TABULAR VIEW OF SECTIONS IN MOZART'S ANDANTE.

   
I. II.
Modulating from tonic to dominant
and containing theme I, episode theme
(13) and theme II (26), 1-44.		 Modulating from dominant back to
tonic with the same succession of themes.
Coda (102), 54-114.

The sub-divisions of the above should be carefully noted (as indicated by the entrance of the different themes). These sub-divisions break the piece up into smaller sections, each distinct from the others. A particularly interesting and beautiful effect is produced in the coda (measures 103-5) by the augmentation of the phrase from measures 1-2, which is reproduced in longer notes against a familiar counterpoint.[35]

SUGGESTIONS FOR COLLATERAL READING.

C. H. H. Parry: "The Evolution of the Art of Music," Chapters XI and XII. W. H. Hadow: "Sonata Form," Chapter X. D. G. Mason: "Beethoven and His Forerunners," Chapters V and VI.