The Distraction of Grief
The other day a Houston man died and left a young and charming widow
to mourn his loss. Just before the funeral, the pastor came around to
speak what words of comfort he could, and learn her wishes regarding
the obsequies. He found her dressed in a becoming mourning costume,
sitting with her chin in her hand, gazing with far-off eyes in an
unfathomable sea of retrospection.
The pastor approached her gently, and said: “Pardon me for intruding
upon your grief, but I wish to know whether you prefer to have a
funeral sermon preached, or simply to have the service read.”
The heartbroken widow scarcely divined his meaning, so deeply was she
plunged in her sorrowful thoughts, but she caught some of his words,
and answered brokenly:
“Oh, red, of course. Red harmonizes so well with black.”
A Sporting Interest
It is a busy scene in the rear of one of Houston’s greatest
manufacturing establishments. A number of workmen are busy raising
some heavy object by means of blocks and tackles. Somehow, a rope is
worn in two by friction, and a derrick falls. There is a hurried
scrambling out of the way, a loud jarring crash, a cloud of dust, and
a man stretched out dead beneath the heavy timbers.
The others gather round and with herculean efforts drag the beams from
across his mangled form. There is a hoarse murmur of pity from rough
but kindly breasts, and the question runs around the group, “Who is to
tell her?”
In a neat little cottage near the railroad, within their sight as they
stand, a bright-eyed, brownhaired young woman is singing at her work,
not knowing that death has snatched away her husband in the twinkling
of an eye.
Singing happily at her work, while the hand that she had chosen to
protect and comfort her through life lies stilled and fast turning to
the coldness of the grave!
These rough men shrink like children from telling her. They dread to
bear the news that will change her smiles to awful sorrow and
lamentation.
“You go, Mike,” three or four of them say at once. “ ’Tis more lamin’
ye have than any av us, whatever, and ye’ll be afther brakin’ the news
to her as aisy as ye can. Be off wid ye now, and shpake gently to
Tim’s poor lassie while we thry to get the corpse in shape.”
Mike is a pleasant-faced man, young and stalwart, and with a last look
at his unfortunate comrade he goes slowly down the street toward the
cottage where the fair young wife—alas, now a widow—lives.
When he arrives, he does not hesitate. He is tenderhearted, but
strong. He lifts the gate latch and walks firmly to the door. There is
something in his face, before he speaks, that tells her the truth.
“What was it?” she asks, “spontaneous combustion or snakes?”
“Derrick fell,” says Mike.
“Then I’ve lost my bet,” she says. “I thought sure it would be
whisky.”
Life, messieurs, is full of disappointments.
Had a Use for It
A strong scent of onions and the kind of whisky advertised “for
mechanical purposes” came through the keyhole, closely followed by an
individual bearing a bulky manuscript under his arm about the size of
a roll of wall paper.
The individual was of the description referred to by our English
cousins as “one of the lower classes,” and by Populist papers as “the
bone and sinew of the country,” and the scene of his invasion was the
sanctum of a great Texas weekly newspaper.
The editor sat at his desk with his hands clenched in his scanty hair,
gazing despairingly at a typewritten letter from the house where he
bought his paper supply.
The individual drew a chair close to the editor and laid the heavy
manuscript upon the desk, which creaked beneath its weight.
“I’ve worked nineteen hours upon it,” he said, “but it’s done at
last.”
“What is it?” asked the editor, “a lawn mower?”
“It is an answer, sir, to the President’s message: a refutation of
each and every one of his damnable doctrines, a complete and scathing
review of every assertion and every false insidious theory that he has
advanced.”
“About how many—er—how many pounds do you think it contains?” said the
editor thoughtfully.
“Five hundred and twenty-seven pages, sir, and—”
“Written in pencil on one side of the paper?” asked the editor, with a
strange light shining in his eye.
“Yes, and it treats of—”
“You can leave it,” said the editor, rising from his chair. “I have no
doubt I can use it to advantage.”
The individual, with a strong effort, collected his breath and
departed, feeling that a fatal blow had been struck at those in high
places.
Ten minutes later six india-rubber erasers had been purchased, and the
entire office force were at work upon the manuscript.
The great weekly came out on time, but the editor gazed pensively at
his last month’s unreceipted paper bill and said:
“So far, so good; but I wonder what we will print on next week!”
The Old Landmark
He was old and feeble and his sands of life were nearly run out. He
walked with faltering steps along one of the most fashionable avenues
in the city of Houston. He had left the city twenty years ago, when it
was little more than a thriving village, and now, weary of wandering
through the world and filled with an unutterable longing to rest his
eyes once more upon the scenes of his youth, he had come back to find
a bustling modern city covering the site of his former home. He sought
in vain for some familiar object, some old time sight that would
recall memories of bygone days. All had changed. On the site where his
father’s cottage had stood, a stately mansion reared its walls; the
vacant lot where he had played when a boy, was covered with modern
buildings. Magnificent lawns stretched on either hand, running back to
palatial dwellings. Not one of the sights of his boyhood days was
left.
Suddenly, with a glad cry, he rushed forward with renewed vigor. He
saw before him, untouched by the hand of man and unchanged by time, an
old familiar object around which he had played when a child. He
reached out his arms and ran toward it with a deep sigh of
satisfaction.
Later on they found him asleep, with a peaceful smile on his face,
lying on the old garbage pile in the middle of the street, the sole
relic of his boyhood’s recollections.
A Personal Insult
Young lady in Houston became engaged last summer to one of the famous
shortstops of the Texas baseball league.
Last week he broke the engagement, and this is the reason why.
He had a birthday last Tuesday and she sent him a beautiful bound and
illustrated edition of Coleridge’s famous poem, “The Ancient Mariner.”
The hero of the diamond opened the book with a puzzled look.
“What’s dis bloomin’ stuff about, anyways?” he said, and read:
It is the Ancient Mariner
And he stoppeth one of three—
The famous shortstop threw the book out the window, stuck out his chin
and said:
“No Texas sis can gimme de umpire face like dat. I swipes nine daisy
cutters outer ten dat comes in my garden, I do.”
Toddlekins
Toddlekins climbed up the long, long stair;
Chubby and fat and round was he;
With rosy cheeks and curling hair,
Jolly and fair and gay was he.
Toddlekins knocked on the office door;
Within at a desk a stern man sat;
Wrote with a pen while a frown he wore,
When he heard on the door a rat-tat-tat.
Toddlekins cried, “Oh please let me in!
I’ve come to see you, the door is fast!”
Oh, voice so soft, it will surely win
The heart of the stern, cold man at last!
But he heeded not the pleading cry
Of Toddlekins out on the lonely stair;
And Toddlekins left with a sorrowful sigh,
Toddlekins round, and chubby and fair,
Oh, man so stem, when you stand and plead
At the door of your Father’s house on high;
What if he, merciless, pay no heed;
Pitiless, turns from your helpless cry!
But the man wrote on with a stony stare;
He was an editor, poor and ill;
And Toddlekins, chubby and round and fair,
Was a butcher that brought a big meat bill.
Reconciliation
A One-Act Drama
|
Dramatis Personae—A Houston married couple.
Scene—Her boudoir. |
| He |
And now, Viola, since we understand each other, let us
never fall out again. Let us forget the bitter words that we
have spoken one to another, and resolve to dwell always in
love and affection. (Places his arm around her
waist.) |
| She |
Oh, Charles, you don’t know how happy you make me! Of
course we will never quarrel again. Life is too short to
waste in petty bickerings and strife. Let us keep in the
primrose path of love, and never stray from it any more. Oh,
what bliss to think you love me and nothing can ever come
between us! Just like the old days when we used to meet by
the lilac hedge, isn’t it? (Lays her head on his
shoulder.) |
| He |
Yes, and when I used to pull blossoms and twine them in
your hair and call you Queen Titania. |
| She |
Oh, that was nice. I remember. Queen Titania? Oh, yes,
she was one of Shakespeare’s characters, who fell in love
with a man with a donkey’s head. |
| He |
H’m! |
| She |
Now don’t. I didn’t mean you. Oh, Charles, listen to the
Christmas chimes! What a merry day it will be for us. Are
you sure you love me as well as you used to? |
| He |
More. (Smack.) |
| She |
Does ’em fink me sweet? |
| He |
(Smack. Smack!)
|
| She |
Wuz ’em’s toodleums? |
| He |
Awful heap. Who do you wuv? |
| She |
My ownest own old boy. |
| Both |
(Smack!)
|
| He |
Listen, the bells are chiming again. We should be doubly
happy, love, for we have passed through stormy seas of doubt
and anger. But now, a light is breaking, and the rosy dawn
of love has returned. |
| She |
And should abide with us forever. Oh, Charles, let us
never again by word or look cause pain to each other. |
| He |
Never again. And you will not scold any more? |
| She |
No, dearest. You know I never have unless you gave me
cause. |
| He |
Sometimes you have become angry and said hard things
without any reason. |
| She |
Maybe you think so, but I don’t. (Lifts her head from
his shoulder.) |
| He |
I know what I’m talking about. (Takes his arm from her
waist.) |
| She |
You come home cross because you haven’t got sense enough
to conduct your business properly, and take your spite out
on me. |
| He |
You make me tired. You get on your ear because you are
naturally one of the cain-raising, blab-mouthed kind and
can’t help it. |
| She |
You old crosspatch of a liar from Liarsville, don’t you
talk to me that way or I’ll scratch your eyes out. |
| He |
You blamed wildcat. I wish I had been struck by
lightning before I ever met you. |
| She |
(Seizing the broom.) Biff! biff! biff. |
| He |
(After reaching the sidewalk) I wonder if Colonel
Ingersoll is right when he says suicide is no sin! |
|
Curtain |
Buying a Piano
A Houston man decided a few days ago to buy his wife a piano for a
Christmas present. Now, there is more competition, rivalry, and push
among piano agents than any other class of men. The insurance and
fruit tree businesses are mild and retiring in comparison with the
piano industry. The Houston man, who is a prominent lawyer, knew this,
and he was careful not to tell too many people of his intentions, for
fear the agents would annoy him. He inquired in a music store only
once, regarding prices, etc., and intended after a week or so to make
his selection.
When he left the store he went around by the post-office before going
back to work.
When he reached his office he found three agents perched on his desk
and in his chair waiting for him.
One of them got his mouth open first, and said: “Hear you want to buy
a piano, sir. For sweetness, durability, finish, tone, workmanship,
style, and quality the Steingay is—”
“Nixy,” said another agent, pushing in between them and seizing the
lawyer’s collar. “You get a Chitterling. Only piano in the world. For
sweetness, durability, finish, tone, workmanship—”
“Excuse me,” said the third agent. “I can’t stand by and see a man
swindled. The Chronic and Bark piano, for sweetness, durability,
finish—”
“Get out, every one of you,” shouted the lawyer. “When I want a piano
I’ll buy the one I please. Get out of the room!”
The agents left, and the lawyer went to work on a brief. During the
afternoon, five of his personal friends called to recommend different
makes of pianos, and the lawyer began to get snappish.
He went out and got a drink and the bartender said: “Say, gent, me
brudder works in a piano factory and he gimme de tip dat you’se wants
to buy one of de tum-tums. Me brudder says dat for sweetness,
durability, finish—”
“Devil take your brother,” said the lawyer.
He got on the street car to go home and four agents were already
aboard waiting for him. He dodged back before they saw him and stood
on the platform. Presently the brakeman leaned over and whispered in
his ear:
“Frien’, the Epperson piano what me uncle handles in East Texas, fur
sweetness, durability—”
“Stop the car,” said the lawyer. He got off and skulked in a dark
doorway until the four agents, who had also got off the car, rushed
past, and then he picked up a big stone from the gutter and put it in
his pocket. He went around a back way to his home and slipped up to
the gate feeling pretty safe.
The minister of his church had been calling at the house, and came out
the gate just as the lawyer reached it. The lawyer was the proud
father of a brand-new, two-weeks-old baby, and the minister had just
been admiring it, and wanted to congratulate him.
“My dear brother,” said the minister. “Your house will soon be filled
with joy and music. I think it will be a great addition to your life.
Now, there is nothing in the world that for sweetness—”
“Confound you, you’re drumming for a piano, too, are you?” yelled the
lawyer, drawing the stone from his pocket. He fired away and knocked
the minister’s tall hat across the street, and kicked him in the shin.
The minister believed in the church militant, and he gave the lawyer a
one-two on the nose, and they clinched and rolled off the sidewalk on
a pile of loose bricks. The neighbors heard the row and came out with
shotguns and lanterns, and finally an understanding was arrived at.
The lawyer was considerably battered up, and the family doctor was
sent for to patch him. As the doctor bent over him with
sticking-plaster and a bottle of arnica, he said:
“You’ll be out in a day or two, and then I want you to come around and
buy a piano from my brother. The one he is agent for is acknowledged
to be the best one for sweetness, durability, style, quality, and
action in the world.”
Too Late
Young Lieutenant Baldwin burst excitedly into his general’s room and
cried hoarsely: “For God’s sake, General! Up! Up! and come. Spotted
Lightning has carried off your daughter, Inez!”
General Splasher sprang to his feet in dismay. “What,” he cried, “not
Spotted Lightning, the chief of the Kiomas, the most peaceful tribe in
the reservation?”
“The same.”
“Good heavens! You know what this tribe is when aroused?”
The lieutenant cast a swift look of intelligence at his commander.
“They are the most revengeful, murderous, and vindictive Indians in
the West when on the warpath, but for months they have been the most
peaceable,” he answered.
“Come,” said the general, “we have not a moment to lose. What has been
done?”
“There are fifty cavalrymen ready to start, with Bowie Knife Bill, the
famous scout, to track them.”
Ten minutes later the general and the lieutenant, with Bowie Knife
Bill at their side, set out at a swinging gallop at the head of the
cavalry column.
Bowie Knife Bill, with the trained instincts of a border sleuthhound,
followed the trail of Spotted Lightning’s horse with unerring
swiftness.
“Pray God we may not be too late,” said the general as he spurred his
panting steed—“and Spotted Lightning, too, of all the chiefs! He has
always seemed to be our friend.”
“On, on,” cried Lieutenant Baldwin, “there may yet be time.”
Mile after mile the pursuers covered, pausing not for food or water,
until nearly sunset.
Bowie Knife Bill pointed to a thin column of smoke in the distance and
said:
“Thar’s the varmints’ camp.”
The hearts of all the men bounded with excitement as they neared the
spot.
“Are we in time?” was the silent question in the mind of each.
They dashed into an open space of prairie and drew rein near Spotted
Lightning’s tent. The flap was closed. The troopers swung themselves
from their horses.
“If it is as I fear,” muttered the general hoarsely to the lieutenant,
“it means war with the Kioma nation. Oh, why did he not take some
other instead of my daughter?”
At that instance the door of the tent opened and Inez Splasher, the
general’s daughter, a maiden of about thirty-seven summers, emerged,
bearing in her hand the gory scalp of Spotted Lightning.
“Too late!” cried the general as he fell senseless from his horse.
“I knew it,” said Bowie Knife Bill, folding his arms with a silent
smile, “but what surprises me is how he ever got this far alive.”
Nothing to Say
“You can tell your paper,” the great man said,
“I refused an interview.
I have nothing to say on the question, sir,
Nothing to say to you.”
And then he talked till the sun went down
And the chickens went to roost:
And he seized the coat of the poor Post man
And never his hold he loosed.
And the sun went down and the moon came up,
And he talked till the dawn of day;
Though he said, “On this subject mentioned by you,
I have nothing whatever to say.”
And down the reporter dropped to sleep,
And flat on the floor he lay;
And the last he heard was the great man’s words:
“I have nothing at all to say.”
“Goin Home Fur Christmas”
Pa fussed at ma, and said By gun!
There wa’n’t no use a talkin’;
Times wuz too hard to travel round,
In any way ’cept walkin’,
And said ’twas nonsense anyhow,
Folks didn’t want no visitors;
And said ma needn’t talk no more,
’Bout goin’ home for Christmas.
“I’d like to see ’em all,” says ma,
All pale and almost cryin’;
A gazin’ out the window, where
The snow wuz fairly flyin’;
“I’ve been a thinkin’, oh so long,
’Bout mother and my sisters;
And savin’ every cent I could
To’ards goin’ home for Christmas.”
But pa he frowned and then ma sighed.
Just once, and kinder’ smilin’,
Says: “Well, les’ go an’ have some tea,
The water’s all a-bilin’.”
To-day pa called us children in
To ma’s room—he wuz cryin’—
And ma wuz—oh so white and still,
And cold where she wuz lyin’.
She kinder roused up when we come,
And turned her face and kissed us,
And says: “Good-by—oh good-by, dears!
I’m goin’ home fur Christmas!”
Just a Little Damp
As the steamer reached Aransas Pass a Galveston man fell overboard. A
life buoy was thrown him, but he thrust it aside contemptuously. A
boat was hurriedly lowered, and reached him just as he came to the
surface for the second time. Helping hands were stretched forth to
rescue him, but he spurned their aid. He spat out about a pint of sea
water and shouted:
“Go away and leave me alone. I’m walking on the bottom. You’ll run
your boat aground in a minute. I’ll wade out when I get ready and go
up to a barber shop and get dusted off. The ground’s damp a little,
but I ain’t afraid of catching cold.”
He went under for the last time, and the boat pulled back for the
ship. The Galveston man had exhibited to the last his scorn and
contempt for any other port that claimed deep water.
Her Mysterious Charm
In the conservatory of a palatial Houston home Roland Pendergast stood
with folded arms and an inscrutable smile upon his face, gazing down
upon the upturned features of Gabrielle Smithers.
“Why is it,” he said, “that I am attracted by you? You are not
beautiful, you lack aplomb, grace, and savoir faire. You are cold,
unsympathetic and bowlegged.
“I have striven to analyze the power you have over me, but in vain.
Some esoteric chain of mental telepathy binds us two together, but
what is its nature? I dislike being in love with one who has neither
chic, naivete nor front teeth, but fate has willed it so. You
personally repel me, but I can not tear you from my heart. You are in
my thoughts by day and nightmares by night.
“Your form reminds me of a hatrack, but when I press you to my heart I
feel strange thrills of joy. I can no more tell you why I love you
than I can tell why a barber can rub a man’s head fifteen minutes
without touching the spot that itches. Speak, Gabrielle, and tell me
what is this spell you have woven around me!”
“I will tell you,” said Gabrielle with a soft smile. “I have
fascinated many men in the same way. When I help you on with your
overcoat I never reach under and try to pull your other coat down from
the top of your collar.”
Convinced
Houston is the dwelling place of a certain young lady who is
exceptionally blessed with the gifts of the goddess of fortune. She is
very fair to look upon, bright, witty, and possesses that gracious
charm so difficult to describe, but so potent to please, that is
commonly called personal magnetism. Although cast in such a lonely
world, and endowed with so many graces of mind and matter, she is no
idle butterfly of fashion, and the adulation she receives from a
numerous circle of admirers has not turned her head.
She has a close friend, a young lady of plain exterior, but a sensible
and practical mind, whom she habitually consults as a wise counselor
and advisor concerning the intricate problems of life.
One day she said to Marian—the wise friend: “How I wish there was some
way to find out who among these flattering suitors of mine is sincere
and genuine in the compliments that are paid me. Men are such
deceivers, and they all give me such unstinted praise, and make such
pretty speeches to me, that I do not know who among them, if any, are
true and sincere in their regard.”
“I will tell you a way,” said Marian. “The next evening when there are
a number of them calling upon you, recite a dramatic poem, and then
tell me how each one expresses his opinion of your effort.”
The young lady was much impressed with the idea, and on the following
Friday evening when some half-dozen young men were in the parlor
paying her attentions, she volunteered to recite. She has not the
least dramatic talent, but she stood up and went through with a long
poem, with many gestures and much rolling of eyes and pressing of her
hands to her heart. She did it very badly, and without the least
regard for the rules of elocution or expression.
Later on, her friend Marian asked her how her effort was received.
“Oh,” she said, “they all crowded around me, and appeared to be filled
with the utmost delight. Tom, and Henry, and Jim, and Charlie were in
raptures. They said that Mary Anderson could not have equaled it. They
said they had never heard anything spoken with such dramatic effect
and feeling.”
“Everyone praised you?” asked Marian.
“All but one. Mr. Judson sat back in his chair and never applauded at
all. He told me after I had finished that he was afraid I had very
little dramatic talent at all.”
“Now,” said Marian. “You know who is sincere and genuine?”
“Yes,” said the beautiful girl, with eyes shining with enthusiasm.
“The test was a complete success. I detest that odious Judson, and I’m
going to begin studying for the stage right away.”
His Dilemma
An old man with long white chin whiskers and a derby hat two sizes
small, dropped into a Main Street drug store yesterday and beckoned a
clerk over into a corner. He was about sixty-five years old, but he
wore a bright red necktie, and was trying to smoke a very bad and
strong cigar in as offhand a style as possible.
“Young man,” he said, “you lemme ask you a few questions, and I’ll
send you a big watermelon up from the farm next summer. I came to
Houston to see this here carnival, and do some tradin’. Right now,
before I go any further, have you got any hair dye?”
“Plenty of it.”
“Any of this real black shiny dye that looks blue in the sunshine?”
“Yes.”
“All right then, now I’ll proceed. Do you know anything about this
here Monroe docterin’?”
“Well, yes, something.”
“And widders; do you feel able to prognosticate a few lines about
widders?”
“I can’t tell what you are driving at,” said the clerk. “What is it
you want to know?”
“I’m gettin’ to the pint. Now there’s hair dye, Monroe docterin’, and
widders. Got them all down in your mind?”
“Yes, but—”
“Jest hold on, now, and I’ll explain. There’s the unhappiest fat and
sassy widder moved into the adjinin’ farm to me, you ever see, and if
I knows the female heart she has cast eyes of longin’ upon yours
truly. Now if I dyes these here white whiskers I ketches her. By
blackin’ said whiskers and insertin’ say four fingers of rye where it
properly belongs, I kicks up my heels and I waltzes up and salutes the
widder like a calf of forty.”
“Well,” said the clerk, “our hair dye is—”
“Wait a minute, young feller. Now on the other hand I hears rumors of
wars this mornin’, and I hears alarmin’ talk about this here Monroe
docterin’. Ef I uses hair dye and trains down to thirty-eight or forty
years of age, I ketches the widder, but I turns into a peart and
chipper youth what is liable to be made to fight in this here great
war. Ef I gives up the hair dye, the recrutin’ sargent salutes these
white hairs and passes by, but I am takin’ big chances on the widder.
She has been to meetin’ twicet with a man what has been divorced, and
ties his own cree-vat, and this here Monroe docterin’ is all what
keeps me from pulling out seventy-five cents and makin’ a strong play
with said dye. What would you do, ef you was me, young feller?”
“I don’t think there will be any war soon,” said the clerk.
“Jerusalem; I’m glad to hear it! Gimme the biggest bottle of
blue-black hair dye fur seventy-five cents that you got. I’m goin’ to
purpose to that widder before it gets dry, and risk the chances of
Monroe takin’ water again on this war business.”
Something for Baby
This is nothing but a slight jar in the happy holiday music; a minor
note struck by the finger of Fate, slipping upon the keys, as anthems
of rejoicing and Christmas carols make the Yuletide merry.
The Post man stood yesterday in one of the largest fancy and drygoods
stores on Main Street, watching the throng of well-dressed buyers,
mostly ladies, who were turning over the stock of Christmas notions
and holiday goods.
Presently a little, slim, white-faced girl crept timidly through the
crowd to the counter. She was dressed in thin calico, and her shoes
were patched and clumsy.
She looked about her with a manner half mournful, half scared.
A clerk saw her and came forward.
“Well, what is it?” he asked rather shortly.
“Please, sir,” she answered in a weak voice, “Mamma gave me this dime
to get something for baby.”
“Something for baby, for a dime? Want to buy baby a Christmas present,
eh? Well now, don’t you think you had better run around to a toyshop?
We don’t keep such things here. You want a tin horse, or a ball, or a
jumping jack, now don’t you?”
“Please, sir, Mamma said I was to come here. Baby isn’t with us now.
Mamma told me to get—ten—cents—worth—of—crape, sir, if you please.”
Some Day
Some day—not now; oh, ask me not again;
Impassioned, low, and deep, with wild regret;
Thy words but fill my heart with haunting pain—
Some day, but oh, my friend—not yet—not yet.
Perchance when time hath wrought some wondrous change,
And fate hath swept her barriers away.
Then, lifted to some higher, freer range.
Thou may’st return and speak again—some day.
Oh, leave me now—do not so coldly turn!
Thou seest my very soul has suffered sore.
Adieu! But, oh, some day thou canst return
And bring that drygoods bill to me once more.
A Green Hand
“I shall never again employ any but experienced salesmen, who
thoroughly understand the jewelry business,” said a Houston jeweler to
a friend yesterday.
“You see, at Christmas time we generally need more help, and sometimes
employ people who can sell goods, but are not familiar with the fine
points of the business. Now, that young man over there is thoroughly
good and polite to everyone, but he has just lost me one of my best
customers.”
“How was that?” asked the friend.
“A man who always trades with us came in with his wife last week and
with her assistance selected a magnificent diamond pin that he had
promised her for a Christmas present and told this young man to lay it
aside for him till today.”
“I see,” said the friend, “and he sold it to someone else and
disappointed him.”
“It’s plain you don’t know much about married men,” said the jeweler.
“That idiot of a clerk actually saved the pin for him and he had to
buy it.”
A Righteous Outburst
He smelled of gin and his whiskers resembled the cylinder of a Swiss
music box. He walked into a toy shop on Main Street yesterday and
leaned sorrowfully against the counter.
“Anything today?” asked the proprietor coldly.
He wiped an eye with a dingy red handkerchief and said:
“Nothing at all, thank you. I just came inside to shed a tear. I do
not like to obtrude my grief upon the passersby. I have a little
daughter, sir; five years of age, with curly golden hair. Her name is
Lilian. She says to me this morning: ‘Papa, will Santa Claus bring me
a red wagon for Christmas?’ It completely unmanned me, sir, as, alas,
I am out of work and penniless. Just think, one little red wagon would
bring her happiness, and there are children who have hundreds of red
wagons.”
“Before you go out,” said the proprietor, “which you are going to do
in about fifteen seconds, I am willing to inform you that I have a
branch store on Trains Street, and was around there yesterday. You
came in and made the same talk about your little girl, whom you called
Daisy, and I gave you a wagon. It seems you don’t remember your little
girl’s name very well.”
The man drew himself up with dignity, and started for the door. When
nearly there, he turned and said:
“Her name is Lilian Daisy, sir, and the wagon you gave me had a
rickety wheel and some of the paint was scratched off the handle. I
have a friend who tends bar on Willow Street, who is keeping it for me
till Christmas, but I will feel a flush of shame on your behalf, sir,
when Lilian Daisy sees that old, slab-sided, squeaking, secondhand,
leftover-from-last-year’s-stock wagon. But, sir, when Lilian Daisy
kneels at her little bed at night I shall get her to pray for you, and
ask Heaven to have mercy on you. Have you one of your business cards
handy, so Lilian Daisy can get your name right in her petitions?”
Getting at
the Facts
It was late in the afternoon and the day staff was absent. The night
editor had just come in, pulled off his coat, vest, collar, and
necktie, rolled up his shirtsleeves and eased down his suspenders, and
was getting ready for work.
Someone knocked timidly outside the door, and the night editor yelled,
“Come in.”
A handsome young lady with entreating blue eyes and a Psyche knot
entered with a rolled manuscript in her hand.
The night editor took it silently and unrolled it. It was a poem and
he read it half aloud with a convulsive jaw movement that resulted
from his organs of speech being partially engaged with about a quarter
of a plug of chewing tobacco. The poem ran thus:
The soft, sweet, solemn dawn stole through
The latticed room’s deep gloom;
He lay in pallid, pulseless peace,
Fulfilled his final doom.
Oh, breaking heart of mine—oh, break!
Left lonely here to mourn;
My alter ego, mentor, friend
Thus from me rudely torn.
Within his chamber dead he lies,
And stilled is his sweet lyre;
How long he pored o’er midnight oil.
With grand poetic fire!
Till came the crash, when his bright light
Went out, and all was drear;
And my sad soul was left to wait
In grief and anguish here.
“When did this happen?” asked the night editor.
“I wrote it last night, sir,” said the young lady. “Is it good enough
to print?”
“Last night! H’m. A little stale, but the other papers didn’t get it.
Now, miss,” continued the night editor, smiling and throwing out his
chest, “I’m going to teach you a lesson in the newspaper business. We
can use this item, but it’s not in proper shape. Just take that chair,
and I’ll rewrite it for you, showing you how to properly condense a
news item in order to secure its insertion.”
The young lady seated herself and the night editor knitted his brows
and read over the poem two or three times to get the main points. He
then wrote a few lines upon a sheet of paper and said:
“Now, miss, here is the form in which your item will appear when we
print it:
“Last evening Mr. Alter Ego of this city was killed by the
explosion of a kerosene lamp while at work in his room.
“Now, you see, miss, the item includes the main facts in the case,
and—”
“Sir!” said the young lady indignantly. “There is nothing of the kind
intimated in the poem. The lines are imaginary and are intended to
express the sorrow of a poet’s friend at his untimely demise.”
“Why, miss,” said the night editor, “it plainly refers to midnight oil,
and a crash, and when the light blew up the gent was left for dead in
the room.”
“You horrid thing,” said the young lady, “give me my manuscript. I
will bring it back when the literary editor is in.”
“I’m sorry,” said the night editor as he handed her the roll. “We’re
short on news tonight, and it would have made a nice little scoop.
Don’t happen to know of any accidents in your ward: births, runaways,
holdups, or breach of promise suits, do you?”
But the slamming of the door was the only answer from the fair
poetess.
Just for a Change
The “lullaby boy” to the same old tune,
Who abandons his drum and toys,
For the purpose of dying in early June,
Is the kind the public enjoys.
But, just for a change please sing us a song,
Of the sore-toed boy that’s fly,
And freckled, and mean, and ugly, and strong,
And positively will not die.
Too Wise
Here is a man in Houston who keeps quite abreast of the times. He
reads the papers, has traveled extensively and is an excellent judge
of human nature. He has a natural gift for detecting humbugs and
fakirs, and it would be a smooth artist indeed who could impose upon
him in any way.
Last night as he was going home, a shady looking man with his hat
pulled over his eyes stepped out from a doorway and said:
“Say, gent, here’s a fine diamond ring I found in de gutter. I don’t
want to get into no trouble wid it. Gimme a dollar and take it.”
The Houston man smiled as he looked at the flashy ring the man held
toward him.
“A very good game, my man,” he said, “but the police are hot after you
fellows. You had better select your rhinestone customers with better
judgment. Good night.”
When the man got home he found his wife in tears.
“Oh, John,” she said. “I went shopping this afternoon and lost my
solitaire diamond ring. Oh, what shall I—”
John turned without a word and rushed back down the street, but the
shady-looking man was not to be found.
His wife often wonders why he never scolded her for losing the ring.
A Fatal Error
“What are you looking so glum about?” asked a Houston man as he
dropped into a friend’s office on Christmas Day.
“Same old fool break of putting a letter in the wrong envelope, and
I’m afraid to go home. My wife sent me down a note by the hired man an
hour ago, telling me to send her ten dollars, and asking me to meet
her here at the office at three o’clock and go shopping with her. At
the same time I got a bill for ten dollars from a merchant I owe,
asking me to remit. I scribbled off a note to the merchant saying:
‘Can’t possibly do it. I’ve got to meet another little thing today
that won’t be put off.’ I made the usual mistake and sent the merchant
the ten dollars and my wife the note.”
“Can’t you go home and explain the mistake to your wife?”
“You don’t know her. I’ve done all I can. I’ve taken out an accident
policy for $10,000 good for two hours, and I expect her here in
fifteen minutes. Tell all the boys goodbye for me, and if you meet a
lady on the stairs as you go down keep close to the wall.”
Prompt
He raised his arm to strike, but lax and slow
His arm fell nerveless to his side.
He might have struck a mighty ringing blow.
A blow that might have been his joy and pride.
But no—his strength at once did fade away,
A sudden blow seemed all his soul to fix;
He was a workman, working by the day,
And heard the whistle blow the hour of six.
The Rake-Off
“Who bids?”
The auctioneer held up a child’s rocking-horse, battered and stained.
It had belonged to some little member of the man’s family whose
household property was being sold under the hammer.
He was utterly ruined. He had given up everything in the world to his
creditors—house, furniture, horses, stock of goods and lands. He stood
among the crowd watching the sale that was scattering his household
goods and his heirlooms among a hundred strange hands.
On his arm leaned a woman heavily veiled. “Who bids?”
The auctioneer held the rocking-horse high that it might be seen.
Childish hands had torn away the scanty mane; the bridle was twisted
and worn by tender little fingers. The crowd was still.
The woman under the heavy veil sobbed and stretched out her hands.
“No, no, no!” she cried.
The man was white with emotion. The little form that once so merrily
rode the old rockinghouse had drifted away into the world years ago.
This was the only relic left of his happy infancy.
The auctioneer, with a queer moisture in his eyes, handed the
rocking-horse to the man without a word. He seized it with eager
hands, and he and the veiled woman hurried away.
The crowd murmured with sympathy.
The man and the woman went into an empty room and set the
rocking-horse down. He took out his knife, ripped open the front of
the horse, and took out a roll of bills. He counted them and said:
“It’s a cold day when I fail without a rake-off. Eight thousand five
hundred dollars, but that auctioneer came very near busting up the
game.”
The Telegram
|
Scene: Telegraph office in Houston. |
|
Enter handsome black velour cape, trimmed with jet and braid, with Tibetan fur collar, all enclosing lovely young lady.
|
| Young lady |
Oh, I want to send a telegram at once, if you please. Give me about six blanks, please. (Writes about ten minutes.) How much will this amount to, please? |
| Clerk |
(counting words) Sixteen dollars and ninety-five cents, ma’am. |
| Young lady |
Goodness gracious! I’ve only thirty cents with me. Suspiciously. How is it you charge so much, when the post-office only requires two cents? |
| Clerk |
We claim to deliver messages quicker than the post-office, ma’am. You can send ten words to Waco for twenty-five cents. |
| Young lady |
Give me another blank, please: I guess that will be enough. (After five minutes’ hard work she produces the following: “Ring was awfully lovely. Come down as soon as you can. Mamie.”) |
| Clerk |
This contains eleven words. That will be thirty cents. |
| Young lady |
Oh, gracious! I wanted that nickel to buy gum with. |
| Clerk |
Let’s see. You might strike out, “awfully,” and that will make it all right. |
| Young lady |
Indeed I shan’t. You ought to see that ring. I’ll give you the thirty cents. |
| Clerk |
To whom is this to be sent? |
| Young lady |
It seems to me you are rather inquisitive, sir. |
| Clerk |
(wearily) I assure you there is no personal interest expressed in the question. We have to know the name and address in order to send the message. |
| Young lady |
Oh, yes. I didn’t think of that. (She writes the name and address, pays the thirty cents and departs. Twenty minutes later she returns, out of breath.) |
| Young lady |
Oh, I forgot something. Have you sent it off yet? |
| Clerk |
Yes, ten minutes ago. |
| Young lady |
Oh, I’m so sorry. It isn’t the way I wanted it at all. Can’t you telegraph and have it changed for me? |
| Clerk |
Is it anything important? |
| Young lady |
Yes: I wanted to underscore the words “awfully lovely.” Will you have that attended to at once? |
| Clerk |
Certainly, and we have some real nice violet extract; would you like a few drops on your telegram? |
| Young lady |
Oh, yes: so kind of you. I expect to send all my telegrams through your office, you have been so accommodating. Good morning. |