136;
Last Supper, 63;
S. Francis d’Assisi, 64
Ribera, José (Lo Spagnoletto), 54, 59, 63, 64, 65, 151, 165;
chapter on, 136;
life, 136, 137;
Italian influence, 139;
S. Januarius scandal, 140;
stories associated with, 142;
point of view, 143;
Hermits and Ascetics, 142;
Martyrdom of S. Bartholomew, 138, 144;
Martyrdom of S. Januarius, 141;
Hermit Saint, 142;
Immaculate Conception, 144;
Assumption of the Magdalen, 144;
Holy Trinity, 144;
S. John the Baptist in the Desert, 145;
Penitent Magdalen, 145;
Isaac Blessing Jacob, 145;
S. Simon, 146;
S. Bartholomew, 146;
Jacob’s Ladder, 146
Ribera, Luis, 136
Rincon, 13
Rizi, Antonio, 60
Rizi, Francisco, 61;
auto-da-fé depicted, 62
Rizi, Fray Juan, 61;
Portrait of Don Tiburcio de Redin, 61;
S. Benedict Celebrating Mass, 61
Roelas, Juan de las, 64, 165, 169
Roman, Bartolomé, 131
Romanticists, 187
Rome, 6, 173
Rome, influence of school of, 47, 51, 66, 137, 151
“Room of the Two Sisters,” 36
Rubens, 56, 103, 121, 151
Ruisdael, 125
Ryks Museum, 62

S
Salamanca, 13
Sanguineto, Don Rafael, 162
Santa Forma, La [Coello], 63
Santiago [El Greco], 88
Santos Cruz, 44
Sardinia, 41
Sassoferrato, 139
Scene of May 3, 1808 [Goya], 185
“School of Madrid,” 106, 123, 134
Scipio the Younger, 6
Sebastian, S. [Carreño], 133
Self-Portrait [Murillo], 160
Seven Joys of Mary, The [Cano], 164
Seville, 42, 47, 62, 65, 89, 102, 150, 151, 152, 162, 164, 165, 169
Sicily, 22, 41
Siguenza, Father, 71
Silva, Juan Rodriguez de, father of Velasquez, 102
Simon, S. [Ribera], 146
Solis, Antonio de, poet, historian, dramatist, 18
Sorolla (Joaquin Sorolla y Bastida), 65, 192
Soult, Marshal, 23
Spagnoletto, Lo. See Ribera
Spain, historical sketch of, 3-24;
decline of, 171, 184;
character of art of, 4, 8, 25, 38, 39, 125, 133, 137, 145, 165, 171, 190;
source of, 41, 46;
geographical description of, 4, 5, 41, 129
“Spaniard of Jativa,” 136
Spanish character, 5, 11, 14, 27, 30, 47, 66, 87;
demoralization of, 171, 191
Spanish Succession, War of the, 22
Spinola, Marquis of, 103, 112
Stephen Conducted to Martyrdom, S. [Juanes], 46
Stevenson, R. A. M., 110
Stirling-Maxwell, Sir John, 71
Suetonius, 6
Surrender of Breda [Leonardo], 60
Surrender of Breda [Velasquez], 56, 103, 111, 126

T
Tagus, the, 73
Taking of Acqui [Leonardo], 60
Tapestry works, royal, 174
Taureaux de Bordeaux [Goya], 187
Telmo, San, 89
Temptation of Adam and Eve [Titian], 56
Temptation of S. Antony [unknown], 43
Teniers, 174
Theotocopuli, Domenico. See Greco
Theotocopuli, George Manuel, 71, 87, 89
Thomas, Apotheosis of S. [Zurbarán], 166
Thomas, S., Church of, 167
Tibaldi, Pelegrino, 52
Tiburcio de Redin, Portrait of [Rizi], 61
Tiepolo, 23, 65
Tintoretto, 66, 71, 103, 108, 111, 138
Titian, 19, 52, 53, 56, 66, 67, 78, 89, 111, 121, 126, 139, 151;
Gloria, 16;
Portraits of Charles I, 19;
Philip II, 19, 20
Toledo, 10, 13, 42, 51, 56, 61, 66, 69, 70, 71, 74, 86, 87
Tomé, Church of San, 82
Trinity, Holy [Ribera], 144
Tristan, Luis, 89
“Truth not painting,” 95, 101, 108, 120
Truth of appearances, 67, 119
Truth of representation, 92
Turner, 130

U
Ursula, S., 43
Utrecht, treaty of, 22

V
Valencia, province of, 10, 41;
school of, 41, 46, 54, 63, 64, 136, 162
Valladolid, 58
Van Dyke, 62, 151
Van Eyck, Jan, 94, 99
Van Goyen, 125
Van Loo, 22
Velasquez, Don Diego Rodriguez de Silva y, 19, 54, 55, 56, 57, 60, 61, 65, 67, 143, 148, 151, 157, 161, 165, 171, 178, 187, 189;
chapter on, 92-120;
point of view, 93;
“truth not painting,” 95;
artist’s vision, 96;
color, 97, 98;
impressionism, 100;
study of light, 100;
early life, 101, 102;
friendship with king, 103;
first visit to Italy, 103;
first period, 103, 104;
Aposentador Mayor, 104;
second period, 105;
second visit to Italy, 105;
Marshal of the Palace, 105;
third period, 105, 106;
death, 106;
alteration of canvases, 110;
neglect of, 120, 121;
pictures copied by Mazo, 122;
interest in landscape, 126;
compared with Goya, 181;
pictures by—first period:
Surrender of Breda, 103, 104, 111;
Forge of Vulcan, 103, 108;
Joseph’s Coat, 103;
Villa Medici, 103;
Adoration of the Shepherds, 107;
Adoration of the Kings, 107;
Lady with the Fan, 107;
Los Borrachos, 107;
Expulsion of the Morescoes, 111;
Doña Maria, 103;
Philip IV, Young, 107. Second period:
Christ at the Pillar, 105;
Sculptor Montañés, 105;
Don Juan de Austria, 105;
Don Baltasar Carlos, 98;
Equestrian Portraits of Philip IV, 105, 109;
Don Baltasar Carlos, 105, 109;
Count Olivares, 105, 108, 109;
Sportsman Portraits of Philip IV, 105, 113, 122;
Don Baltasar Carlos, 105, 113;
Don Fernando de Austria, 105, 113.
Third Period:
S. Antony Visiting S. Paul, 105;
Las Hilanderas, 105, 116;
Venus, 116;
Æsopus, 106;
Mœnippus, 106;
The God Mars, 106;
The Dwarf Antonio El Inglese, 106;
Las Meniñas, 95, 105, 108, 116, 119;
Pope Innocent X, 93, 105, 123;
Queen Mariana, 105;
Doña Maria Teresa, 105;
La Infanta Doña Margarita Maria, 105;
Philip IV, Old, 97, 105;
Cristobal de Pernía, 106
Velasquez, Geronimo, 102
Velasquez, Ignacia and Francisca, 102, 121
Velez de Guevara, 18
Venice, 51, 66, 74
Venus [Velasquez], 105, 116
Vermeer, Jan, 126
Veronese, 121
View of Buen Retiro [Mazo], 128
View of Delft [Vermeer], 126
View of the Arch of Titus [Mazo], 126
View of Zaragoza [Mazo], 127
Villa Medici [Velasquez], 103, 126
Vinci, Da, 45, 49, 99
Virgin and Saints, The [El Greco], 87
Virgin Blessing Various Monks, The [Zurbarán], 168
Virgin Caressing the Infant Jesus [Morales], 50
Visigoths, 8
Vision of Ezekiel [Collantes], 59
Vista of Toledo [El Greco], 71
Vocation of S. Matthew [Pareja], 58

W
Wallace collection, 104
Weavers, The, 105, 116
Weiss, Madame, 187
Wellington, Duke of, 23, 186
Weyden, Roger van der, 42
Whistler, 120

X
Ximenes de Cisneros, Cardinal, 13

Z
Zamacois, Edoardo, 192
Zaragoza, 173
Zegri, 11
Zucchero, Frederico, 52
Zuloaga, Ignacio, 65, 89, 192
Zurbarán, Francisco de, 44, 65, 146;
life, 165;
sympathy with monastic life, 166;
death, 169;
pictures by:
Apotheosis of S. Thomas Aquinas, 166;
Virgin Blessing Various Monks, 168;
Miracle of S. Hugo, 169