translations, 45, 51, 52, 64;
indirect influence through Latin, 45;
and music, 136
Politics, causes of development, 182, 183
Politicus, of Plato, 238
Polybius, artistic conception of history, 79;
and Achæan League, 203;
on limitation of family, 207;
on ruin of Greece, 211
Pompeii, 145
Pope, Alexander, translation of Iliad, 51, 52, 53
Praxiteles unexcelled, 112
Praxiteles, Hermes, 33
Prometheus Vinctus, see Æschylus
Prose, Greek, knowledge of early development of, 65;
late origin, 66;
poetry more popular than, 66;
early attempt at, by Heracleitus, 67;
Hippocrates, 67;
beginnings among Dorians, 68;
prose adapted for a listening public, 86;
political essay, 86;
laws of composition devised by Isocrates, 88;
conversation easy, 90;
letter-writing, 92;
the novel, 93;
books of travel, 97
Puteoli, gateway into Italy, 145
Pythagoras, effect of influence, 221;
contemporaries and successors, 221
Pythagorean school, importance of arithmetic, 153;
theory of Descartes, 154;
speculations on series of units, 155;
specimens of treatment in arithmetic, 156;
results of researches, 156;
importance of numbers ten and twelve, 156;
discoverers and teachers of science, 166, 167
Pythagoreans, discover science of harmony, 143;
famous theory, 143

R
Racine and his plays, 48
Rambles and Studies in Greece, see J. P. Mahaffy
Renaissance (Renascence), 4;
artists of, 131
Rénan, Ernest, simplicity of style, 75
Renascence, 4
Representation, local, 189
Republic, see Plato
Research, original, requisite for, 235
Rogers’s translation of Aristophanes, 61
Roman life and culture, 18, 19
Roman Republic, effect of growth, 211
Romanesque architecture, example of tawdriness, 109
Romans, medium through which Greek learning was spread in Western World, 3, 4, 18, 19, 85, 190, 195;
compared with the Greeks, 182
Romantic school, 59
Rome, Greek ruins in time of Renaissance, 146
Romeo and Juliet, see Shakespeare
Royal College of Physicians, Ireland, 173
Ruskin, John, style, 89

S
St. Angelo, castle of, 111
St. Mark’s at Venice, architecture of, 18, 109
Sakia, invention of, 165
Samson Agonistes, see Milton
Sappho, 37;
Horace’s version of, 53;
love for nature, 59
Satyric drama, 48
Science, definition of term as used, 147;
relation to philosophy, 168;
abstract thinking necessary to experiment and discovery, 235
Sciences of observation, 147
Scriptores Erotici Graeci, 95
Sculpture, Greek: reasons for pre-eminence 112, 113;
nude and draped figures, 112, 113;
Donatello’s problem, 113, 114;
use of bronze and marble, 116, 118;
development, 117, 118;
decay, 117;
never dissociated from painting, 118;
coloured statues, 118, 119;
principles of composition, 120;
second favourite form of composition, 122;
effect on Europe, 123
Shakespeare, indebted to Plutarch’s Lives, 45;
indirect knowledge of Greek poets, 46;
Milton on, 47, 48;
school of, defended 48
Antony and Cleopatra: source in Plutarch’s Lives, 45
Hamlet: Voltaire’s view of, 48
Macbeth: Voltaire’s view of, 48
Romeo and Juliet: Greek origin, 95
Shakespeare, school of, and Greek masters, 48
Shelley, combines Greek culture with Romantic imagination, 56,
and Pantheism, 228
Sicilian troubles, 186
Sidon, tomb of, 112
Silver Age of Greek Literature, 91
Simonides, Gray compared with, 54
Skellig Michael, beehive huts at, 99
Slavery, among Greeks, 188, 190;
Aristotle on, 189
Smyly, Prof., Essay; on Greek notation in arithmetic, 158
Social Life in Greece, see J. P. Mahaffy
Socrates, prosecution of, 215;
causes revolution in philosophy, 236, 237
Solon, use of verse, 39;
modern, 66;
reduces debts in Athens, 186
Sophist, of Plato, 152
Sophists, attitude toward scientific speculation, 237
Sophocles, Milton on, 47;
choruses, 51;
Whitelaw’s version of, 64;
music of, 136
Œdipus; and Milton’s Samson Agonistes, 49
Sophron, poet, 39
Sovranties, pass into aristocracies, 184, 185;
models in constitutional government, 184-186
Sparta, slaves in, 188;
power, 201
Spinoza, teachings of, 216;
Pantheist, 224
Statuary, portrait, 120
Stearne, John, Founder of Royal College of Physicians, Ireland, 173;
theorist and writer, 173;
on works of Hippocrates, 173;
and the Church, 176
Stoics, speculations, 244-246;
and Epicureans, 244-246
Stylists, modern English, 89
Swanwick, Miss, translations, 57
Swinburne, Algernon, writer of plays after Greek models, 58
Atalanta: choruses, 40, 58
Erechtheus; 58
Syracuse, 68

T
Taylor, Jeremy, style influenced by Isocrates, 90
Temples, Greek: Doric ornament, 104;
features, 105;
at Tiryns, 105;
Hera at Olympia, 105;
distinction between dwellings and, 106;
construction, 106;
compared with houses, 107;
proportions, 107;
furnish models for all Europe, 110
Tennyson, influenced by Theocritus, 36, 59, 60;
and Euripides, 60;
and Pantheism, 228, 229
Terence, translation of Menander, 61, 209
Thales, his primitive element of the world, 216, 217;
predicts an eclipse, 217
Themistocles, studied oratory, 70
Theocritus, Virgil’s translations, 24;
pastoral poet, 35;
goes back to life of people, 35, 36;
influence on Tennyson, 36, 59, 60;
idealises the commonplace, 38;
delights in nature, 59;
best translation of, 64
Idylls: 96
Theognis, use of verse, 39
Theon of Smyrna, 167
Theophrastus, collaborator with Aristotle, 169
Thirlwall, history written without first-hand knowledge of Greece, 56
“Three tragic poets,” the, 47, 49
Thucydides, has given to world model of the science of history, 71;
subject, 71, 77, 78;
compared with Herodotus, 76, 78;
subtle artist, 76;
style, 77;
picture of politics in Greece, 77;
artistic scheme, 78;
diction, 78;
obscurity, 78, 79;
on war, 200
Thucydides Mythistoricus, see Cornford
Timotheus, Persians: inferior poetry, 38, 39, 63;
Wilamowitz on, 39
Tiryns, remains of temples at, 105
Tombs, domed or circular buildings, 110;
Pantheon, 110;
Castle of St. Angelo, 111;
Invalides in Paris, 111;
Mausoleum of Queen Victoria, 111;
Treasure House of Atreus, 111;
Tomb of the Minyæ, 111;
early, in Ireland, 111
Tract on the Sublime, translated by Burke, 92;
point of view of, 92
Tragedy, Greek: material, 42;
Milton’s view of, 47, 48
Travels, not thoroughly Greek, 97
Treaties, between Greek city-states, 198
Trinity College, Dublin: some of the requisites for degree, 179
Turin, Academy of, Transactions; referred to, 197

U
Unions or leagues, question as to rights of contracting parties, 202, 203;
European examples, 204

V
Vases, ornamentation of, 132
Venetian Republic, 184
Villari, Professor Pasquale, Studies: quoted, on problem of art in Renaissance, 113, 114
Viollet-le-Duc, Entretiens sur l’architecture: his theory of the origin of the arch, 109
Virgil, first foreign imitator of Homer, 42;
compared with Milton, 46
Æneid: M. Arnold compares style with Milton’s, 47;
Dryden’s translation, 53
Eclogues: 24
Georgics: 24
Vitruvius, 104

W
Wagner, Richard, turned natural defect into success, 87;
effect of his attempt to combine poetry and music, 136;
effect of his music on morals, 138, 139
Tristan and Isolde: 139
War, between Hellenic peoples: weapons and prisoners, 199
Weem of Scale, beehive huts at, 100
Whitelaw’s Sophocles, 64
Wilamowitz, on Persians of Timotheus, 39
Wills or testaments, 194-197
Women’s rights, 181
Wordsworth, least Greek of nineteenth-century poets, 57;
illuminated by Plato, 57;
and Pantheism, 228, 229;
immortality of soul, 242, 243
Excursion: 40, 57
Wyse, William, of Trinity College, Cambridge, 195

X
Xanthus the Lydian, historian, 71
Xenophanes, founder of school of Elea, 221;
doctrine of, 222
Xenophon, historian, 79
Cyrus: 94
Hiero: picture of gloom, 116

Z
Zeno, Eleatic, theory of sound, 225, 226
Zeno, the Stoic, 245
Zoölogy promoted by Aristotle, 171