birth, 30;
School of Leyden, 40;
Amsterdam, 43;
Holland’s leading painter, 49;
life, 72;
etchings, 74:
personality, 75;
in Amsterdam, 76;
beginning of fame, 77;
marriage and death of Saskia, second marriage, 77;
bankruptcy, 78;
Fromentin’s criticism, 79, 85;
chiaroscuro, 80;
abstract idea, 88;
color, 91;
symbolism, 92;
Impressionist, 93;
compared with Hals, 96;
influence on genre, 102;
use of the arch, 104;
St. Paul, St. Jerome in a Cave, St. Simeon in the Temple, 76;
The Lesson in Anatomy, 76, 85;
Sortie of the Frans Banning Cock Company (The Night Watch), 77, 79, 81, 84;
The Syndics of the Cloth Guild, 78;
Portrait of Himself, 78;
Supper at Emmaus, 82, 148;
Good Samaritan, 82;
Portrait of Elizabeth Bas, 89;
Holy Family, 102;
Descent from the Cross, 103;
Elevation of the Cross, 103, 104;
Burial, Resurrection, Adoration of the Shepherds, Oriental Figure, Head and Bust of an Oriental, 104;
Tobit and the Angel, 172
Renaissance art, 72
Rest of the Holy Family [Bol], 154
Resurrection, The [Rembrandt], 104
Reunion of the Officers of the Archers of St. Andrew [Hals], 66, 67
Reverie [Maes], 114
Reyniers, Lysbeth, 51
Rijks Museum, Amsterdam, 44, 59;
The Enraged Swan, Asselyn, 44;
Fishers for Souls, Van de Venne, 44;
Syndics of the Cloth Guild, Rembrandt, 78;
Sortie of the Frans Banning Cock Company, Rembrandt, 78, 79, 81, 84;
Portrait of Elizabeth Bas, Rembrandt, 89;
The Egg Dance, Aertz, 107;
The Night School, Dou, 113;
A Reverie, Metsu, 114;
Asking a Blessing, Old Woman Spinning, Metsu, 115, 116;
The Blacksmith, Metsu, 117;
Old Woman in Meditation, Metsu, 118;
The Interior, The Pantry, De Hooch, 122;
The Cook, Vermeer, 137;
Young Woman Reading a Letter, Vermeer, 138;
A Homely Scene, The Happy Family, The Feast of St. Nicholas, Steen, 145;
The Prince’s Birthday, The Sick Lady, Steen, 146;
The Disciples at Emmaus, Steen, 148;
Isaac Blessing Jacob, Flinck, 151;
Portrait of M. Johannes Wittenbogaert, Fête of the Civic Guard, Münster, 1648, Flinck, 153;
Abraham Receiving the Angels, Salome Dancing before Herod, Bol, 154;
Six Governors of the Huiszittenhuis, Four Governors of the Leper House, Roelof Meulenaar, Maria Rey, Artus Quellinus, Bol, 156;
Portrait of Abraham de Notte, Decapitation of St. John the Baptist, Fabritius, 157;
Woman Taken in Adultery, Eeckhout, 158;
Three Portraits, De Gelder, 161;
Portrait of Dirck Bas Jacobsz Family, Four Ladies of the Spinhuis, Santvoort, 161;
Banquet of the Civic Guard, Van der Helst, 57, 164;
Portrait of Paul Potter, Van der Helst, 163;
Company of Captain Cloeck, Family Meebeeck Cruywaghen, Portrait of Pieter Schout, De Keyser, 166;
Maria van Utrecht, The Little Princess, Moreelse, 167;
Four Portraits of Joost van den Vondel, Two Landscapes with Cattle, Koninck, 173;
Landscape, Everdingen, 175;
The Bear Hunt, Potter, 180;
Portrait of the Van de Velde Family, Van de Velde, 183;
Charles II Entering Rotterdam, 24 May, 1660, Verschuier, 186;
Landscape, Van Goyen, 188;
View of Haarlem from the Dunes, Jacob van Ruisdael, 197;
Mill near Wyk-by-Duurstede, Jacob van Ruisdael, 199
River [Van Goyen], 188
Rotterdam, birthplace of De Hooch, 120;
Vlieger, 185;
Verschuier, 185
Rubens, Peter Paul, 18
Ruisdael, Jacob van, compared to Goyen, 189;
appreciation, 193;
life, 194;
increase of power, 196;
compared to Rembrandt, 200;
Landscape with Waterfall, 194;
Castle Bentheim, 195;
Village in the Wood, 196;
View of Haarlem from the Hill of Overveen, 197;
The Beach, Shore at Scheveningen, 198;
The Mill near Wyk-by-Duurstede, The Swamp in the Wood, The Oak Wood, The Big Wood, Landscape with Fence, 199;
Jewish Cemetery, 200
Ruisdael, Salomon van, 174

S
St. Simeon in the Temple [Rembrandt], 76
Salome Dancing before Herod [Bol], 151
Santvoort, Dirck Dircksz, 151;
appreciation, 161;
Portrait of Dirck Bas Jacobsz Family, Four Ladies of the Spinhuis, 161;
Four Governors of the Serge Hall, Frederick Dircksz Alewyn, Agatha Geelvinck, Martinus Alewyn, Clara Alewyn, 162
Saskia van Uylenborch, 77
Schalcken, Godfried, 42;
influenced by Dou, 111;
appreciation, 125
Schatter, Captain Johan, 66
Scovel, Jan van, life, 16;
appreciation, 17;
portrait group of twelve Knights Templars, 17
Seghers, Hercules, 19;
born at Amsterdam, 43;
appreciation, 169;
influenced Koninck, 173, 174;
Holland Landscape with the Hamlet of Rhenen, Landscape, 169
Shore at Scheveningen [Jacob van Ruisdael], 198
Sick Woman, The [Van Mieris], 123
Sidney, Sir Philip, 25
Sleeping Girl [Vermeer], 136
Slingeland, Pieter Cornelisz van, influenced by Dou, 111, 126
Sortie of the Frans Banning Cock Company [Rembrandt], 77, 79
Spain, downfall of, 26
Spanish Fury, 22
Steen, Jan, 31;
school, 39, 40;
appreciation, 141;
humor, 143;
life, 144;
stories of reckless life, 145;
A Homely Scene, Feast of St. Nicholas, Happy Family, 145;
The Christening Party, While the Old Ones Sing the Young Ones Pipe, Twelfth Night, The Prince’s Birthday, The Sick Lady, 146;
Doctor Visiting a Sick Young Woman, A Doctor’s Visit, 147;
The Marriage at Cana, Expulsion of Hagar, Disciples at Emmaus, 148
Still-life, Dutch interest in, 31;
Van Heem, Weenix, Kalf, Hondecoeter, 31, 38
Stoffels, Hendrickje, 78
Supper at Emmaus [Rembrandt], 82, 148
Swamp in the Wood [Jacob van Ruisdael], 199
Swanenburch, Jacob van, 41;
teacher of Rembrandt, 73
Symbolism, 95, 197, 200
Syndics of the Cloth Guild [Rembrandt], 56

T
Technique, as a motive, 28
Terborch, Gerard, 30;
school, 39;
pupil of Hals, 99;
appreciation, 127;
life, 128;
influence of Hals, Rembrandt, and Velasquez, 128;
portraits, 128;
color, 131;
The Peace of Münster, 127;
The Gallant Soldier, 129;
The Concert, Officer Writing a Letter, Lady Washing her Hands, Old Woman Peeling Apples, 130
Tintoretto, 14
Titian, 14
Tobit and the Angel [Rembrandt], 172
Tulp, Dr., 76
Twelfth Night [Steen], 146

U
Uffizi Gallery, Florence, Landscape, Seghers, 169
Union of Utrecht, 23
Utrecht, school of painting:
Scovel, 16;
birthplace of Moreelse, 167;
residence of Scovel, 16;
Moreelse, 167;
Seghers, 170
Uylenborch, Saskia van, 77

V
Valckenborch, Lucas van, 107;
appreciation, 126
Values, 134
Vanderbilt, W. K., collector, 104
Vegetable Market, The [Metsu], 118
Velasquez, 60;
influenced Rembrandt, 93;
Hals, 97
Velde, Adriaen van de, 31, 43, 178;
appreciation, 183, 196;
Family of Van de Velde, 183
Velde, Esaias van de, 39, 187
Velde, Willem van de, the Elder, 30, 184;
appreciation, 186
Velde, Willem van de, the Younger, 44;
appreciation, 186
Venne, Adriaen van de, 44
Vermeer, Johannes, 31;
school, 41;
life, 132;
appreciation, 132;
comparison with Rembrandt, 133;
plein-air, 170;
The Proposal, 134;
Girl with Water-Jug, 135, 139;
Diana at her Toilet, New Testament, Head of a Girl, Diana and her Nymphs, 135;
Sleeping Girl, View of Delft, 136;
The Cook, 137;
The Letter, Young Woman Reading a Letter, Lady with Pearl Necklace, 138;
Lady with a Lute, Lady Writing, The Lace-Maker, 139;
The Coquette, Lady at a Spinet, The Music Lesson, The Artist in his Studio, 140;
Portrait of a Lady, 141
Veronese, Paolo, 14
Verschuier, Lieve, 185;
Charles II Entering Rotterdam, 186
Veth, Jan, 182
Vienna Art-History Museum, 107;
A Lady and her Doctor, Cavalier in a Shop, Mieris, 124;
Old Woman Peeling Apples, Terborch, 130;
Gray-Bearded Man, Flinck, 152;
The Big Wood, Ruisdael, 199
Vienna Imperial Art Museum:
Moonlight and Winter Landscapes, Van der Neer, 177;
Landscape with Fence, Jacob van Ruisdael, 199
View of Arnheim [Van Goyen], 188
View of Delft [Vermeer], 137
View of Dordrecht [Van Goyen], 188
View of Nimwegen [Van Goyen], 188
Visit, The [De Hooch], 138
Visit to the Nursery [Metsu], 119
Vlieger, Simon de, 34, 44;
appreciation, 185
Vondel, Joost van den, Portrait of [Koninck], 173
Vroom, Hendrick Cornelisz, 185

W
Wagner, quotation on art, 4
Wallace Collection:
Winter Scene, Van der Neer, 177;
Landscape with Cattle, Cuyp, 182
Water Mill [Hobbema], 191
Water Mill (Louvre) [Hobbema], 191
Watteau, 5
Weenix, Jan, 31;
school, 38, 43
Westphalia, Treaty of, 46
When the Old Ones Sing the Young Ones Pipe [Steen], 146
Whistler, 95
William, Prince of Orange, 8;
resists Spain, 21;
price put on his head, 23;
offered the crown, 24;
death, 25
William III of England, 47
Wine Contract, The [Eeckhout], 160
Witt, Johan de, 46
Woman Taken in Adultery [Eeckhout], 158
Wooded Landscape [Hobbema], 191
Wooded Road [Hobbema], 191
Wouwerman, Philips, 30, 174;
school, 39;
pupil of Hals, 99, 178;
appreciation, 180, 184, 195
Wynants, Jan, 30, 174, 175;
school, 39, 43, 84

Y
Young Bull, The [Potter], 179
Young Card-Players, The [Maes], 114, 116
Young Man and Girl in a Cellar [Dou], 113
Young Mother, The [Dou], 103
Young Woman Reading a Letter [Vermeer], 138