| page | |
| The Hosting of the Sidhe | 1 |
| The Everlasting Voices | 3 |
| The Moods | 4 |
| Aedh tells of the Rose in his Heart | 5 |
| The Host of the Air | 7 |
| Breasal the Fisherman | 10 |
| A Cradle Song | 11 |
| Into the Twilight | 13 |
| The Song of Wandering Aengus | 15 |
| The Song of the old Mother | 17 |
| The Fiddler of Dooney | 18 |
| The Heart of the Woman | 20 |
| Aedh Laments the Loss of Love | 21 |
| Mongan laments the Change that has come upon him and his Beloved | 22 |
| Michael Robartes bids his Beloved be at Peace | 24 |
| Hanrahan reproves the Curlew | 26 |
| Michael Robartes remembers forgotten Beauty | 27 |
| A Poet to his Beloved | 29 |
| Aedh gives his Beloved certain Rhymes | 30 |
| To my Heart, bidding it have no Fear | 31 |
| The Cap and Bells | 32 |
| The Valley of the Black Pig | 35 |
| Michael Robartes asks Forgiveness because of his many Moods | 37 |
| Aedh tells of a Valley full of Lovers | 40 |
| Aedh tells of the perfect Beauty | 42 |
| Aedh hears the Cry of the Sedge | 43 |
| Aedh thinks of those who have spoken Evil of his Beloved | 44 |
| The Blessed | 45 |
| The Secret Rose | 47 |
| Hanrahan laments because of his Wanderings | 51 |
| The Travail of Passion | 52 |
| The Poet pleads with his Friend for old Friends | 54 |
| Hanrahan speaks to the Lovers of his Songs in coming Days | 55 |
| Aedh pleads with the Elemental Powers | 57 |
| Aedh wishes his Beloved were Dead | 59 |
| Aedh wishes for the Cloths of Heaven | 60 |
| Mongan thinks of his past Greatness | 61 |
| Notes | 65 |
| page | |
| The Wild Swans at Coole | 1 |
| In Memory of Major Robert Gregory | 4 |
| An Irish Airman foresees his Death | 13 |
| Men improve with the Years | 14 |
| The Collar-Bone of a Hare | 15 |
| Under the Round Tower | 17 |
| Solomon to Sheba | 19 |
| The Living Beauty | 21 |
| A Song | 22 |
| To a Young Beauty | 23 |
| To a Young Girl | 24 |
| The Scholars | 25 |
| Tom O'Roughley | 26 |
| The Sad Shepherd | 27 |
| Lines written in Dejection | 39 |
| The Dawn | 40 |
| On Woman | 41 |
| The Fisherman | 44 |
| The Hawk | 46 |
| Memory | 47 |
| Her Praise | 48 |
| The People | 50 |
| His Phoenix | 54 |
| A Thought from Propertius | 58 |
| Broken Dreams | 59 |
| A Deep-Sworn Vow | 63 |
| Presences | 64 |
| The Balloon of the Mind | 66 |
| To a Squirrel at Kyle-Na-Gno | 67 |
| On being asked for a War Poem | 68 |
| In Memory of Alfred Pollexfen | 69 |
| Upon a Dying Lady | 72 |
| Ego Dominus Tuus | 79 |
| A Prayer on going into my House | 86 |
| The Phases of the Moon | 88 |
| The Cat and the Moon | 102 |
| The Saint and the Hunchback | 104 |
| Two Songs of a Fool | 106 |
| Another Song of a Fool | 108 |
| The Double Vision of Michael Robartes | 109 |
| Note | 115 |
| WHAT IS ‘POPULAR POETRY’? | 1 |
| SPEAKING TO THE PSALTERY | 16 |
| MAGIC | 29 |
| THE HAPPIEST OF THE POETS | 70 |
| THE PHILOSOPHY OF SHELLEY’S POETRY | 90 |
| AT STRATFORD-ON-AVON | 142 |
| WILLIAM BLAKE AND THE IMAGINATION | 168 |
| WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE COMEDY | 176 |
| SYMBOLISM IN PAINTING | 226 |
| THE SYMBOLISM OF POETRY | 237 |
| THE THEATRE | 257 |
| THE CELTIC ELEMENT IN LITERATURE | 270 |
| THE AUTUMN OF THE BODY | 296 |
| THE MOODS | 306 |
| THE BODY OF THE FATHER CHRISTIAN ROSENCRUX | 308 |
| THE RETURN OF ULYSSES | 312 |
| IRELAND AND THE ARTS | 320 |
| THE GALWAY PLAINS | 333 |
| EMOTION OF MULTITUDE | 339 |
| Prophet, Priest and King | Page 1 |
| Personality and the Intellectual Essences | 5 |
| The Musician and the Orator | 9 |
| A Banjo Player | 10 |
| The Looking-glass | 11 |
| The Tree of Life | 12 |
| The Praise of Old Wives’ Tales | 15 |
| The Play of Modern Manners | 16 |
| Has the Drama of Contemporary Life a Root of its Own | 18 |
| Why the Blind Man in Ancient Times was made a Poet | 20 |
| Concerning Saints and Artists | 24 |
| The Subject Matter of Drama | 27 |
| The Two Kinds of Asceticism | 30 |
| In the Serpent’s Mouth | 32 |
| The Black and the White Arrows | 33 |
| His Mistress’s Eyebrows | 33 |
| The Tresses of the Hair | 35 |
| A Tower on the Apennine | 36 |
| The Thinking of the Body | 37 |
| Religious Belief necessary to symbolic Art | 39 |
| The Holy Places | 41 |
| PAGE | |
| Thoughts on Lady Gregory’s Translations | |
| I. Cuchulain and his Cycle | 1 |
| II. Fion and his Cycle | 12 |
| Preface to the First Edition of the Well of the Saints | 36 |
| Discoveries | |
| Prophet, Priest and King | 49 |
| Personality and the Intellectual Essences | 56 |
| The Musician and the Orator | 61 |
| A Guitar Player | 63 |
| The Looking-glass | 65 |
| The Tree of Life | 67 |
| The Praise of Old Wives’ Tales | 71 |
| The Play of Modern Manners | 73 |
| Has the Drama of Contemporary Life a Root of its Own? | 76 |
| Why the Blind Man in Ancient Times was made a Poet | 79 |
| Concerning Saints and Artists | 85 |
| The Subject Matter of Drama | 89 |
| The Two Kinds of Asceticism | 94 |
| In the Serpent’s Mouth | 97 |
| The Black and the White Arrows | 99 |
| His Mistress’s Eyebrows | 100 |
| The Tresses of the Hair | 103 |
| A Tower on the Apennines | 104 |
| The Thinking of the Body | 106 |
| Religious Belief Necessary to Religious Art | 109 |
| The Holy Places | 113 |
| Poetry and Tradition | 116 |
| Preface to the First Edition of John M. Synge’s Poems and Translations | 139 |
| J. M. Synge and the Ireland of his Time | 146 |
| The Tragic Theatre | 196 |
| John Shawe-Taylor | 208 |
| Edmund Spenser | 213 |
| PAGE | |
| Book I | |
| Four Years 1887-1891 | 3 |
| Book II | |
| Ireland after the Fall of Parnell | 83 |
| Book III | |
| Hodos Camelionis | 135 |
| Book IV | |
| The Tragic Generation | 157 |
| Book V | |
| The Stirring of the Bones | 225 |
| PAGE | ||
| Responsibilities, 1912-1914— | ||
| Introductory Rhymes | 1 | |
| The Grey Rock | 3 | |
| The Two Kings | 11 | |
| To a Wealthy Man | 29 | |
| September 1913 | 32 | |
| To a Friend whose Work has come to Nothing | 34 | |
| Paudeen | 35 | |
| To a Shade | 36 | |
| When Helen Lived | 39 | |
| The Attack on 'The Playboy of the Western World,'—1907 | 40 | |
| The Three Beggars | 41 | |
| The Three Hermits | 45 | |
| Beggar to Beggar cried | 47 | |
| The Well and the Tree | 49 | |
| Running to Paradise | 50 | |
| The Hour before Dawn | 52 | |
| The Player Queen | 59 | |
| The Realists | 61 | |
| The Witch | 62 | |
| The Peacock | 63 | |
| The Mountain Tomb | 64 | |
| To a Child dancing in the Wind | 66 | |
| A Memory of Youth | 68 | |
| Fallen Majesty | 70 | |
| Friends | 71 | |
| The Cold Heaven | 73 | |
| That the Night come | 75 | |
| An Appointment | 76 | |
| The Magi | 77 | |
| The Dolls | 78 | |
| A Coat | 80 | |
| Closing Rhymes | 81 | |
| From the Green Helmet and other Poems, 1909-1912— | ||
| His Dream | 85 | |
| A Woman Homer sung | 87 | |
| The Consolation | 89 | |
| No Second Troy | 91 | |
| Reconciliation | 92 | |
| King and No King | 94 | |
| Peace | 96 | |
| Against Unworthy Praise | 97 | |
| The Fascination of What's Difficult | 99 | |
| A Drinking Song | 101 | |
| The Coming of Wisdom with Time | 102 | |
| On hearing that the Students of our New University have joined the Ancient Order of Hibernians | 103 | |
| To a Poet | 104 | |
| The Mask | 105 | |
| Upon a House shaken by the Land Agitation | 106 | |
| At the Abbey Theatre | 108 | |
| These are the Clouds | 110 | |
| At Galway Races | 112 | |
| A Friend's Illness | 113 | |
| All Things can tempt me | 114 | |
| The Young Man's Song | 115 | |
| The Hour-Glass—1912 | 117 | |
| Notes | 181 | |