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PAGE |
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Phantasmagoria, in Seven Cantos:— |
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I. |
The Trystyng |
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II. |
Hys Fyve Rules |
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III. |
Scarmoges |
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IV. |
Hys Nouryture |
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V. |
Byckerment |
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VI. |
Dyscomfyture |
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VII. |
Sad Souvenaunce |
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Echoes |
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A Sea Dirge |
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Ye Carpette Knyghte |
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Hiawatha’s Photographing |
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Melancholetta |
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A Valentine |
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The Three Voices:— |
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The First Voice |
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The Second Voice |
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The Third Voice |
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A Game of Fives |
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Poeta fit, non nascitur |
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Size and Tears |
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Atalanta in Camden-Town |
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The Lang Coortin’ |
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Four Riddles |
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Fame’s Penny-Trumpet |
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CHAPTER PAGE
I. NEW LAMPS FOR OLD. 1. Propositions . . . . . . . 1 . . . . . 2. Syllogisms . . . . . . . . 20 3. Fallacies . . . . . . . . 32 II. CROSS QUESTIONS. 1. Elementary . . . . . . . . 37 2. Half of Smaller Diagram. Propositions to be represented . . . . . 40 3. Do. Symbols to be interpreted. . 42 4. Smaller Diagram. Propositions to be represented . . . . . . . 44 5. Do. Symbols to be interpreted. . 46 6. Larger Diagram. Propositions to be represented . . . . . . . 48 7. Both Diagrams to be employed . . 51 III. CROOKED ANSWERS. 1. Elementary . . . . . . . . 55 2. Half of Smaller Diagram. Propositions represented . . . . . . . 59 3. Do. Symbols interpreted . . . 61 4. Smaller Diagram. Propositions represented. 62 5. Do. Symbols interpreted . . . 65 6. Larger Diagram. Propositions represented. 67 7. Both Diagrams employed . . . . 72 IV. HIT OR MISS . . . . . . . . . 85 |
| KNOT | PAGE | |
| I. | Excelsior | 1 |
| II. | Eligible Apartments | 4 |
| III. | Mad Mathesis | 13 |
| IV. | The Dead Reckoning | 19 |
| V. | Oughts and Crosses | 27 |
| VI. | Her Radiancy | 34 |
| VII. | Petty Cash | 43 |
| VIII. | De Omnibus Rebus | 52 |
| IX. | A Serpent with Corners | 58 |
| X. | Chelsea Buns | 66 |
| Answers to Knot I. | 77 | |
| " " II. | 84 | |
| " " III. | 90 | |
| " " IV. | 96 | |
| " " V. | 102 | |
| " " VI. | 106 | |
| " " VII. | 112 | |
| " " VIII. | 132 | |
| " " IX. | 135 | |
| " " X. | 142 |
| PAGE | ||
| Phantasmagoria, in Seven Cantos:— | ||
| I. | The Trystyng | 1 |
| II. | Hys Fyve Rules | 10 |
| III. | Scarmoges | 18 |
| IV. | Hys Nouryture | 26 |
| V. | Byckerment | 34 |
| VI. | Dyscomfyture | 44 |
| VII. | Sad Souvenaunce | 53 |
| Echoes | 58 | |
| A Sea Dirge | 59 | |
| Ye Carpette Knyghte | 64 | |
| Hiawatha’s Photographing | 66 | |
| Melancholetta | 78 | |
| A Valentine | 84 | |
| The Three Voices: | ||
| The First Voice | 87 | |
| The Second Voice | 98 | |
| The Third Voice | 109 | |
| Tèma Con Variazióni | 118 | |
| A Game of Fives | 120 | |
| Poeta fit, non nascitur | 123 | |
| The Hunting of the Snark, an Agony in Eight Fits:— | ||
| I. | The Landing | 134 |
| II. | The Bellman’s Speech | 142 |
| III. | The Baker’s Tale | 148 |
| IV. | The Hunting | 153 |
| V. | The Beaver’s Lesson | 159 |
| VI. | The Barrister’s Dream | 167 |
| VII. | The Banker’s Fate | 173 |
| VIII. | The Vanishing | 177 |
| Size and Tears | 181 | |
| Atalanta in Camden Town | 186 | |
| The Lang Coortin’ | 190 | |
| Four Riddles | 202 | |
| Fame’s Penny-Trumpet | 211 | |
| PAGE | |
| THREE SUNSETS | 1 |
| THE PATH OF ROSES | 8 |
| THE VALLEY OF THE SHADOW OF DEATH | 15 |
| SOLITUDE | 23 |
| FAR AWAY | 26 |
| BEATRICE | 29 |
| STOLEN WATERS | 34 |
| THE WILLOW-TREE | 42 |
| ONLY A WOMAN’S HAIR | 44 |
| THE SAILOR’S WIFE | 48 |
| AFTER THREE DAYS | 53 |
| FACES IN THE FIRE | 59 |
| A LESSON IN LATIN | 63 |
| PUCK LOST AND FOUND | 64 |
| A SONG OF LOVE | 67 |
| FAIRIES AND NAUTILUS | Front. |
| FAIRIES IN BOAT | 7 |
| FAIRIES AND BOWER | 14 |
| SLEEPING FAIRIES | 22 |
| FAIRY RIDING ON CRAY-FISH | 28 |
| FAIRIES AND SQUIRREL | 33 |
| FAIRIES AND JONQUILS | 41 |
| FAIRIES AND FROG | 47 |
| FAIRY ON MUSHROOM | 52 |
| FAIRIES RIDING ON FISH | 58 |
| FAIRY AND WASP | 62 |
| FAIRIES UNDER MUSHROOM | 66 |
| Page. | |
| On Stamp-Cases | 5 |
| How to begin a Letter | 9 |
| How to go on with a Letter | 12 |
| How to end a Letter | 21 |
| On registering Correspondence | 23 |