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I'm sitting alone by the fire Dressed just as I came from the dance. (In color) Frontispiece |
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| Title. (In color) | |
| Publishers' Note—Headpiece | 5 |
| List of Designs—Headpiece | 7 |
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Her Letter—Half-title |
11 |
| Is wasting an hour upon you | 13 |
| That waits—on the stairs—for me yet | 15 |
| With whom do I waltz, flirt, or talk? | 17 |
| To look supernaturally grand | 19 |
| And the hum of the smallest of talk | 21 |
| With the man that shot Sandy McGee. (In color) | 23 |
| The man that shot Sandy McGee | 25 |
| Of that ride,—that to me was the rarest | 27 |
| And swam the North Fork, and all that | 29 |
| Mamma says my taste still is low | 31 |
| That my heart's somewhere there in the ditches | 33 |
| His Answer—Half-title | 35 |
| I should write what he runs off his tongue. (In color) | 37 |
| Being asked by an intimate party | 39 |
| That with you, Miss, he "challenges Fate" | 41 |
| Though the claim not, at date, paying wages | 43 |
| And the rose that you gave him. (In color) | 45 |
| Is frequent and painful and free | 47 |
| Imparts but small ease to the style | 49 |
| In this green laurel spray that he treasures | 51 |
| But he lies there quite peaceful and pensive | 53 |
| For I have a small favor to ask you | 55 |
| Here's my pile; which it's six hundred dollars | 57 |
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Her Last Letter—Half-title |
59 |
| That you last wrote the 4th of December | 61 |
| And you're not to be found in the ditches. (In color) | 63 |
| From this spot, that you said was the fairest | 65 |
| To London, when Pa wired, "Stop" | 67 |
| And as to the stories you've heard | 69 |
| Whose father sold clothes on the Bar | 71 |
| With a look, Joe, that made her eyes drop. (In color) | 73 |
| To find myself here, all alone | 75 |
| Ah! gone is the old necromancy | 77 |
| And you called the place Eden, you know. (In color) | 79 |
| And the copse where you once tied my shoe-knot | 81 |
| There's the rustle of silk on the sidewalk | 83 |
| But there's still the "lap, lap" of the river. (In color) | 85 |
| There's a lot that remains which one fancies | 87 |
| He thinks he may find you | 89 |
| And good-night to the cañon that answers | 91 |
| I've just got your note. You deceiver! | 93 |
| Now I know why they had me transferred here. (In color) | 95 |
| How dared you get rich—you great stupid! | 97 |
| The man who shot Sandy McGee | |
| You made mayor! | 99 |
| Tailpiece | 100 |
| BOOK I.—ON THE THRESHOLD. | |
|---|---|
| I. WITHOUT | 1 |
| II. WITHIN | 9 |
| III. GABRIEL | 21 |
| IV. NATURE SHOWS THEM THE WAY | 26 |
| V. OUT OF THE WOODS—INTO THE SHADOW | 30 |
| VI. FOOTPRINTS | 36 |
| VII. IN WHICH THE FOOTPRINTS BEGIN TO FADE | 40 |
| VIII. THE FOOTPRINTS GROW FAINTER | 43 |
| IX. IN WHICH THE FOOTPRINTS ARE LOST FOR EVER | 47 |
| BOOK II.—AFTER FIVE YEARS. | |
| I. ONE HORSE GULCH | 54 |
| II. MADAME DEVARGES | 65 |
| III. MRS. MARKLE | 74 |
| IV. IN WHICH THE ARTFUL GABRIEL IS DISCOVERED | 87 |
| V. SIMPLICITY versus SAGACITY | 95 |
| BOOK III.—THE LEAD. | |
| I. AN OLD PIONEER OF '49 | 108 |
| II. A CLOUD OF WITNESSES | 118 |
| III. THE CHARMING MRS. SEPULVIDA | 125 |
| IV. FATHER FELIPE | 132 |
| V. IN WHICH THE DONNA MARIA MAKES AN IMPRESSION | 140 |
| VI. THE LADY OF GRIEF | 151 |
| VII. A LEAF OUT OF THE PAST | 165 |
| VIII. THE BULLS OF THE BLESSED TRINITY | 171 |
| BOOK IV.—DRIFTING. | |
| I. MR. AND MRS. CONROY AT HOME | 178 |
| II. IN WHICH THE TREASURE IS FOUND—AND LOST | 191 |
| III. MR. DUMPHY MEETS AN OLD FRIEND | 205 |
| IV. MR. JACK HAMLIN TAKES A HOLIDAY | 212 |
| V. VICTOR MAKES A DISCOVERY | 222 |
| VI. AN EXPERT | 231 |
| BOOK V.—THE VEIN. | |
| I. IN WHICH GABRIEL RECOGNISES THE PROPRIETIES | 243 |
| II. TRANSIENT GUESTS AT THE GRAND CONROY | 257 |
| III. IN WHICH MR. DUMPHY TAKES A HOLIDAY | 266 |
| IV. MR. DUMPHY HAS NEWS OF A DOMESTIC CHARACTER | 280 |
| V. MRS. CONROY HAS AN UNEXPECTED VISITOR | 291 |
| VI. GABRIEL DISCARDS HIS HOME AND WEALTH | 299 |
| VII. WHAT PASSED UNDER THE PINE AND WHAT REMAINED THERE | 305 |
| BOOK VI.—A DIP. | |
| I. MR. HAMLIN'S RECREATION CONTINUED | 317 |
| II. MR. HAMLIN TAKES A HAND | 325 |
| III. MR DUMPHY TAKES POINSETT INTO CONFIDENCE | 338 |
| IV. MR. HAMLIN IS OFF WITH AN OLD LOVE | 349 |
| V. THE THREE VOICES | 354 |
| VI. MR. DUMPHY IS PERPLEXED BY A MOVEMENT IN REAL ESTATE | 363 |
| VII. IN WHICH BOTH JUSTICE AND THE HEAVENS FALL | 376 |
| VIII. IN TENEBRIS SERVARE FIDEM | 387 |
| IX. IN WHICH HECTOR ARISES FROM THE DITCH | 398 |
| BOOK VII.—THE BED ROCK. | |
| I. IN THE TRACK OF A STORM | 409 |
| II. THE YELLOW ENVELOPE | 423 |
| III. GABRIEL MEETS HIS LAWYER | 435 |
| IV. WHAT AH FE DOES NOT KNOW | 447 |
| V. THE PEOPLE v. JOHN DOE alias GABRIEL CONROY, AND JANE ROE alias JULIE CONROY | 452 |
| VI. IN REBUTTAL | 461 |
| VII. A FAMILY GREETING | 471 |
| VIII. IN WHICH THE FOOTPRINTS RETURN | 477 |
| IX. IN WHICH MR. HAMLIN PASSES | 481 |
| X. IN THE OLD CABIN AGAIN | 491 |
| XI. THE RETURN OF A FOOTPRINT | 495 |
| XII. FRAGMENT OF A LETTER FROM OLYMPIA CONROY TO GRACE POINSETT | 497 |