PAGE FROM THE PRAYER-BOOK OF JUANA OF CASTILE
Fac-simile example of Book Illumination in the Sixteenth Century.

"On the thirteenth of February, 1788, the sittings of the Court commenced. There have been spectacles more dazzling to the eye, more gorgeous with jewellery and cloth of gold, more attractive to grown-up children, than that which was then exhibited at Westminster; but, perhaps, there never was a spectacle so well calculated to strike a highly cultivated, a reflecting, an imaginative mind. All the various kinds of interests which belong to the near and to the distant, to the present and to the past, were collected on one spot, and in one hour. All the talents and all the accomplishments which are developed by liberty and civilization were now displayed, with every advantage that could be derived both from co-operation and from contrast. Every step in the proceedings carried the mind either backward, through many troubled centuries, to the days when the foundations of our constitution were laid; or far away, over boundless seas and deserts, to dusky nations living under strange stars, worshipping strange gods, and writing strange characters from right to left. The High Court of Parliament was to sit, according to forms handed down from the days of the Plantagenets, on an Englishman accused of exercising tyranny over the lord of the holy city of Benares, and over the ladies of the princely house of Oude.

"The place was worthy of such a trial. It was the great Hall of William Rufus, the hall which had resounded with acclamations at the inauguration of thirty kings, the hall which had witnessed the just sentence of Bacon and the just absolution of Somers, the hall where the eloquence of Strafford had for a moment awed and melted a victorious party inflamed with just resentment, the hall where Charles had confronted the High Court of Justice with the placid courage which has half redeemed his fame. Neither military nor civil pomp was wanting. The avenues were lined with grenadiers. The streets were kept clear by cavalry. The peers, robed in gold and ermine, were marshalled by the heralds under Garter King at-arms. The judges in their vestments of state attended to give advice on points of law. Near a hundred and seventy lords, three-fourths of the Upper House as the Upper House then was, walked in solemn order from their usual place of assembling to the tribunal. The junior baron present led the way, George Eliot Lord Heathfield, recently ennobled for his memorable defence of Gibraltar against the fleets and armies of France and Spain. The long procession was closed by the Duke of Norfolk, Earl Marshal of the realm, by the great dignitaries, and by the brothers and sons of the King. Last of all came the Prince of Wales, conspicuous by his fine person and noble bearing. The gray old walls were hung with scarlet. The long galleries were crowded by an audience such as has rarely excited the fears or the emulation of an orator. There were gathered together, from all parts of a great, free, enlightened, and prosperous empire, grace and female loveliness, wit and learning, the representatives of every science and of every art. There were seated round the Queen the fair-haired young daughters of the house of Brunswick. There the Ambassadors of great Kings and Commonwealths gazed with admiration on a spectacle which no other country in the world could present. There Siddons, in the prime of her majestic beauty, looked with emotion on a scene surpassing all the imitations of the stage. There the historian of the Roman Empire thought of the days when Cicero pleaded the cause of Sicily against Verres, and when, before a senate which still retained some show of freedom, Tacitus thundered against the oppressor of Africa. There were seen, side by side, the greatest painter and the greatest scholar of the age. The spectacle had allured Reynolds from that easel which has preserved to us the thoughtful foreheads of so many writers and statesmen, and the sweet smiles of so many noble matrons. It had induced Parr to suspend his labors in that dark and profound mine from which he had extracted a vast treasure of erudition, a treasure too often buried in the earth, too often paraded with injudicious and inelegant ostentation, but still precious, massive, and splendid. There appeared the voluptuous charms of her to whom the heir of the throne had in secret plighted his faith. There too was she, the beautiful mother of a beautiful race, the Saint Cecilia whose delicate features, lighted up by love and music, art has rescued from the common decay. There were the members of that brilliant society which quoted, criticised, and exchanged repartees, under the rich peacock-hangings of Mrs. Montague. And there the ladies whose lips, more persuasive than those of Fox himself, had carried the Westminster election against palace and treasury, shone round Georgiana, Duchess of Devonshire."[319]

This evocation of the national history, glory, and constitution forms a picture of a unique kind. The species of patriotism and poetry which it reveals is an abstract of Macaulay's talent; and the talent, like the picture, is thoroughly English.


Section VII.—Estimate of Macaulay's Work

Thus prepared, he entered upon the history of England; and he chose therefrom the period best suited to his political opinions, his style, his passion, his knowledge, the national taste, the sympathy of Europe. He related the establishment of the English constitution, and concentrated all the rest of history about this unique event, "the finest in the world," to the mind of an Englishman and a politician. He brought to this work a new method of great beauty, extreme power; its success has been extraordinary. When the second volume appeared, 30,000 copies were ordered beforehand. Let us try to describe this history, to connect it with that method, and that method to that order of mind.

The history is universal and not broken. It comprehends events of every kind, and treats of them simultaneously. Some have related the history of races, others of classes, others of governments, others of sentiments, ideas, and manner; Macaulay has related all.

"I should very imperfectly execute the task which I have undertaken if I were merely to treat of battles and sieges, of the rise and fall of administrations, of intrigues in the palace, and of debates in the parliament. It will be my endeavor to relate the history of the people as well as the history of the government, to trace the progress of useful and ornamental arts, to describe the rise of religious sects and the changes of literary taste, to portray the manners of successive generations, and not to pass by with neglect even the revolutions which have taken place in dress, furniture, repasts, and public amusements. I shall cheerfully bear the reproach of having descended below the dignity of history, if I can succeed in placing before the English of the nineteenth century a true picture of the life of their ancestors."[320]

He kept his word. He has omitted nothing, and passed nothing by. His portraits are mingled with his narrative. We find those of Danby, Nottingham, Shrewsbury, Howe, during the account of a session, between two parliamentary divisions. Short, curious anecdotes, domestic details, the description of furniture, intersect without disjointing, the record of a war. Quitting the narrative of important business, we gladly look upon the Dutch tastes of William, the Chinese museum, the grottoes, the mazes, aviaries, ponds, geometrical garden-beds, with which he defaced Hampton Court. A political dissertation precedes or follows the relation of a battle; at other times the author is a tourist or a psychologist before becoming a politician or a tactician. He describes the Highlands of Scotland, semi-papistical and semi-pagan, the seers wrapped in bulls' hides to await the moment of inspiration, Christians making libations of milk or beer to the demons of the place; pregnant women, girls of eighteen, working a wretched patch of oats, whilst their husbands or fathers, athletic men, basked in the sun; robbery and barbarities looked upon as honorable deeds; men stabbed from behind or burnt alive; repulsive food, coarse oats, and cakes made of the blood of a live cow, offered to guests as a mark of favor and politeness; infected hovels where men lay on the bare ground, and where they woke up half smothered, half blinded by the smoke, and half mad with the itch. The next instant he stops to mark a change in the public taste, the horror then experienced on account of these brigands' retreats, this country of wild rocks and barren moors; the admiration now felt for this land of heroic warriors, this country of grand mountains, seething waterfalls, picturesque defiles. He finds in the progress of physical welfare the causes of this moral revolution, and concludes that, if we praise mountains and an uncivilized life, it is because we are satiated with security. He is successively an economist, a literary man, a publicist, an artist, a historian, a biographer, a story-teller, even a philosopher; by this diversity of parts he imitates the diversity of human life, and presents to the eyes, heart, mind, all the faculties of man, the complete history of the civilization of his country.

Others, like Hume, have tried, or are trying to do it. They set forth now religious matters, a little further political events, then literary details, finally general considerations on the change of society and government, believing that a collection of histories is history, and that parts joined endwise are a body. Macaulay did not believe it and he did well. Though English, he had the spirit of harmony. So many accumulated events form with him not a total, but a whole. Explanations, accounts, dissertations, anecdotes, illustrations, comparisons, allusions to modern events, everything is connected in his book. It is because everything is connected in his mind. He had a most lively consciousness of causes; and causes unite facts. By them scattered events are assembled into a single event; they unite them because they produce them, and the historian, who seeks them all out, cannot fail to perceive or to feel the unity which is their effect. Read, for instance, the voyage of James II to Ireland: no picture is more curious. Is it, however, nothing more than a curious picture? When the king arrived at Cork there were no horses to be found. The country is a desert. No more industry, cultivation, civilization, since the English and Protestant colonists were driven out, robbed and slain. James was received between two hedges of half-naked Rapparees, armed with skeans, stakes, and half-pikes; under his horse's feet they spread by way of carpet the rough frieze mantles, such as the brigands and shepherds wore. He was offered garlands of cabbage stalks for crowns of laurel. In a large district he only found two carts. The palace of the lord-lieutenant in Dublin was so ill-built that the rain drenched the rooms. The king left for Ulster; the French officers thought they were travelling "through the deserts of Arabia." The Count d'Avaux wrote to the French court that to get one truss of hay they had to send five or six miles. At Charlemont, with great difficulty, as a matter of favor, they obtained a bag of oatmeal for the French legation. The superior officers lay in dens which they would have thought too foul for their dogs. The Irish soldiers were half-savage marauders, who could only shout, cut throats, and disband. Ill fed on potatoes and sour milk, they cast themselves like starved men on the great flocks belonging to the Protestants. They greedily tore the flesh of oxen and sheep, and swallowed it half raw and half rotten. For lack of kettles, they cooked it in the skin. When Lent began, the plunderers generally ceased to devour, but continued to destroy. A peasant would kill a cow merely in order to get a pair of brogues. At times a band slaughtered fifty or sixty beasts, took the skins, and left the bodies to poison the air. The French ambassador reckoned that in six weeks there had been slain 50,000 horned cattle, which were rotting on the ground. They counted the number of the sheep and lambs slain at 400,000. Cannot the result of the rebellion be seen before-hand? What could be expected of these gluttonous serfs, so stupid and savage? What could be drawn from a devastated land, peopled with robbers? To what kind of discipline could these marauders and butchers be subjected? What resistance will they make on the Boyne, when they see William's old regiments, the furious squadrons of French refugees, the enraged and insulted Protestants of Londonderry and Enniskillen, leap into the river and run with uplifted swords against their muskets? They will flee, the king at their head; and the minute anecdotes scattered amidst the account of receptions, voyages, and ceremonies, will have announced the victory of the Protestants. The history of manners is thus seen to be involved in the history of events; the one is the cause of the other, and the description explains the narrative.

It is not enough to see some causes; we must see a great many of them. Every event has a multitude. Is it enough for me, if I wish to understand the action of Marlborough or of James, to be reminded of a disposition or a quality which explains it? No; for, since it has for a cause a whole situation and a whole character, I must see at one glance and in abstract the whole character and situation which produced it. Genius concentrates. It is measured by the number of recollections and ideas which it assembles in one point. That which Macaulay has assembled is enormous. I know no historian who has a surer, better furnished, better regulated memory. When he is relating the actions of a man or a party, he sees in an instant all the events of his history, and all the*maxims of his conduct; he has all the details present; he remembers them every moment, and a great many of them. He has forgotten nothing; he runs through them as easily, as completely, as surely, as on the day when he enumerated or wrote them. No one has so well taught or known history. He is as much steeped in it as his personages. The ardent Whig or Tory, experienced, trained to business, who rose and shook the House, had not more numerous, better arranged, more precise arguments. He did not better know the strength and weakness of his cause; he was not more familiar with the intrigues, rancors, variation of parties, the chances of the strife, individual and public interests. The great novelists penetrate the soul of their characters, assume their feelings, ideas, language; it seems as if Balzac had been a commercial traveller, a female doorkeeper, a courtesan, an old maid, a poet, and that he had spent his life in being each of these personages: his existence is multiplied, and his name is legion. With a different talent, Macaulay has the same power: an incomparable advocate, he pleads an infinite number of causes; and he is master of each cause, as fully as his client. He has answers for all objections, explanations for all obscurities, reasons for all tribunals. He is ready at every moment, and on all parts of his case. It seems as if he had been Whig, Tory, Puritan, Member of the Privy Council, Ambassador. He is not a poet like Michelet; he is not a philosopher like Guizot; but he possesses so well all the oratorical powers, he accumulates and arranges so many facts, he holds them so closely in his hand, he manages them with so much ease and vigor, that he succeeds in recomposing the whole and harmonious woof of history, not losing or separating one thread. The poet reanimates the dead; the philosopher formulates creative laws; the orator knows, expounds, and pleads causes. The poet resuscitates souls, the philosopher composes a system, the orator redisposes chains of arguments; but all three march towards the same end by different routes, and the orator, as well as his rivals, and by other means than his rivals, reproduces in his work the unity and complexity of life.

A second feature of this history is clearness. It is popular; no one explains better, or so much, as Macaulay. It seems as if he were making a wager with his reader, and said to him: Be as absent in mind, as stupid, as ignorant as you please; in vain you will be absent in mind, you shall listen to me; in vain you will be stupid, you shall understand; in vain you will be ignorant, you shall learn. I will repeat the same idea in so many different forms, I will make it sensible by such familiar and precise examples, I will announce it so clearly at the beginning, I will resumé it so carefully at the end, I will mark the divisions so well, follow the order of ideas so exactly, I will display so great a desire to enlighten and convince you, that you cannot help being enlightened and convinced. He certainly thought thus when he was preparing the following passage on the law which, for the first time, granted to Dissenters the liberty of exercising their worship:

"Of all the Acts that have ever been passed by Parliament, the Toleration Act is perhaps that which most strikingly illustrates the peculiar vices and the peculiar excellences of English legislation. The science of Politics bears in one respect a close analogy to the science of Mechanics. The mathematician can easily demonstrate that a certain power, applied by means of a certain lever or of a certain system of pulleys, will suffice to raise a certain weight. But his demonstration proceeds on the supposition that the machinery is such as no load will bend or break. If the engineer, who has to lift a great mass of real granite by the instrumentality of real timber and real hemp, should absolutely rely on the propositions which he finds in treatises on Dynamics, and should make no allowance for the imperfection of his materials, his whole apparatus of beams, wheels, and ropes would soon come down in ruin, and, with all his geometrical skill, he would be found a far inferior builder to those painted barbarians who, though they never heard of the parallelogram of forces, managed to pile up Stonehenge. What the engineer is to the mathematician, the active statesman is to the contemplative statesman. It is indeed most important that legislators and administrators should be versed in the philosophy of government, as it is most important that the architect who has to fix an obelisk on its pedestal, or to hang a tubular bridge over an estuary, should be versed in the philosophy of equilibrium and motion. But, as he who has actually to build must bear in mind many things never noticed by D'Alembert and Euler, so must he who has actually to govern be perpetually guided by considerations to which no allusion can be found in the writings of Adam Smith or Jeremy Bentham. The perfect law-giver is a just temper between the mere man of theory, who can see nothing but general principles, and the mere man of business, who can see nothing but particular circumstances. Of law-givers, in whom the speculative element has prevailed to the exclusion of the practical, the world has during the last eighty years been singularly fruitful. To their wisdom Europe and America have owed scores of abortive constitutions, scores of constitutions which have lived just long enough to make a miserable noise, and have then gone off in convulsions. But in English legislation the practical element has always predominated, and not seldom unduly predominated, over the speculative. To think nothing of symmetry and much of convenience; never to remove an anomaly merely because it is an anomaly; never to innovate except when some grievance is felt; never to innovate except so far as to get rid of the grievance; never to lay down any proposition of wider extent than the particular case for which it is necessary to provide; these are the rules which have, from the age of John to the age of Victoria, generally guided the deliberations of our two hundred and fifty Parliaments."[321]

Is the idea still obscure or doubtful? Does it still need proofs, illustrations? Do we wish for anything more? You answer, No; Macaulay answers, Yes. After the general explanation comes the particular; after the theory, the application; after the theoretical demonstration, the practical. We would fain stop; but he proceeds:

"The Toleration Act approaches very near to the idea of a great English law. To a jurist, versed in the theory of legislation, but not intimately acquainted with the temper of the sects and parties into which the nation was divided at the time of the Revolution, that Act would seem to be a mere chaos of absurdities and contradictions. It will not bear to be tried by sound general principles. Nay, it will not bear to be tried by any principle, sound or unsound. The sound principle undoubtedly is, that mere theological error ought not to be punished by the civil magistrate. This principle the Toleration Act not only does not recognize, but positively disclaims. Not a single one of the cruel laws enacted against non-conformists by the Tudors or the Stuarts is repealed. Persecution continues to be the general rule. Toleration is the exception. Nor is this all. The freedom which is given to conscience is given in the most capricious manner. A Quaker, by making a declaration of faith in general terms, obtains the full benefit of the Act without signing one of the thirty-nine Articles. An Independent minister, who is perfectly willing to make the declaration required from the Quaker, but who has doubts about six or seven of the Articles, remains still subject to the penal laws. Howe is liable to punishment if he preaches before he has solemnly declared his assent to the Anglican doctrine touching the Eucharist. Penn, who altogether rejects the Eucharist, is at perfect liberty to preach without making any declaration whatever on the subject.

"These are some of the obvious faults which must strike every person who examines the Toleration Act by that standard of just reason which is the same in all countries and in all ages. But these very faults may perhaps appear to be merits, when we take into consideration the passions and prejudices of those for whom the Toleration Act was framed. This law, abounding with contradictions which every smatterer in political philosophy can detect, did what a law framed by the utmost skill of the greatest masters of political philosophy might have failed to do. That the provisions which have been recapitulated are cumbrous, puerile, inconsistent with each other, inconsistent with the true theory of religious liberty, must be acknowledged. All that can be said in their defence is this: that they removed a vast mass of evil, without shocking a vast mass of prejudice; that they put an end, at once and forever, without one division in either House of Parliament, without one riot in the streets, with scarcely one audible murmur even from the classes most deeply tainted with bigotry, to a persecution which had raged during four generations, which had broken innumerable hearts, which had made innumerable firesides desolate, which had filled the prisons with men of whom the world was not worthy, which had driven thousands of those honest, diligent and god-fearing yeomen and artisans, who are the true strength of a nation, to seek a refuge beyond the ocean among the wigwams of red Indians and the lairs of panthers. Such a defence, however weak it may appear to some shallow speculators, will probably be thought complete by statesmen."[322]

What I find complete in this, is the art of developing. This antithesis of ideas, sustained by the antithesis of words, the symmetrical periods, the expressions designedly repeated to attract attention, the exhaustion of proof, set before our eyes the special-pleader's and oratorical talent, which we just before encountered in the art of pleading all causes, of employing an infinite number of methods, of mastering them all and always, during every incident of the lawsuit. The final manifestation of a mind of this sort is the faults into which its talent draws it. By dint of development, he protracts. More than once his explications are commonplace. He proves what all allow. He makes clear what is already clear. In one of his works there is a passage on the necessity of reactions which reads like the verbosity of a clever schoolboy. Other passages, excellent and novel, can only be read with pleasure once. On the second reading they appear too true; we have seen it all at a glance, and are wearied. I have omitted one-third of the passage on the Act of Toleration, and acute minds will think that I ought to have omitted another third.

The last feature, the most singular, the least English of this history, is, that it is interesting. Macaulay wrote, in the "Edinburgh Review," several volumes of essays; and everyone knows that the first merit of a reviewer or a journalist is to make himself readable. A thick volume naturally bores us; it is not thick for nothing; its bulk demands at the outset the attention of him who opens it. The solid binding, the table of contents, the preface, the substantial chapters, drawn up like soldiers in battle-array, all bid us take an arm-chair, put on a dressing-gown, place our feet on the fender, and study; we owe no less to the grave man who presents himself to us, armed with 600 pages of text and three years of reflection. But a newspaper which we glance at in a club, a review which we finger in a drawing-room in the evening, before sitting down to dinner, must needs attract the eyes, overcome absence of mind, conquer readers. Macaulay attained, through practice, this gift of readableness, and he retains in his history the habits which he acquired in periodicals. He employs every means of keeping up attention, good or indifferent, worthy or unworthy of his great talent; amongst others, allusion to actual circumstances. You may have heard the saying of an editor, to whom Pierre Leroux offered an article on God, "God! there is no actuality about it!" Macaulay profits by this remark. He never forgets the actual. If he mentions a regiment, he points out in a few lines the splendid deeds which it has done since its formation up to our own day; thus the officers of this regiment, encamped in the Crimea, stationed at Malta, or at Calcutta, are obliged to read his history. He relates the reception of Schomberg in the House: who is interested in Schomberg? Forthwith he adds that Wellington, a hundred years later, was received, under like circumstances, with a ceremony copied from the first: what Englishman is not interested in Wellington? He relates the siege of Londonderry, he points out the spot which the ancient bastions occupy in the present town, the field which was covered by the Irish camp, the well at which the besiegers drank: what citizen of Londonderry can help buying his book? Whatever town he comes upon, he notes the changes which it has undergone, the new streets added, the buildings repaired or constructed, the increase of commerce, the introduction of new industries: hence all the aldermen and merchants are constrained to subscribe to his work. Elsewhere we find an anecdote of an actor and actress: as the superlative degree is interesting, he begins by saying that William Mountford was the most agreeable comedian, that Anne Bracegirdle was the most popular actress of the time. If he introduces a statesman, he always announces him by some great word: he was the most insinuating, or the most equitable, or the best informed, or the most inveterately debauched, of all the politicians of the day. But Macaulay's great qualities serve him as well in this matter as his literary machinery: a little too manifest, a little too copious, a little too coarse. The astonishing number of details, the medley of psychological and moral dissertations, descriptions, relations, opinions, pleadings, portraits, beyond all, good composition and the continuous stream of eloquence, seize and retain the attention to the end. We have hard work to finish a volume of Lingard or Robertson; we should have hard work not to finish a volume of Macaulay.

Here is a detached narrative which shows very well, and in the abstract, the means of interesting which he employs, and the great interest which he excites. The subject is the Massacre of Glencoe. Macaulay begins by describing the spot like a traveller who has seen it, and points it out to the bands of tourists and dilettanti, historians and antiquarians, who every year start from London:

"Mac Ian dwelt in the mouth of a ravine situated not far from the southern shore of Loch Leven, an arm of the sea which deeply indents the western coast of Scotland, and separates Argyleshire from Inverness-shire. Near his house were two or three small hamlets inhabited by his tribe. The whole population which he governed was not supposed to exceed two hundred souls. In the neighbourhood of the little cluster of villages was some copsewood and some pasture land: but a little further up the defile no sign of population or of fruitfulness was to be seen. In the Gaelic tongue, Glencoe signifies the Glen of Weeping: and, in truth, that pass is the most dreary and melancholy of all the Scottish passes, the very Valley of the Shadow of Death. Mists and storms brood over it through the greater part of the finest summer; and even on those rare days when the sun is bright, and when there is no cloud in the sky, the impression made by the landscape is sad and awful. The path lies along a stream which issues from the most sullen and gloomy of mountain pools. Huge precipices of naked stone frown on both sides. Even in July the streaks of snow may often be discerned in the rifts near the summits. All down the sides of the crags heaps of ruin mark the headlong paths of the torrents. Mile after mile the traveller looks in vain for the smoke of one hut, or for one human form wrapped in a plaid, and listens in vain for the bark of a shepherd's dog, or the bleat of a lamb. Mile after mile the only sound that indicates life is the faint cry of a bird of prey from some stormbeaten pinnacle of rock. The progress of civilization, which has turned so many wastes into fields yellow with harvests or gay with apple blossoms, has only made Glencoe more desolate. All the science and industry of a peaceful age can extract nothing valuable from that wilderness: but, in an age of violence and rapine, the wilderness itself was valued on account of the shelter which it afforded to the plunderer and his plunder."[323]

The description, though very beautiful, is written for effect. The final antithesis explains it; the author has made it in order to show that the Macdonalds were the greatest brigands of the country.

The Master of Stair, who represented William III in Scotland, relying on the fact that Mac Ian had not taken the oath of allegiance on the appointed day, determined to destroy the chief and his clan. He was not urged by hereditary hate nor by private interest; he was a man of taste, polished and amiable. He did this crime out of humanity, persuaded that there was no other way of pacifying the Highlands. Thereupon Macaulay inserts a dissertation of four pages, very well written, full of interest and knowledge, whose diversity affords us rest, which leads us over all kinds of historical examples, and moral lessons:

"We daily see men do for their party, for their sect, for their country, for their favorite schemes of political and social reform, what they would not do to enrich or to avenge themselves. At a temptation directly addressed to our private cupidity or to our private animosity, whatever virtue we have takes the alarm. But virtue itself may contribute to the fall of him who imagines that it is in his power, by violating some general rule of morality, to confer an important benefit on a church, on a commonwealth, on mankind. He silences the remonstrances of conscience, and hardens his heart against the most touching spectacles of misery, by repeating to himself that his intentions are pure, that his objects are noble, that he is doing a little evil for the sake of a great good. By degrees he comes altogether to forget the turpitude of the means in the excellence of the end, and at length perpetrates without one internal twinge acts which would shock a buccaneer. There is no reason to believe that Dominic would, for the best archbishopric in Christendom, have incited ferocious marauders to plunder and slaughter a peaceful and industrious population, that Edward Digby would, for a dukedom, have blown a large assembly of people into the air, or that Robespierre would have murdered for hire one of the thousands whom he murdered from philanthropy."[324]

Do we not recognize here the Englishman brought up on psychological and moral essays and sermons, who involuntarily and every instant spreads one over the paper? This species of literature is unknown in French lecture-rooms and reviews; this is why it is unknown in French histories. When we wish to enter English history, we have only to step down from the pulpit and the newspaper.

I do not transcribe the sequel of the explanation, the examples of James V, Sixtus V, and so many others, whom Macaulay cites to find precedents for the Master of Stair. Then follows a very circumstantial and very solid discussion, to prove that William III was not responsible for the massacre. It is clear that Macaulay's object, here as elsewhere, is less to draw a picture than to suggest a judgment. He desires that we should have an opinion on the morality of the act, that we should attribute it to its real authors, that each should bear exactly his own share, and no more. A little further, when the question of the punishment of the crime arises, and William, having severely chastised the executioners, contents himself with recalling the Master of Stair, Macaulay writes a dissertation of several pages to consider this injustice and to blame the king. Here, as elsewhere, he is still an orator and a moralist; nothing has more power to interest an English reader. Happily for us, he at length becomes once more a narrator; the petty details which he then selects fix the attention, and place the scene before our eyes:

"The sight of the red coats approaching caused some anxiety among the population of the valley. John, the eldest son of the Chief, came, accompanied by twenty clansmen, to meet the strangers, and asked what this visit meant. Lieutenant Lindsay answered that the soldiers came as friends, and wanted nothing but quarters. They were kindly received, and were lodged under the thatched roofs of the little community. Glenlyon and several of his men were taken into the house of a tacksman who was named from the cluster of cabins over which he exercised authority, Inverriggen. Lindsay was accommodated nearer to the abode of the old chief. Auchintriater, one of the principal men of the clan, who governed the small hamlet of Auchnaion, found room there for a party commanded by a sergeant named Barbour. Provisions were liberally supplied. There was no want of beef, which had probably fattened in distant pastures: nor was any payment demanded: for in hospitality, as in thievery, the Gaelic marauders rivalled the Bedouins. During twelve days the soldiers lived familiarly with the people of the glen. Old Mac Ian, who had before felt many misgivings as to the relation in which he stood to the government, seems to have been pleased with the visit. The officers passed much of their time with him and his family. The long evenings were cheerfully spent by the peat fire, with the help of some packs of cards which had found their way to that remote corner of the world, and of some French brandy which was probably part of James's farewell gift to his Highland supporters. Glenlyon appeared to be warmly attached to his niece and her husband Alexander. Every day he came to their house to take his morning draught. Meanwhile he observed with minute attention all the avenues by which, when the signal for the slaughter should be given, the Macdonalds might attempt to escape to the hills; and he reported the result of his observations to Hamilton....

"The night was rough. Hamilton and his troops made slow progress, and were long after their time. While they were contending with the wind and snow, Glenlyon was supping and playing at cards with those whom he meant to butcher before daybreak. He and Lieutenant Lindsay had engaged themselves to dine with the old Chief on the morrow.

"Late in the evening a vague suspicion that some evil was intended crossed the mind of the Chief's eldest son. The soldiers were evidently in a restless state; and some of them uttered strange exclamations. Two men, it is said, were overheard whispering: 'I do not like this job,' one of them muttered; 'I should be glad to fight the Macdonalds. But to kill men in their beds—We must do as we are bid,' answered another voice. 'If there is anything wrong, our officers must answer for it.' John Macdonald was so uneasy, that, soon after midnight, he went to Glenlyon's quarters. Glenlyon and his men were all up, and seemed to be getting their arms ready for action. John, much alarmed, asked what these preparations meant. Glenlyon was profuse of friendly assurances. 'Some of Glengarry's people have been harrying the country. We are getting ready to march against them. You are quite safe. Do you think that, if you were in any danger, I should not have given a hint to your brother Sandy and his wife?' John's suspicions were quieted. He returned to his house, and lay down to rest."[325]

On the next day, at five in the morning, the old chieftain was assassinated: his men shot in their beds or by the fireside. Women were butchered; a boy twelve years old, who begged his life on his knees, was slain; they who fled half-naked, women and children, died of cold and hunger in the snow.

These precise details, these soldiers' conversations, this picture of evenings by the fireside, give to history the animation and life of a novel. And still the historian remains an orator: for he has chosen all these facts to exhibit the perfidy of the assassins and the horrible nature of the massacre; and he will make use of them later on, to demand, with all the power and passion of logic, the punishment of the criminals.


Section VIII.—Comparison of Macaulay with French Historians

Thus this History, whose qualities seem so little English, bears throughout the mark of genuine English talent. Universal, connected, it embraces all the facts in its vast, undivided, and unbroken woof. Developed, abundant, it enlightens obscure facts, and opens up to the most ignorant the most complicated questions. Interesting, varied, it attracts and preserves the attention. It has life, clearness, unity, qualities which appear to be wholly French. It seems as if the author were a popularizer like Thiers, a philosopher like Guizot, an artist like Thierry. The truth is, that he is an orator, and that after the fashion of his country; but, as he possesses in the highest degree the oratorical faculties, and possesses them with a national tendency and instincts, he seems to supplement through them the faculties which he has not. He is not genuinely philosophical; the mediocrity of his earlier chapters on the ancient history of England proves this sufficiently; but his force of reasoning, his habits of classification and order, bestow unity upon his History. He is not a genuine artist; when he draws a picture, he is always thinking of proving something; he inserts dissertations in the most interesting and affecting places; he has neither charm, lightness, vivacity, nor finesse, but a marvellous memory, vast knowledge, an ardent, political passion, a great legal talent for expounding and pleading every cause, a precise knowledge of precise and petty facts which rivet the attention, charm, diversify, animate, and warm a narrative. He is not simply a popularizer; he is too ardent, too eager to prove, to conquer belief, to beat down his foes, to have only the limpid talent of a man who explains and expounds, with no other end than to explain and expound, which spreads light throughout, and never spreads heat; but he is so well provided with details and reasons, so anxious to convince, so rich in his expositions, that he cannot fail to be popular. By this breadth of knowledge, this power of reasoning and passion, he has produced one of the finest books of the age, whilst manifesting the genius of his nation. This solidity, this energy, this deep political passion, these moral prepossessions, these oratorical habits, this limited philosophical power, this somewhat uniform style, without flexibility or sweetness, this eternal gravity, this geometrical progress to a settled end, announce in him the English mind. But if he is English to the French, he is not so to his nation. The animation, interest, clearness, unity of his narrative, astonish them. They think him brilliant, rapid, bold; it is, they say, a French mind. Doubtless he is so, in many respects: if he understands Racine badly, he admires Pascal and Bossuet; his friends say that he used daily to read Mme de Sévigné. Nay more, by the structure of his mind, by his eloquence and rhetoric, he is Latin; so that the inner structure of his talent places him amongst the classics; it is only by his lively appreciation, of special, complex, and sensible facts, by his energy and fierceness, by the rather heavy richness of his imagination, by the depth of his coloring, that he belongs to his race. Like Addison and Burke, he resembles a strange graft, fed and transformed by the sap of the national stock. At all events, this judgment is the strongest mark of the difference between the two nations. To reach the English intellect, a Frenchman must make two voyages. When he has crossed the first interval, which is wide, he comes upon Macaulay. Let him re-embark; he must accomplish a second passage, just as long, to arrive at Carlyle for instance—a mind fundamentally Germanic, on the genuine English soil.


[299]Macaulay's Works, ed. Lady Trevelyan, 8 vols. 1866; "Essay on Bacon," VI. 222.

[300]Macaulay's Works; "Essay on Bacon," VI. 223.

[301]"Charles himself, and his creature Laud, while they abjured the innocent badges of Popery, retained all its worst vices—a complete subjection of reason to authority, a weak preference of form to substance, a childish passion for mummeries, an idolatrous veneration for the priestly character, and, above all, a merciless intolerance."—Macaulay, V. 24; Milton.

"It is difficult to relate without a pitying smile, that in the sacrifice of the mass, Loyola saw transubstantiation take place, and that, as he stood praying on the steps of the Church of St. Dominic, he saw the Trinity in Unity, and wept aloud with joy and wonder."—Macaulay, VI. 468; Ranke, "History of the Popes."

[302]Macaulay, VI. 39; An Essay on William Pitt, Earl of Chatham.

[303]Macaulay, V. 27; Milton.

[304]Macaulay, V. 35; Milton.

[305]Macaulay, VII. 109; "Life and Writings of Addison."

[306]See in his "Essay on the Life and Writings of Addison" (VII. 78) Macaulay's observations on the "Campaign."

[307]Macaulay, VI. 549; "Warren Hastings."

[308]Ibid. 553.

[309]Macaulay, VI. 555; "Warren Hastings."

[310]Ibid. VI. 619; "Warren Hastings."