A few weeks later there was a friendly dinner-party at the house of a gentleman called Doncastle, who lived in a moderately fashionable square of west London. All the friends and relatives present were nice people, who exhibited becoming signs of pleasure and gaiety at being there; but as regards the vigour with which these emotions were expressed, it may be stated that a slight laugh from far down the throat and a slight narrowing of the eye were equivalent as indices of the degree of mirth felt to a Ha-ha-ha! and a shaking of the shoulders among the minor traders of the kingdom; and to a Ho-ho-ho! contorted features, purple face, and stamping foot among the gentlemen in corduroy and fustian who adorn the remoter provinces.
The conversation was chiefly about a volume of musical, tender, and humorous rhapsodies lately issued to the world in the guise of verse, which had been reviewed and talked about everywhere. This topic, beginning as a private dialogue between a young painter named Ladywell and the lady on his right hand, had enlarged its ground by degrees, as a subject will extend on those rare occasions when it happens to be one about which each person has thought something beforehand, instead of, as in the natural order of things, one to which the oblivious listener replies mechanically, with earnest features, but with thoughts far away. And so the whole table made the matter a thing to inquire or reply upon at once, and isolated rills of other chat died out like a river in the sands.
'Witty things, and occasionally Anacreontic: and they have the originality which such a style must naturally possess when carried out by a feminine hand,' said Ladywell.
'If it is a feminine hand,' said a man near.
Ladywell looked as if he sometimes knew secrets, though he did not wish to boast.
'Written, I presume you mean, in the Anacreontic measure of three feet and a half-spondees and iambics?' said a gentleman in spectacles, glancing round, and giving emphasis to his inquiry by causing bland glares of a circular shape to proceed from his glasses towards the person interrogated.
The company appeared willing to give consideration to the words of a man who knew such things as that, and hung forward to listen. But Ladywell stopped the whole current of affairs in that direction by saying-
'O no; I was speaking rather of the matter and tone. In fact, the Seven Days' Review said they were Anacreontic, you know; and so they are-any one may feel they are.'
The general look then implied a false encouragement, and the man in spectacles looked down again, being a nervous person, who never had time to show his merits because he was so much occupied in hiding his faults.
'Do you know the authoress, Mr. Neigh?' continued Ladywell.
'Can't say that I do,' he replied.
Neigh was a man who never disturbed the flesh upon his face except when he was obliged to do so, and paused ten seconds where other people only paused one; as he moved his chin in speaking, motes of light from under the candle-shade caught, lost, and caught again the outlying threads of his burnished beard.
'She will be famous some day; and you ought at any rate to read her book.'
'Yes, I ought, I know. In fact, some years ago I should have done it immediately, because I had a reason for pushing on that way just then.'
'Ah, what was that?'
'Well, I thought of going in for Westminster Abbey myself at that time; but a fellow has so much to do, and-'
'What a pity that you didn't follow it up. A man of your powers, Mr. Neigh-'
'Afterwards I found I was too steady for it, and had too much of the respectable householder in me. Besides, so many other men are on the same tack; and then I didn't care about it, somehow.'
'I don't understand high art, and am utterly in the dark on what are the true laws of criticism,' a plain married lady, who wore archaeological jewellery, was saying at this time. 'But I know that I have derived an unusual amount of amusement from those verses, and I am heartily thankful to "E." for them.'
'I am afraid,' said a gentleman who was suffering from a bad shirt-front, 'that an estimate which depends upon feeling in that way is not to be trusted as permanent opinion.'
The subject now flitted to the other end.
'Somebody has it that when the heart flies out before the understanding, it saves the judgment a world of pains,' came from a voice in that quarter.
'I, for my part, like something merry,' said an elderly woman, whose face was bisected by the edge of a shadow, which toned her forehead and eyelids to a livid neutral tint, and left her cheeks and mouth like metal at a white heat in the uninterrupted light. 'I think the liveliness of those ballads as great a recommendation as any. After all, enough misery is known to us by our experiences and those of our friends, and what we see in the newspapers, for all purposes of chastening, without having gratuitous grief inflicted upon us.'
'But you would not have wished that "Romeo and Juliet" should have ended happily, or that Othello should have discovered the perfidy of his Ancient in time to prevent all fatal consequences?'
'I am not afraid to go so far as that,' said the old lady. 'Shakespeare is not everybody, and I am sure that thousands of people who have seen those plays would have driven home more cheerfully afterwards if by some contrivance the characters could all have been joined together respectively. I uphold our anonymous author on the general ground of her levity.'
'Well, it is an old and worn argument-that about the inexpedience of tragedy-and much may be said on both sides. It is not to be denied that the anonymous Sappho's verses-for it seems that she is really a woman-are clever.'
'Clever!' said Ladywell-the young man who had been one of the shooting-party at Sandbourne-'they are marvellously brilliant.'
'She is rather warm in her assumed character.'
'That's a sign of her actual coldness; she lets off her feeling in theoretic grooves, and there is sure to be none left for practical ones. Whatever seems to be the most prominent vice, or the most prominent virtue in anybody's writing is the one thing you are safest from in personal dealings with the writer.'
'O, I don't mean to call her warmth of feeling a vice or virtue exactly-'
'I agree with you,' said Neigh to the last speaker but one, in tones as emphatic as they possibly could be without losing their proper character of indifference to the whole matter. 'Warm sentiment of any sort, whenever we have it, disturbs us too much to leave us repose enough for writing it down.'
'I am sure, when I was at the ardent age,' said the mistress of the house, in a tone of pleasantly agreeing with every one, particularly those who were diametrically opposed to each other, 'I could no more have printed such emotions and made them public than I-could have helped privately feeling them.'
'I wonder if she has gone through half she says? If so, what an experience!'
'O no-not at all likely,' said Mr. Neigh. 'It is as risky to calculate people's ways of living from their writings as their incomes from their way of living.'
'She is as true to nature as fashion is false,' said the painter, in his warmth becoming scarcely complimentary, as sometimes happens with young persons. 'I don't think that she has written a word more than what every woman would deny feeling in a society where no woman says what she means or does what she says. And can any praise be greater than that?'
'Ha-ha! Capital!'
'All her verses seem to me,' said a rather stupid person, 'to be simply-
When you take away the music there is nothing left. Yet she is plainly a woman of great culture.'
'Have you seen what the London Light says about them-one of the finest things I have ever read in the way of admiration?' continued Ladywell, paying no attention to the previous speaker. He lingered for a reply, and then impulsively quoted several lines from the periodical he had named, without aid or hesitation. 'Good, is it not?' added Ladywell.
They assented, but in such an unqualified manner that half as much readiness would have meant more. But Ladywell, though not experienced enough to be quite free from enthusiasm, was too experienced to mind indifference for more than a minute or two. When the ladies had withdrawn, the young man went on-
'Colonel Staff said a funny thing to me yesterday about these very poems. He asked me if I knew her, and-'
'Her? Why, he knows that it is a lady all the time, and we were only just now doubting whether the sex of the writer could be really what it seems. Shame, Ladywell!' said his friend Neigh.
'Ah, Mr. Ladywell,' said another, 'now we have found you out. You know her!'
'Now-I say-ha-ha!' continued the painter, with a face expressing that he had not at all tried to be found out as the man possessing incomparably superior knowledge of the poetess. 'I beg pardon really, but don't press me on the matter. Upon my word the secret is not my own. As I was saying, the Colonel said, "Do you know her?"-but you don't care to hear?'
'We shall be delighted!'
'So the Colonel said, "Do you know her?" adding, in a most comic way, "Between U. and E., Ladywell, I believe there is a close affinity"-meaning me, you know, by U. Just like the Colonel-ha-ha-ha!'
The older men did not oblige Ladywell a second time with any attempt at appreciation; but a weird silence ensued, during which the smile upon Ladywell's face became frozen to painful permanence.
'Meaning by E., you know, the "E" of the poems-heh-heh!' he added.
'It was a very humorous incident certainly,' said his friend Neigh, at which there was a laugh-not from anything connected with what he said, but simply because it was the right thing to laugh when Neigh meant you to do so.
'Now don't, Neigh-you are too hard upon me. But, seriously, two or three fellows were there when I said it, and they all began laughing-but, then, the Colonel said it in such a queer way, you know. But you were asking me about her? Well, the fact is, between ourselves, I do know that she is a lady; and I don't mind telling a word-'
'But we would not for the world be the means of making you betray her confidence-would we, Jones?'
'No, indeed; we would not.'
'No, no; it is not that at all-this is really too bad!-you must listen just for a moment-'
'Ladywell, don't betray anybody on our account.'
'Whoever the illustrious young lady may be she has seen a great deal of the world,' said Mr. Doncastle blandly, 'and puts her experience of the comedy of its emotions, and of its method of showing them, in a very vivid light.'
'I heard a man say that the novelty with which the ideas are presented is more noticeable than the originality of the ideas themselves,' observed Neigh. 'The woman has made a great talk about herself; and I am quite weary of people asking of her condition, place of abode, has she a father, has she a mother, or dearer one yet than all other.'
'I would have burlesque quotation put down by Act of Parliament, and all who dabble in it placed with him who can cite Scripture for his purposes,' said Ladywell, in retaliation.
After a pause Neigh remarked half-privately to their host, who was his uncle: 'Your butler Chickerel is a very intelligent man, as I have heard.'
'Yes, he does very well,' said Mr. Doncastle.
'But is he not a-very extraordinary man?'
'Not to my knowledge,' said Doncastle, looking up surprised. 'Why do you think that, Alfred?'
'Well, perhaps it was not a matter to mention. He reads a great deal, I dare say?'
'I don't think so.'
'I noticed how wonderfully his face kindled when we began talking about the poems during dinner. Perhaps he is a poet himself in disguise. Did you observe it?'
'No. To the best of my belief he is a very trustworthy and honourable man. He has been with us-let me see, how long?-five months, I think, and he was fifteen years in his last place. It certainly is a new side to his character if he publicly showed any interest in the conversation, whatever he might have felt.'
'Since the matter has been mentioned,' said Mr. Jones, 'I may say that I too noticed the singularity of it.'
'If you had not said otherwise,' replied Doncastle somewhat warmly, 'I should have asserted him to be the last man-servant in London to infringe such an elementary rule. If he did so this evening, it is certainly for the first time, and I sincerely hope that no annoyance was caused-'
'O no, no-not at all-it might have been a mistake of mine,' said Jones. 'I should quite have forgotten the circumstance if Mr. Neigh's words had not brought it to my mind. It was really nothing to notice, and I beg that you will not say a word to him about it on my account.'
'He has a taste that way, my dear uncle, nothing more, depend upon it,' said Neigh. 'If I had such a man belonging to me I should only be too proud. Certainly do not mention it.'
'Of course Chickerel is Chickerel,' Mr. Doncastle rejoined. 'We all know what that means. And really, on reflecting, I do remember that he is of a literary turn of mind-not further by an inch than is commendable, you know. I am quite aware as I glance down the papers and prints any morning that Chickerel's eyes have been over the ground before mine, and that he generally forestalls the rest of us by a chapter or so in the last new book sent home; but in these vicious days that particular weakness is really virtue, just because it is not quite a vice.'
'Yes,' said Mr. Jones, the reflective man in spectacles, 'positive virtues are getting moved off the stage: negative ones are moved on to the place of positives; we thank bare justice as we used only to thank generosity; call a man honest who steals only by law, and consider him a benefactor if he does not steal at all.'
'Hear, hear!' said Neigh. 'We will decide that Chickerel is even a better trained fellow than if he had shown no interest at all in his face.'
'The action being like those trifling irregularities in art at its vigorous periods, which seemed designed to hide the unpleasant monotony of absolute symmetry,' said Ladywell.
'On the other hand, an affected want of training of that sort would be even a better disguise for an artful man than a perfectly impassible demeanour. He is two removes from discovery in a hidden scheme, whilst a neutral face is only one.'
'You quite alarm me by these subtle theories,' said Mr. Doncastle, laughing; and the subject then became compounded with other matters, till the speakers rose to rejoin the charming flock upstairs.
In the basement story at this hour Mr. Chickerel the butler, who had formed the subject of discussion on the floor above, was busily engaged in looking after his two subordinates as they bustled about in the operations of clearing away. He was a man of whom, if the shape of certain bones and muscles of the face is ever to be taken as a guide to the character, one might safely have predicated conscientiousness in the performance of duties, a thorough knowledge of all that appertained to them, a general desire to live on without troubling his mind about anything which did not concern him. Any person interested in the matter would have assumed without hesitation that the estimate his employer had given of Chickerel was a true one-more, that not only would the butler under all ordinary circumstances resolutely prevent his face from showing curiosity in an unbecoming way, but that, with the soul of a true gentleman, he would, if necessary, equivocate as readily as the noblest of his betters to remove any stain upon his honour in such trifles. Hence it is apparent that if Chickerel's countenance really appeared, as Neigh had asserted, full of curiosity with regard to the gossip that was going on, the feelings which led to the exhibition must have been of a very unusual and irrepressible kind.
His hair was of that peculiar bluish-white which is to be observed when the oncoming years, instead of singling out special locks of a man's head for operating against, advance uniformly over the whole field, and enfeeble the colour at all points before absolutely extinguishing it anywhere; his nose was of the knotty shape in the gristle and earthward tendency in the flesh which is commonly said to carry sound judgment above it, his eyes were thoughtful, and his face was thin-a contour which, if it at once abstracted from his features that cheerful assurance of single-minded honesty which adorns the exteriors of so many of his brethren, might have raised a presumption in the minds of some beholders that perhaps in this case the quality might not be altogether wanting within.
The coffee having been served to the people upstairs, one of the footmen rushed into his bedroom on the lower floor, and in a few minutes emerged again in the dress of a respectable clerk who had been born for better things, with the trifling exceptions that he wore a low-crowned hat, and instead of knocking his heels on the pavement walked with a gait as delicate as a lady's. Going out of the area-door with a cigar in his mouth, he mounted the steps hastily to keep an appointment round the corner-the keeping of which as a private gentleman necessitated the change of the greater part of his clothes twice within a quarter of an hour-the limit of his time of absence. The other footman was upstairs, and the butler, finding that he had a few minutes to himself, sat down at the table and wrote:-
Meanwhile, in the distant town of Sandbourne, Christopher Julian had recovered from the weariness produced by his labours at the Wyndway evening-party where Ethelberta had been a star. Instead of engaging his energies to clear encumbrances from the tangled way of his life, he now set about reading the popular 'Metres by E.' with more interest and assiduity than ever; for though Julian was a thinker by instinct, he was a worker by effort only; and the higher of these kinds being dependent upon the lower for its exhibition, there was often a lamentable lack of evidence of his power in either. It is a provoking correlation, and has conduced to the obscurity of many a genius.
'Kit,' said his sister, on reviving at the end of the bad headache which had followed the dance, 'those poems seem to have increased in value with you. The lady, lofty as she appears to be, would be flattered if she only could know how much you study them. Have you decided to thank her for them? Now let us talk it over-I like having a chat about such a pretty new subject.'
'I would thank her in a moment if I were absolutely certain that she had anything to do with sending them, or even writing them. I am not quite sure of that yet.'
'How strange that a woman could bring herself to write those verses!'
'Not at all strange-they are natural outpourings.'
Faith looked critically at the remoter caverns of the fire.
'Why strange?' continued Christopher. 'There is no harm in them.'
'O no-no harm. But I cannot explain to you-unless you see it partly of your own accord-that to write them she must be rather a fast lady-not a bad fast lady; a nice fast lady, I mean, of course. There, I have said it now, and I daresay you are vexed with me, for your interest in her has deepened to what it originally was, I think. I don't mean any absolute harm by "fast," Kit.'
'Bold, forward, you mean, I suppose?'
Faith tried to hit upon a better definition which should meet all views; and, on failing to do so, looked concerned at her brother's somewhat grieved appearance, and said, helplessly, 'Yes, I suppose I do.'
'My idea of her is quite the reverse. A poetess must intrinsically be sensitive, or she could never feel: but then, frankness is a rhetorical necessity even with the most modest, if their inspirations are to do any good in the world. You will, for certain, not be interested in something I was going to tell you, which I thought would have pleased you immensely; but it is not worth mentioning now.'
'If you will not tell me, never mind. But don't be crabbed, Kit! You know how interested I am in all your affairs.'
'It is only that I have composed an air to one of the prettiest of her songs, "When tapers tall"-but I am not sure about the power of it. This is how it begins-I threw it off in a few minutes, after you had gone to bed.'
He went to the piano and lightly touched over an air, the manuscript copy of which he placed in front of him, and listened to hear her opinion, having proved its value frequently; for it was not that of a woman merely, but impersonally human. Though she was unknown to fame, this was a great gift in Faith, since to have an unsexed judgment is as precious as to be an unsexed being is deplorable.
'It is very fair indeed,' said the sister, scarcely moving her lips in her great attention. 'Now again, and again, and again. How could you do it in the time!'
Kit knew that she admired his performance: passive assent was her usual praise, and she seldom insisted vigorously upon any view of his compositions unless for purposes of emendation.
'I was thinking that, as I cannot very well write to her, I may as well send her this,' said Christopher, with lightened spirits, voice to correspond, and eyes likewise; 'there can be no objection to it, for such things are done continually. Consider while I am gone, Faith. I shall be out this evening for an hour or two.'
When Christopher left the house shortly after, instead of going into the town on some errand, as was customary whenever he went from home after dark, he ascended a back street, passed over the hills behind, and walked at a brisk pace inland along the road to Rookington Park, where, as he had learnt, Ethelberta and Lady Petherwin were staying for a time, the day or two which they spent at Wyndway having formed a short break in the middle of this visit. The moon was shining to-night, and Christopher sped onwards over the pallid high-road as readily as he could have done at noonday. In three-quarters of an hour he reached the park gates; and entering now upon a tract which he had never before explored, he went along more cautiously and with some uncertainty as to the precise direction that the road would take. A frosted expanse of even grass, on which the shadow of his head appeared with an opal halo round it, soon allowed the house to be discovered beyond, the other portions of the park abounding with timber older and finer than that of any other spot in the neighbourhood. Christopher withdrew into the shade, and wheeled round to the front of the building that contained his old love. Here he gazed and idled, as many a man has done before him-wondering which room the fair poetess occupied, waiting till lights began to appear in the upper windows-which they did as uncertainly as glow-worms bHANDlinking up at eventide-and warming with currents of revived feeling in perhaps the sweetest of all conditions. New love is brightest, and long love is greatest; but revived love is the tenderest thing known upon earth.
Occupied thus, Christopher was greatly surprised to see, on casually glancing to one side, another man standing close to the shadowy trunk of another tree, in a similar attitude to his own, gazing, with arms folded, as blankly at the windows of the house as Christopher himself had been gazing. Not willing to be discovered, Christopher stuck closer to his tree. While he waited thus, the stranger began murmuring words, in a slow soft voice. Christopher listened till he heard the following:-
Two well-known lines from one of Ethelberta's poems.
Jealousy is a familiar kind of heat which disfigures, licks playfully, clouds, blackens, and boils a man as a fire does a pot; and on recognizing these pilferings from what he had grown to regard as his own treasury, Christopher's fingers began to nestle with great vigour in the palms of his hands. Three or four minutes passed, when the unknown rival gave a last glance at the windows, and walked away. Christopher did not like the look of that walk at all-there was grace enough in it to suggest that his antagonist had no mean chance of finding favour in a woman's eyes. A sigh, too, seemed to proceed from the stranger's breast; but as their distance apart was too great for any such sound to be heard by any possibility, Christopher set down that to imagination, or to the brushing of the wind over the trees.
The lighted windows went out one by one, and all the house was in darkness. Julian then walked off himself, with a vigour that was spasmodic only, and with much less brightness of mind than he had experienced on his journey hither. The stranger had gone another way, and Christopher saw no more of him. When he reached Sandbourne, Faith was still sitting up.
'But I told you I was going to take a long walk,' he said.
'No, Christopher: really you did not. How tired and sad you do look-though I always know beforehand when you are in that state: one of your feet has a drag about it as you pass along the pavement outside the window.'
'Yes, I forgot that I did not tell you.'
He could not begin to describe his pilgrimage: it was too silly a thing even for her to hear of.
'It does not matter at all about my staying up,' said Faith assuringly; 'that is, if exercise benefits you. Walking up and down the lane, I suppose?'
'No; not walking up and down the lane.'
'The turnpike-road to Rookington is pleasant.'
'Faith, that is really where I have been. How came you to know?'
'I only guessed. Verses and an accidental meeting produce a special journey.'
'Ethelberta is a fine woman, physically and mentally, both. I wonder people do not talk about her twice as much as they do.'
'Then surely you are getting attached to her again. You think you discover in her more than anybody else does; and love begins with a sense of superior discernment.'
'No, no. That is only nonsense,' he said hurriedly. 'However, love her or love her not, I can keep a corner of my heart for you, Faith. There is another brute after her too, it seems.'
'Of course there is: I expect there are many. Her position in society is above ours, so that it is an unwise course to go troubling yourself more about her.'
'No. If a needy man must be so foolish as to fall in love, it is best to do so where he cannot double his foolishness by marrying the woman.'
'I don't like to hear you talk so slightingly of what poor father did.'
Christopher fixed his attention on the supper. That night, late as it was, when Faith was in bed and sleeping, he sat before a sheet of music-paper, neatly copying his composition upon it. The manuscript was intended as an offering to Ethelberta at the first convenient opportunity.
'Well, after all my trouble to find out about Ethelberta, here comes the clue unasked for,' said the musician to his sister a few days later.
She turned and saw that he was reading the Wessex Reflector.
'What is it?' asked Faith.
'The secret of the true authorship of the book is out at last, and it is Ethelberta of course. I am so glad to have it proved hers.'
'But can we believe-?'
'O yes. Just hear what "Our London Correspondent" says. It is one of the nicest bits of gossip that he has furnished us with for a long time.'
'Yes: now read it, do.'
'"The author of 'Metres by E.'"' Christopher began, '"a book of which so much has been said and conjectured, and one, in fact, that has been the chief talk for several weeks past of the literary circles to which I belong, is a young lady who was a widow before she reached the age of eighteen, and is now not far beyond her fourth lustrum. I was additionally informed by a friend whom I met yesterday on his way to the House of Lords, that her name is Mrs. Petherwin-Christian name Ethelberta; and that she resides with her mother-in-law at their house in Exonbury Crescent. She is, moreover, the daughter of the late Bishop of Silchester (if report may be believed), whose active benevolence, as your readers know, left his family in comparatively straitened circumstances at his death. The marriage was a secret one, and much against the wish of her husband's friends, who are wealthy people on all sides. The death of the bridegroom two or three weeks after the wedding led to a reconciliation; and the young poetess was taken to the home which she still occupies, devoted to the composition of such brilliant effusions as those the world has lately been favoured with from her pen."'
'If you want to send her your music, you can do so now,' said Faith.
'I might have sent it before, but I wanted to deliver it personally. However, it is all the same now, I suppose, whether I send it or not. I always knew that our destinies would lie apart, though she was once temporarily under a cloud. Her momentary inspiration to write that "Cancelled Words" was the worst possible omen for me. It showed that, thinking me no longer useful as a practical chance, she would make me ornamental as a poetical regret. But I'll send the manuscript of the song.'
'In the way of business, as a composer only; and you must say to yourself, "Ethelberta, as thou art but woman, I dare; but as widow I fear thee."'
Notwithstanding Christopher's affected carelessness, that evening saw a great deal of nicety bestowed upon the operation of wrapping up and sending off the song. He dropped it into the box and heard it fall, and with the curious power which he possessed of setting his wisdom to watch any particular folly in himself that it could not hinder, speculated as he walked on the result of this first tangible step of return to his old position as Ethelberta's lover.
It was a house on the north side of Hyde Park, between ten and eleven in the evening, and several intelligent and courteous people had assembled there to enjoy themselves as far as it was possible to do so in a neutral way-all carefully keeping every variety of feeling in a state of solution, in spite of any attempt such feelings made from time to time to crystallize on interesting subjects in hand.
'Neigh, who is that charming woman with her head built up in a novel way even for hair architecture-the one with her back towards us?' said a man whose coat fitted doubtfully to a friend whose coat fitted well.
'Just going to ask for the same information,' said Mr. Neigh, determining the very longest hair in his beard to an infinitesimal nicety by drawing its lower portion through his fingers. 'I have quite forgotten-cannot keep people's names in my head at all; nor could my father either-nor any of my family-a very odd thing. But my old friend Mrs. Napper knows for certain.' And he turned to one of a small group of middle-aged persons near, who, instead of skimming the surface of things in general, like the rest of the company, were going into the very depths of them.
'O-that is the celebrated Mrs. Petherwin, the woman who makes rhymes and prints 'em,' said Mrs. Napper, in a detached sentence, and then continued talking again to those on the other side of her.
The two loungers went on with their observations of Ethelberta's headdress, which, though not extraordinary or eccentric, did certainly convey an idea of indefinable novelty. Observers were sometimes half inclined to think that her cuts and modes were acquired by some secret communication with the mysterious clique which orders the livery of the fashionable world, for-and it affords a parallel to cases in which clever thinkers in other spheres arrive independently at one and the same conclusion-Ethelberta's fashion often turned out to be the coming one.
'O, is that the woman at last?' said Neigh, diminishing his broad general gaze at the room to a close criticism of Ethelberta.
'"The rhymes," as Mrs. Napper calls them, are not to be despised,' said his companion. 'They are not quite virginibus puerisque, and the writer's opinions of life and society differ very materially from mine, but I cannot help admiring her in the more reflective pieces; the songs I don't care for. The method in which she handles curious subjects, and at the same time impresses us with a full conviction of her modesty, is very adroit, and somewhat blinds us to the fact that no such poems were demanded of her at all.'
'I have not read them,' said Neigh, secretly wrestling with his jaw, to prevent a yawn; 'but I suppose I must. The truth is, that I never care much for reading what one ought to read; I wish I did, but I cannot help it. And, no doubt, you admire the lady immensely for writing them: I don't. Everybody is so talented now-a-days that the only people I care to honour as deserving real distinction are those who remain in obscurity. I am myself hoping for a corner in some biographical dictionary when the time comes for those works only to contain lists of the exceptional individuals of whom nothing is known but that they lived and died.'
'Ah-listen. They are going to sing one of her songs,' said his friend, looking towards a bustling movement in the neighbourhood of the piano. 'I believe that song, "When tapers tall," has been set to music by three or four composers already.'
'Men of any note?' said Neigh, at last beaten by his yawn, which courtesy nevertheless confined within his person to such an extent that only a few unimportant symptoms, such as reduced eyes and a certain rectangular manner of mouth in speaking, were visible.
'Scarcely,' replied the other man. 'Established writers of music do not expend their energies upon new verse until they find that such verse is likely to endure; for should the poet be soon forgotten, their labour is in some degree lost.'
'Artful dogs-who would have thought it?' said Neigh, just as an exercise in words; and they drew nearer to the piano, less to become listeners to the singing than to be spectators of the scene in that quarter. But among some others the interest in the songs seemed to be very great; and it was unanimously wished that the young lady who had practised the different pieces of music privately would sing some of them now in the order of their composers' reputations. The musical persons in the room unconsciously resolved themselves into a committee of taste.
One and another had been tried, when, at the end of the third, a lady spoke to Ethelberta.
'Now, Mrs. Petherwin,' she said, gracefully throwing back her face, 'your opinion is by far the most valuable. In which of the cases do you consider the marriage of verse and tune to have been most successful?'
Ethelberta, finding these and other unexpected calls made upon herself, came to the front without flinching.
'The sweetest and the best that I like by far,' she said, 'is none of these. It is one which reached me by post only this morning from a place in Wessex, and is written by an unheard-of man who lives somewhere down there-a man who will be, nevertheless, heard a great deal of some day, I hope-think. I have only practised it this afternoon; but, if one's own judgment is worth anything, it is the best.'
'Let us have your favourite, by all means,' said another friend of Ethelberta's who was present-Mrs. Doncastle.
'I am so sorry that I cannot oblige you, since you wish to hear it,' replied the poetess regretfully; 'but the music is at home. I had not received it when I lent the others to Miss Belmaine, and it is only in manuscript like the rest.'
'Could it not be sent for?' suggested an enthusiast who knew that Ethelberta lived only in the next street, appealing by a look to her, and then to the mistress of the house.
'Certainly, let us send for it,' said that lady. A footman was at once quietly despatched with precise directions as to where Christopher's sweet production might be found.
'What-is there going to be something interesting?' asked a young married friend of Mrs. Napper, who had returned to her original spot.
'Yes-the best song she has written is to be sung in the best manner to the best air that has been composed for it. I should not wonder if she were going to sing it herself.'
'Did you know anything of Mrs. Petherwin until her name leaked out in connection with these ballads?'
'No; but I think I recollect seeing her once before. She is one of those people who are known, as one may say, by subscription: everybody knows a little, till she is astonishingly well known altogether; but nobody knows her entirely. She was the orphan child of some clergyman, I believe. Lady Petherwin, her mother-in-law, has been taking her about a great deal latterly.'
'She has apparently a very good prospect.'
'Yes; and it is through her being of that curious undefined character which interprets itself to each admirer as whatever he would like to have it. Old men like her because she is so girlish; youths because she is womanly; wicked men because she is good in their eyes; good men because she is wicked in theirs.'
'She must be a very anomalous sort of woman, at that rate.'
'Yes. Like the British Constitution, she owes her success in practice to her inconsistencies in principle.'
'These poems must have set her up. She appears to be quite the correct spectacle. Happy Mrs. Petherwin!'
The subject of their dialogue was engaged in a conversation with Mrs. Belmaine upon the management of households-a theme provoked by a discussion that was in progress in the pages of some periodical of the time. Mrs. Belmaine was very full of the argument, and went on from point to point till she came to servants.
The face of Ethelberta showed caution at once.
'I consider that Lady Plamby pets her servants by far too much,' said Mrs. Belmaine. 'O, you do not know her? Well, she is a woman with theories; and she lends her maids and men books of the wrong kind for their station, and sends them to picture exhibitions which they don't in the least understand-all for the improvement of their taste, and morals, and nobody knows what besides. It only makes them dissatisfied.'
The face of Ethelberta showed venturesomeness. 'Yes, and dreadfully ambitious!' she said.
'Yes, indeed. What a turn the times have taken! People of that sort push on, and get into business, and get great warehouses, until at last, without ancestors, or family, or name, or estate-'
'Or the merest scrap of heirloom or family jewel.'
'Or heirlooms, or family jewels, they are thought as much of as if their forefathers had glided unobtrusively through the peerage-'
'Ever since the first edition.'
'Yes.' Mrs. Belmaine, who really sprang from a good old family, had been going to say, 'for the last seven hundred years,' but fancying from Ethelberta's addendum that she might not date back more than a trifling century or so, adopted the suggestion with her usual well-known courtesy, and blushed down to her locket at the thought of the mistake that she might have made. This sensitiveness was a trait in her character which gave great gratification to her husband, and, indeed, to all who knew her.
'And have you any theory on the vexed question of servant-government?' continued Mrs. Belmaine, smiling. 'But no-the subject is of far too practical a nature for one of your bent, of course.'
'O no-it is not at all too practical. I have thought of the matter often,' said Ethelberta. 'I think the best plan would be for somebody to write a pamphlet, "The Shortest Way with the Servants," just as there was once written a terribly stinging one, "The Shortest Way with the Dissenters," which had a great effect.'
'I have always understood that that was written by a dissenter as a satire upon the Church?'
'Ah-so it was: but the example will do to illustrate my meaning.'
'Quite so-I understand-so it will,' said Mrs. Belmaine, with clouded faculties.
Meanwhile Christopher's music had arrived. An accomplished gentleman who had every musical talent except that of creation, scanned the notes carefully from top to bottom, and sat down to accompany the singer. There was no lady present of sufficient confidence or skill to venture into a song she had never seen before, and the only one who had seen it was Ethelberta herself; she did not deny having practised it the greater part of the afternoon, and was very willing to sing it now if anybody would derive pleasure from the performance. Then she began, and the sweetness of her singing was such that even the most unsympathetic honoured her by looking as if they would be willing to listen to every note the song contained if it were not quite so much trouble to do so. Some were so interested that, instead of continuing their conversation, they remained in silent consideration of how they would continue it when she had finished; while the particularly civil people arranged their countenances into every attentive form that the mind could devise. One emotional gentleman looked at the corner of a chair as if, till that moment, such an object had never crossed his vision before; the movement of his finger to the imagined tune was, for a deaf old clergyman, a perfect mine of interest; whilst a young man from the country was powerless to put an end to an enchanted gaze at nothing at all in the exact middle of the room before him. Neigh, and the general phalanx of cool men and celebrated club yawners, were so much affected that they raised their chronic look of great objection to things, to an expression of scarcely any objection at all.
'What makes it so interesting,' said Mrs. Doncastle to Ethelberta, when the song was over and she had retired from the focus of the company, 'is, that it is played from the composer's own copy, which has never met the public eye, or any other than his own before to-day. And I see that he has actually sketched in the lines by hand, instead of having ruled paper-just as the great old composers used to do. You must have been as pleased to get it fresh from the stocks like that as he probably was pleased to get your thanks.'
Ethelberta became reflective. She had not thanked Christopher; moreover, she had decided, after some consideration, that she ought not to thank him. What new thoughts were suggested by that remark of Mrs. Doncastle's, and what new inclination resulted from the public presentation of his tune and her words as parts of one organic whole, are best explained by describing her doings at a later hour, when, having left her friends somewhat early, she had reached home and retired from public view for that evening.