| PAGE | ||
| Preface | ix | |
| LETTER | ||
| I. | Co-operation | 1 |
| The two kinds of Co-operation.—In its highest sense it is not yet thought of. | ||
| II. | Contentment | 4 |
| Co-operation, as hitherto understood, is perhaps not expedient. | ||
| III. | Legislation | 7 |
| Of True Legislation.—That every Man may be a Law to himself. | ||
| IV. | Expenditure | 11 |
| The Expenses for Art and for War. | ||
| V. | Entertainment | 13 |
| The Corruption of Modern Pleasure.—(Covent Garden Pantomime.) | ||
| VI. | Dexterity | 18 |
| The Corruption of Modern Pleasure.—(The Japanese Jugglers.) | ||
| VII. | Festivity | 20 |
| Of the Various Expressions of National Festivity. | ||
| VIII. | Things Written | 22 |
| The Four Possible Theories respecting the Authority of the Bible. | ||
| IX. | Thanksgiving | 27 |
| The Use of Music and Dancing under the Jewish Theocracy, compared with their Use by the Modern French. | ||
| X. | Wheat-Sifting | 32 |
| The Meaning, and Actual Operation, of Satanic or Demoniacal Influence. | ||
| XI. | The Golden Bough | 38 |
| The Satanic Power is mainly Twofold: the Power of causing Falsehood and the Power of causing Pain. The Resistance is by Law of Honor and Law of Delight. | ||
| XII. | Dictatorship | 41 |
| The Necessity of Imperative Law to the Prosperity of States. | ||
| XIII. | Episcopacy and Dukedom | 45 |
| The Proper Offices of the Bishop and Duke; or, "Overseer" and "Leader." | ||
| XIV. | Trade-Warrant | 51 |
| The First Group of Essential Laws.—Against Theft by False Work, and by Bankruptcy.—Necessary Publicity of Accounts. | ||
| XV. | Per-Centage | 54 |
| The Nature of Theft by Unjust Profits.—Crime can finally be arrested only by Education. | ||
| XVI. | Education | 59 |
| Of Public Education irrespective of Class distinction. It consists essentially in giving Habits of Mercy, and Habits of Truth. (Gentleness and Justice.) | ||
| XVII. | Difficulties | 66 |
| The Relations of Education to Position in Life. | ||
| XVIII. | Humility | 68 |
| The harmful Effects of Servile Employments. The possible Practice and Exhibition of sincere Humility by Religious Persons. | ||
| XIX. | Broken Reeds | 73 |
| The General Pressure of Excessive and Improper Work, in English Life. | ||
| XX. | Rose-gardens | 78 |
| Of Improvidence in Marriage in the Middle Classes; nd of the advisable Restrictions of it. | ||
| XXI. | Gentillesse | 83 |
| Of the Dignity of the Four Fine Arts; and of the Proper System of Retail Trade. | ||
| XXII. | The Master | 88 |
| Of the Normal Position and Duties of the Upper Classes. General Statement of the Land Question. | ||
| XXIII. | Landmarks | 93 |
| Of the Just Tenure of Lands; and the Proper Functions of high Public Officers. | ||
| XXIV. | The Rod and Honeycomb | 101 |
| The Office of the Soldier. | ||
| XXV. | Hyssop | 108 |
| Of inevitable Distinction of Rank, and necessary Submission to Authority. The Meaning of Pure-Heartedness. Conclusion. | ||
| APPENDIX | PAGE | |
| I. | Expenditure on Science and Art | 119 |
| II. | Legislation of Frederick the Great | 120 |
| III. | Effect of Modern Entertainments on the Mind of Youth | 124 |
| IV. | Drunkenness as the Cause of Crime | 124 |
| V. | Abuse of Food | 126 |
| VI. | Regulations of Trade | 128 |
| VII. | Letter to the Editor of the Pall Mall Gazette | 130 |
| SEVEN LAMPS OF ARCHITECTURE. | |
| PAGE | |
| Preface | 5 |
| Introduction | 9 |
| CHAPTER I. | |
| The Lamp of Sacrifice | 15 |
| CHAPTER II. | |
| The Lamp of Truth | 34 |
| CHAPTER III. | |
| The Lamp of Power | 69 |
| CHAPTER IV. | |
| The Lamp of Beauty | 100 |
| CHAPTER V. | |
| The Lamp of Life | 142 |
| CHAPTER VI. | |
| The Lamp of Memory | 167 |
| CHAPTER VII. | |
| The Lamp of Obedience | 188 |
| Notes | 203 |
| LECTURES ON ARCHITECTURE AND PAINTING. | |
| Preface | 213 |
| Lecture I. | 217 |
| Lecture II. | 248 |
| Addenda to Lectures I. and II. | 270 |
| Lecture III. Turner and his Works | 287 |
| Lecture IV. Pre-Raphaelitism | 311 |
| Addenda to Lecture IV. | 334 |
| THE STUDY OF ARCHITECTURE. | |
| An Inquiry into the Study of Architecture | 339 |
| SEVEN LAMPS OF ARCHITECTURE | ||||||
| PLATE | PAGE | |||||
| I. | Ornaments from Rouen, St. Lo, and Venice | 33 | ||||
| II. | Part of the Cathedral of St. Lo, Normandy | 55 | ||||
| III. | Traceries from Caen, Bayeux, Rouen and Beavais | 60 | ||||
| IV. | Intersectional Mouldings | 66 | ||||
| V. | Capital from the Lower Arcade of the Doge's Palace, Venice | 88 | ||||
| VI. | Arch from the Facade of the Church of San Michele at Lucca | 90 | ||||
| VII. | Pierced Ornaments from Lisieux, Bayeux, Verona, and Padua | 93 | ||||
| VIII. | Window from the Ca' Foscari, Venice | 95 | ||||
| IX. | Tracery from the Campanile of Giotto, at Florence. | Frontispiece. | ||||
| X. | Traceries and Mouldings from Rouen and Salisbury | 122 | ||||
| XI. | Balcony in the Campo, St. Benedetto, Venice | 131 | ||||
| XII. | Fragments from Abbeville, Lucca, Venice and Pisa | 149 | ||||
| XIII. | Portions of an Arcade on the South Side of the Cathedral of Ferrara | 161 | ||||
| XIV. | Sculptures from the Cathedral of Rouen | 165 | ||||
| PAGE | |
| THE POLITICAL ECONOMY OF ART | 7 |
| Lecture I. | 11 |
| 1. Discovery | 23 |
| 2. Application | 28 |
| Lecture II. | 46 |
| 3. Accumulation | 46 |
| 4. Distribution | 65 |
| Addenda | 86 |
| Note 1.—"Fatherly Authority" | 86 |
| " 2.—"Right to Public Support" | 90 |
| " 3.—"Trial Schools" | 95 |
| " 4.—"Public Favour" | 101 |
| " 5.—"Invention of new wants" | 102 |
| " 6.—"Economy of Literature" | 104 |
| " 7.—"Pilots of the State" | 106 |
| " 8.—"Silk and Purple" | 107 |
| PAGE | |
| UNTO THIS LAST | 117 |
| Essay | |
| I.—The Roots of Honour | 127 |
| II.—The Veins of Wealth | 143 |
| III.—"Qui Judicatis Terram" | 156 |
| IV.—Ad Valorem | 173 |
| PAGE | |
| ESSAYS ON POLITICAL ECONOMY[A] | |
| I.—Maintenance of Life: Wealth, Money and Riches | 207 |
| Section 1. Wealth | 214 |
| " 2. Money | 219 |
| " 3. Riches | 222 |
| II.—Nature of Wealth, Variations of Value, The National Store, Nature of Labour, Value and Price, The Currency | 225 |
| III.—The Currency-holders and Store-holders, The Disease of Desire | 252 |
| IV.—Laws and Governments: Labour And Riches | 278 |
[A] These Essays were afterwards revised and amplified, and published with others under the title "Munera Pulveris."
| LECTURE I. | |
| February 8, 1872. | |
| Page | |
|
THE FUNCTION IN ART OF THE FACULTY CALLED BY THE GREEKS oio?a |
1 |
| LECTURE II. | |
| February 10, 1872. | |
|
THE FUNCTION IN SCIENCE OF THE FACULTY CALLED BY THE GREEKS oio?a |
25 |
| LECTURE III. | |
| February 15, 1872. | |
| THE RELATION OF WISE ART TO WISE SCIENCE | 46 |
| LECTURE IV. | |
| February 17, 1872. | |
|
THE FUNCTION IN ART AND SCIENCE OF THE VIRTUE CALLED BY THE GREEKS ouonio?ic |
74 |
| LECTURE V. | |
| February 22, 1872. | |
|
THE FUNCTION IN ART AND SCIENCE OF THE VIRTUE CALLED BY THE GREEKS a?oan?a?a |
89 |
| LECTURE VI. | |
| February 24, 1872. | |
| THE RELATION TO ART OF THE SCIENCE OF LIGHT | 114 |
| LECTURE VII. | |
| February 29, 1872. | |
|
THE RELATION TO ART OF THE SCIENCES OF INORGANIC FORM |
138 |
| LECTURE VIII. | |
| March 2, 1872. | |
|
THE RELATION TO ART OF THE SCIENCES OF ORGANIC FORM |
161 |
| LECTURE IX. | |
| March 7, 1872. | |
|
INTRODUCTION TO ELEMENTARY EXERCISES IN PHYSIOLOGIC ART. THE STORY OF THE HALCYON |
188 |
| LECTURE X. | |
| March 9, 1872. | |
|
INTRODUCTION TO ELEMENTARY EXERCISES IN HISTORIC ART. THE HERALDIC ORDINARIES |
225 |
| CHAPTER | PAGE | |
| I. | Ruskin's Chair | 1 |
| II. | Ruskin's "Jump" | 13 |
| III. | Ruskin's Gardening | 29 |
| IV. | Ruskin's Old Road | 45 |
| V. | Ruskin's "Cashbook" | 63 |
| VI. | Ruskin's Ilaria | 83 |
| VII. | Ruskin's Maps | 105 |
| VIII. | Ruskin's Drawings | 119 |
| IX. | Ruskin's Hand | 133 |
| X. | Ruskin's Music | 149 |
| XI. | Ruskin's Jewels | 165 |
| XII. | Ruskin's Library | 179 |
| XIII. | Ruskin's Bibles | 193 |
| XIV. | Ruskin's "Isola" | 213 |
| Index | 299 |
| Page | |
| Ruskin's Study at Brantwood | 5 |
| Brantwood Harbour in the Seventies | 17 |
| Coniston Hall and Boathouse | 18 |
| Ruskin's "Jump" adrift off Brantwood | 19 |
| The Ruskin Museum, Coniston | 22 |
| Trial Model for the Jumping Jenny | 25 |
| The Waterfall at Brantwood Door | 33 |
| Ruskin's Reservoir, Brantwood | 37 |
| Ruskin's Moorland Garden | 41 |
| On Ruskin's Old Road, between Morez and Les Rousses, 1882 | 53 |
| Lake of Geneva and Dent d'Oches under the Smoke-cloud | 57 |
| The Gorge of Monnetier and Buttresses of the Salève, 1882 | 61 |
| Mont Blanc clearing; Sallenches, Sept. 1882 | 67 |
| The Head of the Lake of Annecy | 71 |
| The Mont Cenis Tunnel in Snow, Nov. 11, 1882 | 75 |
| A Savoy Town in Snow, Nov. 1882 | 79 |
| The Palace of Paolo Guinigi, Lucca | 87 |
| Ilaria del Carretto; head of the Effigy | 91 |
| Thunderstorm clearing, Lucca | 95 |
| The Marble Mountains of Carrara from the Lucca Hills | 99 |
| Ruskin's first Map of Italy | 108 |
| Geology on the Old Road, by John Ruskin | 109 |
| Sketch of Spain, by John Ruskin | 112 |
| Physical Sketch of Savoy, by John Ruskin | 113 |
| The History of France, by John Ruskin | 117 |
| Early Journal at Coniston, by John Ruskin | 137 |
| Ruskin's Handwriting in 1836 | 139 |
| Ruskin's Handwriting in 1837 | 141 |
| Notes for "Stones of Venice," by John Ruskin | 143 |
| Ruskin's Handwriting in 1875 | 145 |
| Ruskin's Piano in Brantwood Drawing-room | 153 |
| John Ruskin in the Seventies, by Prof. B. Creswick | 157 |
| At Marmion's Grave; air by John Ruskin (two pages of Music) | 160 |
| "Trust Thou Thy Love," facsimile of music by John Ruskin | 163 |
| Gold as it Grows | 169 |
| Native Silver, by John Ruskin | 170 |
| Page from an early Mineral Catalogue, by John Ruskin | 171 |
| Letter on Snow Crystals, by John Ruskin | 174 |
| Diamond Diagrams, by John Ruskin | 175 |
| Ruskin's Swiss Figure | 185 |
| His "Nuremberg Chronicle" and Pocket "Horace" | 189 |
| The Bible from which John Ruskin learnt in Childhood | 197 |
| Sermon-book written by Ruskin as a Boy | 199 |
| Greek Gospels with Annotations by Ruskin | 201 |
| King Hakon's Bible, owned by Ruskin | 203 |
| An Illuminated Page of King Hakon's Bible | 207 |
| Lady Mount Temple, portrait by Edward Clifford | 217 |
| Lady Mount Temple, chalk drawing by G. F. Watts, R.A | 221 |
| Lady Mount Temple, 1886 | 223 |
| Lady Mount Temple, 1889 | 224 |