“Did not the devil appear to Martin

 Luther in Germany for certain?”

In Paris there lived a man who thought he had with others been guillotined, and when Napoleon was emperor, their heads were all restored, but in the scramble he got the wrong one.

And there is the “Visitor of Phantaste” in the old play of “Lingua,” who exclaims: “No marvel, for when I beheld my fingers, I saw they were as transparent as glass.”

You perceive that the illusions of Pope’s “Rape of the Lock” are not all fictions: the maids who fancied they were turned into bottles, were not more in error than these philosophers with their maladie imaginaire.

Cast. Is there not wisdom, Evelyn, in nursing some of these innocent illusions? I remember Kotzebue, in his “Journey to Paris,” relates the following anecdote of a young girl, romantically in love. Her lover had often accompanied her on the harp: he died, and his harp had remained in her room. After the first excess of her despair, she sunk into the deepest melancholy, and much time elapsed ere she would sit down to her instrument. At last she did so, gave some touches, and, hark! the harp, tuned alike, resounded in echo. The good girl was at first seized with a secret shuddering, but soon felt a kind of soft melancholy: she was firmly persuaded that the spirit of her lover was softly sweeping the strings of the instrument. The harpsichord, from this moment, constituted her only pleasure, as it afforded her the certainty that her lover was still hovering near her. One of those unfeeling men, who want to know and clear up every thing, once entered her apartment. The girl instantly begged him to be quiet, for at that very moment the dear harp spoke most distinctly. Being informed of the amiable illusion which overcame her reason, he laughed, and, with a great display of learning, proved to her by experimental physics, that all this was very natural. From that instant the maiden grew melancholy, drooped, and soon after died.

Ev. Truth is not always to be spoken, nor too much energy exerted, in our treatment; for many a mad act, as it will be called, is resorted to, as a relief.

Tirouane de Mericourt was wont to saturate her bedclothes with cold water, then lie down on it. Although an extreme remedy, it might yield her relief from burning pains. In the darker ages, she would have been chained and scourged.

But from Marcus Donatus we read the following case of still more melancholy interest; another illustration of your question, dear Castaly:

“Vicentinus believed himself too large to pass one of his doorways. To dispel this illusion, it was resolved by his physician that he should be dragged through this aperture by force. This erroneous dictate was obeyed; but, as he was forced along, Vicentinus screamed out in agony, that his limbs were fractured, and the flesh torn from his bones. In this dreadful delusion, with terrific imprecations against his murderers, he died.”

ABSTRACTION OF INTELLECT.

“I love to cope him in these sullen fits,

 For then he’s full of matter.”

As You Like It.

Astr. So that in these cases it is one faculty only which is interrupted, and not the combined intellect. But all the faculties but one may be deranged, may they not?

Ev. Yes. When the patient is insane on all points but one, we term it, “Folie raisonnante.”

The very idiot, indeed, is often fond of most exact arrangement. The savage of Aveyron instantly put things in order when they were deranged.

White, in his “History of Selborne,” records the propensities of an idiot, who, he says, was a very Merops-apiaster, or Bee-bird. Honey-bees, humblebees, and wasps, were his prey: he would seize them, disarm them of their weapons, and suck their bodies for the sake of their honey-bags. Except in this adroitness, he had no understanding.

Pinel states the case of a mechanical genius, who became insane, believing his head to be changed. Yet he invented mechanism of the most intricate combinations. We are informed, too, of a clergyman, who was ever insane, but when delivering his discourses from the pulpit.

I believe some parts of a national establishment were constructed from the plans of one of its inmates, who was to all other intents and purposes a madman.

Dr. Uwins once told me, that some of the lines in his biographical work were written by a maniac in the Hoxton Asylum, who was ever aware of the approach of his mania. These lines were thought to be among the best in the work.

Nay, idiots will sometimes reason, and work out a syllogism. I think Dr. Conolly relates a story of two, who quarrelled, because each asserted that he was the Holy Ghost; at length, one decided that the other was the Holy Ghost, and that he could not be, because there were not two.

From this “folie raisonnante” there is an easy transition to that eccentricity which seems to be a set-off against the strength of mind of the deep thinker. The permanent derangement, however, we term insanity; the transient, eccentricity.

Marullus informs us that Bernard rode all day long by the Lemnian Lake, and at last inquired where he was. Archimedes rushed into the street naked from the bath, in an ecstacy at having discovered the alloy in the crown of Syracuse. Pinel tells us of a priest, who, in an abstract mood, felt no pain, although part of his body was burning.

“Viote,” says Zimmerman, “during his fits of mathematical abstraction, would often remain sleepless and foodless for three days and nights.”

And Plato thus records an instance of the abstraction of Socrates:—“One morning he fell into one of these raptures of contemplation, and continued standing in the same posture till about noon. In the evening, some Ionian soldiers went out, and, wrapping themselves up warm, lay down by him in the open field, to observe if he would continue in that posture all night; which he did until the morning, and as soon as the sun rose he saluted it, and retired.” This is mental abstraction with a vengeance!

Astr. I will laugh with you at these oddities, Evelyn; yet not a whit less ludicrous are some of the vagaries of the learned Thebans of modern times. The abstractions of Newton were proverbial. It may not be true, that he once inserted the little finger of a lady, whose hand he was holding, into his pipe, instead of a tobacco-stopper; or that he made a small hole in his study-door for the exit of a kitten, by the side of a large one for the cat: it is certain, however, that he was once musing by his fire, with his knees close to the bars, when, finding his legs in danger of being grilled, he rang his bell, and, in a rage, desired his servant to take away the grate.

Dr. Hamilton, author of the acute “Essay on the National Debt,” visited his college class in the morning with his own black silk stocking on one leg, and his wife’s white cotton on the other; and would sometimes occupy the whole class time by repeatedly removing the students’ hats from his table, which they as often placed there. He would run against a cow, and beg madam’s pardon, hoping he had not hurt her; and he would bow politely to his wife in the street, without recognition. Yet with all this he would, at any time, directly converse on a scientific subject beautifully and eloquently.

Bacon, the sculptor, in a rich full dress was finishing Howard’s statue in St. Paul’s, and, being cold, put on a ragged green and red shag waistcoat. In this trim he walked out to call on some ladies in Doctors’ Commons. On his return he told his son that they were sadly disposed to laugh about nothing. On being convinced, however, of his condition, he remembered the people he passed also giggled, and cried out, “He does it for a wager.”

Hogarth paid a visit, in his new carriage, to the Lord Mayor, and, after his audience, walked home in his state clothes, leaving his carriage at a private door of the Mansion-House.

Dr. Harvest, of Ditton, a very learned man, would unconsciously allow his horse to be loosened from his grasp, and walk home with the bridle on his arm. He would walk into his church on Sunday, with his fowling-piece. He would write a letter, address it, and send it to three different persons. He lost a lady, the daughter of a bishop, as his wife, by going out to catch gudgeons, forgetting that it was the morning of his marriage ceremony; and he once threw a glass of wine at backgammon, and swallowed the dice!

After this we can no longer call caricatures the abstract philosopher who boiled his watch, and held the egg in his hand as the time-keeper; or the American, who put his candle to bed, and blew himself out; or the lady, who believed herself to be a post-letter, but waited patiently until the letter-sorter had examined her, to ascertain if she was single or double.

Ev. There is some hope of you now, dear Astrophel, for you are returning to matters of fact.

From the deep interest of dramatic scenes may spring the same apathy as that which you have illustrated. Dr. Fordyce writes of one who forgot he was sitting on a hard bench, when Garrick brought in his dead Cordelia in his arms. And even the impression of fatigue and pain will often, for a time, leave us, when we are gazing on architectural or picturesque beauty.

Ida. Are not those minds which are easily influenced by morbid sensibility, the minutiæ of existence, often thus depressed into a condition somewhat resembling the moroseness of these half-idiots?

Ev. Ay, even the mighty minds of heroes and of monarchs. Queen Elizabeth was often wont to sit alone, in the dark, in sorrow and in tears. We know not if the fate of Essex or of Mary were the cause, but the marble mind of Elizabeth was dissolved before she died. In Sully’s “Mémoires,” also, we read that the solitude of Charles IX., of France, was saddened by remorse, for his memory was ever pealing in his ear the shrieks and groans of the massacre of St. Bartholomew. During this influence we may often find that the features or actions are so deeply expressive as to prove an involuntary, though correct, index of the thought. According to the passions or subjects which occupy the mind, will be the play of feature or the movement of the body.

“We might almost suppose the body thought.”

This “brown study” is the slightest form of that state which the French term ennui, in which the mind too often is left to prey upon itself, having, as it were, no sympathy with the world. Its more severe symptoms are those of misanthropy, melancholy, and hypochondriasis, inducing but too often that extreme tedium vitæ, the climax of which is suicide. Out of the first, which is but the mere ripple of derangement, we may be laughed or coaxed; nay, it may yield to the positive suffering of the body. The second is like the deep still water, the awful calmness antecedent to a tempest. In the words of Lord Erskine, “Reason is not driven from her seat, but distraction sits down on it along with her, holds her trembling on it, and frights her from her propriety. And then comes often o’er the mind a very coward sentiment, echoing the demoniac resolution of Spenser’s “Cave of Despair”:

“What if some little payne the passage have,

 That makes frayle flesh to fear the better wave?

 Is not short payne well borne, that brings long ease,

 And layes the soule to sleep in quiet grave?”

Ida. Despair will often rouse even the most sensitive beings to the most patient fortitude. How is this?

Ev. Not rouse, but depress—not fortitude, but apathy. I could excite your deepest sympathy and wonder, Ida, by the history of the young and beautiful Ann G——n, who was hung for child-murder; in whom the convulsive agony which followed her sentence at length ended in a resignation which some would term heroism. During the nights in which I myself watched her slumbers, both from deep scientific interest, and the request of her judges, her actions were automatic; her existence was one perfect trance; and she met her fate as if life and its consciousness had long been parted.

Even an intense blow will sometimes, as it were, annihilate sensibility, creating an icy apathy to all subsequent inflictions; which was the effect on Mandrin, during the tortures of the wheel; for he smiled at the third blow, to find that it hurt him so little.

Ida. Then we are to contrast the state of the unhappy girl with the voluntary endurance of heroism depending on the power of concentrating mind? The almost superhuman endurance of pain is finely displayed among the North American Indians, who even chant their own death-song calmly amidst worse than the tortures of the Inquisition, or sustain with a smile those probationary trials for the dignities of a chief, or the admission to the class of warriors, that are modelled with all the refinement of cruelty. On the banks of the Orinoco, especially, (if Robertson be right, or Gumilla, his authority, to be believed,) the ordeal begins by a rigid fast, reductive of the body’s energy; then commences a flaying of his body by lashes as dreadful as the knout, by the hands of the assembled chiefs, and then, if the slightest sensibility be evinced, he is disgraced for ever. His raw and reeking flesh is then exposed to the stings and venom of insects and reptiles, and again suspended over the scorching and suffocating flames of herbs of the most disgusting odour; and, to close this tale of torture, it is not seldom that the victim sinks in mortal agonies beneath the dreadful ordeal.

Ev. The two great springs of voluntary endurance of pain are religion and honour. Thus, among other heroic acts of England’s martyrs, Cranmer held the apostate hand which signed his recantation in the midst of the flames until it was wasted. And the unyielding fortitude with which the victim bore the rack and other excruciating tortures of the popish Inquisition is almost beyond belief.

The fanaticism of the wild enthusiasts of the east it were profanation to call religion; but with the hope of rejoining her husband in the realms of bliss, the Hindoo widow clasps his corpse in her arms, and, without a sigh, sets the torch to his funeral pile. And, to inherit the paradise of Brahma, the Fakir or Yoghee keeps his fist clenched for years, until the nails grow through his hand; or forces the hooks between his ribs, and whirls himself aloft until he expires, or throws himself prostrate beneath the crushing wheels of Juggernaut.

It is written that Cardan rendered himself by great efforts insensible to external irritants.

And analogous to this, was the almost superhuman effort of that determined action of Muley Moloch quoted in the “Spectator,” from Vertot’s “Revolutions of Portugal:”—“In a condition of extreme prostration he was borne in a litter with his army. On the sounding of a retreat, although in a half-dying state, he leaped from the litter, and led his quailing troops to a charge, which ended in victory. Ere this was accomplished his life was fast ebbing, and, reclining on his litter, and enjoining the secrecy of his staff, with his finger on his lip, he died.”

But my analysis will be incomplete, if I do not revert to a point that I had almost forgotten. These abstract moods have often been confounded with the visions of slumber, being adduced as proofs of the perfection of mind during sleep.

You reminded me, Astrophel, of the brilliant parody composed by Mackenzie, of the versification of Voltaire and La Fontaine, of the solution of the difficult problem by Condorcet, of the discussion of abstruse points of policy by Cabanis. You might have added Condillac, who asserts that when he was composing the “Cours d’Etudes,” he often left a chapter unfinished, but had it all in his mind when he awoke. And Franklin assures us, that he often dreamed of the issue of important events in which he was engaged, believing the vision to be the influence of inspired prophecy. Dr. Haycock, of Oxford, too, is said to have composed and preached sermons in his sleep, in despite even of buffetings.

These are not dreams, but the reveries of philosophers and poets. The faculties of perception are suspended: one only object occupies the mind, and the impression on the memory is vivid and permanent. Of this reverie I do not recollect a more interesting illustration than the “Dream of Tartini,” and its exquisite product, “La Sonata di Diavolo.” This admirable violinist and once esteemed composer, relates the following anecdote as the origin of his chef-d’œuvre, the “Devil’s Sonata.” “One night, it was in the year 1713, I dreamed that I had made over my soul to his satanic majesty. Every thing was done to my wink; the faithful menial anticipated my fondest wishes. Among other freaks, it came into my head to put the violin into his hands, for I was anxious to see whether he was capable of producing anything worth hearing upon it. Conceive my astonishment at his playing a sonata, with such dexterity and grace, as to surpass whatever the imagination can conceive. I was so much delighted, enraptured, and entranced by his performance, that I was unable to fetch another breath, and, in this state, I awoke. I jumped up and seized upon my instrument, in the hope of reproducing a portion, at least, of the unearthly harmonies I had heard in my dream. But all in vain: the music which I composed under the inspiration, I must admit the best I have ever written, and of right I have called it the ‘Devil’s Sonata;’ but the falling off between that piece and the sonata which had laid such fast hold of my imagination is so immense, that I would rather have broken my violin into a thousand fragments, and renounced music for good and all, than, had it been possible, have been robbed of the enjoyment which the remembrance afforded me.”

In the cases of precocious children, who are said to have “lisp’d in numbers,” I do not doubt that the secret may be referred to this concentration of genius. Mozart composed a sonata at the age of four. The precocious little girl, Louisa Vinning, who was called the “Infant Sappho,” has yet eclipsed Mozart in this; that at the age of two years and eight months she sang repeatedly a melody perfectly new, and so perfect, that it was written down from her lips, and entitled, “The Infant’s Dream.” During all this, the little creature was in such a state of apparent abstraction, that it was believed by all around her that she walked and talked in her sleep.

These mental concentrations can, by some enthusiasts, be produced at pleasure. The paroxysm of the improvisatore, for instance. But it is an effort which, like the dark hour of the Caledonian seer, is not endured with impunity: it points, indeed, emphatically to the limit beyond which mind should not be strained.

The Marquis de Moschati expressed himself to us, as experiencing excitement like intoxication when he sat himself to compose, and threw his whole soul into his subject. It commenced with irregular and laborious breathing, excessive palpitations, vertigo, tinnitus aurium,—the perception of objects being lost. Then came romantic fancies, like the visions of opium, “thoughts that breathe, and words that burn.” At the conclusion was felt excessive exhaustion, and a state of mild catalepsy ensued for five or six days together. This excited talent, therefore, is an evanescent madness.

Cast. Another fling at poesy. Were I an improvisatrice, you would not so libel my inspiration. “Listen, lords and lady gay.” In the summer of 18—, after the Eisteddfod at Cardiff, we wandered over the hills to Caerphilly, the gigantic towers of Owain Glyndwr.

As I lay under the celebrated Hanging Tower, which is projecting eleven feet beyond its base, I reflected on the strange circumstance of the arrest of so gigantic a mass in its progress to prostration. “What,” I exclaimed, “is the power by which it is suspended?” My imagination heightened my reverie, and placed before me the image of the Destroyer, with his emblematic scythe and glass, and he answered me thus: —

“Half-dreaming mortal, listen! It is I,

 Time, the destroyer, whose gigantic arm

 Lifted this pond’rous ruin from its base.

 Why hangs it thus, arrested in its course,

 In bold defiance of attraction’s law?

 Why, like its once proud lord, renown’d Glyndwr,

 Sinks not its mouldering grandeur to the ground?

 Behold an emblem of vitality!

 A type of mortal man, of thee, of all!

 Like this grey wall, thy tott’ring steps are staid,

 And on a thread thy fragile life is hung;

 Yet leaning, ever leaning, to the grave.

 One moment more, an atom of an age,

 This mould’ring ruin, trembling on its base,

 May, like the marble shafts of lone Palmyra,

 Be hurl’d to earth, and crumble into dust;

 And, like the ruin, thou!”

And yet I was not mad.

Ev. I talk not of a gentle heart like yours, fair Castaly; but of that extreme, when ideas are received by a mind nearly exhausted, and lie for a while dormant. As sleep and fatigue wear off, and consciousness returns, these images are suddenly and brilliantly lighted up. If intense impression shall have been made on the heart or mind, intense will be the abstraction of the enthusiast. Until one thought is touched, the patient is sane; but, when the chord vibrates, then, as in the pathetic episode of Sterne’s Maria, the paroxysm is expended in a flood of tears, or in a mad fit, or in a gush of wildest music.

To the latter cause, we owe many beauties of composition. Demarini, the Italian tragedian, acted a prison-scene before Paganini, in which, with the pathos of deep distress, the victim prayed for death. The maestro retired to bed, but not to sleep; his excited brain relieved its painful sympathies by the composition of the “Adagio apassionato.”

Carl Maria Von Weber witnessed the waltzing of his wife with a gallant cavalier. He retired in a mood of jealous frenzy, and expressed the ideas which rankled in his heart by the “Invitation à la Walse.”

Astr. Well, is there not something special in all this?

Ev. Yes, truly,—a power imparted to some, withheld from others,—genius.

Astr. Yet, in explanation of this abstract reverie, the phrenologist will, I dare say, satisfy himself by merely deciding that the organ of concentrativeness is strongly developed.

Ev. It is clear, at least, that the deep interest of the subject of reflection overbalances the influence of the external senses. The impression of objects is either too slight, or rapid, to produce perception, or (in other words), however the impression may be imparted to the brain by the nerve, the brain is not sensible of it, and there is therefore no perception.

So intense indeed has been this influence, that Pliny contemplated the volcanic philosophy amidst the ashy cloud of Vesuvius by which he was destroyed. And Archimedes was so intent in solving a problem, during the siege of Syracuse, that no sense of danger impelled him to avoid the storm, or fly from the dagger of the assassin.

While Parmegiano was painting at Rome the “Vision of St. Jerome,” which now adorns the National Gallery of England, the famous siege of that city was concluded by its spoliation. Yet Parmegiano (absorbed with his painting) was unconscious of the tumult, until his studio was burst open by some of the soldiers of the enemy. A similar story is told, also, of Protogenes, when Demetrius was laying siege to Rhodes.

Cast. The flappers of Laputa would soon have dispelled this reverie.

Ev. But if they had thus flourished their official bladders, perhaps the “Principia Mathematica” had not been written; for Newton explained the extent of his discoveries by his “always thinking unto them.”

Somewhat like the effect of intense study on the mind, the muscles of the limbs will be influenced by one long-directed habit. Paganini was observed, on board a steam-boat, constantly to repose on the sofa. During this state of reverie, his left arm assumed the peculiar attitude in which he held his violin, until he saw that he was noticed, when he altered its position.

The right hand of Benjamin West, of which I saw a posthumous model at Lord de Tabley’s, appeared to have taken that form in which he was wont to hold the pencil.

By this concentration, this full possession of the mind, the wildness of fancy in the dark is often the source of terror; but this is ever lessened or dispelled by any sound or sight which presents a subject to the perceptive faculty. Such is the sudden glimmer of a light, the barking of a dog, or the almost instinctive effort of the school-boy,

“Whistling aloud to keep his courage up.”

All these cases, then, indicate concentration of mind. “Mental conception is uninfluenced by conscious perception.”

I may add, that, in the heat of engagement, soldiers and sailors are often unconscious of being even seriously wounded. In the battle of Lake Thrasymene, the armies of Rome and Carthage were so absorbed in the tumult and din of war, that an earthquake, which spread desolation around them, was unheeded by these determined soldiers.

Ida. I have gleaned enough from your illustrations, Evelyn, to believe that we may explain by them that solemn and last reverie of the dying, when all other ideas have ceased to influence, but the most impressive —

“The ruling passion strong in death;”

when earthly life is on the wane, and the spirit, in this expiring thought, takes its last farewell of the flesh. I remember some beautiful evidences of this influence.

It was observed that Porson, after a paralytic fit, scarcely uttered a word of English; but to the last moment spoke Greek fluently.

Dr. Adam (a master of Sir Walter Scott), on the subsidence of delirium, exclaimed, “It grows dark—the boys may dismiss;” and instantly expired.

The last words of Dr. Abercrombie were addressed to an imaginary patient, regarding the care of his digestive functions.

Some time after the trial of the Bristol magistrates, Lord Tenterden lapsed into a stupor from exhaustion. A short period before death he rallied, and, after conversing with his friends for a few minutes, he raised himself on his couch, and said, “Gentlemen of the jury, you may retire;” and then fell back and expired.

SOMNOLENCE.—TRANCE.—CATALEPSY.

——“In this borrow’d likeness of shrunk death,

Thou shalt remain full two and forty hours,

And then awake, as from a pleasant sleep.”

Romeo and Juliet.

Cast. Evelyn, you have again bewildered my thoughts. Sleep, that should be the anodyne of the mind, has awakened afresh my curiosity. I am in a mood for mystery. Any more wonders?

Ev. The prototypes of sleep, dear Castaly, are all “mysteries,” as you call them, and marked by ever-varying shades.

The most impressive conditions of the mind are these:

Unconscious and passive, as in sound sleep.

Conscious yet passive, as in dreaming.

Conscious and willing, yet powerless, as in night-mare.

Unconscious yet active, as in somnambulism.

If we go deeper in our analysis, we shall discover a state more wondrous still than all we have unravelled, in which mind is unconscious, sensationless, unwishing, motionless, powerless, as in trance or catalepsy; an absolute apathy of body and complete oblivion of mind. And yet life is there!

In the dream of night-mare, you remember, there is a will, but no power. In the absolute senselessness of trance, all sympathy between the brain or spinal marrow, or the influence of the nerves of motion, or of the will on muscle, altogether cease.

I will not fatigue you with varieties, such as carus, catalepsy, and the like, or with mere medical definitions, as syncope or fainting, epilepsy, apoplexy, and their analogies.

By the term trance I would define all those conditions in which there is protracted derangement of volition or the will; sensibility and voluntary action being suspended, while the vital functions are performed, yet with diminished energy; the “deep sleep” of Paracelsus, Hieronymus Fabricius, Celsus, and other writers of antiquity.

In some the rosy colour of the lips and cheeks will not fade; in others, they are pale and bloodless; the body becomes cold as marble, the pulse often imperceptible, and the vapour of breathing on a polished surface alone distinguishes the still living being from the perfect work of the sculptor. I have, however, had patients who were rosy when they fell asleep, but became pale about the end of the second day.

Girls often smile sweetly in full catalepsy, but the countenance will become anxious as waking approaches; and this must ever excite suspicion. The body indeed is, to the external world, dead; for although the cataleptic will often swallow food, while all the other muscles are in spasm, this may, I believe does, depend on mere irritability, by which, as I before told you, the brain is first excited, and then directs a movement without the mind’s feeling. Catalepsy is so peculiar to young females of extreme sensibility, that it may be considered an intense hysteria, depending on certain sympathies, or resulting from sudden or powerful influences on the passions. The form of catalepsy marked by hysteria is least dangerous; but it is very stubborn. Probably this is the form so common in Germany.

Previous to the cataleptic acme girls are often maniacally violent, and will then suddenly regain their temper and their reason. They will sit and play with their fingers in a sullen mood, and the power of motion and speech and other acts of volition may be alternately impaired or lost. In some, the sleep has been preceded by fits of lethargy, by lassitude, and inaptitude to exertion, and perhaps a propensity to sleep-walking. The decided state of catalepsy has begun in an epileptic convulsion. In all, I think, I have seen combined with this disorder, irregular determination of blood; in one case, where the taste and smell were gone for four or five months, the climax was suicide by arsenic.

The countenance is almost always placid in cataleptic sleep; the eyes being turned up, the pupils dilated, but the eyelids closed. If the fit be the result of sudden fright, the features will remain as they were at that moment—the eyelid fixed, but the pupil usually sensible. The joints and muscles are pliable, and may be moulded to any form, but they remain in that position as rigidly fixed as the limbs of a clay figure, or the anchylosed joints of the self-torturing fakir; insensible to all stimuli, beating, tickling, or pricking.

I have seen patients lapse into a state of catalepsy, in a moment, without a struggle. I remember, during one of my visits to the asylum in Hoxton, a maniac, who often in the midst of his occupation became instantaneously a statue; leaning a little forward, one arm lifted up, and the index finger pointed as at some interesting object; the eye staring and ghastly, and the whole expression as of one rapt in an ecstacy of thought or vision.

The waking from a trance, like the recovery from the asphyxia of drowning, is painful. It is attended with a struggle, and the hand is almost invariably placed firmly over the heart, as if its actions were a painful effort to overcome congestion.

In some cases, indeed, a purple hue will suddenly suffuse the cataleptic body; the limbs are then extremely rigid, but become pliant when the healthy tint is restored.

The sensation in the brain of the cataleptic, as of those recovering from drowning, resembles the pricking of needles, the circulation soon becoming accelerated. Hunger is usually intense when the patient awakes. The usual duration of catalepsy is from twenty to forty hours. The return of volition is commonly marked by perspiration; this premonitory sign is often followed by a piercing shriek, as in the case of night-mare, and, indeed, in a slight degree, of an infant’s cry as soon as it is born.

It has appeared to me that the cataleptic is marked by extremes of feeling and disposition. The sensibility either being too dull for the feeling of joy, or so intensely excited by pleasure, as to approach the confine of delirium. One of my patients, in particular, who was an eighty-hour sleeper, endured a metamorphosis from religious enthusiasm to theatrical mania. Her Bible was discarded for romances and play-books, and even the most licentious volumes.

Cast. I have read, (I suppose in some moth-eaten tomes enshrined I know not where,) of a scholar of Lubeck, who slept seven years; in Diogenes Laertius, of Epimenides, who slept fifty-one years in a cave; in Ricaut, of the seven devoted sleepers of Ephesus (the same, I presume, as the seven illustrious sleepers of Mahomet’s tale in the Koran); and of the Leucomorians, who fall asleep with the swallows early in November, and wake at the end of April.

One moment more among the legends of romance. In the “Hierarchie of the Blessed Angels” it is written, that in a dark cavern of the Baltic, there were discovered five men in Roman habits, so deeply sleeping, that all efforts to awaken them were unavailing.

Ogier the Dane is now sleeping in the dungeon of Cronenburg Castle—(so recordeth the “Danske Folk Saga.”)

Prince Arthur, too, was lying, when a chronicle was writ, in a trance at Avelon; and the Britons, with implicit belief, were watching for his awaking.

Years have passed since these mysterious legends were penned, and I dare not say that the spells are broken yet.

Ev. If they then slept, sweet Castaly, they are surely sleeping now. Tales lose nothing by telling, and nature is often thus magnified into a miracle. You may however believe this, that a periodical catalepsy with intervals may last even for years. The “Memoirs of the Academy of Berlin” record the case of a woman, who sunk into catalepsy twice a day for many years; during which period she was married, and became the almost unconscious mother of children.

Nay, there is a story of Mynheer Vander Gucht, of Bremen, who, with very brief intermissions, slept and dreamt for thirty years; so that, on the return of travellers by sea or land, the primal question was, if Mr. Vander Gucht was up!

Ida. Catalepsy, I believe, has been often feigned; and, although it is astonishing with what apathy pain may be endured, the imposture, I presume, may be usually discovered by the proposition of some horrible remedy.

Ev. Frequently; but many impostors have withstood the test, and triumphed in their deception. Yet it is true that the perfect state of catalepsy has been, in very rare instances, voluntarily produced; thus exhibiting the complete influence of will over an involuntary muscle, the heart.

The case of Colonel Townsend I adduce, as one of undoubted authority. This officer was able to suspend the action both of his heart and lungs, after which he became motionless, icy cold, and rigid,—a glassy film overspreading his eyes. As there was no breathing, there was no vapour apparent on the glass, when held to his mouth. During the many hours in which this voluntary trance existed, there was a total absence of consciousness, yet a faculty of self-reanimation!

Avicenna speaks of one that could “cast himself into a palsie when he list;” and Celsus, of a priest that could “separate himself from his senses when he list, and lie like a dead man, void of life and sense.” Cardan, the Pavian astrologer, brags of himself that he could do as much, and that “when he list.”

Dr. Cleghorn, of Glasgow, relates the case of a man who could stop the pulse at his wrist, and reduce himself to the condition of syncope, by his will, of course.

Barton, the holy maid of Kent, was enabled thus to “absorb her faculties.”

Restitutus, a presbyter, could also throw himself into a trance,—being insensible, except to the very loudest sounds. So says Augustin.

Astr. So that there may not be much imposture in the case, recorded in the “Spectator,” of Nicholas Hart, a professor of somnolency, who lived by sleeping. The following is his advertisement in the “Daily Courant,” of that time: —

“Nicholas Hart, who slept last year in Saint Bartholomew’s Hospital, intends to sleep this year at the ‘Cock and Bottle,’ in Little Britain.”

I will freely confess to you, Evelyn, my scepticism as to these ultra romantic legends; but may my own memory fail me not, while I relate a few strange stories, and demand of yourself confirmation.

Euphemia Lindsay, of Forfarshire, slept eight weeks, having taken nothing but (possibly) a little cold water. In the eighth week she died.

Angelica Vlies, of Delft, had fasted in a state of insensibility from 1822 to 1828. She took nothing but water, tea, and whey, and these in the most minute quantities.

In a record, A.D. 1545, I read that “William Foxley, a pot-maker to the Mint in London, slept in the Tower of London (not being by any means to be waked) fourteen days and fifteen nights; and, when he waked, it seemed to him that the interval was but as one night.”

Samuel Clinton, of Timbury, near Bath, often slept for a month; and once, from April to August. He would, during this period, suddenly wake, but ere food could be administered to him, he lapsed again into a trance.

Margaret Lyall (of Edinburgh) slept from the morning of June 27th to the evening of the 30th, then from July 1st to August 8th. Her breathing was scarcely perceptible, and her pulse low; one arm was sensitive, the other senseless, to the pricking of pins. She had never any subsequent cognizance of this sleep.

A lady, at Nismes, had periodical attacks of trance; and it is curious that the intervals of waking were always of the same duration as the previous time of sleeping, however these might vary.

In the year 1738, Elizabeth Orvin slept for four days; and, for the period of ten years afterwards, passed seventeen hours of the twenty-four in sleep. No stimuli were powerful enough to rouse her: acupuncturation, flagellation, and even the stinging of bees were ineffectual. Like many other somnolents, she was morose and irritable, especially previous to the sleeping-fit.

“Elizabeth Parker, of Morley Saint Peter, in Norfolk, for a considerable time was very irregular in her times of waking, which was once in seven days; after which they became irregular and precarious, and though of shorter duration, they were equally profound; and every attempt at keeping her awake, or waking her, was vain. Various experiments were tried, and an itinerant empiric, elated with the hope of rousing her from what he called counterfeit sleep, blew into her nostrils the powder of white hellebore; but the poor creature remained insensible to the inhumanity of the deed, which, instead of producing the boasted effect, excoriated the skin of her nose, lips, and face.”

The records of medicine, I doubt not, may add a volume to these simple stories, and, perchance, may unfold to us something of the exciting causes which have induced these strange conditions; yet they seem to me so various, in some the effect being so sudden, in others so gradual, that it were vain for me to conjecture.

Ev. The influence of fear, and fright, and extreme joy, will often produce instantaneous paralysis; while that of intense study, or anxiety, will steal on by degrees; and then, while in some cases the senses will be entirely apathetic, in others, they will be acutely excited.

Mendelssohn almost every evening immediately fell into a trance whenever “philosophy” was even named in his presence; and so acutely deranged was then his conception of sound, that a voice of stentorian force seemed to ring in his ears, repeating to him any impressive conversation he had heard during the day.

Without presuming to satisfy Astrophel in explaining the full pathology of these curious cases, I may, by analogy, illustrate his question by alluding to the acute influence which impressions exert on the mind, and, through it, on the body.

Captain D——, on service in Ceylon, was ordered to march to the Kandian territory. This district had been the grave of many officers who had resided in it. From this circumstance, and the anticipation of a similar fatality to himself, he became speechless, and died in fifty hours.

During the plague of Egypt, lots were drawn for a decision as to what surgeon should remain with the sick on the departure of the troops. Mr. Dick, the army inspector, relates that on one occasion the surgeon on whom the lot fell dropped dead.

In the treaty with Meer Jaffier, Colonel Clive omitted the name of the Gentoo merchant, Omichund. This man was induced to expect treasures to the amount of one million, for his aid in deposing the Bengal nabob. From this disappointment he became speechless, and subsequently insane.

George Grokatski, a Polish soldier, deserted. He was discovered a few days after, drinking and merry-making. On his court-martial he became speechless, unconscious, and fixed as a statue. For twenty days and nights he lay in this trance, without nourishment; he then sunk and died.

Some girls (as we read in Platerus) playing near a gibbet, one wantonly flung stones at the criminal suspended on it. Being violently struck the body swung, and the girl, believing that it was alive, and was descending from the gibbet, fell into violent convulsions and died.

The following case, although not fatal, very powerfully displays the paralyzing effects of imagination.

A lady in perfect health, twenty-three years of age, was asked by the parents of a friend to be present at a severe surgical operation. On consideration, it was thought wrong to expose her to such a scene, and the operation was postponed for a few hours. She went to bed, however, with the imagination highly excited, and awoke in alarm hearing, or thinking she heard, the shrieks of her friend under the agony of an operation. Convulsions and hysterics supervened, and, on their subsiding, she went into a profound sleep, which continued sixty-three hours. The most eminent of the faculty were then consulted, and she was cupped, which awoke her; but the convulsions returned, and she again went to sleep, and slept, with few intermissions, for a fortnight. The irregular periods continued for ten or twelve years; the length of the sleeping fits from thirty to forty hours. Then came on irritability, and total want of sleep, for three months; her usual time for sleeping being then forty-eight hours.

But if the sudden transition be excess of joy, its effect may be equally melancholy.

Wescloff was detained as a hostage by the Kalmucs, and carried along with them in their memorable flight to China. His widowed mother had mourned him dead, and, on his sudden return, the excess of joy was instantaneously fatal.

In the year 1544 the Jewish pirate, Sinamus Taffurus, was lying in a port of the Red Sea, called Orsenoe, and was preparing for war, being then engaged in one with the Portuguese. While he was there he received the unexpected intelligence that his son (who in the siege of Tunis had been made prisoner by Barbarossa, and by him doomed to slavery) was suddenly ransomed, and coming to his aid with seven ships, well armed. He was immediately struck as if with apoplexy, and expired on the spot.

A Swiss student, writes Zimmerman, yielded himself to intense metaphysical study, which gradually produced a complete trance of the senses; the functions of the body being not inactive. After the lapse of a year of apparent idiocy, each sense was successively excited by its proper stimulus; the ear by loud sounds, &c. When these were restored, the mind was again perfect, although in this effort his strength was nearly exhausted.

I may add that lunar influence, though it is now somewhat out of fashion, was formerly believed even by so sage a physician as Dr. Mead and others, and Astrophel will thank me for blending with his own examples the following case of catalepsy in a moon-struck maiden. At the full of the moon this damsel fell in a fit; the recurrence obeying the regular periods of the tide. During the flood she lay in a speechless trance, and revived from it on the ebb. Her father was engaged on the Thames, and so struck was he with the regularity of these attacks, that on his return from the river he correctly anticipated the condition of his daughter; and even in the night he has arisen to his work, as her cries on recovering from the fit were always a correct monitor to him of the turning of the tide.