| FIG. | PAGE | ||
| 1. | TRANSITIONAL GOTHIC SUIT AT MUNICH | Frontispiece | |
| Face | |||
| 2. | GREAT HELMS AT BERLIN | 48 | |
| 3. | MOUNTED SUIT WITH BARDS, IN THE KUNGL. LIFRUSTKAMMAR COLLECTION, STOCKHOLM | 67 | |
| 4. | SHARFRENNEN AT MINDEN IN 1545 | 88 | |
| 5. | SUIT AT DRESDEN FOR SHARFRENNEN, DATE 1554 | 88 | |
| 6. | TILTING SUIT AT NUREMBERG, FOR THE GERMAN GESTECH | 90 | |
| 7. | TILTING SUIT FOR THE ITALIAN COURSE (WELSCHES GESTECH) | 91 | |
| 8. | AN ITALIAN COURSE AT AUGSBURG IN 1510 (WELSCHES GESTECH) | 91 | |
| 9. | ARMOUR FOR THE FREITURNIER AT DRESDEN | 92 | |
| 10. | REINFORCING PIECES FOR THE TOURNAMENT | 95 | |
| 11. | DO.DO.DO. | 95 | |
| 12. | TILTING HELM AT HAUGHTON CASTLE, NORTHUMBERLAND | 96 | |
| 13. | SALLADS, ETC. | 98 | |
| 14. | BRAYETTE IN CHAIN-MAIL, AT BERLIN | 109 | |
| 15. | PAGEANT SHIELD, FORMERLY IN THE COLLECTION OF PRINCE CARL OF PRUSSIA | 113 | |
| 16. | EFFIGY OF RICHARD BEAUCHAMP, EARL OF WARWICK, IN ST. MARY’S CHURCH, WARWICK | 119 | |
| 17. | GOTHIC SUIT AT SIGMARINGEN | 120 | |
| 18. | GOTHIC SUIT AT BERLIN | 122 | |
| 19. | GOTHIC SUIT, IN THE AUTHOR’S COLLECTION | 124 | |
| 20. | FLUTED MAXIMILIAN SUIT AT BERLIN | 127 | |
| 21. | FLUTED MAXIMILIAN SUIT AT MUNICH | 128 | |
| 22. | FLUTED MAXIMILIAN SUIT, WITH GROTESQUE HELMET | 128 | |
| 23. | PLAIN MAXIMILIAN SUIT, IN THE AUTHOR’S COLLECTION | 128 | |
| 24. | MOUNTED MAXIMILIAN SUIT, WITH BARDS | 130 | |
| 25. | SUIT WITH LAMBOYS, IN THE AUTHOR’S COLLECTION | 130 | |
| 26. | SUIT BY PETER VON SPEYER OF ANNABERG, DATED 1560 | 135 | |
| 27. | PLAIN DEMI-SUIT, IN THE AUTHOR’S COLLECTION | 136 | |
| 28. | BLACK AND WHITE DEMI-SUIT, IN THE AUTHOR’S COLLECTION | 137 | |
| 29. | LATE SUIT AT MUNICH, 1590–1620 | 137 | |
| 30. | LATE SUIT AT BRANCEPETH CASTLE, DURHAM | 138 | |
| ENRICHED ARMOUR. | |||
| 31. | SUITS BY JÖRG SEUSENHOFER, OF INNSBRUCK | 141 | |
| 32. | CUIRASS AND TASSETS AT DRESDEN | 141 | |
| 33. | SUIT AT ALNWICK CASTLE, NORTHUMBERLAND | 142 | |
| 34. | SOME DETAILS OF THE SUIT AT ALNWICK CASTLE | 144 | |
| 35. | SUIT BY LUCIO PICCININO, OF MILAN | 144 | |
| 36. | REPOUSSÉ ARMOUR AT BERLIN | 145 | |
| 37. | SUIT OF THE DUC D’OSUNA | 146 | |
| 38. | SOME DETAILS OF THE OSUNA SUIT | 147 | |
| 39. | SUIT BY ANTON PEFFENHAUSER, AT MADRID | 148 | |
| WEAPONS. | |||
| 40. | ENRICHED SWORD, SECOND HALF SIXTEENTH CENTURY | 156 | |
| 41. | HAND-GUNS, RENAISSANCE WORK | 157 | |
| 42. | TWO-HANDED SWORDS, FLAMBERGES, AND DAGGERS | 166 | |
| 43. | ANELACE AT BERLIN | 176 | |
| 44. | SWORD OF CHARLES V., ABOUT 1530 | 168 | |
| 45. | RAPIERS—GERMAN, SPANISH, AND ITALIAN | 169 | |
| 46. | SCHIAVONA, IN THE AUTHOR’S COLLECTION | 173 | |
| 47. | CROSSBOWS AND QUARRELS | 185 | |
| 48. | PRINCIPLE OF THE BALLISTA | 204 | |
| 49. | STAFF AND CLUB WEAPONS, ETC. | 204 | |
| 50. | EARLY ARTILLERY | 210 | |
| 51. | EARLY HAND-GUNS | 228 | |