian yell to the groom seemed useless, but the two men entered. Helene felt miserably weak and deserted, in the chill night, but she was cheered by seeing the energetic Shirley reappear, pushing open the doors of the garage, which was connected with the stable. He hurried to the deserted taxicab, where he seemed busied for several minutes, the glow of his pocket lamp shooting out now and then. Through the door of the garage a long, rakish-looking racing car was being pushed out by Jim and his sleepy groom. There was a cheery shout from the taxi, and Helene heard a ripping sound. Shirley reappeared, carrying an oblong box.

“I have the gas generator:—it was built in, under the seat, and controlled by a battery wire from the front lamp, Jim. A nice little mechanism. Well, old pal, please apologize to Mrs. Merrivale for my rude interruption of her beauty sleep. Keep a fatherly eye on Gentleman Mike, and the taxicab under cover. I'll communicate with you very soon. So long.”

To Helene's amazement, Shirley cranked the racer, jumped in and seemed to be starting away without her, down the sweep of the driveway. Could he have forgotten her? The man must indeed be mad, as some of his actions indicated! But her aroused indignation was turned to admiration of his finesse, for suddenly he veered the lights of the car toward the garage door, throwing them in the faces of Jim and his servant. He leaped out again, walking past the place of concealment.

“Slip into the car, while I go inside with them. I'll come out on the run, and no one will be the wiser.”

With this passing stage direction he rushed toward his accomodating friend, with some final directions. They were apparently humorous in content, for both the other men roared with mirth, as he walked inside the building, with them, an arm around the shoulder of each. Helene obeyed him, hiding as best she could in the low seat of the throbbing machine. As Shirley returned, Jim Merrivale was still laughing blithely.

“Good-bye, you old maniac: you'll be the death of me. I'll take care of the star boarder, however, and feed him champagne and mushrooms.”

With a roar, Shirley started the engines, as he bounced into the seat, and they sped down the curving driveway, with Helene leaning forward, unobserved.

“There, we've had a little by-play that friend Jim didn't guess. I always enjoy a little intrigue,” he laughed, as they whizzed along toward distant New York. “But, I had to lie, and lie, and lie—like the light that lies in women's eyes. What a jolly game!”

He was a big boy, happy in the excitement, and bubbling with his superabundance of vitality. Helene felt curiously drawn toward him, in this mood: she remembered a little paragraph she had read in a book that day:

“A woman loves a man for the boy spirit that she discovers in him: she loves him out of pity when it dies!” Then she fearsomely changed the current of her thoughts, to complain pathetically of the cold wind!

“There, now, I am so thoughtless,” was his apology, as he stopped the car, to wrap the overcoat more closely about her, and tuck her comfortably in a big fur. Through the darkened streets of the suburb they raced, entering the silent factory districts, which presaged the nearness of the river. It was well on toward daybreak before they rolled over the Queensboro Bridge to Manhattan. It was his second day without sleep, but Shirley was sustained by the bizarre nature of the exploit: he could have kept at the steering wheel for an eternity.

“Are you glad we're getting back?” he asked. Helene shook her head, then she answered dreamily.

“Do you remember something from one of Browning's poems, that I do? It's just silly for us, but I understand it better now.”

Shirley surprised her by quoting it, as he looked ahead into the dark street through which they swung, his unswerving hand steady on the wheel:

    “What if we still ride on, we two,
     With life forever old yet new,
     Changed not in kind, but in degree,
     The instant made eternity,—
     And heaven just prove that I and she
     Ride, ride together, forever ride?”

A quick flush, not caused by the biting wind, suffused her cheek beneath the remnants of the rouge. Then she laughed up at him appreciatively.

“Curious how our minds ran that way, and hit the very same poem, wasn't it?”

Shirley smiled back, as he swung down Fifth Avenue.

“Not so curious after all!”

Soon they drew up before the ornate portal of the California Hotel, where late arrivals were so customary as to cause no comment. He bade her good-night, words seeming futile after their long hours together. The drive in the car to the club was short. Paddy the door man was instructed to send down to Shirley's own garage for a mechanic to store the car until further orders. The criminologist had ere this rubbed off his grease paint, so that his appearance was not unusual. Once in his rooms he treated himself to a piping hot shower, cleaned off the powder from his dark locks, and as he smoked a soothing cigarette, in his bathrobe, studied the mechanism of the gas generator for a few moments.

“That was made by an expert who understands infernal machines with a malevolent genius. I must look out for him,” he mused. “Well, I promised Professor MacDonald that I would not sleep until I had come face to face with the voice. I have fulfilled the vow: now for forgetfulness.”

He tumbled into bed, but not to oblivion. For his dreams were disturbed by tantalizing visions of certain sun-gold locks and blue eyes not at all in their simple connection with the business end of the Van Cleft mystery.





CHAPTER XII. THE HAND OF THE VOICE

It took stoicism to the Nth degree for Shirley to respond to the early telephone call next morning, from the clerk of the club. A few minutes of violent exercise, in the hand ball court, the plunge, a short swim in the natatorium and a rub down from the Swedish masseur, however, brought him around to the mood for another adventure. Sending for the racing car he began the round-up of details. There was, first of all, Captain Cronin to be visited in Bellevue. Here he was agreeably surprised to find the detective chief recuperating with the abettance of his rugged Celtic physique. The nurse told Shirley that another day's treatment would allow the Captain to return to his own home: Shirley knew this meant the executive office of the Holland Detective Agency.

“And sure, Monty, when I have a free foot once again, I'm going to apply it to them gangsters who put me to sleep.”

“Just what I want you to do, Captain! I 'phoned to your men this morning while I had breakfast at the club: they have that taxicab which was left near Van Cleft's house. It's put away safely, Cleary said. There are two gangsters where the dogs won't bite them; today they are sending out to Jim Merrivale's house to get the third and he'll be busy with a little private third degree. I have no evidence which would connect the man who tried to kill me last night with the other murders, except in a circumstantial way. What I must do is to follow up the trail, and get the gentleman carrying out the bales, in other words, with the goods on him.”

“You'll get him, Monty, if I know you. The fellow hasn't called up at all on the telephone to-day. I think he's afraid of you.”

“No, Captain Cronin, not that! He's up to some new game. Well, I'm off—take care of yourself and don't eat anything the nurse doesn't bring you with her own hands. I wouldn't put anything past this gang.”

He shook hands and hurried out of the hospital, with several more errands to complete. He looked vainly about him for the gray racing-car. It was gone! Here was another unexpected interference with his work, and Shirley, sotto voce, expressed himself more practically than politely. He hurried to an ambulance driver who stood in a doorway, solacing his jangled nerves with a corn-cob smoke.

“Neighbor, did you see any one take the gray car standing here a few minutes ago?”

“Yep, a feller just came out of the hospital entry, cranked her and jumped in.”

“How long ago?”

“Well, I just returned with a suicide actor case five minutes ago.”

“Then you might have seen him enter first?”

“Nope. Not a sign. All I seen was the way he cranked the machine, and he didn't waste any elbow grease doin' it, either. He knew the trick. That's what I thought when I seen him, even if he did look like a dude.”

Shirley hurried to the entry once more. This was the only portal through which visitors were admitted to the hospital for the purpose of calling on patients. He hastened to the uniformed attendant who took down the names of all applicants. This man, upon inquiry, was a trifle dubious. True, there had been two Italian women and before them—yes, there had been a young chap with a green velour hat, and white spats. He had asked about a Captain Cronin, and when told that a visitor was already seeing the patient, agreed to wait outside. It had been about five minutes before. The man was indefinite about more details. Shirley hurried to the telephone booth in the corridor. To Headquarters he reported the theft of car “99835 N.Y.,” giving a description of its special features and its make. This warning he knew would be telephoned to all stations within five minutes, so that every policeman in New York would be on the lookout for the missing machine. Satisfied, he left the hospital, to walk across the long block to the nearest north and south avenue, where he might catch a surface car.

Suddenly he halted, to mutter in astonishment at a sight which was the surprise of the morning: it was the missing car standing peacefully on the next corner.

“I wonder what that means?” he murmured, as he stopped to study with great interest the window of an Italian green grocer. A sidelong glance at the car and its surroundings revealed nothing out of the way. He retraced his steps to the hospital, wasted ten minutes with a cigarette or two, and still no one seemed to take an interest in the automobile. Finally he walked up to the car, trying the lock of which he had the only key. Apparently it had been untampered with, for the key worked perfectly. Here was Jim Merrivale's car, a good three hundred yards away from the place where he had locked it to prevent any moving. He felt certain that keen eyes had him under surveillance, yet he could not observe any observers within the range of his own vision. It was simply a stupid, quiet slum neighborhood and at the time, unusually deserted by the customary hordes of children and dogs!

What had been the purpose in moving it such a short distance?

Where had it been in the twenty-five minutes since he had left it at the entrance to the hospital?

Why had it been left here, of all places, where he would naturally walk if desirous of taking a street-car?

There seemed no immediate answer to the conundrums. So, he nonchalantly clambered into the car, after cranking it. The mechanism seemed in perfect order. Puzzled, he started to speed up the street, when he observed a white envelope close by his foot, on the floor of the car.

He picked it up, and tearing it open quickly read this simple message.

“To whom it may concern: It is frequently advisable to mind your own business—is it not? Answer: Yes!”

“Huh,” grunted Shirley. “While not thrilling in originality, it is a lasting truth which nobody can deny. I'll save this and frame it on the walls of my rooms.”

As he drove around the corner and up the Avenue, there was suddenly a terrific explosion, which threw him completely out of the machine! The car, without a driver, its engines whirring madly, dashed into a helpless corner fruit stand, scattering oranges, bananas, apples and desolation in its wake, as it vainly endeavored to climb to the second story with super-mechanical intelligence! Shirley, stunned and bruised, fell to the pavement where he lay until an excited patrolman rushed to his rescue.

A little “first aid” work brought Shirley back to consciousness, and he stiffly rose to his feet, with a head throbbing too much for any real thinking.

“What's the matter with your auto?” cried the policeman. “Can't you run it? Let's see the number.” The officer took out his notebook, to jot down the details according to police rules. Then he turned on Shirley in amazement. “Be gorry, it's car 99835 N.Y. I just wrote the number down when I came on post with my squad! This car is stolen. You come with me!”

Shirley had been adjusting the mechanism, and the wheels had ceased their whirring. He tried to expostulate in a dazed way, realizing that for once the department was working with a vengeful promptness. He was hoist by his own petard!

“I'm the owner of the car,” he began, rubbing his aching forehead.

“What's yer name?”

“Montague Shirley!” The policeman laughed, as he caught the criminologist by the shoulder, and blew his whistle for another man from post duty.

“You lie. This car is owned by James Merrivale. You can't put over raw stuff like that on me. I'm no rookie—Here, Joe,” (as the other policeman ran up through the growing, jeering crowd,) “watch this machine. This guy's one of them auto Raffles, and I done a good job when I lands him. I'm going to the station-house now.”

The other policeman was examining the car, when he called to his fellow officer: “Here, Sim, did you see this car was blown up inside the seat?”

Shirley, his acuteness returned by this time, ran to the car eluding his captor's hold. He had not observed before the jagged shattered hole torn in the side of the leather side. It had all happened so swiftly, that his professional instincts were slow in reasserting themselves after the “buck” of the car.

“You're right,” he exclaimed. “There's an alarm clock and a dry battery—the same man made this who built the gas-generator—”

“Whadd'ye mean—ain't you the feller after all?” asked the first patrolman, beginning to get dubious about his arrest.

“No, I am no thief. But just take me to the station-house quick, and turn in your report. Let this other man guard that car. Hurry up!”

“Say, feller, who do you think is making this arrest? You'll go to the station-house when I get ready.”

“Then you're ready now,” snapped the criminologist. “You'll see me discharged very promptly, when I speak to the Commissioner over the wire.”

The officer was supercilious until the station-house was reached. He had heard this blatant talk before. What was his surprise when Shirley telephoned to the head of the Department and then called the Captain to the instrument.

“Release Mr. Shirley at once,” was the crisp order. “Give him any men or assistance he needs.”

“Well, whadd'ye know about that? Not even entered on the blotter to credit me with a good arrest!” The patrolman turned away in disgust.

“Do you want any of the reserves, sir?” The Captain was scrupulously polite.

“Not one. I'm going to study that machine again. You might detail a plain clothes man to walk along the other side of the street for luck. Good-day.”

The automobile to which he returned was still the object of community interest. Shirley took the remains of the bomb which had caused his sudden elevation. The policeman approached him from the fruit store.

“The man wants damages for the stock you destroyed, mister. I'll fix it up with him if you want—about twenty-five dollars will do.”

“Well, hand him this five-dollar bill and see if that won't dry some of the imported tears,” retorted Shirley with a laugh. In a few minutes he was bowling along on a surface car, to the club. There was no longer any use in trying to hide his identity or address, for the conspirators knew at least of his interest and assistance in the case: although in this as all others he was not known to be a professional sleuth.

In the quiet of his room he drew out magnifying glasses and other instruments for a thorough analysis of the remains of the infernal machine. He compared this with the mechanism of the gas-generator which had been placed in the seat of the Death taxi. There was evidence that it had come from the same source. Shirley sniffed at the generator and the peculiar odor still clinging to it was familiar.

“Well, I think I will have a little surprise for Mr. Voice, the next time we grapple, which will be an encore of his own tune, with a new verse!”

He went to a cabinet, took out a small glass vial, filled with a limpid liquid and placed it within his own pocket. Then he prepared for a new line of activities for the day. His first duty was a call on Pat Cleary, superintendent of the Holland Agency.

“The Captain is progressing splendidly,” was his answer to the anxious query. “He will be back in the harness again to-morrow. How are the prisoners?”

“They have tried to break out twice and gave my doorman a black eye. But they got four in return: Nick is no mollycoddle, you know. I can't quite get the number of these fellows, for they are not registered down at Headquarters, in the Rogue's Gallery. Their finger-prints are new ones in this district, too. They look like imported birds, Mr. Shirley. What do you think?”

Cleary's opinion of the club man had been gaining in ascendency.

“They may be visitors from another city, but I think the state will keep them here as guests for a nice long time, Cleary. They say New York is inhospitable to strangers, but we occasionally pay for board and room from the funds of the taxpayers without a kick. We saved the day for the Van Clefts, all right. The paper told of a beautiful but quiet funeral ceremony, while the daughter has postponed her marriage for six months.”

Then he recounted the adventure of the exploding car. Cleary lit his malodorous pipe, and shook his head thoughtfully.

“Young man, you know your own affairs best. But with all your money, you'd better take to the tall pines yourself, like these old guys in the 'Lobster Club.' That's the advice of a man who's in the business for money not glory. This is a bum game. They'll get me some day, some of these yeggs or bunk artists that I've sent away for recuperation, as the doctors call it. But I'm doing it for bread and beefsteak, while it lasts. You run along and play—a good way from the fire, or you'll get more than your fingers burnt. Take their hint and beat it while the beating's good.”

A glint of steel shone from the eyes of the criminologist as he lit another cigarette and took up his walking-stick.

“Why, Cleary, this is what I call real sport. Why go hunting polar bears and tigers when we've got all this human game around the Gold Coast of Manhattan? I'm tired of furs: I want a few scalps. Good-morning.”

As Cleary went up the stairway to renew the ginger of the Third Degree for the two prisoners, he smiled to himself, and muttered:

“The guy ain't such a boob as he looks: he's just a high-class nut. I'd enjoy it myself if it wasn't my regular work.”

At Dick Holloway's office Shirley was greeted with an eager demand for his report of the former evening's activities. An envious look was on the face of the theatrical manager.

“Shucks, Monty! It's a shame that all this sport is private stock, and can't be bottled up and peddled to the public, for they're just crazy about gangster melodrama. They're paying opera prices for the old time ten-twent-and-thirt-melodrama, right on Broadway. Hurry up and get the man and I'll have him dramatized while the craze is rampant.”

“Not while I own the copyright,” retorted Shirley, “this is one of the chapters of my life that isn't going to be typewritten, much less the subject of gate-receipts.”

“I'm not so certain of that,” and Holloway's smile was quizzical.

“What do you mean? Who is this Helene Marigold? I have a right to know in a case like this.”

“Good intuition, as far as you go. But you're guessing wrong, for she has nothing to do with my little joke. But why worry about her?” laughed Holloway. His friend had leaned forward, intensely, clutching his cane, with an unusually serious look on his face. Holloway had never seen Shirley take such an interest in any woman before. He arose from his desk-chair and walked to the broad window, which overlooked the thronging sidewalks of Broadway.

“Down there is the biggest, busiest street in the world filled with women of all hues and shades. This is the first time you ever looked so anxious about any combination of lace, curls, silks and gew-gaws before. You have been the bright and shining example of indifferent bachelor freedom which has made me—thrice divorced—so envious of your unalloyed, unalimonied joy. Don't betray the feet of clay which have supported my idol!”

The baffling smile of the debonair club man returned to Shirley's face, as he twitted back: “Purely an altruistic inquiry, Dick. I feared that you might be risking your own heart and the modicum of freedom which you still possess. But I'll wager a supper-party for four that I'll find out who she is, without either you or she telling me.”

“Taken. At last I'm to have a free banquet, after years of business entertaining. You have met a girl who will match your wits—I expect the sparks to fly. Well, she's worth while—I might do worse—but in perfect fairness she ought to do better. How about it?”

“Yes, with Jack,” and Shirley tapped the walking stick on the floor with an emphatic thump, while Holloway regarded him in startled surprise.

“Who is Jack?”

“You see—I am learning already. But, you and I are drifting from my task. I wish that you would take me to call on Miss Marigold, in my present lack of disguise. I do not care for that ancient garb any longer. It was stretching the chances rather far, but thanks to the darkness, the champagne, and good fortune, I succeeded in impersonating our aged friend without detection. I will not return to Grimsby's house, but propose now to get down to brass tacks with Mr. Voice, even though the tacks be hard to sit upon. I wish to use her as a bait, by taking her out to tea and getting a first-hand speaking acquaintance with these convivial assassins.”

“Monty, you are wasting your talents outside the pages of a play manuscript, but we will make that call instanter.”

In leisure, they promenaded up the crowded Gay Wide Way, through the noontime crowd of theatrical folk who dot the thoroughfare in this part of the city. His adversaries were to have every opportunity to observe his movements and draw their own conclusions. At the Hotel California new comment buzzed between the garrulous clerk and the switchboard person, at sight of the well-known manager and his prosperous-looking companion.

“Who is that come on?” asked the clerk of the bellboy.

“Sure, dat's Montague Shirley, one of dem rich ginks from de College Club on Forty-fourth Street, where I used to woik in de check room. If I had dat guy's money I'd buy a hotel like dis.”

“Then I see where Holloway, with that blonde dame upstairs, will be putting on a new musical show, with a new angel. It's a great business, Miss Gwendolyn—no wonder they call it art.” And the clerk removed a silk handkerchief from his coat cuff, to dust the register wistfully. “Why didn't I devote my talents to the drama instead of room-keys and due-bills?”

But Miss Gwendolyn was too busy talking to the Milwaukee drummer in Room 72 to formulate a logical reason. Shirley and Holloway improved the time by taking the elevator to the top floor where Helene greeted them at the door of her pretty apartment. She welcomed them happily, declaring it had been a lonesome morning.

“Weren't you resting from that long thrill of last night, in which you starred?” asked Holloway.

“It was too thrilling for me to sleep: I know I look a perfect frump, this morning. I tossed on the pillow, watching the dawn over your towering New York roofs, so nervous and almost miserable. But, with company, it's all right again.”

Holloway laughed inwardly at the warmth of the glance which she bestowed upon Shirley. From the angle of an audience, he was beginning to observe a phase of this double play of personalities which was unseen by either of the participants. Two sleepless nights, after such a first evening together, and what then? He imagined the denouement, with a growing enjoyment of his vantage-point as the game advanced.

“To-day, I am reversing the usual progress of history,” said Shirley, as he sat down in the window-seat. “From second juvenility I am returning to the first. In other words, I wish to become your adoring suitor in the role of Montague Shirley.”

“I don't understand,” and her eyes widened in wonder, not without an accompanying blush which did not escape Holloway.

“No longer a lamb in sheep's clothing, I want to entertain you, without the halo of William Grimsby's millions. I want to take tea with these gentle-voiced cut-throats, who after my warning to-day, are directing their attention to me.” He narrated the narrow escape from death in the racing-car. Helene's eyes darkened with an uncertainty which he had hardly expected. Perhaps she would refuse to carry out their compact along these dangerous lines.

“Do you feel it wise to place yourself beneath this new menace?”

“The sword of Damocles is over me now, I know. To run would be a confession of weakness and open the field for his further activities, with the rear-guard continuously exposed. There is nothing like the personal equation. I will call at five this afternoon, if you are willing, Miss Marigold?”

“I will fight it out to the end,” and she placed her warm hand firmly within his own. The two friends departed, Shirley retracing his steps to the club where many things were to be studied and planned. His system of debit and credit records of facts known and needed, was one which brought finite results. As he smoked and pondered at his ease, a tapping on the study door aroused him from his vagrant speculations. At his call, a respectful Japanese servant presented a note, just left by a messenger-boy. He tore the envelope and read it.

“Montague Shirley:—The third time is finis. As a friend you accomplished the purpose you sought. There is no grudge against you. Why seek one? It is fatal for you to remain in the city. Leave while you have time.”

That was all. The chirography was the same as that upon the note of the racing-car episode. Shirley locked up the missive in his cabinet, and smiled at the increasing tenseness of the situation.

“The writer of these two notes may have an opportunity to leave town himself before long, to rest his nerves in the quiet valley of the Hudson, at Ossining. My friend the enemy will soon be realizing a deficit in his rolling-stock and gentlemanly assistants. Two automobiles and three prisoners to date. There should be additional results before midnight. I wonder where he gardens into fruition these flowers of crime?”

And even as he pondered, a curious scene was being enacted within a dozen city blocks of the commodious club house.