| BOOK THE FIRST. | GEORGE SOMERSET. |
| BOOK THE SECOND. | DARE AND HAVILL. |
| BOOK THE THIRD. | DE STANCY. |
| BOOK THE FOURTH. | SOMERSET, DARE AND DE STANCY. |
| BOOK THE FIFTH. | DE STANCY AND PAULA. |
| BOOK THE SIXTH. | PAULA. |
| 1. I. | A SUPPOSITITIOUS PRESENTMENT OF HER |
| 1. II. | THE INCARNATION IS ASSUMED TO BE TRUE |
| 1. III. | THE APPOINTMENT |
| 1. IV. | A LONELY PEDESTRIAN |
| 1. V. | A CHARGE |
| 1. VI. | ON THE BRINK |
| 1. VII. | HER EARLIER INCARNATIONS |
| 1. VIII. | 'TOO LIKE THE LIGHTNING’ |
| 1. IX. | FAMILIAR PHENOMENA IN THE DISTANCE |
| 2. I. | THE OLD PHANTOM BECOMES DISTINCT |
| 2. II. | SHE DRAWS CLOSE AND SATISFIES |
| 2. III. | SHE BECOMES AN INACCESSIBLE GHOST |
| 2. IV. | SHE THREATENS TO RESUME CORPOREAL SUBSTANCE |
| 2. V. | THE RESUMPTION TAKES PLACE |
| 2. VI. | THE PAST SHINES IN THE PRESENT |
| 2. VII. | THE NEW BECOMES ESTABLISHED |
| 2. VIII. | HIS OWN SOUL CONFRONTS HIM |
| 2. IX. | JUXTAPOSITIONS |
| 2. X. | SHE FAILS TO VANISH STILL |
| 2. XI. | THE IMAGE PERSISTS |
| 2. XII. | A GRILLE DESCENDS BETWEEN |
| 2. XIII. | SHE IS ENSHROUDED FROM SIGHT |
| 3. I. | SHE RETURNS FOR THE NEW SEASON |
| 3. II. | MISGIVINGS ON THE RE-EMBODIMENT |
| 3. III. | THE RENEWED IMAGE BURNS ITSELF IN |
| 3. IV. | A DASH FOR THE LAST INCARNATION |
| 3. V. | ON THE VERGE OF POSSESSION |
| 3. VI. | THE WELL-BELOVED IS—WHERE? |
| 3. VII. | AN OLD TABERNACLE IN A NEW ASPECT |
| 3. VIII. | 'ALAS FOR THIS GREY SHADOW, ONCE A MAN!’ |
|
|
PAGE |
|
Apology |
|
|
Weathers |
|
|
The maid of Keinton Mandeville |
|
|
Summer Schemes |
|
|
Epeisodia |
|
|
Faintheart in a Railway Train |
|
|
At Moonrise and Onwards |
|
|
The Garden Seat |
|
|
Barthélémon at Vauxhall |
|
|
“I sometimes think” |
|
|
Jezreel |
|
|
A Jog-trot Pair |
|
|
“The Curtains now are drawn” |
|
|
“According to the Mighty Working” |
|
|
“I was not He” |
|
|
The West-of-Wessex Girl |
|
|
Welcome Home |
|
|
Going and Staying |
|
|
Read by Moonlight |
|
|
At a house in Hampstead |
|
|
A Woman’s Fancy |
|
|
A Wet August |
|
|
The Dissemblers |
|
|
To a Lady playing and singing in the Morning |
|
|
“A Man was drawing near to me” |
|
|
The Strange House |
|
|
“As ’twere To-night” |
|
|
The Contretemps |
|
|
A Gentleman’s Epitaph on Himself and a Lady |
|
|
The Old Gown |
|
|
A Night in November |
|
|
A Duettist to her Pianoforte |
|
|
“Where Three Roads joined” |
|
|
“And There was a Great Calm” |
|
|
Haunting Fingers |
|
|
The Woman I Met |
|
|
“If it’s ever Spring again” |
|
|
The Two Houses |
|
|
On Stinsford Hill at Midnight |
|
|
The Fallow Deer at the Lonely House |
|
|
The Selfsame Song |
|
|
The Wanderer |
|
|
A Wife comes back |
|
|
A Young Man’s Exhortation |
|
|
At Lulworth Cove a Century Back |
|
|
A Bygone Occasion |
|
|
Two Serenades |
|
|
End of the Year 1912 |
|
|
The Chimes play “Life’s a Bumper!” |
|
|
“I worked no Wile to meet You” |
|
|
At the Railway Station, Upway |
|
|
Side by Side |
|
|
Dream of the City Shopwoman |
|
|
A Maiden’s Pledge |
|
|
The Child and the Sage |
|
|
Mismet |
|
|
An Autumn Rain-scene |
|
|
Meditations on a Holiday |
|
|
An Experience |
|
|
The Beauty |
|
|
The Collector cleans his Picture |
|
|
The Wood Fire |
|
|
Saying Good-bye |
|
|
On the Tune called The Old-hundred-and-fourth |
|
|
The Opportunity |
|
|
Evelyn G. of Christminster |
|
|
The Rift |
|
|
Voices from Things growing |
|
|
On the Way |
|
|
“She did not turn” |
|
|
Growth in May |
|
|
The Children and Sir Nameless |
|
|
At the Royal Academy |
|
|
Her Temple |
|
|
By Henstridge Cross at the Year’s End |
|
|
Penance |
|
|
“I look in her Face” |
|
|
After the War |
|
|
“If you had known” |
|
|
The Chapel-Organist |
|
|
Fetching Her |
|
|
“Could I but will” |
|
|
She revisits alone the Church of her Marriage |
|
|
At the Entering of the New Year |
|
|
They would not come |
|
|
After a Romantic Day |
|
|
The Two Wives |
|
|
“I knew a Lady” |
|
|
A House with a History |
|
|
A Procession of Dead Days |
|
|
He follows Himself |
|
|
The Singing Woman |
|
|
Without, not within Her |
|
|
“O I won’t lead a Homely Life” |
|
|
In the Small Hours |
|
|
The Little Old Table |
|
|
Vagg Hollow |
|
|
The Dream is—which? |
|
|
The Country Wedding |
|
|
First or Last |
|
|
Lonely Days |
|
|
At the Dinner-table |
|
|
The Marble Tablet |
|
|
The Master and the Leaves |
|
|
Last Words to a Dumb Friend |
|
|
A Drizzling Easter morning |
|
|
On One who lived and died where He was born |
|
|
The Second Night |
|
|
She who saw not |
|
|
The Old Workman |
|
|
The Sailor’s Mother |
|
|
Outside the Casement |
|
|
The Passer-by |
|
|
“I was the Midmost” |
|
|
A Sound in the Night |
|
|
On a Discovered Curl of Hair |
|
|
An Old Likeness |
|
|
Her Apotheosis |
|
|
“Sacred to the Memory” |
|
|
To a Well-named Dwelling |
|
|
The Whipper-in |
|
|
A Military Appointment |
|
|
The Milestone by the Rabbit-burrow |
|
|
The Lament of the Looking-glass |
|
|
Cross-currents |
|
|
The Old Neighbour and the New |
|
|
The Chosen |
|
|
The Inscription |
|
|
A Woman driving |
|
|
A Woman’s Trust |
|
|
Best Times |
|
|
The Casual Acquaintance |
|
|
Intra Sepulchrum |
|
|
The Whitewashed Wall |
|
|
Just the Same |
|
|
The Last Time |
|
|
The Seven Times |
|
|
The Sun’s Last Look on the Country Girl |
|
|
In a London Flat |
|
|
Drawing Details in an Old Church |
|
|
Rake-hell muses |
|
|
The Colour |
|
|
Murmurs in the Gloom |
|
|
Epitaph |
|
|
An Ancient to Ancients |
|
|
After reading psalms xxxix., xl. |
|
|
Surview |